Josef Albers. Interaction of Color (Die Wechselbeziehungen der Farbe). Mit 81 farb. Siebdruck-Tafeln und wenigen Farboffsets auf Doppelbogen. Mit Text- und Kommentarband. Starnberg, J. Keller, 1973. Folio. 78 S. OLwd., 47 S. OKt. und lose Tafeln in OLwd.-Kassette (an der Kante geplatzt), zusammen in OLwd.-Schuber Die Lesbarkeit der Kunst 48 - Saur II, 48 - Vgl. Danilowitz S. 20. - Eins von 1000 Exemplaren. - Hauptwerk von J. Albers, das Lehrbeispiel für seine Farbentheorie, das er hier in Zusammenarbeit mit seinen Studenten in aufwendiger Produktion vorlegte. Seine Farbentheorie beeinflusste maßgeblich die abstrakte Malerei am Ende des 20. Jahrhundert und gilt als eines der bedeutendsten Künstlerbücher. - Auf den 80 Falttafeln befinden sich eine oder teilweise auch mehrere Farbserigraphien bzw. Farboffsets, teils mit aufklappbaren Farbelementen, die Albers' Theorien veranschaulichen, etwa den "Bezold-Effekt", dessen Anwendung ihn zu seinen "Homage-to-the-Square"-Bildern führte. - Albers widmete diese Publikation seinen Schülern: "Dieses Buch ist mein Dank an meine Studenten". - "Unter den zahlreichen Veröffentlichungen zu seinem eigenen Werk wie zu allgemeinen kunsttheoretischen und kunstpädagogischen Fragen wurde das Buch 'Interaction of Color' das berühmteste." (R. Langenberg, in Lesbarkeit der Kunst. 1999) - Gestaltet von Norman Ives, der später auch für Albers' "Formulation : Articulation" verantwortlich war. - Lose einliegend eine Werbeklappkarte mit dem faksimilierten Dankesschreiben von Albers, der dem Verleger zu den "ausgezeichneten Reproduktionen der Farbstudien" gratuliert und insbesondere die abwaschbare Kassette lobt. - Innen sehr gut. One of 1000 copies. With 81 color silkscreen and some offset plates. - Orig. boards and loose plates in orig. cloth cassette (one edge cracking) in orig. cloth slip-case (case and text vol. partly slightly stained resp. soiled, top of spine of the commentary vol. with slight defect). - Albers colour theory was of great influence on abstract painting at the end of the 20th century and is one of the most important artist's books.
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ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Bilder, Feuergouachen und Graphik 1957-67. 'Sky Art' Portfolio 1969. Bilddokumentation 1967-71. 20 Bl. Mit Portraittafel, 3 ausklappbaren Siebdrucktafeln, Orig.-Feuergouache als Klapptafel und weiterer Orig.-Feuergouache als Umschlag. München, Galerie Heseler, (1971). Kl.-Folio 29 x 21,5 cm. Illustrierte OBroschur (nur minimal bestoßen). With portrait plate, 3 fold-out silkscreen plates, orig. fire gouache as fold-out plate and more orig. fire gouache as cover. - Published in numbered edition.
§ Richard Mortensen (Danish 1910-1993) Three Abstracts dated 1961, 1965 and 1965, 15/300, 17/75 and 17/75, each signed, dated and numbered in pencil (in the margin) silkscreen(the sheets 60cm x 46cm (23.6in x 18in); 69cm x 49cm (27.1in x 19.3in); 69cm x 49cm (27.1in x 19.3in) respectively)Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-33, 3-34 and 3-35 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
§ Robert Jacobsen (Danish 1912-1993) Two Abstracts one signed and inscribed 'E.A.' in pencil (in the margin), the other unsigned, silkscreen(the sheets 63cm x 85cm (24.75in x 33.5in) and 60.5cm x 85.5cm (23.75in x 33.5in) respectively)Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-40 (one illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Graham Ovenden (born 1943)/Alice Series/each signed and dated in pencil Ovenden '70 A/P/eight artist proof prints/silkscreen in colours, sheet size 65cm x 50.5cm/and another smaller, inscribed For Julia love from Graham 1971 [9] CONDITION REPORT: Surface of the glass is very dirty on most of these so it is hard to see the condition of the actual prints, however the paper does look to have slightly browned and there are signs of tape having once been fixed to the mount of each print - this is particularly noticeable on the blue/green print where the paper is much darker and there are white marks to the corners of the image.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Allen Jones (born 1937)/Kneeling Woman Wallpaper/silkscreen in colours, 56.5cm x 50.5cm/in a glazed frame CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Abstraktion Max Ackermann (1887 Berlin - 1975 Unterlegenhardt)Glückliche Begegnung VI. 1972. Farbserigraphie auf Papier. 32,7 x 24,7 cm (56 x 40,5 cm). Datiert und nummeriert. Verso mit Nachlassstempel sowie Nachlassignatur von Johanna Ackermann von 1976. - Knickspurig u. mit minimal horizontalen Einriß im weißen Rand, das Motiv nicht betroffen. Insgesamt farbbrilliant. Ein Exemplar von 120. Color silkscreen on paper. Dated and numbered. Verso with estate stamp, signature of Johanna Ackermann 1976 and numbered together. - One copy of 120.
Pop Art Jim Dine (1935 Cincinnati/Ohio - lebt in London)Calico. 1965. Farbserigraphie auf weißem Karton. 101,6 x 76,2 cm. Signiert u. datiert. - Am rechten Rand gebräunt und partiell angeschmutzt. Kanten leicht bestoßen und mit leichten Knickspuren. Ein Exemplar von 200 (GA 250) . - Aus dem Portfolio 11 Pop Artists, Volume III. Colour silkscreen on white cardboard. Signed a. dated. - Right margin browned and partly soiled. Edges slightly bumped and with slight creases. - One copy of 200. - From the portfolio 11 pop artists volume III.
Visuelle Poesie Ferdinand Kriwet (1942 Düsseldorf - 2018 Bremen)Plus Minus. Farbserigraphie und Prägedruck auf leichtem Karton. 48,4 x 46 cm (48,4 x 46 cm). Signiert und mit handschriftlicher Widmung. - Blattkanten partiell leicht bestoßen. Sonst in wohlerhaltenem Zustand. Die Farben sehr leuchtend. Eines von 300 Exemplaren. - Aus der Mappe "Serigraphie", 1973 von Witten. Living Art Edition herausgegeben. Colour silkscreen and relief printing on light cardboard. Signed and with handwritten dedication. - Sheet edges partly slightly bumped. Otherwise in a good condition. The colours very bright. - One of 300 copies. - from the portfolio "Serigraphie" from 1973. - Published by Witten. Living Art.
Jeremy Deller, geb. 1966 London, Studium derKunst am Courtauld Institute of Art u. der Kunstgeschichte an der University of Sussex, Bespielte den britischen Pavillon der Biennalein Venedig 2013; hier: 'A is for Beethoven', Siebdruck, Ed. 25/100, verso signiert, ca. 65x47 cmJeremy Deller, born 1966 in London, studied art at the Courtauld Institute of Art and art history at the University of Sussex, played inthe British pavilion at the 2013 Venice Biennale; here: # 'A is for Beethoven #', silkscreen, Ed. 25/100, signed on the reverse,approx. 65x47 cm
Lourdes Castro (n. 1930)"D'Ombres"Book composed by rhodoïd front and back cover, half transparent paper and silkscreens on paper and half transparent paper based on photographs of the shadow play by Lourdes Castro (50 pp.)Signed on the insideEd. Guy Schraenen, Antwerp, 1974, 250 signed and numbered plus 4 HC plus 20 (with a signed and numbered silkscreen)Literature:Paulo Pires do Vale e Ana Barata (org.), "Lourdes Castro, Todos os Livros, Catálogo Comprovado", p. 116.20x30 cm
Sol LeWitt (1928-2007)"Colors with lines in four directions"Silkscreen on paperSigned and numbered 23/75From the portfolio "Mémoire de la liberté: les artistes imagent la liberté", Fondation France Libertés Danielle Mitterrand, which reunites the work of 55 artists.Literature:"Mémoire de la Liberté: Artists' Images for the Declaration of Human Rights", p. 43.116x116 cm (image)
Adam Barsby 'Rise Away' Painting, contemporary artwork signed to bottom right, depicting a hot air balloon. Measures approx 10'' x 10'', overall size 22'' x 24''. Mounted, glazed and framed in modern silver tone frame. Adam Barsby born Leicester in 1969 and has a successful launch of limited editions and silkscreen prints, with his trademark simple styles and rich colours and textures. Best up and coming artist for 1999.
Adam Barsby 'Turning Twilight' Painting, contemporary artwork signed to bottom right, depicting a windmill. Measures approx 11'' x 11'', overall size 23'' x 23''. Mounted, glazed and framed in modern silver tone frame. Adam Barsby born Leicester in 1969 and has a successful launch of limited editions and silkscreen prints, with his trademark simple styles and rich colours and textures. Best up and coming artist for 1999.
Adam Barsby Painting, contemporary artwork signed to bottom right, depicting a crowded beach scene. Measures approx overall size 27'' x 27''. Framed in modern black tone frame. Adam Barsby born Leicester in 1969, has a successful launch of limited editions and silkscreen prints, with his trademark simple styles and rich colours and textures. Best up and coming artist for 1999.
Signed Henk van der Vet (born 1939), titled "Not uprooted but replanted", silkscreen dated 1990, numbered 195/300, 55x66 cm, signed Ann Vanaeken (born 1956), titled "Rustigvlak", silkscreen, numbered 279 /800, 35x35 cm and poster Modern Classics Dutch Design Rietveld Chair, from 1984, 58x78 cm
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002)."Aromas", 2000.Woodcut on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is a woodcut from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
GRAHAM ILLINGWORTH (BRITISH 1953) 'SORCERER AND SORCERESS', two silkscreen prints, depicting male and female figures wearing outlandish costume, Sorcerer is a signed artist proof numbered 18/ 25, Sorceress is a signed print numbered 17/275, both mounted and framed, approximate sizes 65cm x 48cm, condition: prints are in good condition, scratches and small chips to the frames, Sorcerer is lacking the glass to the frame (artist resale rights apply)

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