6275 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Dieter Roth('Heinrich C. Schwarz')(1930 Hannover - 1998 Basel)Selbstbild als Hundehauf in Stuttgart. 1973. Serigraphie auf Bütten. 65 x 76,5 cm (65 x 76,5 cm). Signiert und im Stein datiert u. ortsbezeichnet. - Verso m. Braunfleckchen. Insgesamt im wohlerhaltenen Zustand, satt-pulvriger Druck. Dobke, 273. - In verschiedenen Farbbvarianten bestehend, eines von 70 unikatären Exemplaren. Silkscreen on laid paper. Signed and dated on the stone and inscribed with the place. - Verso with small brown spots. At all in a good condition, rich and powdery impression. - Existing in different colour variations, one of 70 unique copies.

Surrealismus Max Ernst(1891 Brühl - 1976 Paris)Endlose Spiele bereiten sich vor. 1972. Serigraphie auf blauem Karton. 49,5 x 36,5 cm (58,5 x 52,5 cm). Signiert und nummeriert. - Wohlerhalten. Spies/ Leppien, A 40 A. - Exemplar außerhalb der Auflage. - Nach einer Collage von 1942. - Gedruckt bei Dietz Offizin, Lengmoos u. hg. Peter Schamoni, München. Silkscreen on blue cardboard. Signed and numbered. - In good condition. - Spies/ Leppien, A 40 A. - One of 69 copies. - After a collage from 1942.

ZERO Otto Piene(1928 Laasphe/Westf. - 2014 Berlin)Olympia - Regenbogen. 1972. Farbserigraphie auf leichtem Karton. 70 x 100 cm (70 x 100 cm). Signiert und datiert sowie bezeichnet "photo Walter Seng". - Links mit kurzem Randeinriss. Ecken etwas bestoßen. Satter und brillianter Abzug. Rottloff, 159. - Eines von 350 Exemplaren. Colour silkscreen on light cardboard. Signed and dated as well as inscribed "photo Walter Seng". - Left with short marginal tear. Corners somewhat bumped. Rich and brilliant print. - One of 350 copies.

Willy Gursky(1921 Taucha - 2016)Model vor einem Siebdruck von Andy Warhol und einer Arbeit von Jim Dine. Photographie auf Alu Dibond kaschiert (1970er Jahre). 70 x 70 cm. Verso signiert und datiert (2010). An den Kanten etwas bestoßen, Oberfläche etwas berieben. Willy Gursky war der Vater von Andreas Gursky und studierte an der HGB Leipzig 1948 - 55 in Leipzig selbständig, ab 1956 Übersiedlung nach Düsseldorf, seit Mitte der 1980er Jahre war er als vornehmlich photographischer Porträtkünstler aktiv. 2016 verstarb er. Model in front of a silkscreen by Andy Warhol and a work by Jim Dine. Photography laminated on Alu Dibond (1970s). 70 x 70 cm. Verso signed and dated (2010). A little bumped at the edges, surface somewhat rubbed. Willy Gursky was the father of Andreas Gursky and studied at the HGB Leipzig 1948 - 55 in Leipzig independently, from 1956 moved to Düsseldorf, since the mid-1980s he was active as a primarily photographic portrait artist. In 2016 he passed away.

Lucio Fontana. (1899 Rosario di Santa/Argentinien - 1968 Comabbio bei Varese). Concetto Spaziale Teatrino. 1966. Gestanzte Collage und Siebdruck auf Karton. 21 x 16,5 cm (21 x 16,5 cm). Ruhé/Rigo, 157 M-7 (Variante). Sergio Tosi für Alexandre Jolas, Paris 1966. Die-cut collage and silkscreen print on cardboard.

Mona Thomson, framed Silkscreen print. 'The Beach Southwold' 1970 Limited Edition 7/40, 15.5 x 12cm.

Original vintage travel advertising poster for Jamaica British West Indies. Bright and colourful image for this Caribbean island of a smiling man wearing a straw hat on a donkey laden with tropical fruit - pineapples, bananas and oranges, a beach scene behind him featuring palm trees, a couple in swimsuits chatting, people sunbathing under a row of umbrellas, hills in the distance and a surfer running towards the blue sea. Silkscreen Good condition, creasing, repaired tears, restored paper losses, backed on linen. Country of issue: UK, designer: Mac Tey, size (cm): 106x71, year of printing: 1950s

BERGES, WERNER (1941-2017), 1 Blatt "Weiblicher Halbakt" aus "Pop Stars", Farbserigraphie/Papier, unten mittig mit Bleistift von Hand signiert, u.li. mit Bleistift num. 34/60, HxB: Blatt ca. 70x50 cm. Minim. Altersspuren.| BERGES, WERNER (1941-2017), 1 sheet "Weiblicher Halbakt" from "Pop Stars", color silkscreen / paper, signed by hand in pencil in the lower center, below left with pencil num. 34/60, HxW: sheet approx. 70x50 cm. Minim. Signs of age.

KERKOVIUS, IDA (1879-1970), "o.T.", Figürliche Komposition, Farbserigraphie/Papier, u.re. signiert (Stempel?), u.li. mit Bleistift num. 10/200, HxB: Platte ca. 3,5x21,5 cm, Blatt ca. 60,5x43,5 cm, Außenmaße Rahmen ca. 67x51 cm. Leicht gebräunt, minim. fleckig. Mit verglastem Rahmen (Vergoldung berieben/beschädigt). | KERKOVIUS, IDA (1879-1970), "o.T.", figurative composition, color silkscreen / paper, signed (stamp?), below left with pencil num. 10/200, HxW: plate approx. 3.5 x 21.5 cm, sheet approx. 60.5 x 43.5 cm, external dimensions frame approx. 67 x 51 cm. Slightly browned, minimal. blotchy. With glazed frame (gilding rubbed / damaged).

Katrin Fridriks (Icelandic 1974-), 'Awakening Ride', 2018, embossed silkscreen and inkjet print on 410gsm Somerset enhanced radiant white satin paper, signed and numbered from an edition of 77 in pencil, published by Avant Arte; sheet: 85 x 85cm (Framed) ARR

Takashi Murakami & Virgil Abloh, 'Kyoto Enso', 2018, silkscreen print in colours on paper, signed and numbered from an edition of 300; 46 x 38cm

Takashi Murakami & Virgil Abloh, 'Hollow Man', 2018, silkscreen print in colours on paper, signed and numbered from an edition of 300; 46 x 38cm

Conor Harrington (Irish 1980-), 'The Unveiling', 2014, pigment print with silkscreen gloss on 330gsm Somerset Satin paper, signed and numbered from an edition of 200 in pencil, published by Lazarides; sheet: 77.5 x 100cm

Connor Brothers (British Duo), 'So It Goes', 2016, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 50 in pencil; 42 x 29cm ARR

Connor Brothers (British Duo), 'The Truth Will Set You Free', 2015, giclee with silkscreen varnish on wove paper, signed, dated and numbered from an edition of 95 in pencil; sheet: 70 x 46cm ARR

Connor Brothers (British Duo), 'If You’ve Got A Skeleton In Your Closet', 2016, giclee with silkscreen varnish on wove paper, signed, dated, and inscribed AP in pencil, aside from the main edition; sheet: 42 x 29cm ARR

Connor Brothers (British Duo), 'I Drink To Make Other People More Interesting', 2017, giclee with silkscreen varnish on wove paper, signed, dated and numbered from an edition of 6 PPs in pencil, aside from the main edition; sheet: 42 x 29cm ARR

Connor Brothers (British Duo), 'Hell Is Empty And All The Devils Are Here', 2017, giclee print with silkscreen varnish on wove paper, signed in pencil, from an edition of 20 APs, a variant from the main edition of 150; sheet: 166 x 106cm ARR

Connor Brothers (British Duo), 'Every Saint Has A Past And Every Sinner Has A Future', 2020, hand-painted vintage paperback with silkscreen, signed to the authenticity label verso, from an edition of 2 plus 2 APs; 27 x 20.5cm inc frame ARR

Connor Brothers (British Duo), 'I Drink To Make Other People More Interesting', 2020, hand-painted vintage paperback with silkscreen, signed to the authenticity label verso, from an edition of 2 plus 2 APs; 27 x 20.5cm inc frame ARR

Connor Brothers (British Duo), 'Celebrity Is A Mask That Eats Its Own Face', 2016, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 50 in pencil; sheet: 42 x 29cm ARR

Damien Hirst (British 1965-) And Others, 'Turps Banana Set', 2011, a complete set of four digital pigment prints with silkscreen glaze on wove paper, all signed and numbered from matching editions of 75, published by Turps Banana; largest sheet: 59 x 42cm (4 Works) Works Include: Damien Hirst - Turps Banana Marcus Harvey - Banana Ryan Mosley - The Banana Jake & Dinos Chapman - You're Saved ARR

Damien Hirst (British 1965-), 'The Cure (Fire Red/Sun Yellow/Fire Orange)', 2014, silkscreen in colours on Somerset Tub Sized 410gsm paper, signed and numbered from an edition of 15, published by Paul Stolper and Other Criteria; sheet: 72 x 51cm ARR

Connor Brothers (British Duo), 'Tell Him I Was Too Fucking Busy - Or Vice Versa', 2017, giclee with silkscreen varnish on wove paper, signed, dated and inscribed AP in pencil, aside from the main edition; sheet: 42 x 29cm ARR

Connor Brothers (British Duo), 'Just Because You All Believe It', 2017, giclee print with silkscreen varnish on wove paper, signed, dated, and inscribed AP in pencil, aside from the main edition; sheet: 42 x 29cm ARR

Connor Brothers (British Duo), 'Sane Men Suffer The Misfortune Of Not Knowing That Everything Is Possible', 2016, giclee with silkscreen varnish on wove paper, signed, dated, and inscribed AP in pencil, aside from the main edition; sheet: 42 x 29cm ARR

Connor Brothers (British Duo), 'We Must Be Careful About What We Pretend To Be', 2015, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 125 in pencil; sheet: 42 x 29cm ARR

Connor Brothers (British Duo), 'Every Saint Has A Past And Every Sinner Has A Future', 2016, giclee with silkscreen varnish in wove paper, signed, dated, and number from an edition of 300 in pencil, published by Jealous Gallery; sheet: 42 x 29cm ARR

Tana McPherson (b.1976-) Rocks at BLK/MRKT Gallery. 2006 Silkscreen exhibition print. Singed by artist bottom right corner. Numbered: 154/300.W:46cm x H:61cm

Nel Whatmore, Femme Fatale limited edition silkscreen print, no. 234/395. 2000. W:110cm x H:96cm

CLAIRE FONTAINE2004 gegründetes KünstlerinnenkollektivTitel: It Was All A Lie. Datierung: 2011. Technik: Serigrafie und Acryl auf Leinwand. Maße: 142 x 200cm.Provenienz:- Metro Pictures, New York (Aufkleber)Ausstellungen:- me Collectors Room Berlin, 2015Literatur:- Stiftung Olbricht (Hrsg.): Falling Fictions, Berlin 2015, Abb. S. 68f. Erläuterungen zum KatalogClaire Fontaine Frankreich Zeitgenössische Konzeptkunst Videokunst Zeitgenössische Kunst Unikate 2010er Sprache Gemälde Acryl CLAIRE FONAINE2004 founded women artists collectiveTitle: It Was All A Lie. Date: 2011. Technique: Silkscreen and acrylic on canvas. Measurement: 142 x 200cm. Provenance:- Metro Pictures, New York (adhesive label)Exhibitions:- me Collectors Room Berlin, 2015Literature:- Stiftung Olbricht (ed.): Falling Fictions, Berlin 2015, ill. p. 68f. Explanations to the Catalogue

YEDILER, ISKENDER1953 Eskisehir/TürkeiTitel: Alien im Rosengarten. Datierung: 2006. Technik: Mixed Media (PVC, Serigrafie, Gebläse, Schalldichte Kiste). Maße: 300 x 300 x 250cm. Das Werk ist auf der offiziellen Internetseite des Künstlers verzeichnet (www.yediler.de) Es liegt ein vom Künstler unterschriebenes Zertifikat vom Mai 2008 vor. Erläuterungen zum KatalogIskender Yediler Türkei Zeitgenössische Kunst Objekte 2000er Blumen Skulptur Mischtechnik Figur / Figuren YEDILER, ISKENDER1953 Eskisehir/TurkeyTitle: Alien im Rosengarten. Date: 2006. Technique: Mixed Media (PVC, silkscreen, blower, soundproof box). Measurement: 300 x 300 x 250cm.The work is listed on the artist's official website (www.yediler.de). A certificate signed by the artist dated May 2008 is available. Explanations to the Catalogue

ANDERSON, REED1969 New YorkTitel: Where Are You Moriar. Datierung: 2005. Technik: Acryl, Collage und Serigrafie auf Papier. Maße: 210 x 198cm. Bezeichnung: Monogrammiert und datiert oben rechts: AR'05. Rahmen/Sockel: Rahmen. Im Rahmen beschrieben. Das Werk ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.reedanderson.info).Provenienz: - Dogenhaus Galerie, LeipzigAusstellungen: - Berenberg Bank, Düsseldorf 2008. Erläuterungen zum KatalogReed Anderson USA Zeitgenössische Kunst Unikate 2000er Formen Papierarbeit Mischtechnik Geometrische Abstraktion ANDERSON, REED1969 New YorkTitle: Where Are You Moriar. Date: 2005. Technique: Acrylic, collage and silkscreen on paper. Measurement: 210 x 198cm. Notation: Monogrammed and dated upper right: AR'05. Frame/Pedestal: Framed. Not examined out of the frame. The work is listed on the artist's official website (www.reedanderson.info).Provenance: - Dogenhaus Galerie, LeipzigExhibitions: - Berenberg Bank, Düsseldorf 2008. Explanations to the Catalogue

Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Country Bouquet with Delphinium [Tammy Wynette]". Medium: Silkscreen. Date: Composed 1989. Dimensions: Overall size: 37 3/4 x 25 1/4 in. (959 x 641 mm).Lot Note(s): Signed with the initials in black marker, lower right. Edition size unspecified. Light cream glossy wove paper. Full margins. Fine impression. Fine condition. Comment(s): Generally, posters by Wesselmann are uncommon and don't come up often at auction. No auction records located for this poster. For the concert of October 16, 1989 in Putney, Vermont. Image copyright © Licensed by VAGA, New York. [28424-6-225]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Giant Chaco Peccary". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm).Lot Note(s): Signed in black marker, lower right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.35. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28570-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Komodo Dragon (Monitor Lizard)". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 3/8 x 10 3/8 in. (264 x 264 mm).Lot Note(s): Signed in black marker, lower right. Very light cream wove paper. Right margin slightly trimmed. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.53. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28564-2-600]

Artist: James Rizzi (American, 1950-2011). Title: "Love Bugs". Medium: Color silkscreen and lithograph. Date: Composed 1999. Dimensions: Overall size: 12 1/8 x 15 in. (308 x 381 mm). Image size: 9 x 12 in. (229 x 305 mm).Lot Note(s): Bears complimentary signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27785-3-400]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Newbe". Medium: Original silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 7 7/8 x 10 9/16 in. (200 x 268 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "A.P." in pencil, lower left. An artist proof aside from the proposed edition of 513 (of which all were printed?). Printed on white hand-made paper, top edge deckled. Full margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19911-2-400]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "On a Chilly Knight". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 8 15/16 x 12 1/16 in. (227 x 306 mm). Image size: 8 15/16 x 12 1/6 in. (227 x 309 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "T/P" in pencil, lower left. A trial proof aside from an unknown edition. Cream wove paper. Printed to the edge of the sheet. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [23704-2-400]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "The Fox Went Out". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 8 7/8 x 12 in. (225 x 305 mm). Image size: 8 7/8 x 12 in. (225 x 305 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "T/P" in pencil, lower left. A trial proof aside from an unknown edition. Cream wove paper. Printed to the edge of the sheet. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [23703-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Souper Dress". Medium: Color silkscreen on paper. Date: Composed c1965-1968. Dimensions: Overall size: 38 1/4 x 23 1/8 in. (972 x 587 mm).Lot Note(s): Edition unknown, few survive intact and complete. Printed on paper: 80% cellulose, 20% cotton. The complete dress, untrimmed at bottom. Fine impression. Condition: folds as issued; repaired tear and repairs, lower right, slight yellowing, prior owner's inscriptions and artwork in black marker, verso, top left and right, else good. Framing would mask the imperfections. Literature/catalogue raisonne: Mark Francis, "The Warhol Look: Glamour, Style, Fashion", New York, 1997 (illustration of another example). Comment(s): The dress has sold at auction as high as $23,275 (Phillips New York, March 10, 2007, lot #1218). Our example, unlike many, does not have the bottom hem cut off (the concept was that the bottom of the dress could be cut to fit). The printing date is variously given as 1960 (incorrect), 1965, 1966, and 1968. Apparently, for two soup can labels and $1.00, Campbell's would send you this A-line dress, fire resistant unless washed or cleaned, three sizes available. Exhibited at the Centre Pompidou, Paris. Published by the Campbell Soup Company. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. TM Licensed by Campbell's Soup Co. All rights reserved. [28127-6-1600]

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), THE STAR silkscreen on paper, signed, titled, dated 2005 and numbered 42/125 image size 27cm x 19cm, overall size 53.5cm x 40.5cm Mounted, framed and under glass.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), THE WHITE DOG silkscreen on paper, signed, titled, dated 2005 and numbered 42/125 image size 27cm x 19cm, overall size 53.5cm x 40.5cm Mounted, framed and under glass.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), DOMESTIC CONVERSATION silkscreen on paper, signed, dated 2006 and numbered 28/90 image size 25cm x 34.5cm, overall size 50cm x 67cm Mounted, framed and under glass.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), FROM AN EASTERN EMPIRE silkscreen on paper, signed, dated 2006 and numbered 27/90 image size 37cm x 25cm, overall size 67cm x 50cm Mounted, framed and under glass.

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Introducing Miss America". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 9 3/8 x 11 3/8 in. (238 x 289 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "A.P." in pencil, lower left. An artist proof aside from the proposed edition of 513 (of which all were printed?). Printed on orange-colored hand-made paper, bottom edge deckled. Full margins. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19910-2-600]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 16, 1964 #7 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 VII, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30024-2-1600]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #06 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 VI, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30030-2-1600]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Nude with Blue Hair [detail]". Medium: Color half-tone silkscreen. Date: Composed 1994. Printed 1994. Dimensions: Overall size: 9 1/2 x 8 7/8 in. (241 x 225 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 286 for the full-size limited edition relief print. Comment(s): Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [26202-2-600]

Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Gold) (2004) (4 panel)". Medium: Color silkscreen and offset lithograph. Date: Composed 2004. Dimensions: Overall size: 36 x 41 1/4 in. (914 x 1048 mm). Image size: 36 x 41 1/4 in. (914 x 1048 mm).Lot Note(s): Signed lower right. Printed with five colors and metallic gold ink. The full sheet. Fine impression. Fine condition. Backed with a conservation support sheet. Provenance: Private collection, Birmingham, England. Comment(s): A panel of wallpaper (the complete pattern). In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Hirst's venture gained further publicity thanks to a dispute with the Royal Pharmaceutical Society of Great Britain, which claimed the name, pill bottles, and medical items on display could confuse people looking for a real pharmacy. The name itself breached the Medicines Act 1968, which restricts the use of the word "pharmacy". The restaurant's name was subsequently changed to "Army Chap" and then "Achy Ramp" (anagrams of "pharmacy"). Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004. For the massive Pharmacy sale at Sotheby’s in 2004, though, new wallpaper was designed and made that didn’t offend copyright laws, using biblical titles and references to biblical passages. Image copyright © Damien Hirst. [26305-6-1200]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Red Barn II [large version]". Medium: Color silkscreen . Date: Composed 1989. Dimensions: Overall size: 39 3/8 x 51 in. (1000 x 1295 mm). Image size: 29 3/4 x 37 7/8 in. (756 x 962 mm).Lot Note(s): Signed in pencil, lower right. White wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Waldman 171. Comment(s): Poster image copyright © Estate of Roy Lichtenstein. [27409-8-500]

Artist: Andy Warhol (American, 1928 - 1987). Title: "S&H Green Stamps [invitation - Avanti Galleries]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1978. Dimensions: Overall size: 3 1/2 x 8 1/2 in. (89 x 216 mm).Lot Note(s): Signed in black marker. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression with fresh colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, pp.21; Feldman/Schellmann II.9. Comment(s): The very scarce Avanti Galleries invitation for the 'Pop Art and Contemporaries Too!' exhibition opening on Sunday, May 21st, 1978. The show ran from May 21st to June 2nd. The two-image invitation also features Alex Katz's 'Susan,' silkscreen, 1976. No auction records located. Warhol image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York; Katz image © Licensed by VAGA, New York, NY. [28725-1-800]

Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Seascape with Cumulus Clouds and Sky ["Seascape 1991"]". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 18 5/8 x 35 13/16 in. (473 x 910 mm).Lot Note(s): Signed in pencil, center right. Edition size unspecified, presumed small. Light cream heavy wove paper. Full margins. Fine impression. Fine condition. Comment(s): Generally, posters by Wesselmann are uncommon and don't often come up at auction. This particular poster, based on an editioned print from 1991, is very scarce. Only one auction record located: sale at $893 (£561) at Bloomsbury Auctions, London, March 29, 2012, lot #530. Created for the Art Miami 1992 International Art Exposition at the Miami Beach onvention Center, January 8th to 12th, 1992. Design by Claire Wesselmann. Image copyright © Licensed by VAGA, New York, NY. [28411-5-600]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Washing Machine". Medium: Original color silkscreen. Date: Composed 1991. Dimensions: Overall size: 24 1/8 x 27 in. (613 x 686 mm). Image size: 19 3/8 x 23 1/2 in. (492 x 597 mm).Lot Note(s): Signed in pencil, lower right. Edition size unspecified, presumed very small. Smooth white wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Comment(s): A rare poster. Only one auction record in the past 28 years located (an unsigned impression). Printed by Springdale Graphics, Springdale, CT. Image © Estate of Roy Lichtenstein. [28314-6-600]

Artist: James Rizzi (American, 1950-2011). Title: "When the Cows Come to the Big Apple". Medium: Color silkscreen. Date: Composed 2000. Dimensions: Overall size: 25 1/2 x 35 7/16 in. (648 x 900 mm). Image size: 19 5/8 x 30 in. (498 x 762 mm).Lot Note(s): Bears complimentary signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27753-6-800]

Artist: James Rizzi (American, 1950-2011). Title: "Battle on the Ice". Medium: Color silkscreen and lithograph. Date: Composed 1992. Dimensions: Overall size: 11 3/8 x 12 7/16 in. (289 x 316 mm). Image size: 8 1/2 x 9 1/16 in. (216 x 230 mm).Lot Note(s): Bears complimentary signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27789-3-400]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Brushstrokes". Medium: Original color silkscreen. Date: Composed 1967. Dimensions: Overall size: 25 x 32 7/8 in. (635 x 835 mm). Image size: 22 x 29 7/8 in. (559 x 759 mm).Lot Note(s): Signed in pencil, lower right. Edition size unspecified, presumed small. Smooth, light cream wove paper. Full margins. Very good impression. Good to very good condition. Literature/catalogue raisonne: Corlett III.22; Doering/Von der Osten 19. Provenance: Private collection, San Rafael, California. Comment(s): Published by Poster Originals, Ltd., New York. Probably printed by Aetna Silkscreen Products, New York. The poster was designed for the Pasadena Art Museaum's 1967 Lichtenstein exhibition, which later traveled to the Walker Art Center, Minneapolis. Image © Estate of Roy Lichtenstein. [25201-6-1200]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Cow Going Abstract [Cow Triptych]". Medium: Original color silkscreen. Date: Composed 1974. Printed 1985. Dimensions: Overall size: 13 1/4 x 39 1/4 in. (337 x 997 mm). Image size: 10 3/4 x 38 1/2 in. (273 x 978 mm).Lot Note(s): Signed in black marker, lower left. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Corlett A9; Doering/Von der Osten 136. Provenance: Estate of a private collector, New York City (Manhattan), part of an extensive collection of Lichtenstein posters formed over a 20 year period. Comment(s): Another example of this poster sold for €1,250 ($1,966) at Van Ham Fine Art Auctions (Germany) in 2008. Image copyright © Estate of Roy Lichtenstein. [27405-6-1200]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Flowers [Galerie Thomas]". Medium: Color silkscreen. Date: Composed 1970. Dimensions: Overall size: 36 x 26 3/4 in. (914 x 679 mm). Image size: 27 x 26 3/4 in. (686 x 679 mm).Lot Note(s): Signed in black marker, lower right. Edition size unspecified, presumed small. Light cream wove paper. The full sheet. Fine impression with fresh colors. Very good condition; image fine, hinging stains far upper right and left, probably front-matted to display the image only, crease under the gallery name well away from the image. Literature/catalogue raisonne: cf. Feldman/Schellmann II.64-73. Comment(s): A scarce poster. Only one auction record located (William Doyle Galleries, November 13, 1996, lot #706, sold at $632). Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Published by Galerie Thomas, Dusseldorf, for its exhibition in October of 1970. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28384-6-2400]

Joseph Beuys (1921 Kleve - 1986 Düsseldorf) (F)'Düsseldorf...' Beuys - Heine - Wilp, Farbserigrafie auf glattem Papier, 1967, 61,5 cm x 87 cm Blattmaß, 47/100 nummeriert, von beiden Künstlern signiert, partiell Knickspuren, leichte FarbverlusteJoseph Beuys (1921 Kleve - 1986 Düsseldorf) (F)'Düsseldorf...' Beuys - Heine - Wilp, silkscreen in colours on smooth paper, 1967, 61.5 cm x 87 cm sheet size, numbered 47/100, signed by both artists, some minor creases, slight losses of pigment