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Damien Hirst (British b.1965) For the love of God, silkscreen print with glaze and diamond dust, limited edition 45/1000, signed and numbered in white crayon, 32cm by 24cm. DDSProvenance; property from the late Sir David TangThis lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Original vintage advertising poster for Puppetland on the South Parade Pier presented by Doreen. Silkscreen printed. Fair condition, clear tape across top and bottom margin, creases, tears, paper losses, small stains. County: UK, year of printing:1950s, designer: Unknown, size (cm): 77x50. Southsea is a seaside resort and geographic area, located in Portsmouth at the southern end of Portsea Island, Hampshire, England. Southsea is located to the south of Portsmouth city centre and to the east of Old Portsmouth. It developed as a fashionable Victorian seaside resort in the 19th century, originally named Croxton Town, but later borrowed the name of nearby Southsea Castle to promote itself and grew into a dense residential suburb and large distinct commercial and entertainment area, separate from the centre of Portsmouth. The 'Southsea' name of the area originates from Southsea Castle; a fort, located on the seafront and constructed in 1544 to help defend the Solent and approaches to Portsmouth Harbour. The areas surrounding Albert Road, Palmerston Road and Osborne Road comprise numerous bars, restaurants and independent shops. Palmerston Road is the main High Street of Southsea and contains two national department stores, as well as the local library. Albert Road is a distinct street containing shopping and cultural venues, which includes the Kings Theatre, a regional theatre built in 1907.

Original vintage movie poster for a film La Noche de Don Manuel / The Night of Don Manuel made in Puerto Rico for the Department of Education of the Community. Stylised design by the notable Puerto Rican artist Rafael Tufino (1922-2008) of a man wearing a hat and smoking as he walks at night on a countryside path towards the viewer, the text in Spanish above and below in stylised yellow and blue letters. Silkscreen printed. Very good condition, minor tears and faint creases on margins. Country:Puerto Rico. Year:1968. Designer:Rafael Tufino. Size (cm):74.5x49.5

§ Luke Piper (British, b.1966) St Guadentio signed and dated 'Luke Piper 94' (lower right); numbered 10/150 in pencil coloured silkscreen print 54 x 76cm (21 x 30in)

§ Sir Eduardo Paolozzi, CBE, RA (Scottish, 1924-2005) Studies on Wittgenstein signed, titled, dated '1994' and numbered 4/15 in pencil coloured silkscreen, printed by Kip Gresham at Curwen Chilford, unframed 75 x 55cm (29 x 21in)

§ Sir Eduardo Paolozzi, CBE, RA (Scottish, 1924-2005) Au Cirque signed, titled, dated '1994' and numbered 23/40 in pencil coloured silkscreen, printed by Kip Gresham at Curwen Chilford, unframed 47 x 38cm (18 x 15in)

§ Sir Eduardo Paolozzi, CBE, RA (Scottish, 1924-2005) Magic Flute signed, dated '1994' and numbered 22/40 in chalk coloured silkscreen, printed by Kip Gresham at Curwen Chilford, unframed 55 x 46cm (21 x 18in)

§ Gillian Ayres, CBE, RA (British, 1930-2018) Much is the Force of a Heaven-Bred Poesy signed in pencil coloured silkscreen, printed by Kip Gresham at Curwen Chilford , from an edition of 50, unframed 59 x 59cm (23 x 23in)

§ John Hoyland, RA (British, 1934-2011) Root signed, dated '92' and inscribed 'For Caroline' in pencil coloured silkscreen, printed by Kip Gresham at Curwen Chilford 90 x 74.50cm (35 x 29in)

Tachisme.- Middleton (Derek Osborne, English 'Tachiste' Abstract Impressionist painter, 1917-83) Collection of material, including: his unpublished autobiography "How To Be An Artist", family photographs, autograph inventory of paintings and "Weekly Accounts"; original family photographs; a detailed inventory by him of his paintings between 1956 and 1982; his autograph 'Weekly Accounts', 1945 to 1951; original silkscreen prints (one signed) and reproductions of his work; over a hundred photographs of his work, in two folders, with detailed annotation for a sale following his death; a collection of his unpublished poetry; various CVs, produced both during his lifetime and after his death, with a detailed 'List of Buyers'; publications including gallery programmes and invitations; and a miscellaneous collection of related correspondence and other material, manuscripts etc., some browning, folds, some wear, v.s., v.d., 1940s - 80s (lge qty).⁂ Derek Middleton was an important figure in the abstract impressionist movement of the 1960s. Born in Shanghai in 1917, Middleton studied art in Munich, Florence and Dusseldorf, his work being hung at the Royal Academy in 1953 and 1954. In 1957, he had his first one-man show, at the New Vision; in each of the following three years, he was given one-man shows at the Redfern. Middleton went to live in Paris in 1958, and with the change of country he changed his vision and expanded his artistic range. Whereas his earlier works had retained some elements of representation, his later ones were almost purely abstract. And, increasingly, he became fascinated by the texture of wood, producing sculptures and reliefs notable for their bold design and fine craftsmanship. Examples of Middleton's work are in the British Museum, the Liverpool and Manchester municipal art galleries, the Museum of Modern art Cleveland, Ohio; City Hall, Quebec; and in many private collections in Europe and the United States. Provenance: The present collection of material derives from the papers of Middleton's nephew Colin Burton Stewart.

Adrian HEMMINGFigure with StaffMixed mediaSigned, inscribed and dated 198935 x 25cmTogether with a silkscreen by Saleem ARIF

A Cuban silkscreen political poster, reprint, 'Dia de la Liberacion Nacional', framed, 74 x 48cm

Tetsuro Sawada (1933-1998). Group of nine silkscreen prints. Dimensions: Sight height ranges from 26 in to 7 in. Sight width ranges from 34 in to 7 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email lia@revereauctions.com with any condition questions.SKU: 01096Follow us on Instagram: @revereauctions

Group of nine Japanese prints. Group of eight silkscreen prints by Tetsuro Sawada (1933-1998). One Shigeku Kuroda print titled "Majesty." Signed along the lower right, titled along the lower center, and numbered 27/50 along the lower left. Dimensions: Sight height ranges from 26 in to 7 in. Sight width ranges from 34 in to 7 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email lia@revereauctions.com with any condition questions.SKU: 01097Follow us on Instagram: @revereauctions

Two silkscreen prints by Roy Fairchild WOODARD (B. 1953-), titled "Shearwater I and II), signed in pencil lower right

•Corneille-Guillaume Cornelius Van Beverloo (1922-2010) - seated female nude with a bird by a window, signed artists proof, limited edition print, dated '76 (1976), also numbered 95/100, coloured silkscreen print, 24.25" x 19"

Victor Vasarely (French/Hungarian 1906-1997)/Multi-Coloured Cube Abstract/signed and numbered 83/700/colour silkscreen, 39cm x 77cm

A Cuban silkscreen political poster, reprint, 'Dia de la Liberacion Nacional', framed, 74 x 48cm

* JACK VETTRIANO OBE (SCOTTISH b 1951), NIGHT GEOMETRY limited edition silkscreen print, signed and numbered 77/195 in pencil 50.5cm x 40cm Mounted, framed and under glass

* JACK VETTRIANO OBE (SCOTTISH b 1951), COCKTAILS AND BROKEN HEARTS limited edition silkscreen print, signed and numbered 3/275 70cm x 56cm Unframed

KEITH HARING 'Yellow man', 1983, silkscreen poster for the 17th Montreal Jazz festival, signed in the plate, 100cm x 70cm.

KEITH HARING 'Pink man', 1983, silkscreen poster for the 17th Montreal Jazz festival, signed in the plate, 100cm x 70cm.

KEITH HARING 'Orange man', 1983, silkscreen poster for the 17th Montreal Jazz festival, signed in the plate, 100cm x 70cm.

Andy Warhol (American 1928-1987), 'Druckgrafik Kunstladen Munchen', circa 1970, silkscreen in colours, exhibition show poster; sheet: 103 x 59cm

Ian Francis (British b.1979), ‘Two People Go On Holiday Forever’, 2012, archival pigment print with silkscreen gloss varnish on 330 gsm Somerset Enhanced Satin paper, signed and numbered from an edition of 20 in pencil, published by Lazarides; sheet: 80 x 82cm ARR

Conor Harrington (Irish b.1980), ‘Samson’s Nostalgia Trap’, 2014, archival pigment print with silkscreen gloss on 330 gsm Somerset Satin paper, signed and numbered from an edition of 200 in pencil, published by Lazarides; sheet: 74 x 100cm ARR

Cosmo Sarso (British), 'Breakdancing Jesus', 2012, silkscreen print with hand applied gold leaf halo on paper, signed and numbered from an edition of 150 in pencil; sheet: 50 x 70cm ARR

Faile (Collaboration), 'Yellow Pages', 2007, acrylic and silkscreen ink on paper, signed in pencil front, dated and numbered from an edition of 16 verso; sheet: 84 x 64cm

Faile (Collabaration), 'Faile Girl', 2007, acrylic and silkscreen ink on paper, signed in pencil front, dated and numbered from an edition of 11 verso; sheet: 60.5 x 45.5cm

Connor Brothers (British b.1968), ‘I Drink To Make Other People More Interesting’, 2017, giclee with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 100 in pencil; sheet: 41 x 26cm ARR

Connor Brothers (British b.1968), ‘Reality, An Unpleasant But Persistent Illusion’, 2015, giclee with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41 x 26cm ARR

Connor Brothers (British b.1968), ‘The First Thing I Do In The Morning Is Brush My Teeth And Sharpen My Tongue’, 2018, giclee with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 60 in pencil; sheet: 41 x 26cm ARR

Connor Brothers (British b.1968), ‘We Must Be Careful About What We Pretend To Be (Second Edition)’, 2015, giclee with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41 x 26cm ARR

Connor Brothers (British b.1968), ‘We Must Be Careful About What We Pretend To Be (First Edition)’, 2015, giclee with silkscreen varnish on archival paper, signed, dated and inscribed AP in pencil, outside of the main edition of 125; sheet: 41 x 26cm ARR

Connor Brothers (British b.1968), ‘I Don't Want To Go To Heaven None Of My Friends Are There’, 2019, giclee with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 35 in pencil; sheet: 75 x 50cm ARR

Damien Hirst (British b.1965), 'Minnie - Pink Glitter (Large)', 2016, silkscreen print with glitter, signed and numbered from an edition of 50 in pencil verso, stamped in red with artists' stamp verso, published by Other Criteria; sheet: 152.5 x 122.5cm ARR

Peter Blake (British b.1932), 'Sgt Pepper', 2012, silkscreen in colours on paper, signed and numbered from an edition of 50 APs in pencil; 86 x 78cm inc frame ARR This work is in good condition. There are no visible knocks, tears or creases to the sheet. The work has been mounted and framed. This work has not been examined out of the frame

Takashi Murakami (Japanese b.1962), 'Enso: A World Filled With Light', 2018, silkscreen on paper, signed and numbered form an edition of 100 in pencil; sheet:46.8 x 39.8cm

Takashi Murakami (Japanese b.1962), 'Enso: Facing The Pitch-Black Void', 2018, silkscreen on paper, signed and numbered form an edition of 100 in pencil; sheet:46.8 x 39.8cm

Faile (Collaboration) 'Butterfly Girl (Pink & Cream)', 2006, acrylic and silkscreen ink on Lenox 100 paper, signed in pencil front, dated and numbered from a varied edition of 11 verso; sheet: 89 x 63.5cm

Kaws (American b.1974), 'No Reply 7', 2015, silkscreen in colours on paper, signed, dated and numbered from an edition of 100 in pencil, published by Pace Prints; 98 x 67cm inc frame

*Peter Blake (British, b.1932) BENTLEY BY BLAKE Inkjet print in colours with silkscreen glazes, 2016, signed and numbered 139/150 in pencil, published by Coriander Studio and CCA Galleries, on wove paper, with margins sheet 49.5 x 39.8cm, unframed *Artist's Resale Right may apply to this lot.

Mona Saudi (Jordanian b.1945) The Petra Tablets, Adonis, 1996 Silkscreen print and watercolor Signed in pencil, inscribed, dated '96 and numbered 15/50 75 x 52cm (29½ x 20¼ in.) Unframed

JOSEF ALBERS 'Stripes', silkscreen, Suite: Interaction of colours, 62cm x 44cm overall, framed and glazed.

Craigie Aitchison (1926-2009) - 'Canaries on a Tree', silkscreen print, signed in pencil and numbered 124/300 verso, published 2003, framed, 27.5cm x 23cm, together with the associated Royal Academy book Craigie Aitchison 'Out of the Ordinary' (2)

Two retro 1980s silkscreen prints by Phil GRIFFIN

Two silkscreen prints by Harvey DANIELS (1936-2013), both Artist's Proofs and titled "Red Black Greg" and "Blue and Green Sharp", signed in pencil and dated 1987

Two silkscreen prints by Roy Fairchild WOODARD (b.1953-), titled "Shearwater I and II), signed in pencil lower right

δ Patrick Caulfield (1936-2005)For John Constable (Cristea 47)Silkscreen printed in colours, 1976, signed and numbered from the edition of 100 in pencil, on wove paper, as included in the portfolio 'For John Constable', printed by Advanced Graphics, published by Bernard Jacobson Gallery, London, the full sheet printed to the edges, 1025 x 772mm (40 3/8 x 30 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Ryan Callanan (RYCA) (b.1981)Silver SmileyPerspex, MDF, silkscreen printed glass, silver paint, aluminium and polyurethane resin, 2015, signed, dated and numbered from the edition of ten in black ink verso, overall 750 x 750 x 70mm (29 1/2 x 29 1/2 x 2 7/8in) (artist's frame)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

SEVEN REPRINT POSTERS. 12 quality (mostly silkscreen) reprints of some of the most sought after Beatles posters. All in NM condition. To include: Christmas 1961 Tower Ballroom (20x30"), 1962 Heswall Jazz Club (20x30"), Operation Big Beat 1962 (20x30"), 1962 Casanova Club (12.5x20"), 1963 Tower Ballroom (18x25.5"), 1963 Stroud (18x25.5") and the 1964 Carnegie Hall (20x30") and others.

BEATLES ANDY WARHOL ARTWORK. Two silkscreen printed collages featuring images of all four Beatles printed onto card stock. These were prototypes for a larger work which was never completed. The smaller work measures 11" x 8", has been touched up by hand with pen and ink and includes a rainbow above their images with John Lennon in the background. The larger work measures 21" x 16" and has a sun like image behind the four printed images of The Beatles. Sold with a COA from the Giuliano Collection Ltd.

ARTHUR CHARLTON (1917-2007) colour lithograph - Swansea footballers playing against a team at the old Vetch Field ground circa 1950s (with referee in a blazer), unsigned, 28 x 38cms Auctioneer's Note: Arthur Charlton was born in the North-East of England but Swansea became his adopted home from 1952 onwards. A prisoner of war from 1942-45, he set out to record his experience through drawings and a diary; lack of materials forced him to improvise by utilising whatever materials were available, including bitumen paper, biscuit wrappers and the backs of labels from tins. On the 23 April 1945 he was released by the Russian army and flown back to England where he resumed his art education at the Royal College of Art. He then pursued a career as an artist and senior art lecturer, after taking an appointment at the Swansea School of Art. A close friend of the Swansea artists Glenys and Ron Cour, during sixty years of creative activity he created prints using wood engraving, etching, aquatint, lithography, linocut and silkscreen. His work is in the permanent collection of the Imperial war Museum and the Welsh Arts Council (print of Caswell Bay).

•CRAIGIE AITCHISON (1926-2009) 'Still Life with Bird Vase', 2004, signed and numbered 58/300 verso, colour silkscreen on Saunders Waterford 356gsm paper, from the edition of 300 plus 50 Artist proofs printed by Advanced Graphics and published by Timothy Taylor Gallery, Waddingtons and Advanced Graphics, 2004,, 28 x 22 cm, loosely contained in dark blue cloth portfolio, with the accompanying printed catalogue 'Craigie Aitchison - Pictures'   Condition Report: Folio marked and rubbed, otherwise in excellent condition

GORDON HOUSE (BRITISH 1932-2004), 'Quarter Yellow 65/80', 'Gothic Blue 67/80' and 'Strand Green 68/80', three limited edition silkscreen prints, signed, titled and dated 78/79 to the margins, Quarter Yellow is framed, the other two are not, approximately 110cm x 79cm (3) (condition: some damage to the frame and the unframed prints) (Artists Resale Rights May Apply To This Lot)

IVOR ABRAHAMS (BRITISH 1935-2015), a limited edition three dimensional silkscreen print 32/75, from The Garden Series, signed and dated (19)71 in pencil, mounted in a purpose built frame, approximately 58cm x 77cm (Artists Resale Rights May Apply To This Lot)

GERED MANKOWITZ (b.1946), Purple Haze Portrait Print of Jimi Hendrix, silkscreen, limited edition 207/500, signed in pencil and with blindstamp, 40" x 29 3/4", ebonised frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

GERED MANKOWITZ (b.1946), Purple and Gold Portrait Print of Jimi Hendrix, silkscreen, limited edition 187/500, 32 3/4" x 25 1/2", framed (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

Robert Lenkiewicz (1941-2002) 'The Painter with Anna - Rear View', Project 18,silkscreen, No.1/475 released 1998, signed and titled, image 76cm x 59cm.

Robert Lenkiewicz (1941-2002) 'The Painter with Anna II', Project 18, silkscreen No.257/275, signed and titled, 72cm x 72cm.