6275 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Graham Illingworth (British 1953-) "In Total Defiance" Signed and numbered 210/295 in pencil, with certificate of authentication attached on verso, silkscreen print.75.5cm x 57cm (29.75in x 22.5in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

THANKYOUXStarting Somewhere 2022 signed; signed, titled and dated '22 on the reverseacrylic, oil, enamel, gold foil on panel with digital screen152.4 by 122.3 cm. 60 by 48 1/8 in.This work was executed in 2022 and is accompanied by an NFT. NON-FUNGIBLE TOKENStarting SomewhereToken minted on OpenSea, 15 June 2022Smart Contract Address: 0xD8Ff23D27Fe7b4382Dc8953D7F685E269Ea22687Token ID: 9Token Standard: ERC-721Metadata: MP4View on OpenSea (for viewing purposes only, bidding on this item can only be done through the Bonhams website): https://opensea.io/assets/ethereum/0xd8ff23d27fe7b4382dc8953d7f685e269ea22687/9Footnotes:ProvenanceCollection of the artist, LAThroughout ThankYouX's distinguished career, the artist has paid homage to his inspirators, the Los Angeles native spending his formative years surrounded by the street art of Invader and Shepard Fairey. Before his international recognition as a pioneering NFT visual artist, ThankYouX's stencilled public pieces from the late 2000s drew inspiration from the works of Andy Warhol, nodding to the Pop Art luminary's technique of photographic silkscreen printing. Themes of Americana and pop culture permeate the present two works, Starting Somewhere and Purpose. Like Warhol, himself a champion of integrating new technologies including computers into his art, ThankYouX's artworks challenge the binary nature of the traditional art versus digital art debate. The present works attest to ThankYouX's dexterity as an artist; they embrace materiality, the theme of constant change, and technological innovation. Amongst the artist's studio works, his canvases with an embedded digital screen have elicited excitement both with online crypto art communities and the wider contemporary art audience. ThankYouX has honed this technique in recent years to express multiple layers of a story, and to allow the audience to switch between a microcosmic and macrocosmic perspective. Whilst the canvas provides a commentary on how an individual's choices can lead to new frontiers in life, the NFT display extrapolates this idea further by inviting the viewer into a new visual plane and, metaphorically, a new dimension. In the artist's words, 'Starting Somewhere expresses being unafraid to venture into new unknowns. Not letting obstacles hold you back from new ideas. To get to where you want to be, you must start somewhere.' This committed and passionate attitude reverberates throughout ThankYouX's technical approach in the present work. The atmospheric swathes of white, grey and black are disrupted by thick flashes of energetic cerulean and crimson. The dramatic impasto imbues the canvas with an instinctive character, and the cube motifs allude to the artist's digital NFT artworks as well as his larger murals painted on the streets of Los Angeles. True to his curiosity and innovative nature, ThankYouX includes unconventional materials in his works – a practice which echoes the masters of Neo-Dadaism such as John Chamberlain, César, and Christo and Jeanne-Claude. In Starting Somewhere, ThankYouX uses a unique, gold-coloured material called aluminised polyimide which was gifted to him by NASA. This material is typically used to protect satellites from the Sun as they orbit the Earth. In combining the realms of technology and painting, ThankYouX's works amplify the interdependency of mankind. Pioneering a hybrid of physical art and digital art, he juxtaposes blockchain based technology and digital displays with canvases and paint. The two works on offer effectively convey the tension and liminal feelings one encounters when pursuing a life-changing objective.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

ALDO COSOMATI (1895-1977)Fly B.O.A.Csilkscreen poster in colours, 1952, cond.B+, backed on linen. 39 x 25ins. (100 x 63cm.)For further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Flowers (Feldman & Schellmann II.69) Screenprint in colours, 1970, on wove paper, signed in ball-point pen and stamp-numbered 127/250 verso (there were also 26 artist's proofs lettered A-Z), printed by Aetna Silkscreen Products, Inc., published by Factory Additions, New York, the full sheet, several scuffs with associated ink losses, mostly filled-in, other surface defects, the colours fresh and bright, framedSheet 914 x 912mm. (36 x 35 7/8in.)For further information on this lot please visit Bonhams.com

VOS DARJA (1961), sign. r.a. 1992, "Espaciar La Vista II", silkscreen 17/ 35 100 x 69 cm.VOS, DARJA (1961), ges. r.b. en gedat. 1992, "Espaciar La Vista II, zeefdruk 17/35, 100 x 69 cm.

BROUWERS YOLANDE (1951), sign. and datd. l.r. '89, Female figure, silkscreen 37/45, 59 x 73 cm.BROUWERS, YOLANDE (1951), ges. r.o. en gedat. '89 Kleurrijk dameshoofd, zeefdruk 37/45, 59 x 73 cm

CORNEILLE (1922-2010), sign. and dated. 1989 l.r. in print, Female figure with cat, silkscreen on linen 90 x 125 cm.CORNEILLE (C. VAN BEVERLOO) (1922-2010), ges. r.o., gedat. 1989 in plaat gesigneerd, vrouw met kat bij zonnebloem, zeefdruk op linnen 90 x 125 cm.

CORNEILLE (C. VAN BEVERLOO) (1922-2010), sig. l.r. '94, silkscreen 397/750, 27 x 20 cm.CORNEILLE (C. VAN BEVERLOO) (1922-2010), ges. r.o. en gedat. '94, zeefdruk 397/750, 27 x 20 cm.

HARPENAU, PATTY (1959), signed bottom, silkscreen 108/250, 37 x 45 cmHARPENAU, PATTY (1959), ges. r.o. gedat. '97, abstracte compositie met zon, ankers, en planten. zeefdruk 108/250, 37 x 45 cm

SJOEGREN, AGNETHA (1967), sign. l.r. Dogs by Agnetha, silkscreen, H. 50 cm, B. 50 cmSJOEGREN, AGNETHA (1967), gesign. r.o. Dogs by Agnetha, zeefdruk, 50 x 50 cm.

TEN BOSCH, GEERTEN (1959), sig. r.r. dated. 1996, edition 31/132, Untitled, composition with harlequin suit in black and yellow. Silkscreen, 75 x 56 cmTEN BOSCH, GEERTEN (1959), ges. r.o. gedat. 1996, oplage 31/132, Zonder titel, compositie met harlekijn pakje in zwart en geel. Zeefdruk, 75 x 56 cm

Unkwown, uncl. sign, A collection of 3 works with flowers, silkscreen 54 x 39 cm.Onbekend, onduid. ges. m.o., serie van 3 werken, 9 bloemen in een raster, zeefdruk 54 x 39 cm.

KOSTER, THEO (1952), sign. l.l. Factory, silkscreen on canvas, H. 80cm, W. 200 cm.KOSTER, THEO (1952), gesign. l.o. Factory, zeefdruk op doek, 80 x 200 cm.

Artist: Andy Warhol (American, 1928 - 1987). Title: "Puerto Rican Parrot". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm).Lot Note(s): Signed in black marker, center right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.95. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28569-2-300]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Red Barn II [medium format]". Medium: Color silkscreen . Date: Composed 1989. Dimensions: Overall size: 27 1/2 x 35 1/2 in. (698 x 902 mm). Image size: 20 x 25 3/8 in. (508 x 645 mm).Lot Note(s): Signed in pencil, lower right. White wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Waldman 171. Comment(s): Poster image copyright © Estate of Roy Lichtenstein. [27408-6-300]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "The Power of Memory". Medium: Original silkscreen. Date: Composed 1947. Dimensions: Overall size: 12 7/8 x 9 7/8 in. (327 x 251 mm). Image size: 10 9/16 x 7 1/2 in. (268 x 190 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "A.P." in pencil, lower left. An artist proof aside from the proposed edition of 513 (of which all were printed?). Printed on white, hand-made paper, bottom edge deckled. Full margins. Fine impression. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19905-2-600]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Whaam! [detail - poster]". Medium: Color lithograph and silkscreen. Date: Composed 1992. Dimensions: Overall size: 50 1/2 x 35 3/4 in. (1283 x 908 mm). Image size: 30 1/2 x 35 3/4 in. (775 x 908 mm).Lot Note(s): Signed in pencil, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Very good impression. Good to very good condition. Comment(s): A scarce and large poster. No auction records in the past 25 years located. Unknown to Doering/Von der Osten. Image copyright © Estate of Roy Lichtenstein. [26927-8-1600]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Brooklyn in Q-T Formation". Medium: Original silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 9 5/16 x 12 1/16 in. (237 x 306 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "A.P." in pencil, lower left. An artist proof aside from the proposed edition of 513 (of which all were printed?). Printed on turquoise-colored hand-made paper, bottom edge deckled. Full margins. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19909-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "California Condor". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 7/16 x 10 5/16 in. (265 x 262 mm).Lot Note(s): Signed in black marker, right center. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.11. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28572-2-300]

Artist: Karima Muyaes (Mexican, b.1960). Title: "Geomorada". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Image size: 8 x 12 in. (203 x 305 mm).Lot Note(s): Signed, titled and numbered in pencil. Artist proof. Handmade paper. Fine impression. Fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2022. Muyaes's work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18614-0-100]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Giant Chaco Peccary". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm).Lot Note(s): Signed in black marker, lower right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.35. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28570-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Komodo Dragon (Monitor Lizard)". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 3/8 x 10 3/8 in. (264 x 264 mm).Lot Note(s): Signed in black marker, lower right. Very light cream wove paper. Right margin slightly trimmed. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.53. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28564-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "La Plata River Dolphin". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm).Lot Note(s): Signed in black marker, lower right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.17. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28574-2-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Lucky Strike: Yellow". Medium: Original color silkscreen. Date: Composed 1987. Dimensions: Overall size: 39 5/16 x 27 9/16 in. (999 x 700 mm). Image size: 38 x 25 3/4 in. (965 x 654 mm).Lot Note(s): Signed in black marker, lower left; signed and dated in the plate. Edition of 100?. White wove paper. Full margins. Fine impression with vibrant colors. Very good condition. Literature/catalogue raisonne: Gundel/von der Osten 52. Comment(s): Image copyright © The Keith Haring Foundation. [26512-6-600]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "October 8, 1964 #10 [from the suite 'Le Gout du Bonheur,' image dated 8-10-64 X, untitled as issued]". Medium: Original silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An erotic image. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30016-2-800]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #04 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 IV 21, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 13/16 in. (327 x 249 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, lower left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30028-2-1200]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Los Minotauros [Galeria Colibri]". Medium: Color silkscreen. Date: Composed 1968. Dimensions: Overall size: 21 9/16 x 16 1/8 in. (548 x 410 mm).Lot Note(s): Signed in white crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: Unknown to Czwiklitzer and Rodrigo. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. A scarce poster; no auction records in the past 25 years located. Image copyright © Artists Rights Society (ARS), New York. [26955-4-1200]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Thinking of Him". Medium: Original color silkscreen. Date: Composed 1991. Dimensions: Overall size: 27 x 26 in. (686 x 660 mm).Lot Note(s): Signed in pencil, lower right. Edition size unspecified, presumed very small. White smooth wove paper. Full margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Comment(s): A rare poster. No auction records, other than Stanford Auctioneers, located. Printed by Springdale Graphics, Springdale, CT. Image © Estate of Roy Lichtenstein. [28892-6-400]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Red Barn II [large format]". Medium: Color silkscreen . Date: Composed 1989. Dimensions: Overall size: 39 3/8 x 51 in. (1000 x 1295 mm). Image size: 29 3/4 x 37 7/8 in. (756 x 962 mm).Lot Note(s): Signed in pencil, lower right. White wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Waldman 171. Comment(s): Poster image copyright © Estate of Roy Lichtenstein. [27409-8-500]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Nude with Blue Hair [detail]". Medium: Color half-tone silkscreen. Date: Composed 1994. Printed 1994. Dimensions: Overall size: 9 1/2 x 8 7/8 in. (241 x 225 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 286 for the full-size limited edition relief print. Comment(s): Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [26202-2-400]

Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Gold) (2004) (4 panel)". Medium: Color silkscreen and offset lithograph. Date: Composed 2004. Dimensions: Overall size: 36 x 41 1/4 in. (914 x 1048 mm). Image size: 36 x 41 1/4 in. (914 x 1048 mm).Lot Note(s): Signed lower right. Printed with five colors and metallic gold ink. The full sheet. Fine impression. Fine condition. Backed with a conservation support sheet. Provenance: Private collection, Birmingham, England. Comment(s): A panel of wallpaper (the complete pattern). In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Hirst's venture gained further publicity thanks to a dispute with the Royal Pharmaceutical Society of Great Britain, which claimed the name, pill bottles, and medical items on display could confuse people looking for a real pharmacy. The name itself breached the Medicines Act 1968, which restricts the use of the word "pharmacy". The restaurant's name was subsequently changed to "Army Chap" and then "Achy Ramp" (anagrams of "pharmacy"). Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004. For the massive Pharmacy sale at Sotheby’s in 2004, though, new wallpaper was designed and made that didn’t offend copyright laws, using biblical titles and references to biblical passages. Image copyright © Damien Hirst. [26305-6-1200]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Sheik and Private Leon". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 8 5/8 x 11 3/4 in. (219 x 298 mm).Lot Note(s): Signed "Wheeler" and dated in pencil, lower right. Annotated "A.P" in pencil, lower left. An artist proof aside from the proposed edition of 513 (of which all were printed?). Printed on tan-colored hand-made paper, bottom edge deckled. Full margins. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19899-2-600]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Nick Carter". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 8 x 10 3/8 in. (203 x 264 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "A.P." in pencil, lower left. An artist proof aside from the proposed edition of 513 (of which all were printed?). Printed on green-colored hand-made paper, bottom and right edges deckled. Full margins. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19904-2-600]

Artist: Keith Haring & Andy Warhol (Americans, 20th Century). Title: "20th Montreux Jazz Festival". Medium: Original color silkscreen. Date: Composed 1986. Dimensions: Overall size: 39 3/8 x 27 9/16 in. (1000 x 700 mm). Image size: 38 1/2 x 25 in. (978 x 635 mm).Lot Note(s): Signed in black marker by both Haring and Warhol, center left and right; signed in the plate by both Haring and Warhol. Edition size unspecified. White wove paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition. Literature/catalogue raisonne: Gundel/von der Osten 33 (for Haring); Marechal Posters 47 for Warhol [Paul Marechal, "Andy Warhol: The Complete Commissioned Posters, 1964-1987," pp. 131-132]. Comment(s): There is a second edition of this poster printed by photolithography, date unknown, probably early 1990s. Our example is the original silkscreen published in 1986. According to 'Gordon's Art Reference' the auction record for another impression of this poster (signed) is $2,952, realized at Swann Galleries, New York City, on November 17, 2011. A collaboration between Haring and Warhol for the famous Jazz Festival's 20th annual performances, July 3-19, 1986. Published by Le festival de jazz de Montreux, Switzerland. Printed by Albin Uldry, Bern, Switzerland. Image copyright © The Keith Haring Foundation & copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [27841-6-1200]

Artist: Andy Warhol (American, 1928 - 1987). Title: "S&H Green Stamps [invitation - Avanti Galleries]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1978. Dimensions: Overall size: 3 1/2 x 8 1/2 in. (89 x 216 mm).Lot Note(s): Signed in black marker. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression with fresh colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, pp.21; Feldman/Schellmann II.9. Comment(s): The very scarce Avanti Galleries invitation for the 'Pop Art and Contemporaries Too!' exhibition opening on Sunday, May 21st, 1978. The show ran from May 21st to June 2nd. The two-image invitation also features Alex Katz's 'Susan,' silkscreen, 1976. No auction records located. Warhol image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York; Katz image © Licensed by VAGA, New York, NY. [28725-1-800]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Cow Going Abstract [Cow Triptych]". Medium: Original color silkscreen. Date: Composed 1974. Printed 1985. Dimensions: Overall size: 13 1/4 x 39 1/4 in. (337 x 997 mm). Image size: 10 3/4 x 38 1/2 in. (273 x 978 mm).Lot Note(s): Signed in black marker, lower left. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Corlett A9; Doering/Von der Osten 136. Provenance: Estate of a private collector, New York City (Manhattan), part of an extensive collection of Lichtenstein posters formed over a 20 year period. Comment(s): Another example of this poster sold for €1,250 ($1,966) at Van Ham Fine Art Auctions (Germany) in 2008. Image copyright © Estate of Roy Lichtenstein. [27405-6-1200]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Flowers ["Red" - Nouvelles Images]". Medium: Original color silkscreen. Date: Composed 1970. Dimensions: Overall size: 27 1/2 x 27 1/2 in. (698 x 698 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good condition; would be very good to fine but for a one inch tear in the upper left margin, not into the image, would be masked out by the mat when framed. Literature/catalogue raisonne: cf. Feldman/Schellmann pp.213-214; II.64-73. Comment(s): Scarce, and rare signed. The auction record for another impression of this print (signed) is $3,600 realized at Swann Galleries, NYC, February 5, 2013, lot 251. This "Flowers" image is slightly different from those of the limited edition published in 1970. According to Feldman/Schellmann (pg. 214, fourth edition, 2003) "prints exist which differ from the published edition (example illustrated on previous page)." The example illustrated on pg. 213 is our example and that sold by Swann, with different colors. Based on a photograph of hibiscus flowers by Patricia Caulfield in "Modern Photography," June, 1964. Published by Nouvelles Images, France, 1970. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29231-6-2400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mao [ad announcement]". Medium: Color offset lithograph. Date: Composed 1972. Dimensions: Overall size: 12 x 9 in. (305 x 229 mm).Lot Note(s): Signed in black marker, lower center. Edition unknown, presumed large. Smooth wove light cream paper. The full sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.93. Comment(s): Unusually scarce magazine advertisement, highly sought after since the set of 10 Mao editioned screenprints fetched $2,538,592 at Sotheby's London in 2012. Our example, the advertisement announcement, is rarely at auction. Original and published prior to the publication of the Mao silkscreen set of ten. The color brochure mentioned in the ad is the Mao Announcement, offered also in this auction. As can be seen from the price list (illustrated but not part of this lot), the portfolio was available for $4,500 to the public, $2,400 by subscription. The edition was co-published by Multiples, Inc., New York, and Castelli Graphics, New York and printed at Styria Studio. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28488-2-500]

Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Seascape with Cumulus Clouds and Sky ["Seascape 1991"]". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 18 5/8 x 35 13/16 in. (473 x 910 mm).Lot Note(s): Signed in pencil, center right. Edition size unspecified, presumed small. Light cream heavy wove paper. Full margins. Fine impression. Fine condition. Comment(s): Generally, posters by Wesselmann are uncommon and don't often come up at auction. This particular poster, based on an editioned print from 1991, is very scarce. Only one auction record located: sale at $893 (£561) at Bloomsbury Auctions, London, March 29, 2012, lot #530. Created for the Art Miami 1992 International Art Exposition at the Miami Beach onvention Center, January 8th to 12th, 1992. Design by Claire Wesselmann. Image copyright © Licensed by VAGA, New York, NY. [28411-5-600]

PANAMARENKO (1940-2019) Cover 'Milkyways & happenings', silkscreen with signature in print. Cover 'Milkyways & happenings', zeefdruk met handtekening in druk. 87 x 62 cm

Don KEN (1956) Mickey mouse & Charly Chaplin, edition 2019. Acrylic on paper (pièce unique) + silkscreen 48/50. Mickey mouse & Charly Chaplin, uitgave 2019. Acryl op papier (pièce unique) + zeefdruk 48/50. 76 x 57.5 cm

André SCHUYLENBERGH VAN (1952) Silkscreen Blue woman. Signed and numbered E.A. Zeefdruk Blue woman. Getekend en genummerd E.A. 59.5 x 50

Artist: Keith Haring (American, 1958 - 1990). Title: "The Paris Review [1988 poster]". Medium: Original color silkscreen. Date: Composed 1988. Printed 1988. Dimensions: Overall size: 24 x 32 in. (610 x 813 mm).Lot Note(s): Signed and dated in black marker, lower right; signed and dated in the plate, lower left. Edition size unspecified, presumed extremely small - perhaps a few proofs?. White wove thick paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition. Literature/catalogue raisonne: Gundel/von der Osten "Keith Haring - Short Messages: Posters" #66. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This is a very rare poster. Haring created this image for the famous periodical "Paris Review" in 1988. An editioned silkscreen with virtually the same image was printed in 1989. Based on auction records the poster appears far more uncommon than the print. According to 'Gordon's Art Reference' the auction record for the print is $11,250 at Sotheby's, New York, October 30, 2014, lot #239. Gordon's records 51 offerings of the print at auction from 1990 to 2019. During the same period Gordon’s records only a single offering of the poster, at $4,493 (€4,000) by Van Ham Kunstauktionen, Cologne, Germany, 5/31/2017, lot #179. Both the poster and the print are silkscreens. They differ only in the color of the face (green in the poster, blue in the print), and the elimination of the plate signature and date in the print, both present in the poster. Please note our example is the first printing of the silkscreen poster in 1988 and not the offset lithograph later printing by the Haring estate in 1995. Image copyright © The Keith Haring Foundation. [29156-6-2400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Crack Down! [program]". Medium: Original color silkscreen. Date: Composed 1986. Dimensions: Overall size: 9 x 12 1/16 in. (229 x 306 mm). Image size: 9 x 6 in. (229 x 152 mm).Lot Note(s): Signed in black marker, lower center; signed and dated in the plate. Edition unknown, probably c2,000, few survive. Light cream smooth wove paper. Full margins. Fine impression with vibrant colors. Condition: fine. Literature/catalogue raisonne: Gundel/von der Osten 40 for the poster. Comment(s): Scarce, and rare when signed. No auction records located. The image for the program is identical to that of the image for the poster created by Haring (with the exception of the background color) at the request of the concert promoter Bill Graham. Graham revisited his old Bronx neighborhood in August of 1986 and, appalled to see that drugs had effectively wiped out the local culture, foresaw a menacing problem in the crack craze. He teamed with David Maldonado to stage a Crack Benefit in the city, but scaled back plans several times since few shared his apprehension. Ultimately, two concerts were held, one at Madison Square Garden on October 31st and the other, an all-Latin show at the Felt Forum, the following night. Much like theatrical playbills, programs have been used at concerts for decades. With information on bands and their members, it gives the concertgoer a chance to get to know the musicians they will soon see live. The program offered here is from the performance at the Felt Forum on November 1st, which featured Santana, Ruben Blades y Seis del Solar, Willie Colon, Eddie Palmieri, Tito Puente, and Bobby Rodriguez y la Nueva Compania. Image copyright © The Keith Haring Foundation. [28364-1-225]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Banana". Medium: Original color silkscreen. Date: Composed 1981. Dimensions: Overall size: 24 3/8 x 12 1/4 in. (619 x 311 mm).Lot Note(s): Signed in pencil, upper left. Edition unknown, probably very small. Light cream wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Marechal 29; Feldman/Schellmann II.10. Comment(s): Extremely rare. No auction records located. Created for the exhibition of Warhol's record album covers at the ARoS Aarhus Kunstmuseum, Aarhus, Denmark, and the Nationalmuseum, Stockholm, Sweden, in 1981. Features the famous image of the banana, which Warhol created for the cover of the legendary 1967 Velvet Underground and Nico record album. There was also a catalogue issued for this exhibition, with a non-Warhol image on the cover. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28447-5-2000]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "The Fox Went Out". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 8 7/8 x 12 in. (225 x 305 mm). Image size: 8 7/8 x 12 in. (225 x 305 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Annotated "T/P" in pencil, lower left. A trial proof aside from an unknown edition. Cream wove paper. Printed to the edge of the sheet. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [23703-2-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Montreux [Jazz Festival] 1983 - Blue/Green Background/Yellow Border". Medium: Original color silkscreen. Date: Composed 1983. Dimensions: Overall size: 39 3/8 x 27 9/16 in. (1000 x 700 mm). Image size: 38 1/2 x 25 in. (978 x 635 mm).Lot Note(s): Signed in black marker, lower right; signed and dated in the plate. Edition size unspecified. White wove paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition. Literature/catalogue raisonne: Gundel/von der Osten 29. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): A poster for the famous Jazz Festival's 17th annual performances, July 8-24, 1983. Image copyright © The Keith Haring Foundation. [26517-6-800]

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Girl at Piano". Medium: Color silkscreen. Date: Composed 1997. Dimensions: Overall size: 54 x 38 in. (1372 x 965 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression with fresh colors. Very good to fine condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Comment(s): A rare poster - no auction records located. Published by the Bruce and Nancy McGaw Foundation as part of a campaign to raise funds for AIDS prevention. Image copyright © Estate of Roy Lichtenstein. [28643-8-1600]

Artist: David Hockney (British, b.1937). Title: "Parade, Metropolitan Opera, N.Y., 1981 [unsigned impression]". Medium: Color silkscreen. Date: Composed 1981. Dimensions: Overall size: 80 7/8 x 41 in. (2054 x 1041 mm). Image size: 79 3/4 x 39 7/8 in. (2026 x 1013 mm).Lot Note(s): Signed and dated "© David Hockey 1981 Petersburg Press" in the plate, lower center. Edition unknown, presumed small. Light cream heavyweight wove paper. The full sheet. Very fine impression with heavy ink application; extraordinarily fresh colors. Very good condition; some minor creasing in the margins, not into image. Literature/catalogue raisonne: Baggot/Hockney Posters 94 (1987); Baggot/Hockney Posters 103 (1994). Comment(s): Huge, almost seven feet high. Features Hockney's oil on canvas "Harlequin" (1980). Published by the Lincoln Center for the Performing Arts, New York. Printed by the Petersburg Press, New York. Poster image copyright © David Hockney. Hockney, often referred to as England's greatest living artist, made brilliant contributions to the world of opera as a stage and costume designer. He also designed numerous posters. Beginning in 1975 with his work for Stravinksy's 'The Rakes Progress', until 1990 when he worked on 'Turandot', Hockney worked for the major opera houses. Among his most memorable productions were Mozart's 'Magic Flute' and Wagner's 'Tristan and Isolde'. His collaboration with the Metropolitan Opera on Eric Satie's 'Parade' is best remembered for this poster. The image, with Hockney's neo-pop decor and costumes, showcases a juggler whose contortions fit eye-catchingly into the poster's elongated format. If the opera itself is not so popular, this image has become a classic. [courtesy Nick Lowry, Swann Galleries]. [28321-8-1200]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #3 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 III, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 13/16 in. (327 x 249 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30020-2-1600]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Prelude in Red". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 8 3/8 x 11 in. (213 x 279 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right; annotated "A.P." in pencil, lower left. Proposed edition of 513 (of which all were printed?). Tan wove paper. Ample margins. Fine impression, with heavy ink application. Very good to fine condition - would be fine but paper is slightly brittle. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19907-2-600]

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Marine Garden". Medium: Original color silkscreen. Date: Composed 1947. Dimensions: Overall size: 9 7/8 x 12 7/8 in. (251 x 327 mm). Image size: 9 1/8 x 12 1/8 in. (232 x 308 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Proposed edition of 513 (of which all were printed?). Printed on blue-colored hand-made paper, bottom edge deckled. Full margins. Fine impression, with heavy ink application. Fine condition. Comment(s): Wheeler is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. His work is increasingly being "discovered," as evidenced by the sale of his painting "Un Titled, W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000. There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [19903-2-800]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #1 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30019-2-1600]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #02 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 II, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 13/16 x 9 11/16 in. (325 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30026-2-1600]

Geometrische Abstraktion - - Jesús Rafael Soto. (1923 Ciudad Bolivar/Venezuela - 2005 Paris). Kinematische Bilder/ Tableaux Cinetiques. 1963. Ausstellunsgkatalog Museum Haus Lange Krefeld mit 3 Serigraphien als Strukturbögen. Je eine Serigraphie als Strukturbogen auf leichtem weißem Karton, auf leichtem schwarzen Karton und auf transparentem Plexiglas. Blattmaße je 32 x 23 cm. Mit Texttafeln. - Katalog außen wenig berieben. 1 Blatt mit leichteren Altersspuren im weißen Rand, unauffällig. Insgesamt in wohlerhaltenem Zustand. Die Serigraphien satt und kontrastreich. Katalog zur ersten großen institutionellen Ausstellung Sotos in Deutschland. Durch das Lagern und Schichten des Plexiglasbogen über die weiße oder schwarze Tafel lassen sich zahlreiche Variationen graphischer Effekte erzielen. Exhibition catalogue Musuem Haus Lange Krefeld with 3 silkscreens as structural sheets. One silkscreen as structural sheet each on light white cardboard, on light black cardboard and on transparent Plexiglas. With text plates. - Catalogue a little rubbed on the outside. 1 sheet with slight signs of age in the white margin, inconspicuous. Altogether in a well preserved condition. The serigraphs rich in contrast. The silkscreens saturated and rich in contrast.

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Dirac. 1988. Farbserigraphie auf Vélin. 51 x 51 cm (70 x 62 cm). Signiert und nummeriert. Punktuell auf Unterlage und unter Passepartout montiert. - Unten links zart berieben. Im oberen rechten weißen Rand minimal angeschmutzt. Insgesamt sauber und farbkräftig. Eines von 250 Exemplaren. - Aus dem neunteiligen Portfolio "Diam". Colour silkscreen on vélin. Signed and numbered. Spot mounted on backing and under passepartout. - Lower left delicately rubbed. In the upper right white margin minimally soiled. Overall clean and colorful. - One of 250 copies. - From the portfolio "Diam".

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Eridan II. 1956. Serigraphie auf eloxierter Aluminiumplatte, diese fest auf bemaltem Holz montiert. 37 x 25,2 cm (37 x 25,2 cm). Verso an der Holzplatte mit Plakette, dort mit eingraviertem Künstlernamen und Nummerierung. - Partiell berieben und mit leichten, oberflächlichen Kratzern. Insgesamt wohlerhalten. Eines von nur 17 Exemplaren. Silkscreen on anodised aluminium plate, this firmly mounted on painted wood. With plaque on the verso of the wooden plate, there with engraved artis`t name and numbering. - Partially rubbed and with light superficial scratches. Overall in good condition. - One of only 17 copies.

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Harlequin sportif (Pole vaute (Voûte de Perche)). Um 1988. Farbserigraphie auf chamoisfarbenem Bütten. 79 x 59 cm (97,8 x 72,4 cm). Signiert und nummeriert. - Sehr vereinzelt im weißen Rand mit minimalen Braunfleckchen, diese das Motiv nicht betreffend. Guter Zustand. Eines von 300 Exemplaren. Colour silkscreen on buff handmade paper. Signed and numbered. - Very sporadic in the white margin with minimal brown spots, these not affecting the motif. Good condition. - One of 300 copies.

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Heisenberg. 1979. Farbserigraphie auf Karton. 54,5 x 54,5 cm (60 × 64,5 cm). Signiert und nummeriert. - Guter Zustand mit pudrigen Farben. Eines von 125 Exemplaren. - Erschienen im Grafos Verlag, Vaduz. Colour silkscreen on cardboard. Signed and numbered. - Good condition. - One of 125 copies. - Published by Grafos, Vaduz.

Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Maeght- Tridium. Um 1968. Farbserigraphie auf chamoisfarbenem Papier. 50 x 30 cm (66 x 45 cm). Signiert und nummeriert. - Im früheren Passepartoutausschnitt minimal lichtrandig, kaum auffällig. Satter Abzug in leuchtenden Farben. Eines von 200 Exemplaren. - Hg. von Denise Rene. - Druck bei Arte Adrien Maeght, Paris. - Nach dem Cover, welches Vasarely im Auftrag für den Ausstellungskatalog der gleichnamigen Ausstellung "L'Art Vivant 1965 - 1968" in der Fondation Maeght, Saint-Paul-de-Vence13. April - 30. Juni 1968, gestaltete. Maeght Tridium. Colour silkscreen on buff paper. Signed and numbered. - In the former mount minimally light margined, hardly noticeable. Rich print in bright colours. - One of 200 copies. - Ed. by Denise Rene. - Printed by Arte Adrien Maeght, Paris. - After the cover for the catalogue of the exhibition "L'Art Vivant 1965 - 1968" at the Fondation Maeght, Saint-Paul-de-Vence, 13. April - 30 June 1968.