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6275 Los(e)/Seite
Los 296
Conor Harrington (Irish 1980-), 'Fight Club (The Mess We Make)', 2013, giclee with silkscreen gloss and applied 22 carat gold leaf on 330gsm Somerset Satin paper, signed and inscribed from an edition of 2 PPs in pencil, aside from the main edition of 45, published by Lazarides; 119 x 137.5cm inc frame ARR
Los 326
OBEY GIANT, Shepard FAIREY (USA, 1970)American rage, 2020.-Silkscreen.-Hand signed and dated - Weight: 2.00 kg - Region: USA - Period: 21eme - Sizes: H 910mm L 610mm - Condition: At first sight - good condition - no restoration - Author / artist: OBEY GIANT, Shepard FAIREY - Object type: Dessin
Los 337
OBEY GIANT, Shepard FAIREY (USA, 1970)Voting rights are human rights, 2020.-Silkscreen.-Hand signed - Weight: 2.00 kg - Region: USA - Period: 21eme - Sizes: H 910mm L 610mm - Condition: At first sight - good condition - no restoration - Author / artist: OBEY GIANT, Shepard FAIREY - Object type: Dessin
Los 1823
FAZZINO, CHARLES (geb. 1955), "Money maks the world go round", Farbserigraphie als 3D-Objekt, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 22/100 DX, HxB: Darstellung ca. 70x90 cm, Passepartoutausschnitt ca. 76x92 cm, Außenmaße Rahmen ca. 98x115 cm. Im Passepartout mit verglastem Rahmen. Leichte Altersspuren.| FAZZINO, CHARLES (geb. 1955), "Money maks the world go round", color silkscreen as a 3D object, below right signed by hand in pencil, lower left with pencil num. 22/100 DX, HxW: Representation approx. 70x90 cm, passepartout cutout approx. 76x92 cm, external dimensions frame approx. 98x115 cm. In a passepartout with a glazed frame. Slight signs of age.
Los 4
KENNY SCHARF (B. 1958)Family Values circa 1994-1995 signed and titled on the reverseacrylic and silkscreen on canvas board35.3 by 45.5 cm.13 7/8 by 17 15/16 in.This work was executed circa 1994-1995.Footnotes:ProvenanceCotthem Gallery, BrusselsAcquired directly from the above by the present ownerThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 316
William Joseph Kentridge (South African 1955 - ): YOU WILL BE DREAMT BY A JACKAL; WHY SHOULD I HESITATE (SCULPTURE AND PUTTING DRAWINGS TO WORK) The print: stamped with the artist's signature, silkscreen on found paper, 23,5 by 14,5cm excluding frame; 33 by 24 by 2,5cm including frame The set of books: William Kentridge (2019) Why Should I Hesitate: Sculpture, and Putting Drawings to Work, a set of two books published to accompany the artist's exhibitions at Norval Foundation and Zeitz MOCAA, Cape Town, 24 August 2019 to 23 March 2020, illustrated in full colour, between linen covered boards, in a printed slip case. Each book signed by the artist
Los 367
Ilya Bolotowsky (Russian/American, 1907-1981). Silkscreen on paper depicting two blue and red triangles in a diamond formation. Pencil signed along the lower right and numbered 90/125 along the lower left. This work is Plate 5 from the 1970 "Album III."Provenance: Distinguished corporate collection, Minnesota.Sight; height: 25 in x width: 25 in. Framed; height: 33 1/4 in x width: 32 3/4 in.
Los 371
Shusaku Arakawa (Japanese, 1936-2010). Color silkscreen on plastic silver foil titled "Living Room." Signed and dated 1969 in marker along the lower right corner; editioned 4/95 in marker along the lower right.Sight; height: 24 in x width: 28 3/4 in. Framed; height: 25 1/2 in x width: 30 in.
Los 377
Arthur Boden (American, 1927-2019). "Untitled (blue)" silkscreen on paper from the artist's T-series (1970). Pencil signed along the lower right and numbered 2/100 along the lower left.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 28 1/4 in x width: 22 1/2 in. Framed; height: 29 1/4 in x width: 3 1/2 in.
Los 916
Adam Barsby 'Rise Away' Painting, contemporary artwork signed to bottom right, depicting a hot air balloon. Measures approx 10" x 10", overall size 22" x 24". Mounted, glazed and framed in modern silver tone frame. Adam Barsby born Leicester in 1969 and has a successful launch of limited editions and silkscreen prints, with his trademark simple styles and rich colours and textures. Best up and coming artist for 1999.
Los 917
Adam Barsby 'Turning Twilight' Painting, contemporary artwork signed to bottom right, depicting a windmill. Measures approx 11" x 11", overall size 23" x 23". Mounted, glazed and framed in modern silver tone frame. Adam Barsby born Leicester in 1969 and has a successful launch of limited editions and silkscreen prints, with his trademark simple styles and rich colours and textures. Best up and coming artist for 1999.
Los 920
Adam Barsby Painting, contemporary artwork signed to bottom right, depicting a crowded beach scene. Measures approx overall size 27" x 27". Framed in modern black tone frame. Adam Barsby born Leicester in 1969, has a successful launch of limited editions and silkscreen prints, with his trademark simple styles and rich colours and textures. Best up and coming artist for 1999.
Los 46
BRIAN ENO/JON HOPKINS/LEO ABRAHAMS - SMALL CRAFT ON A MILK SEA (LIMITED EDITION LP/CD BOX SET - 242/250). A fantastic addition to any ambient collectors catalogue. A limited-edition box set featuring the collaboration between renowned recording artists Brian Eno, Jon Hopkins and Leo Abrahams. Number 242 from a run of 250 numbered copies. Features a one-off, customised 12″ square silkscreen print by Brian Eno. Printed on 330gsm Somerset Radiant White stock, signed and numbered in pencil by Brian Eno. Comes packaged with a real copper plate, etched with the title and edition number embedded in the slipcase spine. Condition is Ex+/'as new'.
Los 487
Elton John - set of three silkscreen prints prepared for the Rocket Records offices, using imagery from the 'Sleeping with the Past' 1989 album period, including two black and grey and one black and yellow, printed by Wayne Johnson, each with Wherefore Art? studio stamp to the bottom right, each 38" x 25" *The David Costa Collection
Los 492
Mick Jagger - Ink Icon Mick Jagger 'solo portrait' multicolour silkscreen print, printed by Bob Saitch on 300gsm Arches Waterleaf, with advanced graphics, unsigned, unnumbered proof, 35" x 25" ** The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 495
Mick Jagger - Ink Icon Mick Jagger 'solo in recording studio' silkscreen print, test double image in black, gold, silver and sepia plus ghosted varnish, printed by Bob Saitch, advanced graphics, unnumbered artist proof, signed by Gered Mankowitz, with Gered Mankowitz and Wherefore Art? studio stamps to the bottom right, 35" x 24" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 496
Keith Richards - Ink Icon Keith Richards 'solo portrait' multicolour silkscreen print, printed by Bob Saitch on 300gsm Arches Waterleaf, advanced graphics, unsigned, unnumbered proof, bearing Wherefore Art? stamp to the bottom right and Ink Icon stamp to the bottom left, 35" x 25" *Ink Icon is a company shared between renowned photographer Gered Mankowitz and David Costa (Whereforart?) to explore some of the major and most familiar images in Gered's archive and to produce limited edition silkscreens * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 497
The Rolling Stones - Ink Icon 'Caged' three colour silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, printed in red, black and gold, artist proof 16/40, signed by Gered Mankowitz, bearing Gered Mankowitz and Wherefore art? studio stamps, 30" x 40" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 498
The Rolling Stones - Ink Icon 'Caged' silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, unsigned production sample, bearing Wherefore Art? studio stamp to the bottom right, 40" x 30" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 499
The Rolling Stones - Ink Icon 'Caged' silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, printed in red, black and gold upon mill board, one-off test print, 30" x 40" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 500
The Rolling Stones - Ink Icon 'Caged' silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, printed by Bob Saitch, advanced graphics, one-off test print, bearing Wherefore Art? studio stamp to the lower left, framed, 21" x 34" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 501
The Rolling Stones - group shot by Gered Mankowitz at Masons Yard, London, multicolour silkscreen print, printed by Bob Saitch, advanced graphics, unsigned proof, 24" x 35" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 502
The Rolling Stones - group shot by Gered Mankowitz at Masons Yard, London, multicolour silkscreen print, printed by Bob Saitch, advanced graphics, unsigned proof, 24" x 35" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 503
Jimi Hendrix - 'Purple Haze (Smoking)', an Ink Icon four colour silkscreen print in orange, gold, magenta and black, printed by Wayne Johnson in 1997, artist proof, 2/12, signed by Gered Mankowitz to the bottom right of image, bearing Gered Mankowitz and Wherefore Art? studio stamps to the bottom right, 40" x 30" (speckled water damage to lower part of image) * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 504
Jimi Hendrix - 'Purple and Gold', an Ink Icon four colour silkscreen print in orange, gold, magenta and black, printed by Wayne Johnson on 310gsm Somerset Satin in 1997, an unsigned unstamped early final proof, 40" x 30" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 505
Jimi Hendrix - ?Purple Haze?, an Ink Icon two-colour silkscreen print version in blue and black only, printed by Wayne Johnson, unnumbered proof, signed by Gered Mankowitz to the lower right of image, one of very few blue/black, two-colour only samples produced, unpublished as a silkscreen edition but subsequently used on the body of the ?Hear My Message' limited edition Fender Stratocaster produced in collaboration with Fender and Experience Hendrix. Bearing Wherefore Art? and Gered Mankowitz studio stamps to the lower right, 35" x 25" (staining to foot of page) * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 506
Jimi Hendrix - 'Purple and Gold', a set of six various 'reject' silkscreen test/proof prints on various paper stocks, including three black and blue overprints on orange and gold background; one magenta orange and gold with no black; one with incomplete orange underprint and a single colour magenta only (6) * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Los 31
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002) and EDMOND JABÈS (Cairo, 1912-Paris, 1991)."Placard".Silkscreen on Arches paper, copy 112/500.Hand-signed by both artists.Maeght Editeur, Paris.Printed by Arcay Paris.Work catalogued in "Eduardo Chillida. Opus P.II. Complete catalogue of the graphic work 1973-1985), Martin van del Koelen, ed. München Mainz, 1997, p. 118, ref. 75014.Size: 95 x 62 cm; 110 x 77 cm (frame).The collaboration between the Jewish writer Edmond Jabès and the Basque artist Edudardo Chillida was evident in the work "La Mémoire et la Main", in which there was a clear link between the etchings and the poems of both artists. The silkscreen print on display contains a poem by Edmond Jabès and is signed by the artist and the writer. It was published on the occasion of an exhibition at Galeria Maeght.Chillida began his training at the School of Architecture at the University of Madrid, but abandoned his studies to devote himself to football, as goalkeeper for Real Sociedad. As a result of an injury he was forced to give up sport, and it was then that his artistic vocation awoke. He began drawing at the Círculo de Bellas Artes in Madrid, and little by little his interest in sculpture grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastian for good, and made his first work in iron, the material with which he would work for the rest of his life. With the idea that art should be accessible to everyone, he produced numerous public works throughout his life, as well as sculptures for museums all over the world. His works dialogue with their surroundings, which is why many of them are already considered emblematic places for citizens, as is the case with the "Peine del viento" in San Sebastian and the "Puerta de la Libertad" in Barcelona. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
Los 41
ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012)."Als Mestres de Catanlunya".Lithography. Copy H.C.Signed and justified in pencil.Size: 100 x 70 cm.This work belongs to the album "Als mestres de Catalunya", made up of eight lithographs and a silkscreen, including the one on the cover, published by Sala Gaspar in Barcelona and printed by Damià Caus (Barcelona, lithographs) and Alexandre Tornabell (Girona, silkscreen).Co-founder of "Dau al Set" in 1948, Tàpies begins to exhibit at the Salones de Octubre in Barcelona, as well as at the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Galerías Layetanas, he travels to Paris in 1950, with a grant from the Institut Français. In 1953 he had a solo exhibition at Martha Jackson's gallery in New York. From then on, he exhibited his work, both in group and solo shows, all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the 1970s, anthologies have been devoted to him in Tokyo, New York, Rome, Amsterdam, Madrid, Venice, Milan, Vienna and Brussels. Self-taught, Tàpies created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style full of symbolism, giving great importance to the material substratum of the work. It is worth noting the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous prizes and distinctions, including the Praemium Imperiale of Japan, the National Prize for Culture, the Grand Prix for Painting in France, the Wolf Foundation for the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Prize for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Prize for the Plastic Arts (2003). Antoni Tàpies is represented in major museums all over the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.
Los 401
§ Wilhelmina Barns-Graham CBE (British 1912-2004) White Circle Series, 2003signed and dated 'W Barns Graham 2003' (lower right); numbered 4/70silkscreen34 x 41.5cm Provenance:With Porthminster Gallery, St IvesCondition report: Not examined out of the frame. Deckled edges on all sides, appears to be adhered to the backboard. Two small blemishes to the left hand side, but overall in very nice condition.
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6275 Los(e)/Seite