6275 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

JESUS RAFAEL SOTO (VENEZUELAN 1923-2005)Sotomagie II (from Serie Sotomagie), 1967silkscreen on plexiglass 34.5 x 34.5 x 8 cm (13 5/8 X 13 5/8 x 3 1/8 in.)signed and inscribed with edition 15/100 on Denise Rene publisher's labelPROVENANCE Private Collection, VenezuelaCONDITION The sculpture appears in good original condition. Light surface scratches visible to the naked eye. With no significant issues to report otherwise.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

BACH, ELVIRA (1991) "Eine Diola Königin trägt niemals eine Armbanduhr" 1991 Siebdruck, Ex. 34/40, sig. und dat., HxB: 150/100 cm., Rahmen HxB: 155/105BACH, ELVIRA (1991) "A Diola Queen never wears a wristwatch".Silkscreen, ex. 34/40, sig. and dat., HxW: 150/100 cm., frame HxW: 155/105

Französische Bibliophilie - Surrealismus - - René Magritte. (Lessines 1898 - 1967 Brüssel). Blue Box. Deluxe-Ausgabe. Ausstellungskatalog "Magritte" der Galerie nationale du Jeu de Paume in Paris hrsg. von Daniel Abadie. Mit 3 ORadierungen auf Rives-Papier, 5 Leinwandstücken (verschiedene Größen) mit Farbreproduktionen, 5 Bll. mit Farbreproduktionen auf selbstklebendem Papier sowie 1 Trompe-l'oeil-Fenster in Serigraphie. Paris/Antwerpen, Ludion/Ronnie Van de Velde, 2003. Der Katalog mit 302 num. S. OLwd. mit ill. OSchutzumschlag. Die Bestandteile in 4 ill. kartonierten Portfoliomappen in OHldr.-Klappbox mit dem Trompe-l'oeil hinter Plexiglas im Deckel (minimal berieben). In OPp.-Schuber. Eins von 1000 num. Exemplaren. Im beiliegenden Informationsbl. nummeriert. - Mit Texten von Michel Butor, Patrick Roegiers, Jean Roudaut, Jean-Michel Goutier, Renilde Hammacher und 3 nummerierten Orig.-Radierungen aus Magrittes Nachlass ("Les Amants", "Le Viol", "La Trahison des images"). - Die Ausgabe enthält 3 Mappen (jeweils mit ill. Schild, "Ceci n'est pas une pipe", "Bière de Porc/Confiture de Cheval", "L'Évidence éternelle") mit den o.g. Inhalten sowie Infobl. u. 1 weitere mit Fotografien bedruckte Mappe mit 1 Bl. Inhaltsangaben zur Edition. Auf der Innenseite des Boxdeckels Siebdruck von "Les mots et les images". - Sehr aufwendiges, gutes Exemplar. Deluxe edition of the exhibiton catalogue "Magritte" with 3 original etchings from the estate, 5 col. reproductions on canvas, 5 leaves with col. reproductions on adhesive paper as well as 1 trompe-l'oeil window in silkscreen. - The catalogue: origin. cloth with ill. jacket. The elements inside: original half leather clamshell box in origin. cardboard slipcase. - Copy 382 of 1000 numbered copies. Numbered in attached info sheet. - The edition contains 3 portfolios (each with ill. label) with the above mentionned contents and 1 further with edition info. Pastedown endpaper of the box with silk-print. - Nice copy of this elaborate edition.

Sandra Blow (1925-2006) - "Blue Brown Interweave", signed and editioned studio proof I/II, silkscreen and collage, 70 x 70cms, in oak frame.

Sam McKay (b.1948) - "Eagle & Salmon", signed and dated 8/81 in pencil, limited edition colour silkscreen, published by Longhouse Productions, numbered 113/271, 55.5 x 44cms, in ebonised frame.

Robert O*** Lenkiewicz - "Painter with Anna II", signed and inscribed with title in pencil, limited edition colour photo silkscreen, numbered 190/275, published by Washington Green, June 1994, 73 x 73cms (image size), in frame.Sold with publisher's certificate of authentication.

Douglas Hofmann - "Reflections Portfolio", signed in pencil, limited edition colour photo silkscreen, numbered 38/295, published by Washington Green, June 1997, 33 x 29cms (image size), in frames. (a pair)Sold together with publisher's certificate of authenticity.

Robert Heindel - "Shadows", signed in pencil, limited edition colour photo silkscreen, numbered 112/135, published by The Obsession of Dance Company, 1997, 69 x 69cms (image size), in frame.Sold with publisher's certificate of authentication.

Robert Heindel (1938-2005)- "Dancer with red hair", signed in pencil, limited edition colour photo silkscreen, numbered 126/185, 17 x 57cms (image size), in frame.

§ Tessa Newcomb (British 1955-)Chickens initialled (lower right) silkscreen 16 x 10cm

Norman Wade (British 20th century): 'Cathedral 5', silkscreen signed titled numbered 40/150 and dated '75 in pencil 55cm x 34cm

DAVID JOHNSTON (AMERICAN 1933 - 2013), LE CONTRE-TENOR; BRIDGE JOINT; and PRINTER'S DEVIL etchings on paper, signed and numbered 7/30 each image size 30cm x 22cm, 30cm x 30cm, and 30cm x 22cm each, overall size 62cm x 49cm Unmounted and unframed, along with Still Pendulum, watercolour on Japanese paper, signed and dated '91, image size 48cm x 31cm, unmounted and unframed, White Tie and Tails, silkscreen print on paper, signed and numbered 98/99, image size 46cm x 31cm, overall size 70cm x 51cm, unmounted and unframed, The Black Hills, White Tie and Tails, The Cricketer and a poster, silkscreen print on paper, each signed and numbered, image size 46cm x 31cm, overall size 70cm x 51cm, all unmounted and unframed, Arizona, watercolour on Japanese paper, signed and dated '91, image size 32cm x 48cm, unmounted and unframed

DAVID JOHNSTON (AMERICAN 1933 - 2013), LE CONTRE-TENOR; BRIDGE JOINT; and PRINTER'S DEVIL etchings on paper, signed and numbered 8/30 each image size 30cm x 22cm, 30cm x 30cm, and 30cm x 22cm each, overall size 62cm x 49cm Unmounted and unframed, along with English Silk, watercolour on Japanese paper, signed and dated '90, image size 50cm x 32cm, unmounted and unframed, Three Shakes,watercolour on Japanese paper, signed and dated '92, image size 31cm x 31cm, unmounted and unframed, The Cricketer, silkscreen print, signed and numbered E.A.I/X, dated '78, image size 50cm x 35cm, overall size 70cm x 50cm, unmounted and unframed, Untitled, silkscreen print on paper, signed and dated '74, numbered H.C.V./X, image size 50cm x 35cm, overall size 70cm x 50cm, unmounted and unframed

After Mark Rothro, green, orange and blue coloured silkscreen print, 62.5ins x 48ins and a similar in red and black, 55ins x 40ins (glass at fault)

ANDY WARHOL - Sunday B Morning silkscreen print, framed, 90cm x 90cmGood condition

Barbara Rae CBE, RA, FRSE (Scottish b.1943), coastal view, 'Sea Fence', limited edition silkscreen, numbered 1 of 125, inscribed and signed in pencil, 73cm by 119cm, with certificate from CCA Galleries London

Five various screen prints Bob Kemper '91. 1936 - . Limited edition. Abstract figurative compositions. Dimensions: H 11 x W 11 cm. In good condition. Silkscreen on paper. In good condition.

Corneille, '88. 1922 - 2010. Figurative representation. Pigeon, woman, cat. Silkscreen on paper. Dimensions: H 29 x W 23 cm. In good condition.

Bert Vredegoor (1956-)The red gate, silkscreen dated 1984, numbered 8/35, 80x60 cm

Greetje Grijpma (1931-)Eilandspolder, silkscreen dated 1988, 40x49 cm

DAVID KOSTER 'Cock Pheasant', silkscreen, 54cm x 74cm, signed and framed.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Aus: Marilyn Monroe (Marilyn). 1967.Farbserigrafie. 25/250. Verso mit Bleistift monogrammiert und datiert: AW 67, sowie mit der gestempelten Nummerierung. Blattmass 91,4 × 91,4 cm auf festem Vélin. Erschienen bei Factory Additions, New York. Gedruckt bei Aetna Silkscreen Products, New York. Aus dem 10-teiligen Portfolio.Werkverzeichnis: Feldman/Schellmann, Nr. II.25."I don't want to make money. I just want to be wonderful." Marilyn Monroe

After Grisha Bruskin (Russian) - silkscreen print, 75cm x 57.5cm approx.

Ronald Moore - Holy Island, signed, silkscreen, 35 x 48cms, in moulded frame.

Sandra Blow R.A. (British, 1925-2006), Crystal Gazing limited edition 16 colour silkscreen on wove, 2003, signed, titled and numbered 31/175 in pencil, gallery label pasted verso, 19 x 19in. (48.25 x 48.25cm.) sight, framed and glazed. * Provenance: CCA Galleries Limited, Surrey ** Very good condition with no visible faults. Not examined out of frame.

Sandra Blow R.A. (British, 1925-2006), Rilievo limited edition 13 colour silkscreen on wove with collage elements, 2005, signed, titled and numbered 35/80 in pencil, gallery label pasted verso, 27 x 25in. (68.5 x 63.5cm.) sight, framed and glazed. * Provenance: CCA Galleries Limited, Surrey ** In very good condition with no visible faults.

Sandra Blow R.A. (British, 1925-2006), Orange & Red Facets limited edition 16 colour silkscreen on wove, 2003, signed, titled and numbered 33/175 in pencil, gallery label pasted verso, 19 x 19in. (48.25 x 48.25cm.) sight, framed and glazed. * Provenance: CCA Galleries Limited, Surrey ** Very good condition with no visible faults. Not examined out of frame.

Sir Peter Blake CBE, RDI, RA (British, b.1932), Vintage Blake limited edition silkscreen print with glazes, on wove paper, signed and numbered 227/250 in pencil, image size 22¼ x 22¼in. (56.5 x 56.5cm.), sight 30 x 29¼in. (76.2 x 74.25cm.), framed and glazed. * Slight cockling to sheet. Otherwise very good, with no other visible faults. Not examined out of frame.

Bruce McLean (Scottish, b.1944), Green tree silkscreen print in colours with collage on wove, signed artist's proof, 15 1/8 x 14½in. (38.4 x 36.8cm.) sight, framed and glazed.

Sir Peter Blake CBE, RDI, RA (British, b.1932), Some of the Sources of Pop Art 3 limited edition silkscreen print with glazes, on wove paper, 2006, signed and numbered 29/175 in pencil, image size 20 x 20in. (50.8 x 50.8cm.), sight 21 7/8 x 21 3/8in. (55.5 x 54.3cm.), framed and glazed. * Very good condition with no faults visible. Not examined out of frame.

KENNY SCHARF (b. 1958)DNA (DO NOT ASK), 1994 signed, titled and dated Kenny Scharf DO NOT ASK 1994 (on the reverse)oil, acrylic and silkscreen on canvas142.2 x 76 cm.56 x 29 15/16 in.Footnotes:ProvenanceCotthem Gallery, BarcelonaPrivate Collection, Belgium (acquired from the above in 2003)Acquired from the above by the present ownerKenny Scharf has been one of the most prolific and prominent American artists of the last forty years. His psychedelic, post-Pop style has captivated global audiences since his debut in the New York scene of the 1980s. Launched into the limelight alongside his friends and colleagues Jean-Michel Basquiat and Keith Haring as the figurehead of a new, rebellious generation of American painters, Scharf assimilated street art, Neo-Expressionism, and Pop Art into a heady, bombastic style that captured the punkish energy of the Lower East Side during its most famed years. Presented here are two exceptional works on canvas by Scharf, DNA (DO NOT ASK) and SEXOMETRY, from 1994 and 1992, respectively, in addition to an eccentric and unique piece, painted on a vehicle hub cap, that revives the personified ceramics of Picasso and Cocteau. Full of all the symbolism, imagery, and flair that the artist is so revered for, the taste for Scharf's eclectic style has reached fever pitch in recent months, as Scharf has collaborated with French fashion house Dior this summer season to launch a limited range of artist-designed garments. His place as one of the most significant and highly sought-after artists is assured; his cultural footprint as an icon and tastemaker is cementing itself as his influence grows. In the early 1980s, Scharf's rise to fame was explosive and well-documented. Befriending Keith Haring at the School of Visual Arts in New York, the two were committed collaborators, most notable for their parties, exhibitions, and events held at Club 57. In 1985, however, Scharf's inclusion in the Whitney Biennial with the first iteration of his Cosmic Cavern, immediately placed him at the forefront of painterly practice, subsequently being represented by Tony Shafrazi – one of the most important New York gallerists of the decade. In the present works, the plethora of imagery and fusion of techniques demonstrates Scharf's immense talent as an artist who has traversed the dialogues of contemporary practice, producing work that is consistently cutting edge and timely. In DNA (DO NOT ASK), the swirling double-helix sits atop screenprinted mechanical parts and Star Trek's 'Enterprise' – a subtle tie-in to Scharf's Cosmic Caverns. SEXOMETRY, presents a larger and still more intricate network of imagery. In its original frame – rarely seen and highly collectible – it is a superlative canvas of elegant proportions that speaks to the ecstatic, grandiose visual language of his career.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

KENNY SCHARF (B. 1958)SEXOMETRY, 1992 signed and dated K Scharf 1992 (on the reverse)acrylic and silkscreen on canvas in artist's frame227.5 x 151.3 cm. 89 9/16 x 59 9/16 in.Footnotes:ProvenanceTony Shafrazi Gallery, New York (KS.5022)Hokin Gallery, Florida (C1-93002)Cotthem Gallery, Brussels (KS-301994)Acquired directly from the above by the present ownerExhibitedFlorida, Hokin Gallery, The World of Kenny Scharf, 1992This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Robert Oscar Lenkiewicz (1941-2002) signed limited edition silkscreen - Roxana Rea View, Daemon Series/Project 18, 166/375, 87cm x 56cm, in glazed frame

Geometrische Abstraktion - - Victor Vasarely. (1906 Pécs - 1997 Paris). Composition. 1983-1984. Farbserigraphie auf chamoisfarbenem Bütten. 66 x 66 cm (80 x 76 cm). Signiert und datiert. - Sauberer, farbsatter Druck. Eines von 275 Exemplaren. Colour silkscreen on buff handmade paper. Signed and dated. - Clean, richly coloured print. - One of 275 copies.

Geometrische Abstraktion - - Victor Vasarely. (1906 Pécs - 1997 Paris). o.T. (geometrische Komposition). Farbsiebdruck auf chamoisfarbenem Papier. 60 x 60 cm (90 x 78 cm). Signiert und nummeriert. - Mit 2 sehr leichten Knickspuren im weißen, oberen Rand. Insgesamt wohlerhaltener, samtener Abzug. Eines von 175 Exemplaren. Colour silkscreen on buff paper. Signed and numbered. - With 2 very light creases in the white margin. Overall well preserved, velvety print. - One of 175 copies.

Geometrische Abstraktion - - Victor Vasarely. (1906 Pécs - 1997 Paris). o.T. Serigraphie in weiß und gold über Prägedruck auf leichtem Karton. 68 x 57,5 cm (68 x 57,5 cm). Signiert und nummeriert sowie bezeichnet "FV" (Fondation Vasarely). Hochwertig unter Mirogard-Glas gerahmt. - An den Ecken minimal bestoßen. Im unteren Drittel mit sehr schwachen Druckspuren. Sonst sehr sauber. Eins von 50 Exemplaren. White and golden silkscreen on light cardboard. Signed, numbered and designated "FV". - Framed under glass. Corners minimally bumped. Lower third with very slight traces of pressure. Otherwise clean copy. - One of 50 copies.

Hard Edge - - Mit 8 Siebdrucken von Josef Albers, Hans Arp, Olle Baertling, Auguste Herbin, Alexandre Libeman, Richard Lohse, Richard Mortensen, Sophie Taeuber-Arp und Victor Vasarely. 35 Bll. Paris, Galerie Denise René 1964. Kl.-4° Kart. - Am Rand etwas berieben. Sehr seltener Ausstellungskatalog der wichtigen Hard Edge Ausstellung mit den 8 . - Die Texte von Lawrence Alloway, Michel Seuphor und Teddy Brunius. Mit dem meist fehlenden Siebdruck von Josef Albers. - Die Graphik von Herbin etwas angerändert. - Seiten unten rechts minimal bestoßen, sonst insgesamt wohlerhalten. Die Siebdrucke nicht betroffen. - Sehr selten. Hard Edge. With 8 silkscreens by Josef Albers, Hans Arp, Olle Baertling, Auguste Herbin, Alexandre Libeman, Richard Lohse, Richard Mortensen, Sophie Taeuber-Arp and Victor Vasarely. - Very rare exhibition catalogue of the important Hard Edge exhibition with the silkscreen portfolio. The silkscreens are mounted on paper. - The texts of Lawrence Alloway, Michel Seuphor and. Teddy Brunius. With the mostly missing silkscreen by Josef Albers. - Pages partly slightly at the right lower corner bumped. The silkscreens not affected. - All in all well preserved. - Very rare.

Jörg Immendorff. (1945 Bleckede - 2007 Düsseldorf). Herzaffe. 1997. Farbserigrafie auf weißem Zerkall-Bütten. 51,5 x 39,5 cm (76 x 55 cm). Signiert, datiert und bezeichnet als "e.a.". - Verso am oberen Rand mit Spuren d. vorherigen Montierung u. Bezeichnungen v. fremder Hand in Graphit. Sehr sauberes, farbsattes Exemplar mit schönem Schöpfrand. Exemplar Épreuve d'artiste außerhalb der Auflage. Colour silkscreen on white Zerkall handmade paper. Signed, dated and inscribed as "e.a.". - Verso at upper margin with traces of the previous mounting and inscriptions by a foreign hand in graphite. Very clean, richly coloured copy with beautiful scooped margins. - Copy Épreuve d'artiste outside the edition.

Imi Knoebel (d.i. Wolf Knöbel). (1940 Dessau - lebt in Düsseldorf). o.T. (Komposition). 1995. Farbsiebdruck auf kräftigem Papier. 32,5 x 27,4 cm (80 x 60 cm). Monogrammiert, datiert und nummeriert. - Farbfrischer, kräftiger Abzug. Eines von 98 Exemplaren. Colour silkscreen on strong paper. Monogrammed, dated and numbered. - Colour-fresh, strong print. - One of 98 copies.

Konkrete Kunst - - Josef Albers. (1888 Bottrop - 1976 New Haven). Hommage to the Square (Last Print). 1976. 12,6 x 12,6 cm (20,2 x 20,2 cm). Siebdruck auf Arches montiert auf Karton mit typographischer Unterlage. Dort als Handdruck bezeichnet. Mit dem Zusatz "Commemorating his 88th. birtday" bezeichnet. Verkleinerte Ausgabe des großen Siebdrucks. Hg. von Tyler Graphics, New York. Silkscreen print on Arches mounted on cardboard with typographic support. Inscribed there as a hand print. (Tyler Graphics, New York.) Inscribed "Commemorating his 88th. birtday". Reduced edition of the large silkscreen.

Konkrete Kunst - - Vera Molnár. (1924 Budapest). o.T. Siebdruck auf Karton. 2 Arbeiten. Je 16x16 cm. Signiert. Vera Molnar wird als Pionierin der Digital-Kunst angesehen. 1959, noch vor dem Zeitalter der Computertechnik, entwickelte sie die sogenannte "Machine imaginaire" zur Aufzeichnung algorithmischer Kalkulationen. Konstruktivistische und mathematische Vorgehensweisen sowie das serielle Experimentieren mit Unregelmäßigkeiten einer zuvor festgelegten graphischen Ordnung kennzeichnen das Werk Molnars. Die Künstlerin macht dabei von der Plotter-Technik Gebrauch und verweist so hintergründig auf die Situation der künstlerischen Urheberschaft eines Werkes im Zeitalter der neuen Medien. Silkscreen on cardboard. 2 works. Signed.

Amerikanische Moderne - Minimalismus - - Sol LeWitt. (1928 Hartford, Connecticut - 2007 New York). 22 Serigraphien in: Jorge Luis Borges. Ficciones. 1984. Serigraphien je auf chamoisfarbenem Bütten. Blattmaße je 12,7 x 17,8 cm (20,3 x 20,3 cm). Im Collophon vom Künstler signiert und nummeriert. Im schwarzen Kalbsledereinband u. zugehörigem Schuber. - Sehr guter Zustand. Eines von 1500 Exemplaren. - Englische Buchausgabe. - Hg. vom Limited Edition Club, New York, 1984. 22 Silkscreen prints in: Jorge Luis Borges. Ficciones. Silkscreen each on buff laid paper. Signed and numbered by the artist in the collophon. In black calfskin binding and slipcase. - Very good condition. - English letterpress. - One of 1500 copies. - Edited by Limited Edition club, New York.

Pop Art - - Domberger Siebdruck-Kalender für 1969. 1969. Mit sechs Farbserigraphien amerikanischer Pop-Art Vertreter. 6 Kalenderblätter mit transparenter Schutzfolie für jeweils 2 Monate mit je 1 Farberigraphie, je auf leichtem Karton. Blattmaße je 39 x 38 cm. Verso je typographisch bezeichnet m. Werks-, Editions- u. Copyrightangaben. Im Einband mit Spiralbindung. - Titelblatt gebrauchsspurig, ein Kalenderblatt vereinzelt m. Braunflecken, Graphiken nicht betroffen und farbsatt. Mit je 1 Arbeit von: - Jime Dine - Robert Indiana - Nicholas Krushenick - Roy Lichtenstein - Andy Warhol und Tom Wesselmann. - Edited by Multiples. Idea, design and silk-screen by Domberger KG. New York und Stuttart. - Einer von 900 unsignierten Exemplaren. Domberger silkscreen calendar for 1969. With six colour serigraphs of American Pop Art representatives. 6 calendar sheets with transparent protective foil for 2 months each with 1 colour serigraph each, each on light cardboard. Verso each typographically inscribed with details of work, edition and copyright. Bound in a spiral binding. - Title page with traces of use, one calendar page sporadically with brown spots, graphics not affected and rich in colour. - With 1 work each by: - Jime Dine - Robert Indiana - Nicholas Krushenick - Roy Lichtenstein - Andy Warhol and Tom Wesselmann. - Edited by Multiples. Idea, design and silk-screen by Domberger KG. New York and Stuttart. - One of 900 unsigned copies.

Pop Art - - Robert Indiana. (1928 New Castle, Indiana (USA) - 2018 Vinalhaven, Maine (USA)). Highball on Redball Manifest. 1997. Farbserigraphie auf Papier. 42 x 35,5 cm (47 x 39,5 cm - Passepartoutausschnitt). Signiert, nummeriert u. als "TP" (trial proof) bezeichnet. - Fest unter Passepartout montiert und unter Glas gerahmt. Eins von 30 Exemplaren. - Aus dem Portfolio "The American Dream". Colour silkscreen on paper. Signed, numbered and designated as trial proof. - Fixed under passepartout and framed under glass. - One of 30 copies.

Pop Art - - Robert Indiana. (1928 New Castle, Indiana (USA) - 2018 Vinalhaven, Maine (USA)). LOVE. Siebdruck auf starkem Karton. Um 1967. 74 x 73 cm. Verso etwas gebräunt. Am Außenrand teils minimal berieben. Am rechten u. unteren Außenrand mit minimalen Farbausbrüchen und Knickspuren, an der linken Ecke am Außenrand minimal bestoßen. Sheehan 39. - Die Farben kräftig und leuchtend. Variante des 1967 von Indiana veröffentlichen Siebdrucks in einer Auflage von 250 Exemplaren von Multiples Inc. "Indiana originally intended this print to be published in an unlimited edition accessible to collectors of more modest means. It is based on the painting LOVE of 1966 (Indianapolis Museum of Art)" (Vgl. Sheehan). Zu dieser Formatvariante des Blattes vgl. auch Swann, Modern and Contemporary Art, Sale 2431 - Lot 135. Silkscreen print on strong cardboard. Somewhat browned at the back side. At the outer margin minimally rubbed. At the right outer margin with minimal color break, at the left corner at the outer margin minimally bumped. Sheehan 39th - The colors strong and bright. Variation of the silkscreen published by Indiana in 1967 in an edition of 250 copies by Multiples Inc. "Indiana originally intended this print to be published in an unlimited edition accessible to collectors of more modest means. It is based on the painting LOVE of 1966 (Indianapolis Museum of Art)" (cf. Sheehan).On this format variant of the sheet, see also Swann, Modern and Contemporary Art, Sale 2431 - Lot 135.

Pop Art - - Andy Warhol - nach. (1928 Pittsburgh - 1987 New York). Marilyn (Suday B. Morning). (Nach 2000). Farbserigraphie auf Karton. 91,5 x 91,5 cm. Verso mit den Stempeln "fill in your own signature" und "published by Sunday B. Morning". - Hochwertig unter Glas gerahmt. Am rechten Rand sowie im rechten unteren Eck teils etwas knickspurig. Insgesamt aber sehr farbfrisch und gut erhalten. After Andy Warhol. Colour silkscreen on cardboard. Verso with the stamps "fill in your own signature" and "published by Sunday B. Morning". - High quality framed under glass. At the right margin and in the lower right corner somewhat creased. Overall very fresh in color and well preserved.

Niki de Saint-Phalle. (1930 Neuilly-sur-Seine - 2002 San Diego). Ostrich. 1995. Farblithographie auf Papier. 56 x 44 cm (66 x 49 cm). Signiert und nummeriert. Punktuell auf schwarzer Unterlage montiert und im cremefarbenem Passepartout freigestellt. Unter Glas gerahmt (ungeöffnet). - Sauberer, farbkräftiger Abzug. Eines von 100 Exemplaren. Colour silkscreen on paper. Signed and numbered. Spot-mounted on black backing and mounted in a cream passepartout. Framed under glass (unopened). - Clean, colourful print. - One of 100 copies.

Visuelle Poesie - - Ferdinand Kriwet. (1942 Düsseldorf - 2018 Bremen). Wah - Wah. 1969. Serigraphie auf LKW-Plane mit Hängungsösen. 326 x 101 cm. Signiert. - Mit leichten Lagerspuren. Erschienen als Jahresgabe des Kunstvereins für Rheinland und Westfalen, Düsseldorf. - Interessante, großformatige Arbeit in sehr gutem Zustand. Silkscreen on truck tarpaulin with hanging loops. Signed. - With light storage marks.

ZERO - - Heinz Mack. (1931 Lollar - lebt in Mönchengladbach). Silberfächer. 1977. Serigraphie in Silber bzw. Schwarz auf mit Aluminium kaschiertem Karton - beidseitige Arbeit. 39 x 25,5 cm (Passepartoutausschnitt). Signiert. - Hochwertig unter Passepartout und Glas gerahmt (ungeöffnet), verso mit Sichtfenster für die zweite Seite der Arbeit. Vereinzelt mit leichten Druckspuren, insgesamt gut. Eins von 130 Exemplaren. - Aus "... daß Silber meine Farbe ist", Duisburg, G. Hildebrandt. Silkscreen in silver and black on cardboard laminated with aluminum - work on both sides. Signed. - High quality framed under passepartout and glass (unopened), verso with cutout oft the frames back for the second side of the work. Isolated with light traces of pressure, overall good. - One of 130 copies.

ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Love my Rainbow/ Rainbow my Love. 1972. Farbserigraphie auf leichtem Karton. 100 x 71 cm (106 x 78 cm). Zweifach signiert und datiert und bezeichnet als "Fehldruck". Verso m. weiterer Serigraphie (unvollendet). - An den Rändern teils stärker bestoßen, mit kurzen Randeinrissen u. kl. Anschmutzungen, je im weißen Rand u. Motiv nicht betreffend. Rottloff, 145. Color silkscreen on light cardboard. Twice signed and dated and inscribed as "Fehldruck". - Partly more bumped at the margins, with short marginal tears a. small smudges, each in the white margin a. motif not concerning.

ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). o.T. 1972. Farbsiebdruck auf leichten Karton. 101 x 71 cm (106 x 78 cm). Signiert, datiert und bezeichnet als "Probedruck". Verso m. weiterer Serigraphie (unvollendet). - Kanten bestoßen u. teils knickspurig u. etw. angeschmutzt. Insgesamt etw. berieben. Die Serigraphie leuchtend und satt. Probedruck abseits der Auflage. - Aus der Serie "Addis Abeba". Color silkscreen on light cardboard. Signed, dated and inscribed as "Probedruck". Verso with further serigraphy. - Edges bumped and partly creased and ewt. soiled. At all somewhat rubbed. The serigraphy bright and rich. - Proof print off the edition. - From the Series "Addis Abeba".

Zeitgenössische Kunst - Street Art - - Vhils (d.i. Alexandre Farto). (1987 Lissabon). Oxymoron. Säure, Chlor, Serigraphie und Tinte auf China. 50 x 70 cm. Signiert u. nummeriert. Eins von 300 Exemplaren. Acid, chlorine, silkscreen and ink on China paper. Signed and numbered. - One of 300 copies.

Zeitgenössische Kunst - Street Art - - Vhils (d.i. Alexandre Farto). (1987 Lissabon). Peroxide. 2019. Siebdruck überarbeitet mit Quink Tinte und Säure auf Keaykolour Original China White. 47,2 x 92,5 cm (50 x 100 cm.) Signiert und nummeriert. Eins von 250 Exemplaren. - Vhils wurde in Lissabon geboren und wuchs in der Industrievorstadt Seixal auf. Seit 2004 gehört zu den wichtigen Protagonisten der Lissabonner Visual Street Performance Szene. Seine Beiträge auf dem von Banksy kuratiertem Cans-Festival in London 2008 sorgten für Aufsehen. Seither gilt Vhils als einer der bekanntesten europäischen Streetart-Künstler. Silkscreen reworked with Quink ink and acid on Keaykolour Original China White. Signed and numbered. One of 250 copies. Vhils was born in Lisbon and grew up in the industrial suburb of Seixal. Since 2004 he has been one of the important protagonists of Lisbon's visual street performance scene. His contributions to the Cans festival in London in 2008, curated by Banksy, caused a sensation. Since then, Vhils has been considered one of the best-known European street artists.

Art Déco - - Erté (d.i. Romain de Tirtoff). (1892 Sankt Petersburg - 1990 Paris). o.T. (Frau mit Blumenbouquet). 1970er. Siebdruck auf glattem Papier. 48 x 50 cm (69 x 50 cm). Signiert, zusätzlich im Druck signiert. - Entlang der Kanten wenig bestoßen, oben rechts vereinzelt m. sehr kleinen weiß-wässrigen Spritzern. Satt-pudriger Abzug. Wohl als Ausstellungsplakat anlässlich einer Ausstellung in der Galerie Proscenium, Paris geplant. Hier ohne die typografische Bezeichnung m. Angaben zur Ausstellung. Silkscreen on smooth paper. Signed, additionally signed in print. - A little bit bumped along the edges, upper right sporadically with very small white-watery splashes. - Rich powdery impression. - Probably planned as an exhibition poster on the occasion of an exhibition at the Galerie Proscenium, Paris. Here without the typographical designation with details of the exhibition.

Fluxus - - Joseph Beuys. (1921 Krefeld - 1986 Düsseldorf). Fondazione per la rinascita dell' agricoltura. 1978. Serigraphie in schwarz und grau auf Karton. 93,2 x 63,5 cm (93,2 x 63,5 cm). Verso am unteren Rand typographisch bezeichnet. - An den Kanten schwach gebräunt sowie verso mit leichten Lagerspuren, sonst wohl erhalten. Schellmann, 264. - Eins von 75 Exemplaren. - Photovorlage von Buby Durini. Serigraphie von Lucio Carinci. Hg. Edizione Lucrezia De Domizio, Pescara. Silkscreen on cardboard. With typographic text at the lower margin on verso. - Edges slightly browned, with slight storage traces on verso, otherwise fine. - One of 75 copies.

William Copley(1919 New York - 1996 Florida)o.T. 1973. Farbserigraphie auf Arches. 56,5 x 44 cm (66 x 50 cm). Signiert "cply" und nummeriert. Verso m. leichten Lagerspuren. - Farbsatt und wohlerhalten. Eines von 100 Exemplaren. - Aus der Mappe "Bonjour Max Ernst". Herausgegeben von Georges Visat, Paris 1975-76. Color silkscreen on Arches. Signed "cply" and numbered. Verso with slight traces of storage. - Rich in colour and well preserved. - One of 100 copies. - From the portfolio "Bonjour Max Ernst". Edited by Georges Visat, Paris 1975-76.

Konkrete Kunst Heinz Kreutz(1923 Frankfurt - 2016 Prenzberg)Geometrische Komposition. Farbsiebdruck auf Vélin. 1972. 51 x 46 cm (55 x 50 cm). Signiert und datiert in Graphit. Partiell berieben, kleine oberflächliche Kratzer. Insgesamt sauberes und farbkräftiges Blatt. Vom Künstler als Probedruck bezeichnet. Colour silkscreen on vélin. Signed and dated in graphite. Partially rubbed, small superficial scratches. Overall clean and colourful print. - Inscribed by the artist as a proof.

Konkrete Kunst Anton Stankowski(1906 Gelsenkirchen - 1998 Stuttgart)o.T. 1977. Farbserigraphie auf leichtem Karton. 44 x 40 cm (49 x 49 cm). Signiert und datiert. - Kanten zart bestoßen, im weißen rand mit minimalen Anschmutzungen. Serigraphie in leuchtendem Farben. Color silkscreen on light cardboard. Signed and dated. - Edges slightly bumped, in the white margin with minimal soiling. Serigraph in bright colours.

Lowell Blair Nesbitt(1933 USA - 1993 ebenda)o.T. 1969. Farbsiebdruck auf Papier. 84,5 x 59,5 cm (84,5 x 59,5 cm). Signiert, datiert und nummeriert. Punktuell auf Unterlage motniert und unter Glas gerahmt (ungeöffnet). - Farbsatter Abzug, ganz vereinzelt m. minimalem, sehr leichtem Farbabrieb. Einer von 100 Abzügen. Colour silkscreen on paper. Signed, dated and numbered. Spot-motivated on backing and framed under glass (unopened). - Very occasional with minimal, very slight colour abrasion. Colour saturated print. - One of 100 copies.

Pop Art Werner Berges(1941 Cloppenburg - 2017 Schallstadt)Aso. 1967. Farbserigraphie auf chamoisfarbenem Papier. 51 x 39 cm (56 x 45 cm). Signiert, betitelt und nummeriert. Verso m. Bezeichnung v.m fremdern Hand.- Vereinzelt knickspurig, verso m. Spuren d. vorherigen Montierung. Satter Abzug. Eines von 100 Exemplaren. Color silkscreen on buff paper. Signed, titled and numbered. Verso with inscription by a foreign hand. - Occasional creases, verso with traces of previous mounting. Clean print. - One of 100 copies.