We found 15337 price guide item(s) matching your search

A LARGE CAST IRON CHICKEN FEEDER TROUGH

Britains Farmyard c. 1950 Lead Animals, figures kennels Hayrick, well chicken coup, milk churn trough, tree gates and fencing, 1 chad valley cow, 2 crescent farmers 1950s Fylde & co farmer

Stone trough - Approx size L 64 cm W 46 cm H 32cm

A good garden trough.

Beaverman - adzed oak book trough, curved end supports, carved with beaver signature, by Colin Almack of Sutton-under-Whitestone CliffeDimensions: Height: 19cm  Length/Width: 51cm  Depth/Diameter: 20cm

Royal Doulton Holly Dell Dixie dapple grey (2nds) together with trough bred horse (2)

A 19th C. OAK MUSIC AND BOOK STAND, THE SLATTED SIDES OPENING OUT FROM THE CENTRAL BRASS HANDLE TO TAKE SHEET MUSIC, THE BOOK TROUGH BELOW. W 45 x H 84cms.

A HOLLOWED OUT TREE TRUNK RECTANGULAR TROUGH, POSSIBLY TEAK. W 141 x D 31.5 x H 25cms.

A XIX Century Stoneware Trough, of rectangular form, 23cm high, 64cm wide, 48cm deep.

A XIX Century Stoneware Trough, of rectangular form, 20cm high, 68cm wide, 42cm deep.

A wooden book trough, 45 cm x 18 cm x 16 cm

Martinelli Bondi Home Ranch Water Trough Vineyard Pinot Noir 2015 Russian River Valley1 dozen bottles ocThis lot is subject to the following lot symbols: ΔΔ VAT at the prevailing rate on Hammer Price and Buyer's Premium. Items may be kept under bond if required.For further information on this lot please visit Bonhams.com

A stone rectangular trough, 15.5cm high, 48cm wide, 31cm deep

A stone trough, 22cm high, 53cm wide, 31cm deep

A late Victorian mahogany tapered rectangular country house post trough, with two pairs of compartments labelled Letters For Post and Letters for Delivery, 34.5cm wide, c.1900

Miniature silver pig in a trough, Birmingham 1901, 8cm x 6cm x 3cm, German silver chick pepperette, silver and tortoiseshell pill box the top with inset pig, Birmingham 1909

Giovanni Antonio Guardi (1699 – 1760) und Francesco Guardi(1712 – 1793)All‘ abbeveratorio – An der TränkeÖl auf Leinwand.84,5 x 115 cm.Verso auf dem Keilrahmen: zwei Aufkleber des Metropolitan-Museums Manila, Roxas Boulevard, Philippinen, mit Betitelung und Maßangaben. Ferner auf der Doublier-Leinwand, von der Originalleinwand übertragen: rechteckiger, mit blauem Zierrand gedruckter Inventarzettel mit handschriftlicher Aufschrift: „Guardi fontana / No M 2500“.Das großformatige Gemälde ist ein eindrucksvolles Beispiel dafür, dass sich die für die venezianische Vedutenmalerei so bekannt gewordenen Künstler wie die beiden Guardi, auch anderen, erstaunlichen Bildthemen gewidmet haben.Gezeigt ist eine Figurengruppe vor felsigem Hintergrund in südlicher Landschaft: Ein Reiter auf einem Schimmel dominiert in der Bildmitte, begleitet von einem weiteren braunen gesattelten Pferd an einer steinernen Tränke rechts. Der Reiter scheint soeben abzusteigen und blickt auf eine junge Magd, die einen Wäschekorb über dem Kopf trägt, weist gleichzeitig auf den Brunnen, als wolle er andeuten, dass jetzt die Pferde an der Tränke stehen. Davor sitzt ein Schäfer mit Schalmei, vor dem Reiter ein liegendes Rind sowie ein weißes Hündchen neben einem Holzzuber. Links hinten ein tiefer liegendes Gewässer, darüber Ausblick in hügelige Ferne in blauer Luftperspektive.Stilistisch auffallend, und für die Guardi-Malweise typisch, ist die lockere, beinahe expressive Wiedergabe der Einzelheiten, vor allem in den Kostümen, sowie die trocken und flechtig herabhängenden Wurzeln über dem gemauerten Brunnen. Auffallend aber auch die raffinierte Wiedergabe des sich zum Bildbetrachter über die Schulter zurückwendenden Flötenspielers, dem hier anscheinend selbst das weiße Hündchen lauscht. Flotten Pinselauftrag zeigen auch die herbstlich rot gefärbten Blätter des Strauches oberhalb des Steinbrunnens. Ohne auf weitere Details einzugehen, beweist die Darstellung hier den hohen Rang der Bildschöpfung und der Malweise.In der bisherigen Literatur wurde das Gemälde sowohl als ein Werk des Francesco als auch als Zusammenarbeit der beiden Maler Francesco und Giovanni Antonio eingestuft. Erstmals 1973 von Antonio Morassi publiziert, als in einer Mailänder Sammlung befindlich (Luigi Calli a Carate Brianza), mit der zeitlichen Einordnung in die Schaffensjahre 1730-1735; später hat Dario Succi 1988 das Gemälde in seiner Publikation allein dem Francesco Guardi zugewiesen.In der Folge danach wurde das Gemälde als Zusammenarbeit der beiden Guardi publiziert. Es entstammt der Sammlung Imelda Marcos (geb. 1929), der Witwe des 10. Präsidenten der Philippinen, Ferdinand Marcos. Es ist vergleichbar mit einem Werk auf Leinwand, auf Holz, einer Mailänder Sammlung, von A. Morassi als „Il grande abbeveratorio“ betitelt (93 x 133 cm), von dem eine weitere, letzte Version (80,6 x 114,9 cm) bei Christie’s New York am 14. Oktober 2021 verauktioniert wurde, mit dem Katalogvermerk „an example of the production of the Guardi brothers early studio practice“.Somit entstammt das hier vorliegende Werk der Sammlung Imelda Marcos, wurde registriert unter der Nummer 66, aufgeführt im Sammlungsverzeichnis und 2014 in der Zeitschrift Philippine Daily Inquirer veröffentlicht. Auch dort genannt als Zusammenarbeit der beiden Maler. 1991 wurden weitere Werke der Sammlung Marcos bei Christie’s versteigert.Der Aufkleber auf der Rückseite weist darauf hin, dass das Gemälde im Metropolitan Museum von Manila (Philippinen) ausgestellt war, wohl als Leihgabe der Witwe des Präsidenten. A.R.Provenienz:Sammlung Imelda Marcos, Witwe des ehemaligen Präsidenten der Philippinen.Metropolitan Museum von Manila.Literatur:Mehrfach besprochen und abgebildet in:Antonio Morassi, Guardi, Venedig 1973, Bd. I, S. 103 und S. 133, Nr. 139; Bd. II, Abb. 157, 158. Ebd. S. 334, Nr. 140.Dario Succi, Capricci veneziani del Settecento, Turin 1988, S. 319, Abb. 17.Philippine Daily Inquirer, Online-Artikel vom 12. Oktober 2014: https://newsinfo.inquirer.net/644229/imeldific-collection-of-artworks-partial-list, abgerufen am 14. August 2022.Filippo Pedrocco/ Federico Montecuccoli degli Erre, Antonio Guardi, Mailand 1992, S. 125, Nr. 24, S. 167, Abb. 24.Dario Succi, Francesco Guardi. Itinerario dell’avventura artistica, Mailand 1993, S. 222, Abb. 248. (1320017) (11)Giovanni Antonio Guardi (1699 – 1760) and Francesco Guardi (1712 – 1793)ALL’ ABBEVERATORIO – AT THE DRINKING TROUGHOil on canvas.84.5 x 115 cm.Verso on the stretcher: two labels from the Metropolitan Museum Manila, Roxas Boulevard, Philippines, with title and dimensions. Furthermore, on the relining, transferred from the original canvas: rectangular inventory label printed with a blue decorative border and with the handwritten inscription: “Guardi fontana / No M 2500“.Without going into further details, the present depiction displays a high-ranking composition and painting style. In previous literature, the painting was classed as a work by Francesco and as a collaboration between the two painters Francesco and Giovanni-Antonio. First published in 1973 by Antonio Morassi, as part of a Milan collection (Luigi Calli a Carate Brianza), dating it to the creative period of 1730-35; later, in 1988, Dario Succi attributed the painting solely to Francesco Guardi in his publication. Subsequently, the painting was published as a collaboration between the two Guardi. It originates from the collection of Imelda Marcos (b. 1929), widow of the 10th President of the Philippines, Ferdinand Marcos. It is comparable to a canvas painting laid on panel from a Milan collection, with the title Il grande abbeveratorio by A. Morassi (93 x 133 cm.), of which another, final version (80.6 x 114.9 cm.) was auctioned at Christie’s, New York on 14 October 2021, with the catalogue note “an example of the production of the Guardi brother’s early studio practice“. Consequently, the work presented in this lot originates from the Imelda Marcos collection and was listed under number 66 in the collection register and published in the Philippine Daily Inquirer magazine in 2014. There, it is also mentioned as a collaboration between the two painters. In 1991, further works from the Marcos collection were sold at auction at Christie’s. The label on the back suggests that the painting was exhibited in the Metropolitan Museum of Manila (Philippines), probably on loan from the President’s widow.Provenance:Imelda Marcos collection, widow of the former president of the Philippines.Metropolitan Museum of Manila.Literature:Discussed several times and illustrated in:Antonio Morassi, Guardi, Venice 1973, vol. I, p. 103 and p. 133, no. 139; vol. II, ill. 157, 158, and p. 334, no. 140.Dario Succi, Capricci veneziani del Settecento, Torino 1988, p. 319, ill. 17.Philippine Daily Inquirer, 2014: (https://newsinfo.inquirer. net/644229/imeldific-collection-of-artworks-partial-list).Filippo Pedrocco, F. Montecuccoli degli Erre, Antonio Guardi, Milan 1992, p. 125, no. 24, p. 167 ill. 24.Dario Succi, Francesco Guardi. Itinerario dell’avventura artistica, Milan 1993, p. 222, ill. 248.

A stone trough or planter, probably 19th century, of rectangular form, the front with relief scene depicting the expulsion from Eden, on separate block feet24 x 74 x 27cm (excluding feet)

A ROBERT THOMPSON ADZED OAK BOOK TROUGH, of oblong form, the quadrant ends with bracket feet, carved mouse trademark in high relief. 17 3/4" wide (Est. plus 21% premium inc. VAT)Very good

A ROBERT THOMPSON ADZED OAK BOOK TROUGH of oblong form, the quadrant ends with bracket feet, carved mouse trademark in high relief, 17 3/4" wide (Est. plus 21% premium inc. VAT)Very good

A pair of lead trough planters,probably early 20th century, each of oval form with central patera and all-over scrolling acanthus ornament,57cm wide23cm deep24cm high (2)Condition ReportBoth slightly misshapen, with general knocks, wear and weathering commensurate with age and use.

A Vintage Copper Rectangular Planting Trough, 61x22x15cm high

An assortment of garden ornaments and stands. Including composite stone bird baths and pedestals, a cast metal plant stand, a trough planted with a rose, L90cm, etc.

G. COLLIER; watercolour miniature, portrait of an infant, framed, 10.5cm x 8cm, with a pair of opera glasses and a selection of miniature ceramics including a stoneware trough (Qty)Additional InformationThe Spode cup with a hair line crack, Basket and opera glasses with some tarnishing. The miniature is on ivorine 

A South East Asian carved stone trough with twin lion mask decoration, width 184cm, depth 61cm, height 30cm

A Late 19th Century Brass Abney Level, Short & Mason Limited London Level, in black enamelled brass, with a compass and spirit level attached to a protractor set on a square sighting tube, 2 Military Issue 6" Trough Compasses, one in a mahogany case with sliding cover, and stamped with broad arrows, one in a metal case

A large galvanised trough

A large galvanised trough

Julius Paul Junghanns (1876-1958) Pferde an der Tränke, horses at drinking trough,Öl/Holz, u. links signiert Jul. P. Junghanns, H 30,5 cm x B 54 cm, Holzrahmen 47,5 x 70,5 cm, Rahmen besch.

'Mouseman' oak book trough, curved end supports, carved with mouse signature, by Robert Thompson of KilburnDimensions: Height: 21cm  Length/Width: 46cm  Depth/Diameter: 21cm

An E&H.Roberts Deans Hanger cast iron trough - height 24cm, length 49cm

The Grange Goathland - Well weathered sandstone trough 61cm x 46cm x 26cm

The Grange Goathland - Small stone trough, with central drainage hole (damage to one end), 54cm x 43cm x 20cm

Terracotta chimney pot approx 71cm x 35cm, galvanised cow feeder/trough 73cm x 45cm (2)

Workshop of Robert ‘Mouseman’ Thompson (Kilburn): an oak book trough, with carved mouse trademark, 45.5 x 21 x 20cms high.

An Edwardian mahogany two-tier book trough. 56cm x 68cm x 23cm

Cast iron pig trough painted in yellow and cast stone planter Dimensions: Height: 20cm  Depth/Diameter: 75cm

Small carved stone troughDimensions: Height: 28cm  Length/Width: 50cm  Depth/Diameter: 52cm

Small 19th century stone troughDimensions: Height: 40cm  Length/Width: 80cm  Depth/Diameter: 50cm

Large 19th century D shaped stone troughDimensions: Height: 40cm  Length/Width: 90cm  Depth/Diameter: 55cm

A mixed lot of kitchenalia, fireside furniture and implements, and other items to include enamel flour bins, copper coal bucket, oil lamp, wooden trough and other items Location:

A rectangular sandstone trough. Height 35 cm, width 64 cm, depth 50 cm.

A Victorian rosewood and brass inlaid desk stand, 34.5 cm x 20 cm, an oak folding book trough with brass fretwork decorated ends, 36.5 cm long closed, a set of five brass lotus leaf decorated door handles stamped "ST", 11 cm long and a pair of mother of pearl and gilt brass opera glasses by Iris of Paris

A Mouseman (Robert Thompson of Kilburn) oak book trough 45 cm long x 21 cm deep x 20.5 cm high

A RAISED GALVANISED TROUGH, 28" LONG X 20" WIDE X 30" TALL

Desk lamp, book trough, treen items, clock etc

MOORCROFT - a small tube-lined Orchid decorated dish, diameter 12cm, and a tube-lined Anemone decorated small flower trough, length 20cm, height 6cmThe trough has been broken and re-glued at one end clearly visible to the naked eye with all over crazing and signs of wear, small dish good condition just some light crazing

Royal Dux group, girl and hens by a trough, height 25cm

A large impressive faux flowers decorative statement piece, of white orchid arrangements, in large ceramic style trough planter, 105cm High overall x 90cm wide (cost approx 600 new)

Pair salt glazed crown top chimney pots, 54cm, together with a small weathered garden trough, 16cm by 37cm by 15cm.

A galvernised water trough, circa 5'. Note: VAT is payable on the hammer price of this lot at 20%.

A large concrete trough. (89cm)

A large concrete trough. (98cm)

Red chinoiserie Oriental style book trough / shelf. 62cm wide.

FLIP TOP SEWING TABLE, CASED PAIR OF MILITARY BINOCULARS & ART DECO STYLE TROUGH

A glazed shallow trough

A shallow stone trough

Cast iron feeding trough, 185cm long

TROUGH PLANTERS, two graduated sets, gilt metal, largest 9cm x 61cm x 12cm. (4)

A Molineaux, Webb & Co opalescent glass flower trough in the form of a pike, approximately 25 cm (l).Condition Report: Registration mark to the interior Rd29781, a few chips around the interior of the rim (largest 1.5 cm x 0.5 cm), a couple of manufacturing imperfections that have the appearance of scratch marks / hairline cracks, some surface dirt in areas.