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Small stone trough

A small cast iron pig trough.

ARTS AND CRAFTS EMBOSSED COPPER CANDLE WALL SCONCE depicting a Galleon on high seas, the trough with provision for two candles, stencilled CH' to reverse, 36.5cm high

ARTS AND CRAFTS EMBOSSED COPPER CANDLE WALL SCONCE with stylised flower-head and heart design, with the wording 'Illumina Tenebras Meas' (Illuminate My Darkness), the shaped trough with pierced provision for one candle, 26cm high

Vintage oak book trough

Vintage oak extending book trough

A small garden trough

A collection of Victorian moulded colour glass, including a small trough moulded in relief with children at a bird's nest, (9).

A collection of pressed amber glass vases, and models including a pair of Davison's two handled shallow baskets, Sowerby vase, etc, and including a Sowerby's relief moulded trough of children at a bird's nest, (13).

A SCOTTISH ARTS & CRAFTS BRASS FLOWER TROUGH, GLASGOW, SCHOOL OF MARGARET GILMOUR, C1900 56cm w ++In good original condition in the same private ownership since new

A cast iron feeding trough

A COMPOSITION SANDSTONE TROUGH of rectangular form

A COMPOSITION SANDSTONE TROUGH of rectangular form

Oak book trough L46cm

An Edwardian mahogany floor standing two tier book trough, strung and inlaid with paterae, on square supports with out swept legs, on ceramic casters, one leg repaired. 48 x 20 x 63cm h.

An Art Nouveau walnut pot cupboard having integral lower book trough

A quantity of china including Cheese dish and cover, Arthur Woods flower trough, tankards, vases, etc.

A Pair of circular garden planters and a trough

Edward Holmes, RBA (British, fl. 1841-1891) A Milkmaid with two calves signed lower left on the trough "E Holmes" oil on canvas 44 x 59cm (17 x 23in) Frederick Lee Bridell (baptised 5 December 1830 – died 20 August 1863) was a popular painter of 19th century Britain, initially as a Portrait artist, gaining favour with luminaries such as Elizabeth Barrett Browning who entertained Bridell and his wife (Eliza Florence Fox, a fellow artist), for their wedding meal at Bocca di Leone, Rome in 1859 After a short period in Paris, where he copied works in the Louvre, he established himself in Munich. Here he became influenced by the Dutch school, copying works by Cuyp, Van der Velde and Berchem. He was inspired by the mountainous landscape of the Tyrol, and its wooded valleys. Returning to England in 1855, he completed works from his sketches abroad and completed numerous commissions for the well-to-do of Southampton. He began to exhibit at the Royal Academy, the British Institution and the Liverpool Academy 1858. He set up a studio in Rome, near the Spanish Steps,in December of that year. There are entertaining descriptions of life in the city at this time, written by Nathaniel Hawthorne. Both he and his wife were interested in the culture and art and wrote details of their visits in French and Italian Notebooks. In Rome in 1859, Bridell met and married Eliza Fox, an artist, and the daughter of an MP, William Johnson Fox. She was known to influential writers and thinkers of the time, and Robert Browning, ‘gave her away’ at the ceremony. The newly wedded couple had their ‘wedding dinner’ at the Browning’s apartment in Bocca di Leone. Two days later they were both painting at their respective studios. Bridell, freed from the deprivation of his early years, embarked on his most prolific period. In Italy, he completed monumental works inspired by the landscape near Rome. It was however, in the vicinity of the Italian Lakes that he was most inspired to paint. Driven by his all consuming desire to record the grand vistas before him, he ignored the illness that was taking hold of his body. Returning to England in 1863, he died in Kensington in August of that year and was buried in Brompton Cemetery Writing Bridell’s obituary,[5] Sir Theodore Martin stated ‘Had he lived,he must have earned a European reputation; and numerous and fine as are the works he has left, his early death is, in the interests of Art, deeply to be deplored. We have only to add, that in manners Mr.Bridell was simple, amiable and modest. Firm without self-assertion, sincere without being obtrusive, we can believe he was beloved by his friends, as most certainly he was respected by those whose knowledge of him was comparatively slight’. Relined and cleaned.

A Victorian circular sandstone trough. Diameter 36 ins, height 9 ins.

A Victorian circular sandstone trough. Diameter 35 ins, height 9 ins.

A Victorian rectangular sandstone trough, long. Length 55 ins, depth 16 ins, height 11 ins.

A Victorian rectangular sandstone trough. Length 31 ins, depth 18 ins, height 11 ins.

A Victorian sandstone trough, rectangular. Width 39 ins, depth 23 ins, height 12 ins.

A Victorian sandstone trough, rectangular. Length 44 ins, depth 19 ins, height 11 ins.

A Victorian sandstone trough, rectangular. Length 32 ins, depth 18 ins, height 9 ins.

A Victorian sandstone trough, shaped outline. Length 23 ins, height 10 ins.

An 18th century oak tapered rectangular dough trough, planked top, joined underframe, 70cm high, 101cm wide, c.1750

VICTORIAN BOOK TROUGH. A good quality, Victorian walnut, Betjemann's Patent extending book trough, with brass mounts & cabouchon banded hardstones. Stamped Patent 14447. Length, extended 67cm.

Stone trough planter (with hole in the bottom)

An Arts and Crafts copper embossed post trough,stamped 'RSIA',22cm wide

A carved oak plant trough.

A RECONSTITUTED STONE GARDEN TROUGH. 3ft 0ins long.

A cast iron circular pig trough, 85cm diameter

Reconstituted Stone Garden Trough

A rectangular stone trough

A stone trough with D end

A natural stone rectangular trough, together with a natural stone pillar section

A natural stone rectangular trough

A natural stone rectangular trough

A rectangular playing card trough, embossed with the word "Bridge", raised on claw feet, 23cm long, Chester, 1906.

A Wilf "Squirrel Man" Hutchinson Oak Book Trough, with signature squirrel to right hand support, approx 48 x 19 cms

A Robert "Mouseman" Thompson of Kilburn Oak Book Trough, with signature mouse to right hand support, approx 48 x 19 cms

Stone trough. Condition report: see terms and conditions

A pair of modern reproduction book trough carriers with frieze drawer and fixed carrying handle, width 64cm.

Three modern reproduction book trough carriers with single drawer and fixed carrying handle, width 64cm.

A Continental rough hewn sandstone trough, 19th century, of rectangular form A Continental rough hewn sandstone trough, 19th century, of rectangular form, 32cm high, 161cm long, 43cm wide

A French rough hewn limestone trough, 19th century, or rectangular form A French rough hewn limestone trough, 19th century, or rectangular form, 50cm high, 180cm long, 80cm wide

A Continental rough hewn limestone trough, 19th century, of rectangular form A Continental rough hewn limestone trough, 19th century, of rectangular form, 31cm high, 179cm long, 48cm wide

A rough hewn grey Bourgogne stone trough, 18th century, of rectangular section A rough hewn grey Bourgogne stone trough, 18th century, of rectangular section, 29cm high, 260cm long, 64cm wide

A Continental rough hewn limestone trough, 19th century, of rectangular form A Continental rough hewn limestone trough, 19th century, of rectangular form, 31cm high, 207cm long, 50cm wide

A Continental rough hewn limestone trough, 18th/ 19th century, 46cm high A Continental rough hewn limestone trough, 18th/ 19th century, 46cm high, 200cm long, 60cm wide

A pair of Sylvac rabbit bookends, no.1546; a Hornsea rabbit trough (3)

A metal flower trough on stand

A Colonial carved hardwood jardiniere/flower trough, 49.5 x 40 x 60cm

LARGE STONEWARE GARDEN TROUGH stamped 'Kilmarnock', 76cm long

A late Victorian ebonised and beadwork book trough, 46 cm wide

Two 19th century bust portrait silhouettes, a Chinese bronze figure of a man holding a bowl, 5 cm high, and a Victorian coromandel wood expanding book trough, and other items

Decorative Ceramics - a Wade terrier pipe stand; a Sylvac terrier; Price Brothers rabbit and owl flower trough Arthur Woods; an Empire dripped glaze vase; etc

An 18th century oak tapered rectangular dough trough, planked top, joined underframe, 70cm high, 101cm wide, c.1750