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* Holmes (Marjorie, née Fenning, 1907-1992). The Trough, circa 1930s, copper engraving on cream wove paper, watermarked J Whatman, published in an edition of 55 impressions, signed in pencil, additionally inscribed by the artist with title, name and 55 @ £3.3., plate size 14.3 x 15 cm (5.6 x 6 ins), sheet size 27 x 22.5 cm (10.5 x 9 ins), together with another similar copper engraving by Marjorie Holmes, of a young woman sitting with a group of goats by a tree, signed in pencil, and two signed etchings by Kenneth Holmes, both of the same subject, a coastal view, one numbered 30/40, the other marked State 2 (Qty: 4)
A Fine Binocular 'Large Best', or 'N°1 Stand' Microscope Outfit, English, dated 1858*, signed in script to the foot ‘Smith & Beck 6 Coleman St. LONDON’ and ‘N°1873’, the microscope stands on a flat tripod foot with two supporting pillars, architectural in style, both terminating in trunnions supporting the microscope body, with plano-concave mirror on swing-arm and sliding collar, sub-stage condenser holder with rack-and-pinion adjustment, square Tully-type stage with X & Y control, swept limb with twin accessory holders, course focus to the top, fine focus mechanism acting on the nosepiece, Wenham prism in pull out/in drawer, with two cases of accessories the first case includes: objectives all signed ‘Smith & Beck’, 3in, 1 1/2in, 2/3in, 4/10in, 1/5in, two Leiberkuhns, a pair of low power binocular eyepieces, a pair of medium power binocular eyepieces, a high power eyepiece, an achromatic condenser with a wheel of stops, a Wenham-type parabolic condenser, a set of dark wells and holder, a polariser and analyser, a zoophyte trough, a live box various forceps, a stage bulls-eye, a stage side reflector, a double nosepiece a set of rotating selenite filters, the second case includes: an opaque disk rotator and a case of pegs and peg holders, a plate compressor, Maltwood's Finder photographed by Smith, Beck & Beck, 6 Coleman St. London, in red leather case, a second Zoophyte trough, a glass stage, a diamond engraver, an adjustment tool, high power monocular tube, a substage spot lens, a tourmaline eyepiece cap and a set of selenite filters, a Smith & Beck vertical illuminator in a can, a side reflector in a can, a substage prism, an erector lens, with large bullseye condenser, French polished mahogany cabinet with glazed door and silver plaque engraved ‘N’. Case measures 49cm tall.*From the Beck records.
An extensive hollow cast metal model farm and accessories, Britain's, Crescent Toys, etc inc Britain's 127F Fordson Major Tractor and driver, Crescent Toys hay cart trailer, other farm vehicles, tree trunk logs cart, larger cart, Dairy Shorthorn, Friesian, and other cattle, sheep, horses, Pigs, geese, chickens, dogs etc, fencing, feed trough, windmill, trees, milk churns, farmer and other figures etc qty
A VICTORIAN SCOTTISH IRONWORK HORSE TROUGH BY WALTER MACFARLANE & CO., the body cast with foundry details 'WALTER MACFARLANE & CO., SARACEN FOUNDRY, GLASGOW' raised on six foliate capped hairy hoof legs. 224cm long, 76cm high, 60cm wide Walter Macfarlane & Co. was a world-famous Scottish iron founders based in Glasgow 1849-1965. The firm is also known as the 'Saracen Foundry' after its original location in Saracen Lane, Gallowgate.The range of designs, ironwork fittings and structures produced by the firm was vast. In its infancy the company focussed mainly on utilitarian products but in later years they expanded into more ‘ornamental ironwork’. Design became paramount and beautiful ornate structures such as fountains and bandstands were produced - one of the most celebrated being the Saracen Fountain in Alexandra Park, Glasgow, which was exhibited in the 1901 Glasgow International Exhibition, and given to the city by Walter Macfarlane & Co. when the exhibition closed.The majority of designs and building components produced by the firm are recorded and illustrated in a two-volume catalogue that spans 2,000 pages. The design of the horse trough being offered in this sale can be seen on pp.416 of Volume II. The firm’s founder Walter Macfarlane I and his nephew, partner and later successor Walter Macfarlane II clearly understood the potential of a comprehensive catalogue of design as a means by which to access and capitalise on an international market. Such business acumen allowed the foundry to enjoy a long period of success, surviving both World Wars.
A COMPOSITE BRICK EFFECT OCTAGONAL BIRD BATH ON A SEPERATE BASE, height 62cm x diameter 39cm, together with a composite sundial on a seperate brick effect base, height 62cm x diameter 23cm, a composite rectangular trough with floral design on two seperate legs, height 31cm x width 25cm x length 81cm, a glazed blue circular planter and four other planters (8)

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15377 item(s)/page