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Lot 122
American School oil on canvas painting depicting a brook trout, still hooked on the fishing line, on a river bank surrounded by foliage, with a body of water and trees in the background. Unsigned. Old tape reading 14804 en verso of stretcher. Housed in a wooden frame with traces of gilt paint. Sight - 15 1/4" H x 23 3/4" W. Framed - 19 1/4" H x 27 3/4" W. Late 19th/early 20th century. Provenance: the estate of Kent Cathcart, Nashville, Tennessee. CONDITION: Overall craquelure, buckling to canvas. Areas of paint loss, largest 2 5/8" x 1/4", to canvas. Two tears, largest 1 1/2", to body of fish, repaired with scotch tape, visible en verso. Areas of loss to frame.
Lot 650
Four (4) Tennessee history, furniture, and early material culture-related books. 1st item: THE ART AND MYSTERY OF TENNESSEE FURNITURE AND ITS MAKERS THROUGH 1850, by Nathan Harsh and Derita Coleman Williams, published by the Tennessee Historical Society, Nashville, 1988. Octavo, 344 pages with photographic illustrations, hardbound in brown cloth with gilt blind stamp to front cover, gilt lettering to spine, marbled endpapers. Includes original dust jacket. 11 1/4" H x 8 3/4" W. 2nd item: HISTORY OF TENNESSEE, East Tennessee edition, illustrated, published by The Goodspeed Publishing Company, Nashville and Chicago, 1889. Octavo, 1317 pages, 41 illustrations, hardbound in three-quarter dark red leather with grey cloth sides, with gilt blind stamp to front cover, gilt lettering to spine, five raised hubs, floral endpapers. Covers wrapped in brown paper. 10 1/4" H x 7 1/4" W x 4 1/4" D. 3rd item: THE ANTIQUITIES OF TENNESSEE AND THE ADJACENT STATES, Second Edition, by Gates P. Thruston, published by The Robert Clarke Company, Cincinnati, 1897. Octavo, 369 pages with black and white illustrations, hardbound in green cloth with gilt blindstamp to front cover and gilt lettering to spine, floral endpapers. 10" H x 7 1/4" W x 1 1/4" D. 4th item: HISTORY OF TENNESSEE, ITS INSTITUTIONS AND ITS PEOPLE, by William Robertson Garret and Albert Virgil Goodpasture, Brandon Printing Company, Nashville, 1900. Octavo, 351 pages with black and white illustrations, hardound in grey cloth boards with blind stamped covers and black lettering to spine. 8 3/4" H x 6 1/2" W x 1" D. Provenance: Estate of Anne Harrison Taylor & Joseph F. Taylor, Morristown, TN. CONDITION: 1st item: Overall good condition. Tears, largest 5/8", to corners of dust jacket. 2nd item: Bumped corners, wear to covers and spine. Pages almost completely separated from spine. Pages with tears, toning, foxing sports, acid burn, ink and pencil inscriptions, etc. All illustrations collated except for frontispiece map (missing). Pages 427, 428, 425, and 426 are out of order. 3rd item: Bumped corners, wear to covers and spine. Toning, foxing spots, to pages. Front end paper and frontispiece, pages 215-218 separated from spine. Old scotch tape repair to front endpaper. 4th item: Slightly bumped corners, wear to covers and spine. Toning to pages.
Lot 54
Seven Royal Doulton Whyte and Mackay Scotch Whisky bird form decanters including Short-Eared Owl (with contents - not sealed), Merlin, "The Famous Grouse", Golden Eagle and others and five similar Beswick decanters (12) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 55
Katherine Bernhardt R2D2, 2019 Pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Katherine Bernhardt (b. 1975, Clayton, MO) lives and works in St. Louis, Missouri. She has explored several different themes in her work including supermodels, Swatch watches, and Moroccan carpets. Her current paintings depict all-over patterns of everyday objects combined with characters and symbols from contemporary culture like E.T., Garfield, Pink Panther, Dark Vader, Mickey Mouse, Nike swooshes, and bottles of Coca-Cola. Bernhardt uses acrylic and spray paint in a direct, straightforward style and draws no hierarchy between her subject matter, which often comes from to her on trips to the corner deli, fruit stand, or 99-cent store. Katherine is represented by Canada, New York and exhibits with Carl Freedman Gallery, London and Xavier Hufkens, Brussels. Recent solo exhibitions include Done with Xanax, Canada, New York (2020), Big in Japan, NANZUKA, Tokya, Japan (2019), Garfield on Scotch Tape, Xavier Hufkens, Brussels, (2019); Green, CANADA, NY (2018); Watermelon World, Mario Testino Museum, Lima, Peru (2018); Concrete Jungle Love, Lever House, New York (2017); Modern Art Museum, Fort Worth, TX (2017); and the Contemporary Art Museum, St. Louis, MO (2017). Bernhardt's paintings are included in the collection of the Hirshhorn Museum, Washington D.C, the Carnegie Museum in Pittsburgh, PA, and the Rubell Collection, Miami. Recent solo exhibitions include Done with Xanax, Canada, New York (2020), Big in Japan, NANZUKA, Tokya, Japan (2019), Garfield on Scotch Tape, Xavier Hufkens, Brussels, (2019); Green, CANADA, NY (2018); Watermelon World, Mario Testino Museum, Lima, Peru (2018); Concrete Jungle Love, Lever House, New York (2017); Modern Art Museum, Fort Worth, TX (2017); and the Contemporary Art Museum, St. Louis, MO (2017). Bernhardt's paintings are included in the collection of the Hirshhorn Museum, Washington D.C, the Carnegie Museum in Pittsburgh, PA, and the Rubell Collection, Miami.
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51402 item(s)/page