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Lot 202

A 19th century rosewood writing slope with mother of pearl floral decoration to the hinged top, opening to reveal a purple leather writing surface, fully fitted interior to include two compartments, pen rest/holder and a pair of glass inkwells. Circa 1880W37cm D27cm H10cm.

Lot 153

Vinyl & Autographs - 16 7" singles signed by Robert Palmer. Signed in green pen and some have faded significantly. From the estate of the late Julia Trangmar

Lot 446

Vinyl - 3 The Beatles LP's to include With The Beatles (PMC 1206) second pressing with Recording First Published and Dominion Belinda credit to label, large mono to sleeve, no Emitex inner, A Hard Days Night (PMC 1230) The Parlophone Co Ltd and Sold In UK to label 'chubby' type face, matrices 3N and 3N, HELP! (PMC 1253) The Gramophone Co Ltd and Sold In UK to label, outline mono to sleeve (name in pen to rear of sleeve). Sleeves & Vinyl Vg+

Lot 38

Lot to include a vintage carved wood directional sign 'Bungalow Hotel, two decanters and stand, Sheaffer pen and other. [2]'

Lot 1501

BIG MATCH FINALS AND INTERNATIONALS Forty two England home programmes, mainly post 1960 includes 1951 Austria . 17 FA Cup Finals includes 1954, 1958, 1959, 1960, 1961, 1962 slight pen marks and slight folds on some. 2006 World Cup programme, plus 12 others including FA Cup and LC semis. 72 programmes in total. Fair

Lot 1268

A vintage travel clock, 3 A/F wristwatches, a Smiths pocket watch, a waterman pen & a vintage travel set

Lot 2230

A Parker pen, a Conway Stewart pen, A Mentmoke pen and another Parker pen all with 14ct gold nibs.

Lot 2231

A Shaeffer pen with 14ct nib, a Swan 2 pen with 14ct nib, a Queensway pen and an Osmiroid 65 pen.

Lot 2233

A tray of old pen nibs, ink bottles, pens etc.,

Lot 2272

A mixed lot of pen knives and propelling pencils etc.*CONDITION REPORT*5 propelling pencils.Green marbled pencil - Fyne Poynt by MT & Co.3 not marked.1 vintage Esso motor oil pencil

Lot 147

Football legend, George Best signed The Guardian newspaper photo page from the copy of 21st April 2001. Best ha signed his picture using black marker pen.

Lot 97

Henry Morton Stanley ALS dated Jan 17th 1900 includes bold black fountain pen signature and several additional words on headed paper. Sir Henry Morton Stanley GCB (born John Rowlands; 28 January 1841 - 10 May 1904) was a Welsh-American[a] explorer, journalist, soldier, colonial administrator, author and politician who was famous for his exploration of Central Africa and his search for missionary and explorer David Livingstone, whom he later claimed to have greeted with the now-famous line: Dr. Livingstone, I presume?. Besides his discovery of Livingstone, he is mainly known for his search for the sources of the Nile and Congo rivers, the work he undertook as an agent of King Leopold II of the Belgians which enabled the occupation of the Congo Basin region, and his command of the Emin Pasha Relief Expedition. He was knighted in 1897, and served in Parliament as a Liberal Unionist member for Lambeth North from 1895 to 1900.

Lot 99

Sir Henry Bartle Edward Frere signed 9x8 photo the oval image depicting Frere in a semi profile head and shoulders pose signed in fountain pen to the lower photographers mount and dated 4th February 1877 in his hand. Some very light minor foxing to the mount . Sir Henry Bartle Edward Frere, 1st Baronet, GCB, GCSI, PC (29 March 1815 - 29 May 1884) was a Welsh British colonial administrator. He had a successful career in India, rising to become Governor of Bombay (1862-1867). However, as High Commissioner for Southern Africa (1877-1880), he implemented a set of policies which attempted to impose a British confederation on the region and which led to the overthrow of the Cape's first elected government in 1878 and to a string of regional wars, culminating in the invasion of Zululand (1879) and the First Boer War (1880-1881). The British Prime Minister, Gladstone, recalled Frere to London to face charges of misconduct; Whitehall officially censured Frere for acting recklessly.

Lot 337

ERNEST ALBERT WATERLOW, RA ROI, (BRITISH, 1850-1919) 'The Orphan' inscribed below image, pen and ink drawing (working study for the Royal Academy painting)29 x 24cmQty: 1

Lot 346

^ HUGH BOYCOTT BROWN R.S.M.A, (BRITISH, 1909-1990) Pin Mill, Ramsholt Quay and Other Views group of fifteen pen and ink drawings18 x 25cmQty: 15

Lot 108

A Victorian Silver and Ivory Samson Mordan Novelty Nib Pen, modelled as a hand with turquoise ring on silver-studded ivory handle, marked No.1390 AUGT 3 1842 MORDAN to the shaft, 16.5 cm L, with selection of calligraphy nibs (a lot)

Lot 59

HENRI GAUDIER-BRZESKA (1891-1915), pen & ink on linen paper 'Reclining Female Nude from the Back' 1913, Peter Nahum at the Leicester Galleries Henri Gaudier Brzeska Exhibition 1995 label and LAPADA label verso, 26 cm x 38 cm, framed & glazed

Lot 131

Stevenson (Robert Louis) The Graver & the Pen or Scenes from Nature with Appropriate Verses, first edition, 5 woodcut illustrations by the author, very slight toning to endpapers, original stiff wrappers, stitched, near-fine, [Prideaux II, 14], 16mo, Edinburgh, S. L. Osbourne & Company, 1882.⁂ Scarce little work, with the woodcuts cut by Stevenson by hand using a penknife. A notice at the foot of the title states: "It was only by the kindness of Mr. Crerar of Kingussie that we were able to issue this little work--having allowed us to print with his own press when ours was broken."

Lot 221

Cockerell & Son (Douglas, bookbinders) Sketch for goldtooling on the binding of a testimonial to Hon. John Collier, pen and ink circular design of interlacing lines incorporating the initials JC and the dates 1905 & 1932 surrounded by a semé of small ornaments, on japan paper, c.250 x 180mm, tipped into board folder with ink specifications and price on Cockerell & Son label and sample swatch of leather mounted on inside front board, light offsetting to design from facing leather sample, Cockerell marbled boards, wrapped within marbled paper with Douglas Cockerell and Son printed address label and stamps, 4to, [c.1932].⁂ The label reads, "Sketch for gold tooling on the binding of a testimonial to Hon. John Collier. To be carried out on brown levant morocco. Estimated cost of binding £5.5.0. should the binder be required to provide vellum endsheets this will be costed."Hon. John Malet Collier (1850-1934), British portrait-painter and writer who worked in the Pre-Raphaelite and Orientalist styles. Sixteen of his works are held by the National Portrait Gallery and two by the Tate Gallery.The package that contains the design is addressed to James Arden Grant (1887-1973), English printmaker and portrait painter.

Lot 299

Birds.- Delacour (Jean) The Waterfowl of the World, 4 vol., first edition, 66 colour plates by Peter Scott, 155 map illustrations, vol. 1-3 signed by the artist on front free endpaper, vol. 4 with signed presentation inscription from the author and Peter Scott on front free endpaper, each with an original ornithological illustration by Scott, contemporary blue half morocco by Sangorski & Sutcliffe, gilt, lightly rubbed, spines slightly sunned, t.e.g., [Nissen ZBI 1065], 4to, 1954-64.⁂ The original illustrations are in fountain pen in vol. 1 and 2, and watercolour in vol. 3 and 4.

Lot 73

Welsh ownership.- Ovid. Ovids Festivalls, or Romane calendar, translated by John Gower, first edition in English, title in red and black and with woodcut printer's device, all within a woodcut typographic border, woodcut head-pieces and decorative initials, final imprimatur f., lacking initial blank, numerous 17th and 18th century ink names and pen trials, including some Welsh to foot of G4v, [par.]6 ('Upon Mr. Gower's smooth interpretation of the six books of Ovid's Fastorum', signed William Birstall) misbound before imprimatur f., title browned at edges, stained and little chipped, G7 paper flaw near head, with loss of a couple of letters, and partial printing of a couple more, without loss of sense, trimmed at head, affecting some headlines, occasional spotting or staining, lightly browned, contemporary calf, upper cover detached, piece of leather missing from head of lower cover, spine ends and corners worn, rubbed and scuffed, [Pforzheimer 782; Grolier 405; STC 18948], 8vo, Cambridge, Printed by Roger Daniel, printer to the University of Cambridge: and are to be sold by M[ichael]. S[parke]. junior, in the little Old-Baily in London, 1640.⁂ A copy of the first edition in English of Ovid's Fasti, which has passed through the hands of a number of 17th & 18th century Welsh readers. Provenance: Henry & James Coursey / Koursey, 1651; Samuell Jones, 1693; 'Griffiths in the county of Caernarvon' (17th century); Robert Roberts, 1711; Hugo and / or Hugh Hughes de Gwyder, 1729; Thomas Hughes, 1730; John Hughes, of Weeg, 1734; William Lewis Joyner, 1767 (ink inscriptions); William Fanshawe Martin (engraved armorial bookplate); Professor Eric Stanley, Rawlinson and Bosworth Professorship of Anglo-Saxon, University of Oxford (bookplate).

Lot 91

Education.- Dilworth (Thomas) The Schoolmasters Assistant: being a Compendium of Arithmetic..., seventh edition, engraved portrait (shaved and tear to fore-edge with slight loss), folding table, contemporary ink inscription "Thomas Hill 1754" and more signatures and pen trials to endpapers, small piece torn from fore-margin of B11 just touching text, contemporary sheep, worn, old Board of Education library label to lower cover, rebacked, by Henry Kent, 1754 § Nelson (James) An Essay on the Government of Children, third edition, errata leaf at end, contemporary sheep, crack to spine, R.& J.Dodsley, 1763 § [Lamy (B.)] The Art of Speaking, second edition in English, various old ink signatures to title and front endpapers, contemporary panelled calf, rebacked, for W.Taylor..& H.Clements, 1708, all rubbed; and another on educating children, 8vo et infra (4)⁂ The first is a popular schoolbook first published in 1745 which ran to many editions but all those pre-1760 are scarce. ESTC lists only the Wellcome copy and one at University of Wisconsin-Madison. The second concerns the health, manners and education of children, advising regular meals including small beer.

Lot 786

Two Boxed Matchbox Early 1-75 Moko Lesney Models, comprising of No 73A Leyland RAF 10 ton pressure refueller, Air Force blue, roundel, box end flap detached/present, sellotape, marker pen to box, No 74A mobile 'Refreshments' bar, silver body, light blue base, tears to box, sellotape repair.

Lot 787

A Boxed Dinky Toys #261 Telephone Service Van, olive green, black roof with ladder, 'Post Office Telephones', damage to one end flap and pen/pencil writing to box, a boxed Matchbox 1-75 series No 68A Army wireless Truck, tear to one end flap.

Lot 788

Three Boxed Matchbox Early 1-75 Series Moko Lesney Models, comprising of No 4 Massey Harris tractor, No 5 London Bus 'Buy Matchbox Series ' on paper label, chipping on raised edges, No 6 quarry truck, orange body, grey tipper with six ribs, pen writing to box.

Lot 791

Three Boxed Matchbox Early 1-75 Series Moko Lesney Models, comprising of No 58A AEC coach 'Bea'. possible repaint, damage to decal, No 59A Ford Thames Van, 'Singer', pen writing to box inner flap, No 60A Morris J2 pick up, light blue body, 'Builders Supply Company'.

Lot 795

Three Boxed Matchbox Early 1-75 Series Moko Lesney Models, No 64 a Scammmell breakdown truck, olive green body, pen writing to base plate, No 65A Jaguar 3.4 litre, blue body, sliver rear number plate, pen writing to box inner flap, No 66A Citroen DS19, yellow body, silver trim, pen writing to box inner flap, minor chipping/rubbing to paintwork on all models.

Lot 803

Three Boxed Matchbox Early 1-75 Series Moko Lesney Models, comprising of No 19 MG Midget, cream body, brown driver, red seats, some rubbing minor chips to paintwork, No 20 ERF stake truck, chipping to raised edges, scratched initials 'BF' to underside of model, pen writing to box, No 21 Bedford coach, green body and base 'London to Glasgow'.

Lot 807

Three Boxed Matchbox Early 1-75 Series Moko Lesney Models, comprising of No 31 American Ford Station Wagon, yellow body, multiple chips to paintowrk, slight crushing to box, No 32 Jaguar XK140, off white body, black base chipping to paintwork, pencil/pen writing to box, No 33 Ford Zodiac, dark green body, hook, no windows paintchip to roof, slight crushing and sticker to box.

Lot 816

Two Boxed Dublo Dinky Toys, #068 Royal Mail van, pen writing to inner box flap, #067 Austin taxi, pen writing to inner box flap, small chips to paintwork noted on both models.

Lot 818

A Boxed Dinky Toys Foden 14-Ton Tanker, 941, 'Mobilgas', red, chipping to raised edges, rubbing to decals, pen writing to front base plate, blue and white striped box, wear to raised edges.

Lot 819

A Boxed Dinky Toys #283 B.O.A.C Coach, dark blue body, off white roof (age related marks), pen writing to box.

Lot 822

A Boxed Dinky Supertoys #504, Foden 14 ton tanker, dark blue can, light blue tanker, chipping rubbing to paint work, pen writing o front base plate, wear and sellotape repair to box.

Lot 823

A Boxed Dinky Toys #409 Bedford Articulated Lorry, chipping to paintwork pen writing and wear to box.

Lot 560

A pen & ink figurative sketch by Robert Lenkiewicz, image size 9.75in x 7.75in

Lot 1666

Sir Peter Scott, 2 sheets of pen and ink sketches of geese, signed and inscribed with date 1952, mounted in single frame, overall frame dimensions 47cm x 32cm

Lot 1717

Mavs, original pen and ink illustration, Does it tick?, signed, 20cm x 30cm, framed

Lot 1615

Walter Greaves (1846 - 1930), pen and ink drawing, Chelsea Docks, signed and dated '67, 32cm x 23cm, framed, provenance: The Piccadilly Gallery London 1969

Lot 1652

Arthur Rackham (1867 - 1939), pen and ink silhouette signature from correspondence to a friend, details verso, 9cm x 6cm, framed

Lot 137

Dick French - Pen, gouache and watercolour wash in cushion moulded bird’s eye maple frame (41cm x 53cms)

Lot 272

An Edwardian 9ct hallmarked dip pen by S. Mordan & Co, of tubular hollow form and with dated inscription JUNE 21st 1909, London 1908, length 15.5cm, weight 7.6g.

Lot 424

Sonja Sekula (Swiss 1918-1963) Révrete 44inscribed 'Les avalanches de la tristese et le soleil des bas du jardin obscure...Petit poeme pour Gigi, de Sonja' (lower left) ink and pen on paper21.5 x 14cmProvenance:Collection of the late Gigi Richter (Irmingard Emma Antonia Crompton)Dedicated to noted botanist and art conservator, Gigi Richter, the poem inscribed in the left-hand margin of the present lot translates to “the avalanches of sadness and the sun from the bottom of the dark garden”. Dated 1944, the work was executed whilst both Gigi Richter and Sonja Sekula were living in New York City and moving within the same social circles made up of both the New York Surrealists and the emerging generation of Abstract Expressionists. During this time, Richter was working as a laboratory assistant at the Brooklyn Museum, whilst Sekula was emerging as one of the significant female voices in the art world, having just been featured as part of Peggy Guggenheim’s 1943 exhibition, 31 Women. Whilst the dedication to Richter documents the friendship between the pair, the quiet pathos of the poem also demonstrates the melancholia that stalked Sekula’s adult life. Described by Robert Motherwell as ‘like a screwed-up poet; very intense, a very depressed person…She was very vulnerable and fragile’, Sekula was placed in several psychiatric facilities during her life. In 1963, aged 45, Sekula sadly took her own life, though she remains celebrated as a seminal figure in mid-20th century art.Not examined out of the frame. The surface with overall toning which is slightly blotchy in places. The top and bottom edges of the sheet with some minor nibbles. To the centre left of the image there is a small stain, which is slightly darker in colour than the surrounding surface, there are also some tiny red marks just above, which are most likely to have been added during execution rather than the result of any damage. The sheet appears to have been stuck to the backboard along each edge. The work comes from a deceased estate.

Lot 513

Antique Rockingham style English porcelain desk stand with central inkwell and two pen wells painted with floral sprays, gilded twin acanthus handles, 28cm long. 

Lot 76

A Late XIX Century Combination Ivory Pen/Penknife, the blades stamped "Paragon, J and W Ragg," lacking nib.

Lot 88

A Mid XIX Century Silver Plated on Copper Dish, of shaped rectangular footed form, 25cm long, an ivory late XIX Century Stanhope pen/letter opener and ivory and silver (stamped "800") paper turner. (3)

Lot 540

Banco Nacional Ultramarino, Cape Verde, pair of proofs for 500 Escudos (2), ND (1971), first fully printed on both sides, second with only underprint on obverse, neither with signatures or serial numbers, both with pen and pencil annotations in margins, in PMG holders 63, choice uncirculated and 45, choice extremely fine, quite probably a unique pair (2 notes) BNU CV65p, Pick 53Ap £240-£300

Lot 343

A Diabolo de Cartier ballpoint pen, with blue cabochon, serial number 250610, in presentation case with guarantee and instruction booklets; and a R de carrier ballpoint pen, with blue cabochon, serial number EO32109, in red presentation caseA private Bedfordshire collectorNo obvious visible faults.

Lot 358

Four Parker Premier Collection sterling silver pens and a matching pencil, comprising fountain pen with 18ct gold nib, a rollerball, a ballpoint and a propelling pencil, within a plush presentation case with pen slip and bookletA private Bedfordshire collectorNo obvious visible faults, mechanisms work as expected.

Lot 46

Erté (1892-1990) [Romain de Tirtoff], two pen and highlighted sketches on paper, female heads, each signed, the largest 12.5 cm x 16.5 cm framed and glazed.Qty: 2Sketches on paper, so some other pencil and crayon marks are visible, as well as creases. Some light wear to the frames.

Lot 893

An Ariel vase by Kaj Franck for Nuutajarvi circa 1950, compressed ovoid body cased in clear crystal over a deep golden amber with repeat vertical slice cuts, acid pen mark to the base, height 13cm.

Lot 914

A 1950s Nuutajärvi Notsjö glass vase designed by Gunnel Nyman in the Morsiushuntu (bridal veil) pattern, the tapered torpedo form cased in clear crystal over a fine white mesh ground with air bubble detail, acid pen signed, height 23.5cm.

Lot 949

A 1950s Nuutajärvi Notsjö glass vase designed by Gunnel Nyman, the ovoid body cased in clear crystal over a deep amber core with a fine even air bubble mesh, acid pen signature, height 11cm.

Lot 16

Jaguar - an original vintage 1960s Royal London made Jaguar promotional desktop radiator pen set. Comprising of a central miniature Jaguar car radiator with enamel badges to front which doubles as a small portable transistor radio by Stellar (untested), complete with a miniature chrome effect Leaper mascot to top. Affixed to a base with two adjustable pen stands (with pens). Slight AF - one pen holder requires repair. Measures approx 24cm long.

Lot 47

The Lancaster Bomber - The Dam Busters - Richard Todd (1919-2009) - A black and white photograph depicting a scene from ' The Dam Busters ' (1955). Autographed by the late actor, signed in black marker pen to a light portion of the image. Todd portrayed Guy Gibson in the iconic role, and passed away in 2009.

Lot 43

A collection of mixed ceramics. Including a Cauldon 'Ivorin' replica of the Queen's Dolls' House, designed by Sir Edwin Lutyens, RA, a Crown Derby Imari twin handled sugar bowl (handled broken), a Crown Staffordshire pen tray and other ceramics. H.15 W.16 D.10cm (largest)

Lot 018

Robert Lenkiewicz (1941-2002) 'Mouse' pen sketch, 24cm x 24cm, with Robert Lenkiewicz Foundation seal, framed and glazed.

Lot 121

Fred Yates (1922-2008) blue pen sketch 'Our Baby Daughter, Sweet Seventeen', 29cm x 15cm, framed and glazed.

Lot 1110

MONT BLANC - a Meisterstuck fountain pen, in original leather case, with bottle of ink, as new condition

Lot 1096

Terence Ward (20thC). Fishing boats at Cadgwith Cove, Cornwall, pen and wash, signed, attributed verso, 23cm x 31cm.

Lot 1110

Sherwin. Figures on a bridge before hills, print, 32cm x 39cm, various other prints, pictures, watercolours, booklets, Japanese woodblock, sketches, pen and ink, etc. (a quantity)

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