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Lot 1

Burton (William). A Commentary on Antoninus his Itinerary, or Journies of the Romane Empire., 1685, title in red and black, some spotting, lacks port. frontis. and double-p. map (both supplied in pen and ink 'facsimiles'), old half calf, covers det. and spine deficient, folio, (Wing B6185), together with [Fenn, John], Original Letters, Written during the Reigns of Henry VI, Edward IV and Richard III, vols. 1 & 2, 1787, twenty plts. incl. three hand-col. and one folding pedigree, heavy spotting throughout, contemp. half calf, rebacked with remains of orig. spine relaid, 4to, (three further volumes published in 1823), plus Lambert (Benjamin), The History and Survey of London, 4 vols., 1806, forty-two (of 56) eng. plts. incl. folding map to vol. 4, contemp. tree calf gilt, upper cover to vol. 2 det., 8vo, plus other misc. antiquarian incl. sets by Mommsen and Goldsmith (32)

Lot 1

Studio Special Numbers. The Royal Institute of Painters in Water-Colours, 1906, Old English Country Cottages, 1906-7, Modern Etchings, Mezzotints and Dry-Points, 1912-13, Paris, Past and Present, 1915, Early English Water-Colour Drawings, 1919, Drawings in Pen & Pencil from Durer's Day to Hours, 1922, Figure Painting in Water-Colours, 1923, num. col. and b & w illusts., all orig. printed wrappers, some a little worn on spines and eight others, folio (15)

Lot 1

Dulac (Edmund). Fairy Book, Fairy Tales of the Allied Nations, 1st ed., 1916, fifteen tipped-in col. plts., a few sl. torn, orig. pict cloth gilt, soiled with one or two pen marks, 4to (1)

Lot 1

Wilde (Oscar). SalomŽ, Drame en un Acte, dessins de Alastair, pub. Paris, G. Cres & Co., 1922, col. plts., orig. pict. wrappers, 8vo, together with Intentions. The Decay of Lying. Pen, Pencil, and Poison. The Critic as Artist. The Truth of Masks, by Oscar Wilde, 2nd ed., Osgood McIlvaine & Co., 1894, orig. cloth gilt, rubbed on spine (1000 copies printed, including 500 issued in America. Mason 342), both 8vo (2)

Lot 1

*Pictures and prints. An original pen-and-ink cartoon "Happy Brithday and everytime 'good shot'. The Lions Team, Billiards Show, Essen, 18.06.93", given to Jack Karnehm on his 76th birthday, signed by Jacks son, Ray, also Eddie Charlton, and several others, approx. 30 x 42 cm., framed and glazed, together with a framed poster for a billiards demonstration by Jack Karnehm in Holland, signed by Karnehm and dated, 1984, framed and glazed, a photo-montage of the 1985 Embassy World Professional Snooker Championship, given to Karnehm on his retirement from the BBC, and four other framed pictures (7)

Lot 1

*Photograph. The Maharajah of Jahore on horseback in polo shirt and riding boots,. b & w mounted photograph measuring 290 x 240 mm, inscribed in pen to lower margin 'To Mr R. Strauss Jones from Mahr of Jahore 26th April 1928' (1)

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Manner of Walter Langley (1852-1922), Grief, pen and ink, bears incorrect signature lower left, 17 x 25 cm

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Maurice Barnes (20th century), Study of a building site, pen, ink and coloured washes, 38.5 x 57cm, and four other sketches by the same artist, all unframed

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Dodie Masterman, Waltzing Couples, pen, ink and watercolour, signed lower left, bears label verso for J. Leger & Son, 13 Old Bond Street, November 1945

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Eight Cries of London, various series, a watercolour depicting the Kennet and Avon Canal, Kintbury, and a Rouen street scene, pen and ink

Lot 1

'SNAFFLES' (Charles Johnson Payne 1884-1967): Sport in the Shiney, pen, ink and watercolour sketches, signed and extensively inscribed, 49.5 x 65cm (19.5 x 25.5in)

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VERE LUCY TEMPLE (exh.1903-1939): Pen and ink sketch of three bloodhounds, 38.5 x 32cm (15.5 x 12.75in)

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PIERRE-ETIENNE MOITTE (French 1722-1780): Classical maiden in an open chariot with attendants, brown wash and pen and ink, 14 x 46.5cm (5.5 x 18.5in)

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FRANK CHEYNE PAPE (1878-1972): Four original illustrations for James Branch Cabell's Jurgen (published 1919), pen and ink and grey wash, 25 x 18.5cm (9.75 x 7.25in) (4)

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FERDINAND DE BRACKELEER (Belgian 19th century): Figures outside a tavern, signed and dated 1841, pen and ink and watercolour, 24 x 28cm (9.75 x 11.25in)

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CHRISTOPHER GIFFORD AMBLER (b.1886): Seven unsigned pen and ink drawings of dogs, a pen and ink drawing of a circus and another of a magazine cover - Exmoor Rover (9)

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A George IV figured mahogany Davenport, circa 1825, the revolving writing surface with twin lateral slides and a swivel pen drawer. h.85cm., w.51cm., d.56cm.

Lot 1

[HOLBEIN, Hans, Gilles Corrozet, Jean de Vauzelles and others]. ICONES MORTIS [DANCE OF DEATH], Duodecim imaginibus praeter prioes, totidemque inscriptionibus, praeter epigrammata e Gallicis a Georgio Aemylio in latinum versa ... Basel [i.e. Lyons: Jean Frellon], 1554. 8vo (150 x 100mm); 51 woodcuts only of 53, by Hans Lutzelburger after Holbein, leaf C1 supplied in pen and ink facsimile; nineteenth century diced russia, upper cover detached, book plate of Hugh H. Pillens Edinburgh.

Lot 1

A Victorian brass bound walnut writing slope, with shaped name and escutcheon plates flanked by inset brass bands and capped corners enclosing velvet lined falls, inkwell compartment and pen tray, with damage, 51cm wide, 26cm deep; and a smaller rosewood writing box, (2).

Lot 1

An unusual Victorian mother of pearl inlaid rosewood writing accessory box, with panel decorated two-section hinged lid with fixed central handle, enclosing pen tray, pair of inkwells and knib box, with drawer to side, 13cm high, 22.5cm wide; and a similarly inlaid pen stand, with curved rack for four pens, over box base with side drawer fitted with lidded compartments, 15cm wide, (2).

Lot 1

An Omega gent's gold wristwatch, the champagne dial with applied Arabic numerals and swept seconds hand, on plated bracelet, boxed; a Majex gent's gold wristwatch, on plated bracelet; and a Sheaffer fountain pen, boxed, (3).

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Wilfred Wood: watercolour and charcoal of Lake District area, hills with meandering stream, signed in pen lower right, framed, 11 1/2in x 14 1/2in

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plan of Mount Everest (1953), Pen, ink and watercolour signed by Sir John Hunt, 14cm x 13cm, presented as a school prize

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Regency pollard oak and ebony banded lady's metamorphic work/writing table, the rectangular top comprising a pair of hinged flaps above 2 frieze drawers, 1 containing a writing slope with additional pen compartment, raised on turned oak legs and brass castors. 79cm high, 40cm deep.

Lot 1

Novelty mahogany desk stand, carved and punched to simulate leather, the lid of the stamp division weighted to double as a paper weight and the pen well with matching belt carved paper knife, together with a matched and cased set of maundy money, silver plated fruit knife, a pinch back and cornelian seal and a specimen marble desk seal, 10cm wide x 17cm deep (5)

Lot 1

Tunbridge Ware coromandel writing box by Thomas Barton, the cushion shaped top with perspective cube panel within tesserae mosaic stylised flower banding, opening to form a red velvet writing surface, pen well with paper knife, ink well with 8 point star top and stamp divisions with tesserae flower spray lid, swept sides with mosaic band of lillies and other flowers, damage to its right hand hinged corner removing a small section of chequer stringing and carcase, so to its front left hand corner, with paper label, 32cm wide 26cm deep

Lot 1

Early Tunbridge Ware burr yew writing box by George Wise of Tonbridge, the sloping lid with elongated octagonal lozenge shaped coloured print of Wellwalk, Cheltenham, within lattice gilt slip and further diamond and box stringing, the concave sides with pen work borders, the turquoise interior with paper label, Wellwalk, Cheltenham, published at Wise's manufacture Tonbridge town, complete with inkwell and key, some damage to print, for similar see Austen Tunbridge Ware page 38

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A SILVER DIP PEN with barley twist decoration, matching propelling pencil by S. Morden and Co., cased 8 1/2"long.

Lot 1

A LARGE HARD-BOUND PHOTOGRAPH ALBUM containing photographs of a visit to New York, Quebec, Niagara Falls, Montreal, The St Lawrence River, together with the English Lake District, Scotland, London and the South of England, n.d. circa 1920s, finely entitled in pen-written copperplate, in black full crushed morocco, a.e.g., 29.5cm, 37cm, (11.75in x 14.75in)

Lot 1

Nym Denise Mary Pen-Symons, (fl. mid 20th century) "LANDSCAPE, Co. CORK", oil on canvas, signed lower right, entitled on an old stretcher label, inscribed Royal Academy label documenting the painting's entry for the 1948 Turner Prize, plus depleted label of The Chelsea Art Stores, inscribed "Mr Peters/for students landscape/Bought by Sir Alfred....", 75cm x 100cm, (29.5in x 39.3in), in gilt frame

Lot 1

A SILVER INKWELL of capstan form with groove as a pen rest, the hinged cover enclosing a glass liner, Chester, 1919, (loaded) 8.8cm, (3.3in) diameter

Lot 1

THREE STANHOPE VIEWERS comprising a pair of miniature bone binoculars with Parisian view, a bone dip pen with Swiss view, and another, the view distressed (3)

Lot 1

A LATE VICTORIAN/EDWARDIAN IRISH BOG OAK DESK ORNAMENT carved as a long-eared owl with glass eyes, on turned base, the head removeable to reveal a small well, possibly for matches, pen-nibs or the like, 17.5cm, (7in) high

Lot 1

A very large novelty desk-top pen holder in the form of a fountain pen produced by Silver Crane for the Parker pen company, 36 cms.

Lot 1

A Victorian embossed shaped rectangular pen/snuffer tray, 21 cms, London 1892, a plain circular napkin ring, Birmingham 1923 and a thimble, Chester 1895[?].

Lot 1

An early 20c oak stationery writing cabinet of rectangular shape with plain hinged lid opening to reveal an interior for blotting paper, envelopes and letters with drawers to the side, various writing tools over a sprung assisted pen tray with two glass bottles; the further hinged writing surface with tooled leather inset and concealed compartment, 41 cms. wide [nb. leather inscribed R.Jackson, Commercial Street, Leeds; concealed possible maker's name - J.James].

Lot 1

A moulded hard plastic bar-top advertising sign for "Black & White Scotch Whisky", 23 cms. together with a three-bottle ink stand with pen tray and pens, 26 cms.

Lot 1

A small Chinese carved camphorwood style box containing a yard-o-led hallmarked silver propelling pencil in box, Birmingham 1968 and a composite Parker three-piece pen set in case.

Lot 1

An early 20c oak writing cabinet with two sloping hinged doors opening to reveal a fitted interior for stationery on rectangular base with pair of cut clear glass cuboid inkwells, pen tray and single drawer with angular handle, 33 cms.

Lot 1

Two Dickenson Croxley fountain pens in plain black and marbled gold cases with 14 ct. gold nibs, together with a Mabie Todd Swan self-filling black bodied fountain pen, also with 14 ct. gold nib.

Lot 1

English School, circa 1850 Italianate interior pen and ink 9" x 9 3/4" (23cm x 24.8cm), unframed, and other watercolours and prints, unframed

Lot 1

SIR CECIL BEATON (1904-1980) Costume design for Rosaline, Loves Labours Lost Pen and ink 15 3/4" x 8" (39cm x 20cm) Signed, titled and inscribed 'To Dinah Greet, with gratitude, Cecil Beaton'

Lot 1

Frank Henry Mason (1876-1965): Clipper ships at sea, pen and wash, signed on mount, 6cm x 13cm

Lot 1

A Victorian rosewood watch stand, the rectangular base supporting foliate fret carved pointed arches, with a watch aperture behind, 22cm high, together with a brass mounted coromandel pen tray of rectangular shape with a central medallion painted in enamel with a winged cherub, 30cm wide (2)

Lot 1

Gaspare Gabrielli, ROME Signed and dated September 1817, pen, ink and watercolour, 44cm x 61cm

Lot 1

William Watt Milne 'FOUNTAIN CAP YARD' Signed, oil on canvas board, 22 x 19cm; and and a drawing by the same hand, 'THE CLOISTERS' Signed and inscribed, pencil, pen and ink (2) 16 x 18cm

Lot 1

19TH CENTURY SCHOOL, The Mill, pen and ink washes, 20cm x 27cm, unframed; and ten other watercolours and pencil drawings, unframed. (11)

Lot 1

BEARING SIGNATURE J.REEVES PEN AND INK DRAWING (MOUNTED) DIAMETER 21CM. (CIRCULAR)

Lot 1

A set of three pen and ink drawings - equestrian scenes.

Lot 1

Henri Lebasque, 1865-1937, SUR LA PLAGE, signed, watercolour, pencil and pen and ink on paper, 17.5 by 23.2cm.; 6.875 by 9.125in.

Lot 1

Andre Dunoyer de Segonzac, 1884-1974, ROUTE DE FORET, signed, watercolour and pen and ink on paper, 49 by 38cm.; 19.25 by 15in.

Lot 1

Tsuguharu Foujita, 1886-1968. LE CHAT, signed, signed in Japanese, dated 1 Jan. 1931 and inscribed Mrs. Andreau and The first design of 1931, pen and ink on paper, 25.5 by 20.2cm.; 9.875 by 8in.

Lot 1

Lyonel Feininger, 1871-1956. PROMENADE, dated 7 Vii II, pen and ink on paper, 19 by 23.4cm.; 7.5 by 9.125in.

Lot 1

Henri Laurens, 1885-1954. NU ALLONGE, signed and dedicated A Lise, l'espace rayonne a partir de votre beaute, pen and ink on paper, 14 by 22cm.; 5.5 by 8.625in.

Lot 1

Francis Picabia, 1879-1953, PORTRAIT, signed, watercolour, pen and brush and ink and pencil on paper, 33 by 20.3cm., 13 by 8in.

Lot 1

Pablo Picasso, 1881-1973. TETE DE TAUREAU, signed, dedicated pour Madeleine Castel and dated Nimes le 13.5.56, pen and ink on paper, 13.5 by 10.5cm.; 5D by 4.125in.

Lot 1

Pablo Picasso, 1881-1973. POUR MINOUCHE, signed and dedicated pour Minouche; signed, dated 25 Oct 57 and printed Joyeux anniversaire a Pablo Picasso le 25 Octobre 1957 on the reverse, crayon on printed paper with a further pencil and ballpoint pen drawing on the reverse, 22 by 18cm.; 8.625 by 7.125in.

Lot 1

Salvador Dali, 1904-1989. SANS TITRE (DALi ET GALA Ë LA PISCINE DE PORT LIGAT), signed and dated 1975 with the Museo. Perrot-Moore, Cadaques stamp, felt-tip pen on paper, 28.5 by 23.4; 11.25 by 9.25in.

Lot 1

Alberto Giacometti, 1901-1966. PORTRAIT DE MARIE-LAURE DE NOAILLES, inscribed Hotel Creste, Basses Alpes, pen and ink on paper, 15 by 27.8cm.; 5.875 by 10.875in.

Lot 1

Jean Cocteau, 1889-1963, MAISON HANTEE, signed, titled, inscribed and dated 1938, pen and ink on paper, 34.6 by 21.3cm.; 13.625 by 8.375in.

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