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Lot 159

Inlaid Walnut Desk Tidy, Carved Wood Letter Rack and Indian Carved Wood Pen Box

Lot 438

Moorcroft 93 Floral Decorated Pen Tray from the Oberon Collection

Lot 71

H.A. Tyler (British, 20th century) The L.N.E.R. (ex G.N.R.) Class K2 2-6-0 tender locomotive, 4652, Pen and ink Signed lower right, and dated ‘16 XI [19]51’, 31cm x 56cm. Framed and glazed.

Lot 427

W.H. Turner, "S.S. Peter and Paul, Harrington", signed and titled, pen and ink mixed media, 36 x 49cms and a colour print, (2).

Lot 28

Doris Ardley, pen and ink drawing entitled, "Dreams and Visions", signed and dated 1925, 56cm x 46cm

Lot 7

A collection of hallmarked silver items to include ballpoint pen, caddy spoon, sugar tong ETC.

Lot 20

Mother of pearl shaft dip pen with gold nib by Edwardian of New York No. 5

Lot 41

A Sheaffer pen set 1 x pen no nib

Lot 45

A vintage swan fountain pen - 14ct nib

Lot 46

A vintage Sheaffer fountain pen part 14ct gold nib

Lot 56

A vintage parker 51 pen set boxed

Lot 579

A CIVIL WAR JOURNAL AND MEMOIR. Comprising a large format loose bound journal of 35 handwritten pages measuring 8 inches x 10 inches each, inscribed in ink by a yet unknown member of Co. C, 28th Iowa Volunteer Infantry Regiment. The journal covers a period of approximately two months, beginning with the first entry dated New Bern, North Carolina (March 1865) to Augusta, Georgia. The writing style is smooth, well-constructed and insightful. The author is obviously well-educated and talented well beyond the typical author of most Civil War journals. The entries would seem to be indigenous to the period and events being described. Likely representing only a fragment of a perhaps a once larger journal (or set of journals), as there are indications his service spanned over three years. Some writing examples include:“Battling together & suffering in common with one another has united our Regt like a Band of Brothers, and no Co. is more closely united that is Co C.”“No fancy pen can adequately describe the suffering of this wronged Southern people- the poor class called the ‘white trash’ by the Southern aristocrat.”“Elbowing my way into the anxious gazing crown of ‘blue coats’ I beheld standing on the platform of the car the center of attraction in the person of Maj. Gen. Wm. Tecumseh Sherman carrying on an easy conversation with his brother, Senator Sherman of Ohio and several Maj. & Brig. Generals who had clustered around the illustrious chieftain. Gen. Sherman is a tall spare built man, light complexion. Is a common looking unassuming man and on this occasion was dressed in a plain but neatly fitted military suit and wore a low crowned slouched hat.”“But when it was announced that Gen. Lee had surrendered himself & army of Northern Virginia to Gen. Grant on the 9” inst the enthusiasm & excitement of the soldiers of this Post knew no bounds.”“All were cheered to think there were such bright prospects of a speedy close of this most cruel Civil war which they had already carried mourning to most every household in the land. The men thought they could see the black cloudy war dispelling before the Star of peace.”“On the 16” of April in the midst of our rejoicing over gladsome war news a gloom was cast over our Camp by the announcement that President Lincoln had been assassinated by J.W. Booth at Ford’s Theatre Washington City on the evening of 14” inst. And that an attempt had also been made to murder Secretary Seward. All rejoicing was turned into sorrow. Never before had I seen sorrow so plainly depicted on the countenances of men. Among soldiers all thoughts of leniency toward ReBel leaders were smothered and the voice of the men was ‘Hang or banish every Rebel leader (civil or military).’ A few days afterwards an order from Gen. Grant announced that a badge of mourning would be worn on the left arm by the officers for the term of 30 days. Officers swords were also to be draped in mourning for the same length of time. Our colors were to be draped in mourning for the term of 6 months.”“It had now been 32 months since we left Iowa City headed toward Dixie & were then more anxious to get to the land of cotton than we now are to get ‘home again’.”, “But thank God their blood has not been shed in vain. The Rebellion is crushed The Union Saved And the old flag again waves in triumph from the Rio Grande to the Historic Potomac and from the Everglades of Florida to the Prairies of our own Iowa.” Together with another journal containing the memoir of apparently a different Iowa veteran of the Civil War, also apparently serving with the 28th Iowa Volunteer Infantry Regiment, and likely Co. C. The writings, both in ink and pencil, are contained in a bound ledger style journal, measuring 12 inches x 8 inches and comprising over 110 handwritten pages. While the ledger itself certainly dates to the war period, it seems likely that the handwritten entries may have been executed in part or in whole after the war, possibly from a diary or other source. The journal begins with the “Great Red River Expedition.” – March 1864 and would seem to conclude in February 1865, but also includes a great deal of statistical data regarding the Iowa 28th Volunteer Regiment such as KIA, wounded in action and the like, which postdates this time. Overall, the memoirs recall a great amount of detail regarding specific battles and engagements as well as interesting observations and other commentary all within the scope of the Iowa 28th Volunteer Infantry Regiment.While the penmanship is clearly by a different hand than the previously described journal and the style of writing different as well, it would seem likely that the two journals are somehow related beyond the Iowa 28th Vol. Regiment.

Lot 728

VICTORIA: (1819-1901) QUEEN OF THE UNITED KINGDOM, GREAT BRITAIN & IRELAND 1837-1901. Signature cut, pen and ink on paper, inscribed “Rec’ 23 Jan’ry, 1865 Victoria”, contained in a period oak and parcel gilt frame with facsimile “Diamond Jubilee Portrait”. The signature 4 inches x 2.25 inches (10 x 5.5 cm), and 23.75 inches x 26.75 inches overall (60.3 x 68 cm).

Lot 815

A FINE CHINESE CLOISONNÉ AND GILT BRONZE DESK SET, LATE 19TH/EARLY 20TH CENTURY. Finely enameled with an all over floral pattern comprising a letter rack, pen rest, inkwell, blotter, stamp box and desk pad corners. The largest 8 inches (20 cm) length.

Lot 156

A MAN`S 14K GOLD DUNHILL LIGHTER AND PEN KNIFE, 20TH CENTURY. The lighter stamped 14K gold and inscribed "To Gretl my heart`s delight- Robby". The pen knife with gold nugget handle and indistinguishable markings. Length 2.5 inches and 2.25 inches.

Lot 158

A SIX PIECE 14K GOLD GROUP, 20TH CENTURY. Comprising a leather cased 3 inch pocket mirror, a 3 inch heart shaped dresser frame, a leather cased pocket comb, a 14K ball point pen, a 14K mechanical pencil, and a retractable 14K gold swizzle stick.

Lot 893

A gold plated Parker pen and pencil

Lot 704

A Victoria letter rack, pen stand with perpetual calendar

Lot 757

Brass and grey marbled hardstone desk set to include inkstand, pen wipe, blotter and paper holder (4).

Lot 779

James McBey (1883-1959) (ARR). `The Desert of Sinai, No.2 (1919)`. Etching on paper, signed in pen lower right, inscribed XXI, 19.9 x 35cm.

Lot 491

A good mixed lot of costume jewellery, lapel badges, LMS railway buttons, a Parker fountain pen with 14K gold nib, a PaperMate ballpen, two Stratton powder compacts of which one bearing bthe crest of the Royal Military Police, two whistles and other - Est £30 - £50

Lot 221

§ JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH B. 1942). MONOCHROME FIGURES I. Signed, pen and ink and wash. 59cm x 83cm (29in x 32.5in).

Lot 222

§ JOHN BELLANY H.R.S.A., R.A., C.B.E. (SCOTTISH B. 1942). MONOCHROME FIGURES II. Signed, pen and ink and wash. 59cm x 83cm (29in x 32.5in).

Lot 225

§ WILLIAM WILSON O.B.E.,R.S.A., R.S.W (SCOTTISH 1905-1972). COLLIOURE. Signed, pen and ink and watercolour. 36.5cm x 51cm (14.5in x 20in).

Lot 289

JOHN SPRINGS (BRITISH B.1962). SIR WINSTON CHURCHILL (1874-1965). pen and ink with red ink cross hatching and later acrylic paint, signed, unpublished, dated on reverse in the artist`s hand 1990-2012. 35 x 43cm.

Lot 290

JOHN SPRINGS (BRITISH B.1962). HAROLD MACMILLAN (1894-1986). pen and ink with red ink cross hatching, signed, believed to be unpublished, circa 1980s. 27 x 38.5cm. Note: When Macmillan visited Russia in 1959 he surprised his hosts and the press by stepping off the aeroplane wearing a tall white fur cap of Russian style.

Lot 292

JOHN SPRINGS (BRITISH B.1962). MARGARET THATCHER (B.1925). pen and ink, signed, published to illustrate a profile in the `Sunday Telegraph`, circa 2005, shown with members of her former government. 27.5 x 23.5cm.

Lot 295

JOHN SPRINGS (BRITISH B.1962). JOHN MAJOR (B.1943). pen and ink with red cross hatching and use of acrylic colour, signed, used during an episode of BBC 2`s `Newsnight` programme in the mid-1990s when John Springs was resident caricaturist (1992-1997). 44 x 17cm. Note: This dramatic and colourful image refers to Major`s father`s career in music hall and circus with perhaps references to his problems in dealing with a fractious parliamentary party.

Lot 296

JOHN SPRINGS (BRITISH B.1962). `TWO AND A HALF PRIME MINISTERS`. pen and ink, unsigned, possibly published in the `Sunday Telegraph`, early 2000s, depicting Tony Blair, Gordon Brown and John Prescott. 25 x 20cm.

Lot 297

JOHN SPRINGS (BRITISH B.1962). GEORGE WASHINGTON (1732-1799). pen and ink with red ink cross hatching, signed, unpublished, circa 1990. 32 x 29.5cm.

Lot 299

JOHN SPRINGS (BRITISH B.1962). JOHN F KENNEDY (1917-1963). pen and ink, signed, published in `The Spectator`, 1988. 22.5 x 32cm.

Lot 305

JOHN SPRINGS (BRITISH B.1962). BARACK OBAMA (B.1961). pen and ink, signed, published in `The Journal of Blacks in Higher Education`, circa 1990. 28.5 x 42cm. Note: This is an early image of the President when he was first emerging onto the national stage. At this time he was the first black President of the Harvard Law Review and just about to launch his political career. This could well be one of the first drawings of Obama by an English artist.

Lot 308

JOHN SPRINGS (BRITISH B.1962). ROBERT MUGABE (B.1924). pen and ink with red ink cross hatching and acrylic colour, signed, published as a cover of `The Spectator` and also used within the magazine, 11th January 2003, 38.5 x 43cm; together with a copy of THE SPECTATOR, bearing the Springs Mugabe illustration (2).

Lot 313

JOHN SPRINGS (BRITISH B.1962). `THE GLORIOUS TWELFTH`. pen and ink with red ink cross hatching and strong use of acrylic colour, signed, published in the `Sunday Telegraph`, 30th August 2009, depicting the opening of the grouse shooting season. 30 x 43cm.

Lot 314

JOHN SPRINGS (BRITISH B.1962). `A NOSE FOR WINE`. pen and ink with red ink cross hatching, signed, published as the front cover of `The Decanter`, February 1994, 40.5 x 28cm; together with the FRONT COVER OF THE DECANTER, showing `A Nose for Wine` (2).

Lot 363

JOHN SPRINGS (BRITISH B.1962). ANNA WINTOUR (B.1936). pen and ink with red ink cross hatching, signed, published to illustrate a profile of her in the `Sunday Telegraph,` 2000s. 22 x 22cm.

Lot 366

JOHN SPRINGS (BRITISH B.1962). BERNIE ECCLESTONE (B.1930). pen and ink on cartridge paper, signed, published in the `Financial Times` to illustrate a "Man in the News" article, circa 1997, shown wearing a racing suit covered in advertising slogans, one of which reads "New Labour". 22.5 x 31cm. Note: In 1997 Ecclestone donated £1 million to Tony Blair`s Labour Party and a crisis for the government arose when the donation was linked in the press to the exclusion of F1 racing from a ban on advertising - something clearly alluded to by the "New Labour" advertisement on his suit.

Lot 375

JOHN SPRINGS (BRITISH B.1962). AMADEUS WOLFGANG MOZART (1756-1791). pen and ink with red ink cross hatching and acrylic colour, signed, published in the `Financial Times`, mid 2000s. 29.5 x 31cm.

Lot 379

JOHN SPRINGS (BRITISH B.1962). ROBBIE COLTRANE (B.1950). pen and ink with red ink cross hatching, signed, published in `The Times` supplement, circa 1990. 29 x 39cm.

Lot 381

JOHN SPRINGS (BRITISH B.1962). ROBERT BURNS (1759-1796). pen and ink with red ink cross hatching and acrylic colour, signed, published in the `Sunday Telegraph` to illustrate a profile, late 2000s. 21.5 x 22.5cm. Note: The illustration was probably used for an article coinciding with the 250th anniversary of the Bard`s birth in 2009.

Lot 384

JOHN SPRINGS (BRITISH B.1962). JULIAN FELLOWES (B.1949). pen and ink with red cross hatching and acrylic colour, signed, published in the `Sunday Telegraph` to illustrate a profile, 2012, shown in front of `Downton Abbey` (Highclere). 40.5 x 29.5cm.

Lot 387

JOHN SPRINGS (BRITISH B.1962). THE PRINCE OF WALES AND DUCHESS OF CORNWALL. pen and ink with red cross hatching and acrylic colour, signed, published as the front cover of the wedding edition of `The Spectator`, 2005, showing the couple`s wedding day. 28 x 25cm. Note: Although the couple are shown on a balcony resembling that at Buckingham Palace and Prince Charles is shown in uniform, the royal couple were married in Windsor registry office and the Prince wore morning dress.

Lot 297

Vintage Parker fountain pen, propelling pencil and ball point pen together with a fountain pen (4).

Lot 401

A mahogany Davenport, the moulded pen box over tooled leather skiver, hinged slope enclosing simple fitted interior over ring turned column and four short drawers with lion mask handles to the right side, raised on brass castors, 59cm wide x 86cm high x 50cm deep.

Lot 1180

An 18 ct gold chain broken - approx. 6 grms, a 9 ct crucifix approx. 1 grm and two other rings and a pen nib

Lot 1193

A gold propelling dip pen tested to 9 ct gold - total weight approximately 25 grms

Lot 1661

A Salz Manhattan 14 k gold filled fountain pen along with a rolled gold propelling pencil

Lot 75

A watercolour of a churchyard and a pen and ink drawing of a boat, framed

Lot 169

A Parker 51 fountain pen with matching propelling pencil in a fitted case, a jumbo fountain pen chassis and four other fountain pens

Lot 205

A cased Parker 51 fountain pen and 12 other fountain pens, some cased CONDITION REPORT: Generally fair with wear commensurate with use

Lot 239A

A quantity of fountain and ballpoint pens including a Dunhill gold plated four colour ballpoint pen, a Parker gold plated cartridge and ball point pen, a Parker 61 fountain pen and pencil set, a Parker 75, and two German silver cased pens. (25)

Lot 245

An ebony desk set, reputedly from Witham Hall, with two cut glass square bottles, a carved elephant blotter and a carved pen tray, together with a pair of brass candlesticks, with drip trays, 31cm, a brass kettle on a stand with spirit burner and a pewter milk jug.

Lot 428

A Victorian collection of envelope covers and drawings, pen and ink, the album half filled with real cancellation stamps, others drawn, the sketches often humorous.

Lot 1218

A Maple & Co rosewood, lady's writing desk, with boxwood stringing and marquetry and bone inlay, ormolu mounted, with oval drop leaves, a single drawer and a fitted pen box, raised on slender tapering supports, 104 by 50 by 90cm high.

Lot 1415

A 1930s Conway Stewart writing set No. 33, comprising 'Scribe' No. 336 fountain pen with 14k gold nib with mottled rose and dark gold coloured decoration and black lid, and a matching 'Nippy' pencil, in a red a silver decorated presentation case and original outer cardboard box with instructions annotated verso 'Christmas 1936, Age 9yrs'.

Lot 1416

A Conway Stewart writing set with fountain pen and propelling pencil, both having marbled effect red bodies, the pen having a 14ct gold nib, boxed with the original instructions for the propelling pencil.

Lot 1531

A Tiffany 15ct yellow gold pen knife with two blades, one of which is stamped Tiffany, 5cm long, total weight 7.5gms.

Lot 344

AFTER SAMUEL PROUT (1783-1852), PEN AND INK DRAWING HEIGHTENED WITH WHITE, “Ratisbonne Cathedral”, 15” x 10”

Lot 360

ANTHONY DEVIS (1729-1817), PEN, INK AND WATERCOLOUR, Sheep in Landscape with Castle on Hill to Distance, Inscribed verso “Ref. C.L. Boyd 10/2/74”. 11 ½” x 16”

Lot 382

GUY TODD (20TH CENTURY), SIGNED, PEN, INK AND WATERCOLOUR, A Norfolk Track, 5” x 9 ½”

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