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Albert Christophe Dies, Hanover 1755 - 1822 Vienna, recto: a mother and infant in a cave, another figure watching them from a distance, verso: an angel delivering an infant to a , reclining woman, signed in brown ink: A.C. Dies f. Rom 1784, and inscribed lower margin and verso in gothic german with the poetic texts illustrated in the drawing, pen and black ink and brown wash (recto); pen and brown ink and grey wash over black chalk (verso), 233 by 287 mm
Jean Paul Kolbe, active 1776, a sheet of small compositions possibly recording a collection of snuff boxes, signed, dated and inscribed in black ink, upper left: ERREUR. Cette figure Symbolique, est facile a distinguer par le bandeau qu'elle a sur les yeux. Si on la represent jeune, c'est pour marquer que l'erreur accompagne ordinairement la jeunesse.; and in brown ink, middle and lower left: Joh.El. Ridinger inv.del.etexc.Aug.Vind./Garcon portant les faucons sur le bracard/Revue, Corrigee et Augmentee ce 13 de juillet 1777./A Vienne le 20d Avril 1776. Dessine par Jean Paul Kolbe. , almost identical inscriptions are written in German on the right , hand side., pen and coloured inks and wash over traces of black chalk, 263 by 421 mm
British School 20th century- 'Children evacuated to the Country, Second World War' from 'A Nursery History'; pen and ink and watercolour, signed with initials 'MFW', and inscribed on the reverse, 18.5x28cm: Anton- 'Keep off the Grass'; pen and black ink, signed: together with two other illustrations by different hands, various sizes, (4), (unframed)
Gustave Fraipont, Belgian School 19th century- Trompe-l'oeil of sentimental vignettes; pen and black ink, signed, and inscribed and dated 1849 on the mount, 40x56.2cm: European School 19th century- 'Hamburgh'; pencil, inscribed: together with a mixed folio of prints, and reproductions, various sizes, (a lot), (unframed)
Hugh MacKenzie- City of London street scene; pen and black ink and watercolour, signed and dated 1985, 20.7x20.7cm: together with a small quantity of pen and ink and watercolour studies of street scenes and architectural studies by the same hand, most signed, various sizes, (a lot), (unframed)
I. Foss, Danish School early 19th century provincial school- Portrait of a gentleman seated full-length in an interior; pen and black ink and watercolour, signed, 19.2x16.3cm: English School, 19th century- 'George, Prince of Wales on horseback 1788; pen and brown ink, inscribed, 24.3x19.4cm., in a maple frame, (2)
Frederick T. W. Cook- The pier head; pen and black ink; signed, 17x16.3cm: together with a quantity of original artwork for illustration by different hands, mostly in pen and black ink, including examples by: S. King, Con, Valda, Dr. Mathews, and others, various sizes, (a lot), (unframed), (in one box)
Simon Levy- Portrait of a girl, half-length; pencil and pen and black ink, signed, 35.2x22cm: Bernard Stern- Seated female figure; pen and black ink, signed and dated '73: together with a quantity of similar pen and ink drawings of figures by the same hand, and a further mixed quantity of works on paper by different hands, (various sizes), (a lot), (unframed).
Katerina Wilczynski- 'Homage to Greece'; pen and black ink and watercolour, signed, dated '52 and inscribed, 32.5x44.5cm. Provenance: A copy of a letter of authenticity from John Denham Gallery, London accompanies this lot: Chatin Sarachi- Still life; oil crayon, signed: together with a nude study in coloured crayon by the same hand, and three works on paper by: Edgar Duchin, Philip Moysey, Ferri, various sizes, (6)
Sale catalogue. A Catalogue of the Large and Valuable Freehold Estate of the Most Noble William, Duke of Powis, Deceased, Situate in the County of Northampton; Consisting of The Several Manors, or Reputed Manors, of Upper Heyford, Lower Heyford, Glasthorne and Newbold., will be Sold by Auction, by Mr. Langford, At his House in the Great Piazza, Covent-Garden, On Monday the 13th Day of November, 1758, and the two following Days.,. thirty-eight eng. plans (six folding), occ. some contemporary annotations and additions, occ. scattered spotting, with a loosely inserted contemporary folding plan, drawn in pen & ink covering the area of Upper Heyford, early 19th c. half calf gilt, slim 8vo (1)
Edwards (W. H.). Four fine botanical watercolours, including two flower groups, early 19th-c., each signed signed in ink to lower margin, three with additional signature in ink to verso, and one bearing the address '15 Southampton Row, Russell Square, London', approx. 47 x 34cms, together with an early 19th-c. pen, ink & wash chiaroscuro study of fruit, unsigned, sheet size approx. 24 x 36.5cms. The studies include one spray of flowers loosely tied with a blue ribbon, another similar flower group, a study of Convolvulus, and a study of a large Poppy. (5)
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149715 item(s)/page