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Lot 90
37 Corgi Farm/Construction/Plant vehicles. Priestman Boom Crane with grab. Mack truck based similar. 2x Volvo BM ‘swan neck’ AWD cement mixer, 2x 4-wheel dumper trucks, 4x Hyster ship container fork lift trucks. Warner & Swasey mobile crane, 3x fork lift trucks, skyscraper crane, 2x RayGo Rascal road roller, JCB 110B crawler front end loader. 3x Massey Ferguson MF tractor front loaders, 4x David Brown 1412 tractors one with combine attachment. 2x Massey Ferguson tractors, one with hay trailer load. Plus 4x trailers, 2x grain chutes, 2x silos and sheep pen. VGC
Lot 571
A collection of cartoon pen and ink artwork, including: 'What's the matter with you? - Haven't you seen a chartered accountant before?' 'Bring the CS to the smoking room would you, Norman?' 'Pretty obvious really, we simply sell off the Reindeer...' 'One day Son, all of this will be the receivers.' ' I am not trading wrongfully...' (6)
Lot 559
A RARE 9CT SOLID GOLD MONTBLANC JUMBO FOUNTAIN PEN CIRCA 1970s, WITH ORIGINAL BOX 9ct gold body with engine turned design, 9ct hallmarks & goldsmiths mark S.J.R., 18k gold nib, length measures approx. 147mm and diameter approx. 17mm at its thickest point.CONDITION REPORT M: Working at present. C: In excellent condition. D: Dial / M: Movement / C: Case / S: Strap / B: Bracelet
Lot 922
Louis Wain (1860-1939) - Possession is 9/10 of the Law - monochrome body colour with pen and ink on card - 14 1/2" x 10 1/2" - signed, inscribed with title in pencil verso inscribed on back board - Provenance - Chris Beetles Gallery, St James, London (The Cat Show Exhibition) - Condition report - Has been remounted overall good condition visible pin holes to each corner
![Captain Ellis [?] (18th Century) En plein air, pen and ink with watercolour sketch of Napoleonic light cavalry in tarleton he](https://cdn.globalauctionplatform.com/38e92d16-8ba6-458a-9478-a62b00df4b5b/5099d6f1-ad03-455b-887f-e4dba0c7ebf8/468x382.jpg)
Lot 149
Cincera (Jan, 20th/21st century). Rez Laserem, August 1988, 48 blank thick paper leaves, titled, dated, and signed in pencil on rear pastedown, cream boards, covers with laser cut incision at head and foot of volume penetrating page block, accompanied by a pebble with laser burn across its length, 15.5 x 10.5cm (6.25 x 4.25ins), contained in a folding cardboard box titled in marker pen With typed label 'Story of a Laser cut interrupted by a Pebble.' (1)
Lot 160
Smith (Philip, 1928-). Antony & Cleopatra by William Shakespeare, Designed and Produced by Ronald King with Notes and an Introductory Essay 'The Elusive Absolute' by Keith Please, Guildford: Circle Press Publications, 1979, colour silk-screen illustrations throughout, some full-page or double-page, some mounted, colophon with manuscript note by Philip Smith, his printed binding notes mounted on rear blanks, yellow edges, near contemporary yellow morocco, blindstamp on rear pastedown '20 CPSmith 05', blind lettered on spine, covers with onlaid dark blue morocco band with painted constellations, that to upper cover with three onlaid pyramids and painted crescent moon, that to lower cover with onlaid temple buildings, upper cover blind tooled with circular geometrical design incorporating the "Golden Rectangle" with a line linking to the centre star of Belt of Orion above, folio (38 x 29cm/15 x 11.5ins), housed in a custom-made felt-lined cloth solander box, covered with yellow marbled paper, front with circular geometrical design repeated in pen & ink, gilt lettered marbled paper label on spine Limited edition of 40 Artist's Proofs, of a total edition of 300 copies, all signed by the artist Ronald King. With printed 'Comment on the design' loosely inserted: "The design of this binding is atypical of P.S's style, and is intended to create a simple sweep of leather with few features, unlike his 'multipleist' work. The interest lies, he thinks, not so much in the realistic treatment of the scene as in the amazing coincidences happening in the diagram. It is an intuitive and intellectual work. This seemingly impossible occurrence convinces him further that some other agency (Universal Consciousness) is 'at work' and is the 'Real Doer' of everything. This feeling of simply being a channel or instrument is strong. 'No claim, no blame, no fame'!" (1)
Lot 115
*Smith (Philip, b.1928). South of France, 1950, watercolour and gouache with pen and ink on paper, signed, titled and dated to lower edge, 56 x 38cm (22 x 15ins), together with Over the Garden Wall, 1950, watercolour on paper, titled and dated lower right, 25.5 x 34cm (10 x 13.5ins), plus 71 Southend Road, NW3, 1960, gouache on paper, signed, titled and dated to verso, 30.5 x 38cm (12 x 15ins), plus four other watercolours by Philip Smith including a monochrome study of a garden (7)
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167074 item(s)/page