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Lot 139
Football Autographed Man United Cutting Col, Depicting A Superb Image Titled The Old Trafford Reds Showing Pen Pics Of Manchester United Players, C1979, There Are Two Pages, Measuring 21 X 16 Cms They Have Been Signed To Their Images By Macari, Bailey, Coppell, Mcilroy, Brian & Jimmy Greenhoff, Ritchie, McQueen, Thomas, Jordan, Nicholl, Albiston And Grimes, The Reverse Of One Of The Pictures Shows Gordon McQueen In Action And Has Also Been Signed. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 142
Football Autographed Nottm Forest 1978 League Cup Final Programme, Official Programme Superbly Signed To The Centre Pages In Blue Biro Pen By Robertson, Woodcock, Lloyd, Burns, Anderson, O´Hare, Clark, Bowyer And Barrett. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
![* Dutch East Indies. Coupe des cannes a Jawa [Cutting the canes at Java], pen & brown ink and pencil on paper, depicting](https://cdn.globalauctionplatform.com/d3a06311-0b61-4c67-8749-ad7400bebae4/089c5ab7-6eeb-4309-baea-ad7c00e5fdc7/468x382.jpg)
Lot 8
* Dutch East Indies. Coupe des cannes a Jawa [Cutting the canes at Java], pen & brown ink and pencil on paper, depicting plantation workers cutting sugar cane and loading it onto a barge, ink manuscript Dutch title at foot, generally lightly toned, sheet size 195 x 260 mm (7.75 x 10.25 ins), mounted, framed and glazed, together with: Aankomst op plantagie: introductie - brief [Arrival at plantation: letter of introduction], pen & brown ink and watercolour on paper, depicting an indoor scene of a seated man with (possibly) afternoon tea, examining a letter and the guest who has arrived with it, with two plantation workers looking-on, generally lightly toned, minor dampstaining to some edges, ink manuscript Dutch title at foot, with additional ink manuscript "hiernevens ontvangt UE een groote Eeter", possibly meaning "herewith UE meets an important person who likes to eat a lot" where the abbreviation 'UE' could stand for 'Uwe Edele', i.e. 'Your Honour', sheet size 210 x 255 mm (8.25 x 10 ins), mounted, framed and glazed, verso with printed information regarding translations from the Dutch of the ink manuscript wordingQty: (2)NOTESProvenance: From a folder of sketches including studies after George Chinnery, sold at Christie's South Kensington, circa 2010. Apparently both items are on paper produced by Honig, JH & Co. (possibly watermarks). Not examined out of frames.
Lot 83
* Armour (George Denholm, 1864-1949). Trials of a Gentleman Rider, pen & ink drawing on paper, signed lower right with presentation inscription dated 22 November 1930, pencil title and humorous caption at foot, framed and glazed, 29 x 36 cm, together with 2 pen & ink cartoons by Bertram Prance (1889-1968), including one initialled and dated for Punch in 1927 by E.H. Shepard, plus 2 others similar including one with watercolour and wash, plus 2 printed cartoons and a sheet with pencil and wash figure studies by Brian Thomas, all framed and glazedQty: (8)
Lot 91
* Cambridge. Corpus Christi College, late 1820s to early 1840s, pen, black ink and watercolour on wove paper, inscribed in pen and brown ink 'Corpus Christ coll. Cambridge' lower left, thin band of faint mount staining towards the upper edge and upper left of sheet, image size 14 x 23.5 cm (5.5 x 9.4 ins), framed and glazed (30 x 39.5 cm)Qty: (1)NOTESThis work relates to two engravings after drawings by Frederick Mackenzie (1787-1854); the first an engraving (reversed) by John Le Keux published in Le Keux's Memorials of Cambridge (first published, London: Tilt & Bogue, 1841/1842), the second by Samuel Rawle (1771-1860), 1820, published by J.J. and J. Deighton and R. Newby, 1829. Both engravings vary in detail from the present work.
Lot 126
* Watercolours and drawings. A collection of 115 watercolours and drawings, on paper or thin card, mid 19th-early 20th century, comprising 72 watercolours or wash (some with pencil or pen & ink), 8 pen & ink (some with pencil, one with watercolour), and 35 pencil, some heightened with white bodycolour, several signed or initialled, a few with titles or inscribed on verso, one pencil & watercolour sketch captioned 'Place for embarking Elephants on the Island of "Karativoo" [sic] - (or Amsterdam) - opposite Ceylon, March 22nd 1837', one pencil and wash on paper of Tynemouth lighthouse, mounted on paper (signed and dated in pencil J.W. Carmichael 1864, beneath drawing), mount paper with additional early ink manuscript annotation: 'by J.W. Carmichael of Newcastle on Tyne. Sent to Mr. Davison of Hartlepool, being a reduction of a fine drawing of Tynemouth lighthouse by T.M. Richardson', a few with some creasing or minor edge fraying, occasional mostly minor marks or spots, one with closed edge tear, 3 with losses to lower edge, smallest sheet size 8.6 x 12.5 cm, largest sheet size 37.8 x 30.8 cm, many mounted, plus 26 various prints, including etchings, and two Flemish early to mid 19th century oil on tin interior scenes, one showing an barber-surgeon's shop, with a man attending to a patient's foot, and another man being shaved at a table in the background, some marks and surface scratches with loss, the other depicting an interior with old man seated on a bed with a harp, and girl with a tambourine looking on in the background, a few small scratches with slight loss, both with 19th century auction stencil to verso 34 YC, each 25 x 21.5 cm, contained loosely in a card folderQty: (141)NOTESArtists include: Frederick Adcock, Donald Hughes, Edward C. Booth, A. S. Hartrick (entitled 'On the beach, Rostrevor, and dated '95'), and J. W. Carmichael.
Lot 136
* Attributed to Giovanni Battista Ray (1881-1982). Enrico Caruso, 1920, pen and ink caricature of the opera singer painting a self-portrait, signed 'Ray' bottom right, 26.5 x 21.5 cm mount aperture, framed and glazed, frame size 41 x 33 cm, together with Francesco Tamago, pen and ink caricature, signed 'Ray' lower right, 28 x 21.5 cm mount aperture, framed and glazed, frame size 41 x 33 cm, plus a framed print of a playbill titled "My Cousin Caruso", with printed date of 1909, signed by Christabel Aurora Nicholls? top right, 35 x 26.5 cm, framed and glazedQty: (3)
Lot 104
Samuel Woodforde RA (1763-1817) Victory, holding a crown and palm, with a putto; The muse Terpsichore with a putto; Holy family with Saint John the Baptist and Saint Elizabeth Three, one signed S Woodforde (lower left) and inscribed Campidoglio (lower right) Each pen and ink Largest 27.5 x 28.2cm; 10¾ x 11in; Smallest 22.2 x 19.2cm; 8¾ x 7½in (3)
Lot 133
Édouard Detaille (French 1848-1912) Infanterie de Marine Signed EDOUARD DETAILLE/1887 (lower left) Pencil, pen and ink, and wash, heightened with white 21 x 22.5cm; 8¼ x 8¾in Provenance: Boussod, Valadon & Cie, Paris; Tsar Nicholas II of Russia (1868-1918); Christie's, London, 29 November 1984, lot 70A; Stanley J. Seeger (1930-2011); Tennants, Leyburn, An Attic Sale - The Collections of the late Stanley J. Seeger; 16 May 2015, lot 224; Private Collection, England Literature: Édouard Detaille and Jules Richard, L'Armée Française (Paris, 1885-1889), vol. II, p.110
Lot 162
Edward Lear (1812-1888) The Forest of Bavella, Corsica Inscribed and dated 7.10AM/29.April.1868/Forest of Bavella (Bocca de Valore) (lower left) and extensively inscribed with colour notes throughout Pen and ink and watercolour on buff paper 35 x 53cm; 13¾ x 20¾in Provenance: Thomas Agnew and Sons, no.14300; The collection of Ian Colquhoun; And by descent Edward Lear travelled to Corsica from Cannes on 8 April 1868, and stayed for just under a month, becoming entranced by the island's landscapes, and particularly the forested mountains of Bavella. In his journal on the day he executed the present work, he writes 'The sun rises cloudlessly over the world of pines, and presently forms new and glorious pictures, as point after point of the western side of the valley is lighted up, while all the eastern part of the forest is as yet in dark and solemn shadow, below the giant crags - long streams of gold and bronze widening out gradually into masses of luminous green, and a flood of glory spreading slowly up the immense granite buttresses'. (Edward Lear, Journal of a Landscape Painter in Corsica (London, 1870) p.95)
Lot 163
Edward Lear (1812-1888) A view of Pegli, Italy Inscribed and dated Pegli/1.30:pm/Dec 21 1864 (lower left), and further inscribed with colour notes Pencil, pen and brown ink and watercolour 32.5 x 53.3cm; 12¾ x 21in Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall In his diary entry for 21 December 1864 Lear recorded 'At Pra, drew the coast, now very clear, & then on to Pegli - more of a town than Pra: - draw again near Pegli till 1.30 - & then go on, till we reach the Trattoria della Marina, where we have good fish, & a sort of Irish Stew, olives, & a bottle of really good wine for 4fr'.
Lot 214
Walter Greaves (1846-1930) Lindsey Wharf and Old Battersea Bridge Signed W. Greaves (lower right), and inscribed Lindsey Wharf & Old Battersea Bridge" (lower left) Pencil, pen and ink and wash, in pencil framing lines 24.2 x 34.4cm; 9½ x 13½in Provenance: William Darby, London Exhibited: London, William Darby, Christmas Exhibition, 1976, no. 46
Lot 215
Walter Greaves (1846-1930) Thames Coffee House, Cheyne Walk, Chelsea Signed W.Greaves (lower left) Pencil, pen and ink, and wash 19 x 25.4cm; 7½ x 10in Provenance: Michael Parkin Fine Art Limited, London; Christie's, London, 20th Century British Art, 11 March 2004, lot 59 Exhibited; London, Parkin Gallery, Walter Greaves and the Nocturnes, February 1974, no.40
Lot 216
Walter Greaves (1846-1930) The Old Swan, Chelsea Signed, inscribed and dated W.Greaves/To Alice & Betty Rothenstein,/My Friends./June 25th 1924/The "Old Swan Chelsea" (lower centre) Pencil, pen and ink and wash in black framing lines 23.6 x 36.8cm; 9¼ x 14in Provenance: Bonhams, Knightsbridge, Modern Pictures, 22 January 2008, lot 84
Lot 311
Edward Swinburne (1765-1847) Roman landscape with Mount Soracte in the distance Signed and inscribed View at S.a Maria di Fallari supposed to be the ant. Falercians. The mountain / Soracte at a distance. / E. Swinburne / 1794 to a separate label attached to the mount Pen and ink, pencil and wash 22.5 x 32cm; 9 x 12½in Unframed Provenance: Property of Bill Thomson, Albany Gallery
Lot 343
An album of 19th Century English drawings, watercolours and prints Including Thomas Allom (1804-1872); The Barbican Pool, Plymouth; St Nicholas or Drake's Island, Devon; both pen and ink with brown wash; Henry Earp (1831-1914); four landscapes with cattle; each watercolour; and others 40, the album with green leather covers with floral decoration 26.8 x 21.3cm; 10½ x 8¼in Provenance: Property of Bill Thomson, Albany Gallery
Lot 368
After Karel Dujardin A Savoyard boy playing a violin Etching 16.7 x 12.2cm; 6½ x 4¾in (plate) Together with Continental School 19th Century; Study of an ornamental ceiling; pencil; 28.2 x 19.7cm; 11 x 7¾in; Edward Croft-Murray (1907-1980); Duetto for Young Serpent and Gouty Violin; Figures at a ball; two, the former inscribed with title; both pen and ink; each 14 x 8.8cm; 5½ x 3½in; Rowland Emett (1906-1990); Just Like Them to Go and Spoil the Amenities with a Block of Flats; signed and inscribed To Captain & Mrs Whitford Hawkes/with best wishes from/Rowland Emett (lower left); reproduction print; 22.6 x 28.6cm; 9 x 11¼in; Francesco Bartolozzi (Italian 1728-1815) after Henry Edridge (1768-1821); Portrait of Colonel Stanley; stipple with hand-colouring; 15.5 x 11.5cm; 6 x 4½in; and Manner of Thomas Lawrence; Portrait of a lady; reproduction print 27.1 x 20.4cm; 10¾ x 8in (unframed) (7) Provenance: From the collection of Edward Croft-Murray (1907-1980)
Lot 371
Marco Ricci (Italian 1676-1730) A capriccio with figures amongst Roman ruins Pen and brown ink, with brown wash 53.3 x 37.2cm; 21 x 14¾in Provenance: Paul Sandby RA (1731-1809) (Lugt 2112) (his mark lower left); His posthumous sale, Christie, Manson and Woods, 17 April 1817, lot 12; Iolo Williams; By descent to Elionor Williams: By whom gifted to Edward Croft-Murray, 1970; From the collection of Edward Croft-Murray (1907-1980)
Lot 388
Hubert-François Gravelot (French 1699-1773) A cobbler in his stall with a maid at a doorway Pen and ink with grey wash 13.5 x 19.4cm; 5¼ x 7¾in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: George Bickham, The Musical Entertainer, vol. I (London, 1737), p.36, 'The Cobbler's End' (illustrated)
Lot 390
Pierre Berchet (French 1659-1719/20) Design for a frontispiece depicting Apollo, a muse and putti with musical instruments Signed Berchet in (lower right) Pen and ink with grey wash 26.8 x 19.7cm; 10½ x 7¾in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: John Eccles, A Collection of Songs For One, Two and Three Voices...(John Walsh, 1704), frontispiece; George Frederick Handel, Apollo's Feast (J.Walsh and J.Hare, 1726), frontispiece Engraved: Hendrick Hulsbergh
Lot 391
Pierre Berchet (French 1659-1719/20) The judgement of Paris Pen and ink with grey wash 30.6 x 19.5cm; 12 x 7¾in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Daniel Purcell, The Judgement of Paris (John Walsh, 1702), (illustrated as frontispiece); George Bickham Jnr, The Musical Entertainer (London, 1736), no.69 (illustrated) Engraved: Michael Vandergucht, 1702
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167002 item(s)/page