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Lot 1

Larry 'Auguste Rodin, La Rinse Bleu' original pen, ink and watercolour illustration, 15x20cm.

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A Parker Sterling Silver Fountain and ball Point Pen Set

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A Montblanc masterpiece Fountain Pen, 144 with white star to cap

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A gold plated Fountain Pen, boxed, two Sheaffer Fountain Pens, a Burnham propelling Pencil, three Sheaffer Ball Point Pens and two others

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A Swan "Self-Filler" Fountain Pen, a Parker Fountain Pen, Four Fountain Pens and two Ball point Pens

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A Parker Slim old Fountain Pen and seven others

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A Parker marbled Fountain Pen and four others

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A Staffordshire pottery Pen Stand in the form of reclining greyhound on blue base, 5 1/2in

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NADIAS BENIOS, Pen and Wash: Costume design for the sleeping Princess, Sadlers Wells, 15 x 11in, signed (unframed)

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VERONICA BURLEIGH, Wash and pen and ink: Study of woman seated, unframed

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THORPE, Pen and pencil, "Dudley hard at Work", 10 x 7in , signed and dated

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A WWI brass Inkwell and Pen Rest engraved ÔThe Great WarÕ 6 in W

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Giulio Cesare Procaccini, Bologna 1574 - 1625 Milan, two sheets of figure studies, both pen and brown ink, 75 by 52 mm; 75 by 51 mm (2)

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Roman School circa 1600, battle scene with rearing horses, pen and brown ink, bears inscription in pen and brown ink: Raffelle Sanzio. 150, 199 by 322 mm

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Follower of Jacques Callot, standing male peasant with tattered clothes, leaning on a stick , bears inscription, lower left: Callot 1657, pen and brown ink on vellum, 146 by 162 mm

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Roman School circa 1600, the resurrected christ appears to the three marys, bears inscriptions in pen and brown ink: de federico Zuccaro; federico Barocci (?); and old attribution on the verso: Zucchero, red chalk, 273 by 260 mm

Lot 1

Follower of Guercino, saint nicholas of bari, seated, and looking up to the right, pen and brown ink, 268 by 189 mm

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Alessandro Ardente, Faenza 1530 - 1595 Turin, female allegorical figure surrounded by putti bearing symbols of ecclesiastic virtues, signed: A. Ardente, bears numbering: 16, pen and brown ink, a slight sketch of the head of a putto in black chalk on the verso, 245 by 216 mm

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Giovanni Francesco Barbieri, called il Guercino, Cento 1591 - 1666 Bologna, saint john the baptist, pen and brown ink and wash, 269 by 210 mm

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Giacomo del Po, Rome 1652 - 1726 Naples, five studies for hercules and , the hydra, bears inscription, lower right: Giacomo del Po, pen and brown ink and grey wash, 171 by 182 mm

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Aureliano Milani, Bologna 1675 - 1749, the rape of helena, signed lower right: , Io Aureliano Milani, pen and black ink and grey wash, 287 by 495 mm

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Attributed to, Giacinto Gimignani, Pistoia 1606 - 1681 Rome, hercules in the garden of the hesperides, daughters of evening, pen and brown ink and wash, heightened with white , (partly oxidised), 206 by 279 mm

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Emilian School circa 1600, recto and verso: venus and cupid, pen and brown ink and wash over red chalk (recto);, red chalk and wash (verso), 135 by 106 mm

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Attributed to Gaspard Dughet, Rome 1615 - 1675, a landscape with a river and classical buildings , in the background, bears old chalk attribution to Dughet on the verso, pen and brown ink and wash, 314 by 212 mm

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Carlo Antonio Buffagnoti, circa 1660 Bologna - ?, wooded river landscape with cavalry, signed within framing lines: Buffagnottius fecit calamo, pen and brown ink, 189 by 287 mm (3)

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Ercole Bazzicalluva, active Florence first half 17th Century, study of a tree with figures and distant village, bears inscription, upper centre: ., DO. campagnola., pen and brown ink, 176 by 236 mm

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Italian School circa 1600, wooded landscape with bridge and distant village, bears inscription on verso of mount: Muziano / del, pen and brown ink and wash, 259 by 309 mm

Lot 1

Stefano della Bella, Florence 1610 - 1664, recto: putti at play, verso: caricature of a man, pen and brown ink (recto and verso), 187 by 169 mm

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Attributed to Giacinto Calandrucci, Palermo 1646 - 1707, verso: madonna and child with saint lucy and another figure, recto: partial studies of a madonna and child , and a male torso, pen and brown ink, over traces of black chalk, (recto and verso), 146 by 120 mm

Lot 1

Attributed to Antonio Balestra Verona 1666 - 1740, the virgin and child in a landscape with the magdelen, john the baptist, various saints and god , the father above, pen and brown ink and grey wash over black chalk, 168 by 250 mm

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Spanish School 17th Century, flying putti bearing trophies, pen and brown ink, 183 by 229 mm

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Attributed to Valentin Lefebvre Brussels 1642 - 1682 England, diana and acteon, dated on mount, lower right: 1656, pen and brown ink and wash , over black chalk, 321 by 200 mm

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Attributed to Alessandro Gherardini, Florence 1655 - 1723 Livorno, deisgn for part of a ceiling decoration , with three figures, pen and brown ink and wash; the corners cut, 205 by 200 mm

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Circle of Federico Zuccaro, a standing figure pointing to the left, pen and brown ink on grey-blue paper, 175 by 71 mm

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Attributed to Crispin van den Broeck, Mechelen 1523 - 1589/91 Antwerp, christ on the sea of galilee, bears numbering: 26, pen and brown ink and wash; indented for transfer, 164 by 109 mm

Lot 1

Circle of Federico Zuccaro, design for the decoration , of a chapel, bears inscription, lower right: , Giorgio Vasari, pen and brown ink and wash; , the corners made up, 266 by 372 mm

Lot 1

Ferdinando Galli Bibiena, Bologna 1657 - 1743, pair of fantastical views of arched cloisters, both pen and brown ink and grey wash over black chalk, each circa 144 by 100 mm (2)

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Attributed to Francesco Allegrini, Cantiano (?) 1615/20 - after 1679 Gubbio (?), design for a triumphal arch, Inscribed: Scicilia, pen and brown ink and wash over black chalk; partially silhouetted, bottom left and top right, 328 by 150 mm

Lot 1

Italo-Flemish School, 17th Century, study of a tree, pen and brown and black ink and brown and grey wash, 210 by 257 mm

Lot 1

Italian School, late 17th Century, view of a fantastical mediterranean harbour, pen and brown ink and blue , and grey wash, 135 by 214 mm (2) And another: a view of the temples at Agrigento, Antonio Senape, pen and grey and brown ink.

Lot 1

Lodewijk Toeput, called Pozzoserrato, Antwerp circa 1550 -, circa 1605 Treviso, woodland scene with buildings in the distance, bears inscription on old mount, lower centre: Sorar, pen and brown ink and , wash over black chalk, 194 by 257 mm

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Italo-Flemish School, early 17th Century, study of a tree, pen and brown ink and brown , and grey wash, 301 by 204 mm

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Italo-Flemish School, 17th Century, study of trees, pen and brown ink, 307 by 205 mm

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Attributed to Raymond Lafage, Lisle-sur-Tarn 1656 - 1684 Lyon, moses drawing water from , the rock, pen and brown ink over black chalk, 517 by 412 mm

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Jean-Jacques de Boissieu, Lyon 1736 - 1810, a group of peasants playing cards in a rustic interior, signed with monogram and dated: D.B. f. 1768 , pen and brown ink and wash, over black chalk, 211 by 317 mm

Lot 1

German School, early 17th Century, mythological scene with an enthroned goddess and river god, pen and black ink and grey wash, 177 by 235 mm

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Dutch School 17th Century, two peasants before a ruined archway, dated: ANNO 1656, and bears inscription: Rogman fecit, pen and brown ink and grey wash, 189 by 183 mm

Lot 1

Dutch School 17th Century, landscape with trees and a small pond, pen and brown ink and reddish brown and blue wash, 136 by 196 mm

Lot 1

Attributed to Willem van de Velde II, Leiden 1633 - 1707 London, english men-of-war and rowing boats on a calm sea, inscribed in grey ink, lower left: W.V.V.J, pen and grey and brown ink and grey wash , over black chalk, 155 by 199 mm

Lot 1

Italian School 18th Century, wooded landscape with pine trees and rolling hills, pen and brown ink, 151 by 215 mm (4) And three others: view through trees, attributed to Abraham Genoels, in point of the brush and brown and grey ink and grey wash, over black chalk; landscape with trees and cottages, Dutch School, 18th Century, black chalk heightened with white chalk, on buff paper, and a study of trees, Florentine School, 17th Century, pen and brown ink on brown paper.

Lot 1

Italian School 18th Century, classical scene: a family hiding , in a cave from soldiers, pen and black ink and brown wash, 240 by 329 mm

Lot 1

Fedele Fischetti, Naples 1732 - 1792, the visitation, pen and brown ink and grey wash over black chalk; oval, 470 by 365 mm

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Gaspare Diziani, Belluno 1689 - 1767 Venice, design for a spandrel with three putti bearing garlands, bears inscription in black ink, verso: Mr Lyl Venice, pen and brown ink and wash , over red chalk, 168 by 220 mm

Lot 1

Italian School 18th Century, study for a portal with , semi-circular colonnade and statue of hercules., pen and brown ink and wash, over black chalk, 221 by 226 mm

Lot 1

Attributed to Giuseppe Bernardino Bison, Palmanova nel Friuli 1762 - 1844 Milano, woman and infant with two other children: an allegory of charity, pen and brown ink and wash, 212 by 293 mm

Lot 1

Italian School 18th Century, recto: an architectural fantasia; verso: design for the elevation of a domed building, inscribed, verso: dorico , pen and brown ink and grey wash, over black chalk (recto); pen and brown ink, over black chalk (verso), 355 by 256 mm

Lot 1

Attributed to Giuseppe Barberi, Rome 1748 - 1809, an album of 17 designs for furniture and interiors, pen and brown ink and wash over black chalk, each circa 275 by 200 mm

Lot 1

Giuseppe Cades, Rome 1750 - 1799, groups of clerical figures, including monks and a cardinal , in procession, signed, lower left in black chalk: Cades, pen and black ink and brown wash over black chalk, 355 by 243 mm

Lot 1

Italian School late 18th Century, view of a church in the veneto with , figures and fishing boats , pen and black ink and brown wash, 240 by 390 mm

Lot 1

French School 18th Century, ornamental study for a wall decoration, pen and brown ink and grey wash over black chalk; corners cut, 356 by 88 mm

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