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Lot 156
A small quantity of collectors' items including a horn beaker, a three draw telescope, a pair of "The Aero Club London" binoculars, inscribed "RFA Paris", a fountain pen with sterling silver pierced overlay and monogrammed cartouche, a leather covered travelling mirror, a small spectacle case inlaid with mother of pearl and a vintage collar box containing collars.
Lot 41
A limited edition Michel Audiard silver plated fountain pen for Charles Heidsieck, the top of crumpled form, signed and dated 99, and numbered 9/50, the band and base liveried for Charles Heidsieck, with 18ct gold nib and internal filler, in original velvet pouch with Michel Audiard metal tag.
Lot 36
A mid 19th century Anglo-Indian porcupine quill and ivory detailed ebony writing slope of rectangular form, the hinged lid enclosing a velvet line top and stationery compartments with floral pen work ivory motifs (some af), 39 x 27 x 12.5cm. CONDITION REPORT: Areas which require restoration and replacing such as the ivory detail particularly around the velvet lined writing top and two larger areas of the pen work decorated floral motifs underneath the lid. Also there are two larger areas where the porcupine quill is missing (to the back and to one side).
Lot 910
FRED C. JONES; pen, ink and watercolour "View of Brighouse", signed, dated 1937 and inscribed, 16 x 23cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk Slight discolouration. Brown staining to edges of image.
Lot 766
After GELDART; a signed limited edition oval print of a sleeping dormouse, signed in pen and no.137/150, 10 x 12cm, framed and glazed, a reproduction Mucha print of Sarah Bernhardt, 31 x 10cm, unframed, plus a Cash silk picture of widgeons, 7 x 14cm and a Christine Connick watercolour of Bollington, 19 x 13.5cm, both framed and glazed (4).
Lot 162
A small quantity of collectors' items comprising a gold plated Parker fountain pen in box, a Dunhill tie clip, a magnifying glass with resin tusk shaped handle, a cased plated christening set of knife, fork and spoon with initials, a small plated christening mug with initials, and two Royal Worcester bird decorated egg coddlers.
Lot 675
FIVE PAGES OF WATERCOLOUR SKETCHES AND PHOTOGRAPHS from a Victorian album with Grubb family connections relating to Military actions in New Zealand by the 68th and 43rd Light Infantry regiments and Maori Culture circa 1860. Side 1 2 photographs of soldiers on parade possibly the 68th and 43rd Light Infantry, 17 x 22.5cm and 10 x 15cm Side 2 A watercolour view of Rangitoto and North Shore Entrance to Auckland Harbour A pen and ink sketch of Pukehniahina Redoubt at 'Gate PA' at Tauranga with key A watercolour sketch with text verso Interior of 'Gate PA' Redoubt. Commanding Officer Captain Tucker (68th Reg) dated Jan 17 1865 Two Birmese Tattooing Figures Jan 1st 1865 A photograph entitled 'Maoris with Flax Mats', 7 x 7.8cm Side 3 A watercolour sketch of 'Cabbage Tree' A photograph of 'Alexander Grubb saved from the wreck of the Colombo' A watercolour sketch of 'Freemans Bay near Auckland' A watercolour sketch View of Auckland Harbour from Public Gardens A watercolour sketch Auckland Harbour from Wynyard House Verandah A pen and ink sketch of a Tattooed Maori Side 4 A watercolour sketch of The Officers Mess at Maketu Redoubt signed with initials A.G. A watercolour sketch of Flax Drying in Matapulu (?) PA Side 5 A watercolour sketch Strelitzia Regina in Blossom in Domain-Parnell - NZ dated Jan 23rd A watercolour sketch Common Tree Fern signed A.G. and dated 24/3/65 A watercolour sketch 'View from the rifle pits at Te Manga (?) Side 6 A watercolour sketch inscribed verso A Maori Tomb, the end of a Canoe' Side 7 A watercolour sketch inscribed verso 'Interior of Matapihi PA Tauranga N.Z. not a fighting PA' dated 1860 A pen and ink sketch entitled 'Maori Weapons' with key dated 1860
Lot 257
Assorted silver plate, African bronze figures, Parker 51 pen, malachite place name holders, and two glass photo plates with later paper inscribed 'Hannah Frampton's Wedding Day and her marriage to Robert Ralph Chalker in 1903, Cape Town, South Africa, on his arrival there by boat from England'
Lot 340
*Mildmay (Caroline St John, 1834-1894). Scottish boy with dog, pen and brown ink on paper, signed lower right, together with other early 19th-century drawings, including one grisaille wash scene, two large black chalk and watercolour portraits of a young boy and young woman with clasped hands, a pair of Regency figure scenes of a fashionable young lady leaving a house, and another of a young woman sketching, pen, ink and brown wash, heightened with white body colour, with overall varnish, etc. The two Regency figure scenes of a fashionable young lady leaving a house and another of a young woman sketching have been attributed to Maria Cosway by the British Museum. (8)
Lot 434
*Circle of Annabale Carracci, 1560-1609. Kneeling angel, pen and brown ink on laid paper, laid down on wove, with stamped owner's marks GJC to lower left corner verso, and 19th or early 20th-century pencil inscription 'Corregio or Lucio Masari' to verso, 73 x 95 mm (2.9 x 3.75 ins) Provenance: From the collection of Lady Ottoline Morrell by descent. (1)
Lot 436
*Attributed to Eugene Delacroix (1798-1863). Seated man chastised by a woman, surrounded by Roman soldiers, pen & black ink with grey wash on laid paper, signed with initials, and dated '54 to lower left corner, 220 x 270 mm (8.7 x 10.6 ins), with later card mount, with printed and inscribed note underneath 'Bought at Sotheby & Co. Sale date 28.1.1965 Lot No. 135 ex collection Prof John Isaacs', mounted Provenance: Professor John Isaacs, London. Sold Sotheby & Co., Old Master drawings including the Property of Professor John Isaacs, Thursday 28th January 1965, Lot 135. (1)
Lot 541
*Hall (Clifford, 1904-1973). After the bombs, Seaton St, 1940, watercolour and pencil on paper, signed lower right, titled and dated 14.10.40 lower left, Press & Censorship Bureau approval stamp to verso, sheet size 31 x 22cm (12 x 8.75ins), together with Going to Shelter, 1940, pen, ink and watercolour over pencil on paper, signed and dated 17.10.40 lower left, sheet size 22 x 31cm (8.75 x 12ins) (2)
Lot 357
*Whessell (John, 1760-circa 1840). Part of Godstow Nunnery, 1830 & Perch Inn, Godstow, 1830, together 2 watercolours with pen and brown ink, one signed and dated 1830 lower left, 220 x 335 mm (8.7 x 13.25 ins), laid down on card Provenance: Collection of Frederick Joseph Morrell (1811-1882), Solictor to the University of Oxford, and a patron of the artist William Turner. (2)
Lot 580
*Ward (John Stanton, 1917-2007). A collection of original drawings and sketches by John Ward, circa 1950s-60s, including pub scenes, figure studies, portraits, etc. and studies for whiskey promotional material, mostly pen, black ink and wash, some with watercolour, on various papers, few signed or inscribed, occasional marginal crease, various sizes 48 x 31cm (19 x 12.25ins) and similar Ward was born in Hereford, where his father, Russell Stanton Ward, ran an antiques shop and restored paintings. With financial support from the Principal, Sir William Rothenstein, he won a place at the Royal College of Art in London in 1936, where he studied under Gilbert Spencer, Barnett Freedman, Percy Horton, Charles Mahoney and Alan Sorrell, winning the prize for drawing. He taught at Wimbledon School of Art, and drew illustrations for Laurie Lee's Cider with Rosie (1959), H.E. Bates's The Darling Buds of May (1958) and An Autobiography (1969-72). He became an associate of the Royal Academy in 1956, and a full member in 1966. Ward and three other members of the Royal Academy resigned in 1997 in protest at the Sensation exhibition. (-)
Lot 519
*Anrep (Boris, 1883-1969). Design for an embroidery, pen, black ink and watercolour on wove paper, unsigned, sheet size 360 x 255 mm (14.2 x 10 ins) Provenance: From the collection of Lady Ottoline Morrell by descent. Boris Anrep (1883-1969), Russian artist and mosaicist who established his mosaic studio in London in 1911. An important member of the Bloomsbury Group, Anrep assisted Roger Fry with the Russian section of the famous Second Post-Impressionist exhibition in 1912. He was a friend of the Morrells and a frequent visitor to Garsington Manor. With a letter from Annabel Anrep dated October 16th 1998, confirming the attribution of this work by the artist's son Igor Anrep. (1)
Lot 641
*Gilbert & George. Gilbert & George, Major Exhibition 15 February - 7 May 2007, Tate Modern, a complete set of 5 colour reproduction posters designed by Gilbert & George, each boldly signed in silver marker pen, 760 x 510 mm (30 x 20 ins), in very good condition, together with The Urethra Postcard Art of Gilbert & George, White Cube, 14 Jan - 19 Feb 2011, colour reproduction poster, signed in black marker pen by Gilbert & George, in very good condition, small crease to extreme top margin, 895 x 600 mm (35.25 x 23.6 ins) (6)
Lot 433
*Attributed to Alonso Cano (1601-1667). Study of female figures including one praying, pen, brown ink and brown wash on grey paper, heightened with white bodycolour, 108 x 168 mm (4.25 x 6.6ins), framed and glazed, with 20th century previous owner's handwritten attribution to verso, together with a badly damaged engraving of The Virgin with Child on the Crescent (1523) by Lucas van Leyden, and a late re-issue of The Madonna of Einsiedeln by Master E.S., on laid paper with Fortune watermark (later 18th or early 19th century) (3)
Lot 537
*@Gormley (Antony, 1950-). Still life on a kitchen window, circa 1974-75, pen and black ink on 3 conjoined black postcards (each with printed address to top margin), with handwritten message by Antony Gormley and Alison Bromhead to verso, overall size 85 x 420 mm (3.4 x 16.5 ins), framed and double glazed Provenance: Executed by Antony Gormley for the architectural draughtsman John Nankivell while the artist was staying with Alison Bromhead at the Glebe House, Abbots Leigh, near Bristol, who was a mutual friend. (Letter of provenance provided). (1)
![*Watercolour Album. Album Choisi [so titled to cover], circa 1835-70, containing hand-coloured decorative title, and approxi](https://cdn.globalauctionplatform.com/2eb3dfff-c50e-4326-b646-a625012bde72/83a294e0-3a7d-456e-e056-5a126cd8f289/468x382.jpg)
Lot 301
*Watercolour Album. Album Choisi [so titled to cover], circa 1835-70, containing hand-coloured decorative title, and approximately 50 original watercolours and drawings, including 20 watercolour views of Oxford, Malvern 1835, Alderley Rectory 1840, Tewkesbury Abbey, The Wynde Cliff 1841, Sedgley 1840 (all apparently by the same hand, and several initialled CG), Laleham Middlesex, Bloxham 1840, several views of the Thames at Eton, Windsor, Virginia Water, etc., 20 mostly pencil drawings including some pen & ink, including one of Broad Street, Oxford by Delamotte, 1834, A Mill near Barnstaple, River Iffley, near Oxford, by Sarah Golden, etc., 12 mostly fine botanical and bird studies by Sophia Parker, Sarah Golden and Ann Patteson, including one leaf of four fine watercolour studies of butterflies, etc., mounted, some loose (on album leaves, watermarked Whatman 1832), all edges gilt, contemporary gilt-decorated plum full morocco, rubbed and scuffed, 4to (267 x 215 mm, 10.5 x 8.5 ins) Provenance: Likely to have belonged to Sarah Parker, daughter of John Parker of Oxford, who married John Golden, of Lincoln's Inn in April 1824 (the marriage listed in Gentlemen's Magazine Volume 94, Part 1). (1)
Lot 327
Hawksworth (William Thomas Martin, 1853-1935). Sketchbook containing various views in Salisbury and surrounding areas, circa 1890s, containing 34 various landscape studies and sketches, many pen & brown ink, some pencil, and several watercolour views, Charles Roberson publisher's label to front pastedown, original slate orange cloth contained in later drop-over book box, 140 x 107 mm (5.5 x 4.25 ins) (1)
Lot 650
*Spencer (Stanley, 1891-1959 ). Autograph letter signed, 'Stanley Spencer', The Hill, Wangford, Lowestoft, Suffolk, 17 November 1926, to Lady Ottoline [Morrell], thanking her for her card expressing her appreciation of his Almanack, 'It especially pleased me as I had just heard from Chatto & Windus that it had had the appreciation of a few (the minority) and the intense dislike of many (the majority). Isn't that extraordinary? I wonder why! Who can these dislikers be I wonder', then detailing each of the illustrations in the Almanack and explaining what they represent, recounting their life with their 11-month-old baby and mentioning a landscape of 'a heap of stinging nettles', 4 pages on 3 leaves, written to rectos of first 2 leaves and both sides of final leaf, somewhat browned along centrefold and along upper margin, 4to, together with 2 autograph letters signed 'Stanley', to Julian Morrell, both from Cornerways, Bourne End, Bucks, 6th October and 14th November 1920, 4 & 8 pp., 8vo, plus 3 further letters to Lady Ottoline Morrell from Gilbert Spencer, and Ursula Spencer [wife of Gilbert], both circa 1937, and from William Spencer [father of Stanley and Gilbert], Fernley, Cookham, 17 July 1914, in reply to an invitation to go to the opera at Covent Garden for a performance of 'Don Giovanni' following a visit by Ottoline and Philip Morrell to the Spencer family at Cookham, plus a collection of 11 autograph letters and a postcard from Gilbert Spencer to Julian Morrell (later Goodman), dated 1925/1928, 2 letters with comic pen and ink illustrations, one letter in the shape of a foot and one a piece of music, plus an autograph letter from Anna Caroline Spencer [mother of Stanley and Gilbert] to Julian Morrell, from Fernley, Cookham, 4 November 1920, all 4to/8vo An important and illuminating letter relating to the book in the preceding lot. (18)
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167074 item(s)/page