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Click here to subscribeDiana (Princess of Wales). Autograph note card signed 'Diana', Tuesday, probably March/April 1995, to Chryssie, hoping that everything is going well with her and her baby and hoping she's looking after herself "& not trying to heal the world", Kensington Palace blue note card with heading struck through with a single pen stroke, 2pp., unstamped envelope with Chryssie's name in Diana's hand (1).
Rushton (William). Five orig. pen & ink satirical cartoons, c. 1970s, five b & w pen & ink cartoons, incl. Maggie Thatcher, Kurt Vonnegut, David Coleman & Judith Chalmers, etc., four with mounts, approx. 28 x 27 cm. and similar, together with two early issues of Private Eye (vol. I, nos. 5 & 6, 23rd February & 9th March 1962), four Beatles song sheets (Help!, Magical Mystery Tour, Eleanor Rigby & I'm Only Sleeping), another similar song sheet for the Ballad of Spotty Muldoon by Dudley Moore and Peter Cook, and other prints and ephemera, incl. some mounted Max Beerbohm prints, etc. (a folder).
Flags. United States Navy (pub.), Flags of Maritime Nations, Washington D.C., 1868, eighteen col. litho. plates of flags, contemp. half morocco with leather label to upper cover, sl. rubbed, 8vo, together with a mid 19th century album of ms. flags, drawn with pen and watercolour and bound in contemp. cloth, plus two other related items (4).
Miscellaneous books, incl. Lodge's Portraits of Illustrious Personages or Great Britain, 6 vols., 1823-27, 3 x 10 Pen & Pencil series (Australian Pictures, Canadian Pictures & Swiss Pictures), Drawings of British Plants, by Stella Ross-Craig, 4 vols., 1948-9 - 1957-59, The Rhine: or A Journey from Utrecht to Francfort, by T. Cogan, 2 vols. bound in 1, 1794, plus Victorian decorated cloth publications, medical interest etc. (2 cartons).
Pen and Pencil Series. American Pictures; English Pictures; Pictures from thew German Fatherland..., each pub. Religious Tract Society, c. 1880, numerous wood eng. illusts. to text, a.e.g., orig. gilt dec. pictorial boards, slim folio, together with Gilbert (Linney), Te Beauties & Wonders of Nature and Science..., c.1840, wood eng. plts., orig. cloth, rebacked, 8vo, plus other misc., mainly 19th c. (a carton).
British Topography, including Selsey Bill: Historic and Prehistoric, by Edward Heron-Allen, 1911, occn. spotting, orig. cloth, rubbed and soiled, frayed with slight little loss at head of spine, large 4to, The Shores of Fife, by William Ballingall, Edinburgh, 1872, Irish Pictures drawn with Pen and Pencil, by Richard Lovett, pub. R.T.S., 1888, etc. (3 shelves).
A Schierholz basket, early 20th century, of circular form, the rim pierced and applied with gilded garlands and bows, the interior florally painted, raised on three feet, 9.25" diameter, an English porcelain pen stand with integral ink well and liner, all over decorated with a tartan pattern and raised on four paw feet, 3" high and a Bloor Derby tureen base, circa 1840, decorated in a puce and gilt scrolling design with gadrooned rim, Bloor Derby circular mark, 11.5" diameter (3)
A Victorian figured walnut Davenport, circa 1880, the slope front enclosing a satin birch lined interior with pigeon holes above an inset panel and wrythen fluted pilasters, flanked by a pull-out pen drawer and four short drawers to the right hand side, opposed by four false drawers raised on compressed bun feet and ceramic castors, distressed, 22" wide, 21.5" deep, 33" high
A good Victorian ormolu mounted walnut and marquetry lady's cylinder writing bureau, the rectangular top with pierced gilt brass three-quarter gallery above shaped quarter veneered retracting cylinder and sliding tooled leather writing surface with pen and well apertures, the back fitted with drawers and pigeon holes, above a drawer, shaped apron, slender cabriole legs, 77.5cm wide, c.1850
A Chinese porcelain deskstand of rectangular form with lidded and hinged pen box, integral taper stick and two square wells containing an inkwell and pounce pot enamelled variously with landscapes, ladies with attendant children and birds amongst blooms on a profuse floral ground, 21.5cm. long, Qianlong, some repairs.
A 19th Century French gilt metal and plated ink stand in the Egyptian taste, the sarcophagus pattern tops surmounted by a plated sphinx opening to reveal two small inkwells raised on ball feet, the shaped base with two pen recesses with mask ornament to sides, engraved borders and on four cast sphinx pattern feet, 13.75ins x 9ins x 7. 5ins high (with later inscription to rear)
An unusual early 18th century oak and mahogany clerk's desk, the canted fall with pen rest opening to reveal a plain interior with a hinged panelled fall revealing pigeon holes. The front frieze with small single drawer to upper right above a single long moulded-edged drawer with brass swan neck handles, the whole supported on turned legs with rectangular stretchers. Some inlaid marquetry
A large silver inkstand, the rectangular base by Peter and William Bateman, London 1809, plain on top with two pen troughs above a downswept floral and foliate chased border with gadrooned edge all raised on four ball feet, the retaining rings and mounts for the three cut glass bottles by John Edward Terry, London 1821, 34cm, 50oz (weighable).
'Jessie Dean, April 11th 1882', her green leather stationery box, the rectangular lid releasing the fall front with integral writing slope and compartment, the two hinged compartments behind it with notepad fronts over ebony pen trough and an inkwell compartment, further compartments above, 24cm wide.
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