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Lot 410
OLD MASTERS PRINTS : 2 large modern albums full of 17th & 18th century etchings and engravings a lot extracted from 'early' books. Noted are four Anthonie Waterloo etchings. Aegidius Sadeler 11, engraving after Esaye de Gillon, a portrait of Mechti Kuli Beg, Ambassador of Shah Abbas 1 to the Court of Rudolph 11 (1605). One of the few drawings in the collection, attributed to Philips Koninck (Dutch, 1619-1688) "Monoah's Sacrifice", pen and brown ink composition. A pair of Stefano della Bella etchings ... the Arch of Constantine. Early natural history subjects, including many from "The therd booke, of flowers fruits beastes birds and flies exactly drawne... " Also Johannes de Visscher, Herman van Swanevelt, Charles Knapton after Guercino, Rembrandt, etc.
Lot 106
‡Albert Rutherston (1881-1953) Some Students of Both Sexes Discovering a Real Landscape, in Highgate; A Little Flower of Saint Paul Two, both pen and ink, and watercolour Both dated xmas 1926, and extensively inscribed Each 18.4 x 12.3cm (2) Provenance: Given by Albert and Marjory Rutherston to the Salaman family; The Collection of Michel Salaman; Potter Books, Loxhill
Lot 715
‡Sue Macartney-Snape (b.1957) The Christmas Charity Stallholder Wears All Her Wears Signed with initials, dated and inscribed SMS/02/The Christmas Charity Stallholder/Wears all her wears (lower right) Pen and ink, watercolour and pencil 56.1 x 40.6cm Provenance: Chris Beetles Ltd, London Literature: Victoria Mather, The Appalling Guests (London, John Murray, 2003), p.88 (illustrated) Exhibited: London, Chris Beetles Ltd, The Illustrators: The British Art of Illustration 1800-2005, 2005, no.629
Lot 144
Thomas Barclay Hennell RWS, NEAC (1903-1945) Yatton Church near Bristol Signed T.Hennell (lower right) Pen and black ink 47.3 x 30.8cm Literature: Clarence Henry Warren, The Land Is Yours, illustrated by Thomas Hennell (Eyre & Spottiswoode, 1943) Exhibited: London, The Fine Art Society, December 1988, no.34
Lot 427
‡Lord Paul Ayshford Methuen RBA, RA (1886-1974) Ornamental stucco decorations by Robert West on the walls of the Grand Staircase at 20 Lower Dominick Street, Dublin Signed Methuen (lower right), dated 12 May 1958 (lower left) and extensively inscribed Watercolour, and pen and ink 27.1 x 55.9cm Provenance: From the collection of Edward Croft-Murray (1907-1980) Exhibited: Bristol, Royal West of England Academy, Retrospective Exhibition of Works by Lord Methuen, RA, RWS, PPRWA, April-May 1972, no.113 Edward Croft-Murray was a friend of Lord Methuen, and regularly stayed with him at Corsham Court.
Lot 35
Charles Lucien Léandre (French 1862-1934) Chagrin à la mode Signed and inscribed C Leandre/Je vois ce manteau rouge, ce chapeau jaune/ce corsage blanc...Eh bien: Ce/manteau rouge, ce chapeau jaune, ce corsage blanc,/....c'est a moi!!! (lower left) Watercolour, and pen and ink 41.1 x 31.2cm Provenance: Redfern Gallery, London, January 1955, where purchased by Dr Leonard Simpson
Lot 141
Thomas Barclay Hennell RWS, NEAC (1903-1945) Ladder Making Inscribed ladder-making (upper right) Pen and black ink 23.7 x 25.4cm Literature: Thomas Hennell, The Countryman at Work (London, The Architectural Press, 1947), p.57 (illustrated), p.59 Exhibited: London, The Fine Art Society, November 1988, no.47
Lot 179
Averil Burleigh (1883-1949) Nijinsky Signed Averil Burleigh (lower right) Pencil, pen and ink, watercolour and bodycolour 38.4 x 45cm Provenance: Erika Brandl, London, May 1995, where purchased by the present owners; The Collection of Peter and Mary Grant Averil and Charles Burleigh, and their daughter Veronica, were a remarkable family of artists who spent most of their lives working in Sussex. Averil and Charles met at the Brighton School of Art, and the couple were married in 1905. Veronica was born in 1909, and by 1915 both her parents were exhibiting regularly at the Royal Academy and the Royal Institute. After studying at the Slade, Veronica returned home to Brighton, and the three artists worked closely together. Despite clear stylistic cross-influences within the family, each member developed a unique and distinctive style, reflected in the works offered here. Peter and Mary Grant have been collecting the work of the Burleigh family for decades, and became friends with Veronica, corresponding frequently over the years. Veronica stayed with the couple at Pebble Court, the family home in Oxfordshire, in 1990 and painted the house (lot 200).
Lot 619
‡Norman Douglas Hutchinson (1932-2010) He Who Dares Does Signed, inscribed and dated 'HE WHO DARES DOES'/For Jim & Caroline/with my love/Norman/Christmas 2003 (to backing board) Tempera on board 77 x 52.5cm Together with Norman Douglas Hutchinson; Studies for the backdrop of a portrait of Sarah Crichton-Stuart (later Princess Salimah Aga Kahn); Signed and dated Norman 63 (lower right) and extensively inscribed on a separate sheet; Pen and blue ink; 54 x 37cm (total) (2) Provenance: 'He Who Dares Does' purchased from the artist by the present owner, 2003; The collection of Caroline Brown Norman Douglas Hutchinson was born in India in 1932 and moved to London in 1959. He is best known for his Royal portraits, and studies of The Queen Mother and Prince Philip are offered here, as well as his famous portrait of Queen Elizabeth II. Caroline Brown was a friend, collector and model of Hutchinson’s for many years, and describes him as someone who was 'totally outrageous, pushed boundaries and loved to shock'.
Lot 223
‡Harold Hope Read (1881-1959) Duty Calls; À Beau Jeu, Beau Retour Two, the former signed with initials HR (upper left), the latter signed with initials HHR (lower right) Both pen and ink, and wash 17.5 x 16cm; 27 x 18cm (2) Provenance: Both with The Bourne Gallery, Reigate, September 2005; Property of Bill Thomson, Albany Gallery
Lot 403
‡Sir Osbert Lancaster CBE (1908-1986) Two gentlemen with raised fists Signed and dated Osbert Lancaster/June 1941 (lower right) Pen and ink with blue crayon 16 x 14.7cm Together with Cyril Jacob 'Chic' (1926-2000); Hair; The Caesars; Two, the latter signed CHIC (lower left); Each pencil and black ink; Each 10.1 x 15.2cm, framed as one (3)
Lot 620
‡Norman Douglas Hutchinson (1932-2010) Portrait of Caroline Brown at 50; Study for the portrait of Caroline Brown at 50 Two, the former signed and dated Norman 1998 (lower right) and inscribed C B (upper left and right); the latter signed, dated and inscribed For Caroline/with my love/Norman 98 (lower right) and further inscribed Caroline Brown (upper left) Tempera; Pencil, pen and ink, and watercolour heightened with white 58 x 47.5cm; 38.5 x 29cm (2) Provenance: Purchased from the artist by the present owner, 1998; The collection of Caroline Brown Norman Douglas Hutchinson was born in India in 1932 and moved to London in 1959. He is best known for his Royal portraits, and studies of The Queen Mother and Prince Philip are offered here, as well as his famous portrait of Queen Elizabeth II. Caroline Brown was a friend, collector and model of Hutchinson’s for many years, and describes him as someone who was 'totally outrageous, pushed boundaries and loved to shock'.
Lot 404
‡Sir Osbert Lancaster CBE (1908-1986) Personally, I don't think the choice of political speakers is in the least biased - it's just plain morbid; If Lord Stansgate gets his way and they do televise the opening of Parliament, I know exactly what'll happen - the Liberals will hog the cameras, the Socialists'll say they've been given the wrong make-up and Lord Hailsham'll proclaim he's badly lit Two, both signed Osbert Lancaster (lower right) Both pen and ink with blue crayon 17.6 x 11.1cm; 17.6 x 13.6cm (2)
Lot 351
Charles Robinson Sykes (1875-1950) The Café Royal: Upstairs; Downstairs Two, the former signed Charles Sykes (lower left) The former pencil, the latter pen and ink, and wash 10.9 x 16.9cm; 6.9 x 8.8cm, framed as one (2) Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS
Lot 278
Chelsea v Charlton Athletic 1950 8th March League Division 1 hole punched left, Chelsea v Huddersfield Town 1950 1st April League Division 1 vertical crease team change in pen, Chelsea v Derby County 1950 25th November Football League Division 1 staples rusty hole punched left vertical fold (3)
Lot 282
Arsenal v Chelsea 1953 8th September League Division 1 team change in pencil hole punched left, Chelsea v Arsenal 1953 15th September League Division 1 back cover scruffy removed from scrap book? 2 Arsenal autographs on team page Barnes & Login and Chelsea v Aston Villa 1953 19th September League Division 1 horizontal & vertical crease score in pen (3)
Lot 285
Chelsea v Bolton Wanderers 1954 10th April League Division 1 score in pen rusty staples, Football League v Scottish League 1954 28th April Inter-League Tournament horizontal crease and Chelsea v Aston Villa 1951 April 7th Div. 1 vertical crease scores & notes in pen front cover & team page (3)
Lot 286
Chelsea v Wolverhampton Wanderers 1951 April 25th Div. 1 team change in pen rusty staples, Fulham v Chelsea 1951 April 28th Div. 1 horizontal crease rusty staples hole punched top and Chelsea v Bolton Wanderers 1951 May 5th Div. 1 vertical crease pencil half-time scores ink mark front cover (3)
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147948 item(s)/page