We found 1566 price guide item(s) matching your search
There are 1566 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1566 item(s)/page
Lot 342
BRITISH SCHOOL (MODERN) MIXED MEDIA ON CARDBOARD Abstract composition 19 3/4" x 19" (50cm x 48cm) also a MODERN ABSTRACT OIL PAINTING ON BLOCK CANVAS BY CAROLINE JARIWALA entitled 'Hefted to Delph' dated 2007 24" x 24" (61cm x 61cm) REPRODUCTION PRINTS AFTER ELIZABETH FRINK, PAUL KLEE, BOTTICELLI AND VARIOUS OTHER PICTURES (12)
Lot 171
A quantity of Dolls house furniture in wood, metal and china to include a Klee ware grand piano, a white china bath "The Vogue Bath" by Allied, The Bath Specialist, tin kitchen furniture with opening doors, a blue metal sink, Belfast sink, carved wood sofa with two chairs and a table, two grandfather clocks amongst others together with four complete celluloid dolls and some spare parts, total (54)
Lot 94
Heading: (Lithographs)Author: Title: Large gathering of original lithographs, woodcuts, etc. from Verve, Derriere le Miroir and other illustrated works, including artworks by Kandinsky, Klee, Dali, Chagall, Picasso, Miro, and othersPlace Published: Various placesPublisher:Date Published: mid 20th centuryDescription: Approximately 75 lithograph, wood- and linoleum-cut illustrations, etc. Most color, various sizes, several double pages. Removed from various mid-century illustrated books and periodicals. An impressive selection of original lithographs, woodcuts, etc., from leading artists of the 20th century including Hans Arp, Wassily Kandinsky, Paul Klee. Andre Derain, Fernand Leger, Salvador Dali, Marc Chagall, Max Ernst, Joan Miro. etc. Quite suitable for framing. Most show signs of removal from their original publication along one edge or at the folds in the case of the multi-page illustrations; very good and better overall. Offered as is.
Lot 420
§ Paul Klee (Swiss/German 1879-1940) Hand Drawings 1921-1930 approximately 70 collotype plates in paper wrapper, together with a complete catalogue published by Will Grohmann, Muller & Kiepenheuer Verlag, Bergen II, 1934 22 x 28cm (9 x 11in) Collotypes unframd and loose in a paper wrap, together with book. Some fading to all paper
Lot 118
SIGNED ART AND ILLUSTRATED:1. Prasse, Leona E: Lyonel Feininger; a Definitive Catalogue of His Graphic Work. Cleveland Museum of Art, 1972, 1st edn., dw. Signed twice and inscribed to Michael. Dw worn and torn; o/w VG;2. Hudson, Stephen; John Nash (illustrator): Celeste. Blackamore Press, 1930, numbered limited edn., 209/700; with a long inscription to Billy, signed S, Feb 4, 32. G+;3. Bawden, Edward, two works: Richards, J M: Edward Bawden. Penguin, 1946, 1st wrappers. Inscribed to Michael, from Edward. VG; Plus: Edward Bawden, War Artist. 1st edn.; VG;4. Paul Klee. Milan, Hyperion press, nd; title page inscribed: with best wishes to Michael, from Eric (Eric Gill), Christmas, 1956. Folio, original wrappers, little worn; o/w VG;5. Piper, John: Murray’s Buckinghamshire Architectural Guide. Inscribed copy to Michael Rothenstein, with best wishes from John Piper, July 1948. 1st dw torn;6. Hassall, Christopher: Four 1st edns. All inscribed and signed to Rothenstein
Lot 18
A collection of Wiener Werkstätte and other Austrian ceramics, an Amphora water pourer decorated with holly, a part sea service attributed to Dagobert Peche comprising jug and cover, two cups and saucers and a sugar basin, a yellow bowl, also attributed to Peche, a lobbed vase painted with foliate motifs in green and blue with gilt highlights, possibly by Fritz Klee and a large lustre vase, probably Amphora (10)
Lot 2269
* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), VILLAGE MYTHS NO. 16 gouache on paper, signed, titled and dated February 83 90cm x 73cm Mounted, framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.
Lot 540
Alan Reynolds (British, 1926-2014) Two Trees in Blossom, 1952 signed and dated (lower right) oils on board 54.3cm x 60cm. Provenance: Sotheby's London, 6 April 1960, lot 128. 'his genuine loving attachment to nature, both to landscape as a whole and to its particular shapes and their arrangements, to blossoms and fruit, to grasses and weeds, to leaves and buds, to branches and twigs, and to the varied tree forms which, with their special features, define and characterize a landscape in its various moods…his preoccupation was not with the grand or with the picturesque…rather a penetration into the spirit of nature.' (the contemporary art critic J. P. Hodin on Alan Reynolds in this period) Painted in 1952, the year of Reynold's first one-man show at the Redfern Gallery, Two Trees in Blossom demonstrates Reynold's focus on figurative landscapes and the natural world and the influence of Paul Nash and Graham Sutherland. However, the inspiration of Paul Klee should be particularly acknowledged whose work became influential in the European post-war art world. Reynold's copied Klee's Nocturnal Festival (1921) on numerous occasions and its influence can be felt in Two Trees in Blossom, both compositionally and in terms of subject matter.
Lot 151
VERVE n°4 5-6 et 8.  Réunion de trois numéros de la revue Verve avec des lithographies de Georges Braque Georges Rouault André Derain Fernand Léger Pierre Bonnard Henri Matisse et Paul Klee. Paris Teriade 1938 à 1940. 3 vol. grand in-4°. Bon état de l'ensemble: seuls les dos ont un peu souffert.
Lot 261
Various Artists - Verve Volume I, Numbers One - Four the four issues of the publication,1937-1939, comprising original lithographs mostly printed in colours by artists including Chagall, Klee, Miró, Matisse, Masson and Kandinsky, each with title-page, text and reproductions, printed by Mourlot Fréres, Paris, published by E. Tériade, Paris, each within the original printed covers, overall size 360 x 270 mm (14 1/8 x 10 5/8 in)
Lot 263
Various Artists - Verve No. 5/6 the publication, 1939, comprising six lithographs printed in colours, by artists including Braque, Rouault, Léger, Matisse, Klee and Bonnard, on wove paper, with title-page, text and reproductions, published by Teriade, Paris, bound as issued in the original printed wrappers, 355 x 265 mm (14 x 10 1/2 in)
Lot 621
A quantity of pictures and prints including print of a drawing by Sir William Russell Flint of two ballet dancers, a large coloured print of a floral still life after Margaret Niven, a pair of coloured prints of harbour scenes after Vernon Ward, a coloured print of an 18th century sampler, a coloured print after Gaugin, a black and white photographic print of Saddam Hussain, two coloured prints after Paul Klee etc, all framed
Lot 238
PAULINE LIU; mixed media work depicting two opposing shop keepers, "Equitable Labour, and Weight Society", 21 x 25cm, Lankultis; two floral embroideries, 11 x 11cm, a modern portrait miniature of a young lady in dress holding a bunch of flowers, 6 x 8cm, an etching and a Paul Klee print all framed and glazed.
Lot 2497
* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), EL TERREMOTO gouache on paper, signed, titled and dated 89 56cm x 77cm Framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.
Lot 115
Joan Miro, Spanish 1893-1983- "L'Ete", (recto), 1938; publ by Teriade for Verve (Vol.1, No.3), executed by Daniel Jacomet, pochoir in colours, signed within the plate, with title design to the reverse, 35.5x26.4cm: Paul Klee, Swiss/German 1879-1940- "Sommeil d'Hiver", (recto), 1938; publ by Teriade for Verve (Vol.1, No.3), lithograph printed in colours, signed within the plate, with title design by Joan Miro to the reverse, 35.5x26.5cm: Alexander Calder, American 1898-1976- "Spring Carnival", 1969; lithograph printed in colours, signed and dated within the plate, 44x64.3cm: Marcel Gromaire, French 1892-1971- "Intérieur Flamand", (recto); publ by Teriade for Verve (Vol.7, No.27/28), 1952, lithograph printed in colours, signed and dated within the plate, with a lithograph by the same hand printed on the reverse entitled "Nu", signed and dated within the plate, 35.4x26.6cm: together with two further lithographs printed in colours, one by Henri Matisse, depicting a portrait of a seated woman, signed within the plate, 33.5x25.5cm, the other by Joan Miro, depicting an abstract composition, inscribed verso, 31.9x24.8cm (5) (unframed) (may be subject to Droit de Suite)
Lot 2190A
* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), EL TERREMOTO gouache on paper, signed, titled and dated 89 56cm x 77cm Framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.
Loading...-
1566 item(s)/page