We found 1566 price guide item(s) matching your search

•WILLIAM LYONS-WILSON (1892-1981) ABSTRACT Signed and dated 20 AUG/ 1964, watercolour 35 x 43cm. Provenance: By descent in the family of a fellow master at Blundell's School, Devon (to whom this was a wedding present in 1964). Lyons-Wilson was fascinated by the Surrealism of Joan Miro and Paul Klee and was intrigued by the impact of colour in abstract art. From 1944, he showed these subjects at the Redfern Gallery, London ++ A little pale foxing

Leon Underwood (British 1890-1975) Bronze of the African Madonna, (Modern British Avant Garde Sculptor ) - Original bronze - the African Madonna with a fine brown Patination conceived in 1934/1935 signed to the base Leon. U. numbered IV-VIII, dated 36. on a gnarled walnut rustic wood base. total height 14 1/2". Literature: The sculpture of Leon Underwood by Ben Whitworth, published Lund Humphries 2000 cat no. 93. African Madonna (variants) illustrated on page 60. His works can be seen in major British museums and public collections in the UK. He was the precursor of modern sculpture in Britain, attended the slade school of fine art and the Royal College of art. In the first World War he worked with Solomon Joseph Solomon, Norman Wilkinson and Paul Klee as a camoufleur creating observation posts camouflaged as trees and other objects. In 1921, Underwood opened the brook green school of art in Hammersmith, amongst his many students, he taught Henry Moore and Barbara Hepworth, Moore who later spoke of his indebtedness to Underwood's influence and teaching. He wrote a number of books on ancient African sculpture including bronzes of west Africa which were a great influence to him in later years cycladic and African culture designs. Provenance - Mirfield theological college of the church of the England, West Yorkshire. On Saturday October 22nd 2011, the monks at the college held an auction to raise money for the church renovations for the grade listed building. The bronze on offer was sold at this auction and mentioned in the catalogue and sold next to work by Eric Gill - entitled Lord Jesus Christ. The said bronze was also mentioned in the local paper. The intelligent weekly press on 7th October 201. See https://www.thepressnews.co.uk/press-news/monks-auction-prized-artefacts.

AFTER MIRO, KLEE, KANDINSKY and MALEVIC, a set of four offset prints, 83cm x 68cm, 80cm x 63cm, 76cm x 65cm, 85cm x 64cm, framed and glazed. (4)

Paul Klee (1879-1940) pair of limited edition prints 60/500, one entitled 'The One In Love', the other 'The Tight Rope Walker' from the 3rd revised folio edition of 'The Prints of Paul Klee'.

A quantity of various 20th century oil paintings on canvas and on board, including lake scene, signed Klee, Parisian street scene, Venetian style scenes, etc, various sizes, 50 x 75 cm max, some framed, (21)

A large folio group of exhibition posters,:- including Max Ernst Museum Ludwig Kohl 1990 & 91, The Museum of Modern Art New York, Rene Magritte, Osterweil Art Expo West 80, Paul Klee, Andy Warhol Go West-Go East With a Truck 1986, Stephen Bartlett CCA Galleries, Walter Lindner Verkerke Gallery, Dieter Kimmel Verkerke Gallery, Markus Baumann Musee d'Orsay Paris, Monet, Robert Offord, Matisse, Heinrich Schmid, Lionel Deriaz, etc.

The Birth of the Missile The Secrets of Peenemunde hardback book by Ernst Klee and Otto Mark with a preface by Air Marshal Sir Philip Joubert de La Ferte KCB, CMG, DSO. 125 Pages. From Jim Shortland Dambuster 617 Sqn Historian collection. Good condition Est.

Klee, Paul1879 Münchenbuchsee - 1940 Muralto/ Ticino"sieben Dynamoradiolaren und andere". 1926. Pencil drawing on Paper laid down on card. 48 x 33.5cm. Signed upper left: Klee. Dated on the upper right: 10.4.26 abends 9 Uhr. Inscribed on the lower left: 1926 D1. Titled on the lower right. Framed. Exhibitions:- Galerie abc, Winterthur 1962, no. 6- Galerie Renée Ziegler, Zürich 1963, no. 18, ill.Literature:cat.rais- Paul Klee Stiftung (ed.): Catalogue Raisonné, 1923-1926, ed. IV, Bern 2000, cat.rais.-no. 4082, ill. p. 469 (with the note: "Standort unbekannt")- Hoppe-Sailer, Richard: Gut ist Formung. Schlecht ist Form. Zum Problem des Naturbegriffes bei Paul Klee, Habilitationsschrift Universität Basel 1998, p. 191- Grohmann, Will: Paul Klee. Handzeichnungen 1921-1930, Potsdam/Berlin 1934, p. 26, siehe 1926/no. 68. Explanations to the CataloguePaul Klee Germany Modern Art 1920s Objects Works on paper Pencil AbstractKlee, Paul1879 Münchenbuchsee - 1940 Muralto/ Tessin"sieben Dynamoradiolaren und andere". 1926. Bleistiftzeichnung auf Papier auf Karton aufgezogen. 48 x 33,5cm. Signiert oben links: Klee. Datiert oben rechts: 10.4.26 abends 9 Uhr. Bezeichnet unten links: 1926 D1. Betitelt unten rechts. Rahmen. Provenienz:- Rolf und Catherie E. Bürgi, Bern (bis 1950)- Curt Valentin (Buchholz Gallery; Valentin Gallery), Berlin/New York (ab 1950)- Saidenberg Gallery, Inc., New York- Jackson (bis 1960)- Berggruen & Cie, Paris (1960-64)- Peridot Gallery, New York (ab 1964; Aufkleber)- Süddeusche Firmensammlung (seit 2009)- Privatsammlung Nordrhein-WestfalenAusstellungen:- Galerie abc, Winterthur 1962, Nr. 6- Galerie Renée Ziegler, Zürich 1963, Nr. 18, Abb.Literatur:- Paul Klee Stiftung (Hrsg.): Catalogue Raisonné, 1923-1926, Bd. IV, Bern 2000, WVZ.-Nr. 4082, Abb. S. 469 (mit dem Vermerk: "Standort unbekannt")- Hoppe-Sailer, Richard: Gut ist Formung. Schlecht ist Form. Zum Problem des Naturbegriffesbei Paul Klee, Habilitationsschrift Universität Basel 1998, S. 191- Grohmann, Will: Paul Klee. Handzeichnungen 1921-1930, Potsdam/Berlin 1934, S. 26, siehe 1926/Nr. 68. Erläuterungen zum KatalogPaul Klee Deutschland Expressionismus Künstlergruppe "Der Blaue Reiter" Moderne Kunst Unikate 1920er Gegenstände Papierarbeit Bleistift Abstrakt- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

A Paul Klee print, Red Bridge, framed

A Paul Klee print, framed

2 Henry Moore shelter sketch prints circa 1940, a Fernand Leger lithograph (Mourlot) circa 1959, a Georges Braque lithograph (Mourlot) circat 1959, a Henri Matisse print circa 1935, A Paul Klee print, An Eric Gill engraving from '25 Nudes' circa 1938, 2 Elisabeth Frink lithographs circa 1975 (9 in total, all mounted and unframed).

Paul Klee (1879-1940, Swiss) - 'Yellow Birds in Trees', lithograph, 26 x 33cm, framed

Paul Klee (1879-1940, Swiss) - Untitled, 215/300 serigraph, 34 x 53cm, framed

A Paul Klee print, Oriental Castle, framed

Geschrei. 1939. Mixed media on paper. Cm 20,50 x 31,00. Signature lower right, title and year lower centre. At the back Galerie Beyeler Basel, World House Gallerire, New York, Galerie Jeanne Bucher, Paris and ArteCentro Gallery, Milan labels. Provenance: Lily Klee, Bern. Galerie Jeanne Bucher, Paris. Galerie d'Art Moderne, Basel. Galerie Beyeler, Basel. World House Galleries, New York. Sotheby's, London. Felicie Scharf, London. Galerie Beyeler, Basel. Exhibitions: Gedachtnisausstellung Paul Klee 1879-1940, Graphische Sammlung, ETH Zurich, 19/10 - 21/12 1940, n.149. Paul Klee. The Obelisk Gallery, Washington, 9/3 - 6/4 1962, n.5. Paul Klee. Watercolors, Drawings. World House Galleries, New York, 29/5 -23/6 1962, n.20. Publication: Catalogo Ragionato Paul Klee, Bd.8, 1939, hrsg. von der Paul-Klee-Stiftung, Kunstmuseum Bern, Bern 2004, n.7719, Abb. Zentrum Paul Klee authenticity certificate on photo. Frame present.

An Japanese limited edition print, houses and trees, 41/100, and another print, "Klee", in silvered frames

Paul Klee (1879 - 1940), lithograph, circa 1940, abstract, signed in the plate, 6" x 8", mounted

KLEE CHAIR BY MINOTTI, grained and piped black leather and steel square supports, 75cm W.

A Paul Klee print, Tanze von Augst, framed

signed oil on board Exhibited at the South African National Gallery in 1966 PROVENANCEInherited, thence by descent 60 by 35cm Flower Piece is an important work confimed by the original fadedlabel on the reverse, attesting to its inclusion in a major retrospectivePranas Domsaitis 1880 - 1965. This prestigious exhibition openedin November 1966, at The South African National Gallery in CapeTown, where over 200 works had been included. Sourced nationwide from private and public collections, the exhibition sought to honour the oeuvre and life work of the artist and his formativeinfluence on the emerging South African art scene.Domsaitis sought refuge at the end of World War II in Cape Townat the age of 69, where he lived out his artistic life until his deathat 85. He died in 1966, a year prior to the death of Irma Stern whowas 14 years his junior. These two giants of the art world sharedmuch in their artistic development; a background of wide travel, anémigré’s perspective, and defining exposure to the art movementsof inter-war Central Europe. Reflecting the influential avant gardeof the time, they were both schooled in German Expressionism.Their independent ideas and experiences were eventually tocontribute significantly to South African art.Domsaitis had already forged a distinguished career in Europe,exhibiting his work alongside Max Pechstein, Paul Klee, MarcChagall, Oskar Kokoshka and other luminaries of the time. However,in response to the threat of Nazi persecution of 'decadent art',he fled to Austria, eventually settling in South Africa in 1949. Hisintensely spiritual landscapes, religious works and expressioniststill lifes were well received in his adopted country. Decadeslater, in 1989 he was honoured with recognition in his country ofbirth, when the Pranas Domsaitis Gallery opened in the nationalLithuanian Art Museum.Flower Piece, simply presented as a Blanc de Chine jug ofglowing floral colours and impasto forms highlighted in blackagainst a cloudy background, “…possess something of Chagall’senchanting visions, the guileless piety of Roualt. The resonantcolour of Expressionists and the intuitive wisdom of the peasant”as expressed by the art critic Graham Watson. ,Indeed, Domsaitis’s Flower Piece exudes the timeless qualities thatappeal to a new generation of artists as in the floral still life’s ofGeorgina Gratrix, Mia Chaplin and others. - C.K.Alexander, L and Cohen E. (1990).150 South African Paintings Past and Present. Struikhof,Cape Town.Drunga, M. (1981). “Pranas Domsaitis: Rediscovered Scion of Expressionism”, in LithuanianQuarterly Journal of Arts and Sciences, 27 (4).BialopetraviÐienÐ, L. (2001). “Artist Pranas Domsaitis: 1880 – 1965” (Pranas Domsaitis Galleryonline) http://ldmuziejus.mch.mii.lt/PDG/P_Domsaitis_en.htmVerloren van Themaat, E. (1976). Pranas Domsaitis. C. Struik Publishers: Cape Town.

A 1960's framed print by Paul Klee, framed size 109 x 60cm.

Camille Souter HRHA (b.1929)Winter Vine, Dublin (1958)oil on canvassigned lower right, titled and dated '58 verso45¾ x 61cm (18 x 24in)Provenance: David Hendriks Gallery, Dublin (label verso);Collection of Gordon Lambert;Private CollectionExhibited: Irish Exhibition of Living Art Literature: 'Camille Souter: The Mirror in the Sea' by Garrett Cormican; Cat No.71, page 235 illustrated. Souter elected Saoi in Aosdána, has painted at a measured pace all of her life, from the 1950s when Michael Scott and Basil Goulding purchased her work. Today she is represented in all of the major collections and is much sought after by private collectors. Early influences are Paul Klee, Francis Bacon and Lucien Freud. Souter has ploughed her own field, to become a major Irish female artist of the 20th and 21st Century. This painting from the Gordon Lambert collection, inspired from her period in Italy was exhibited in the Irish Living Art Exhibition.

KLEE CHAIR BY MINOTTI, grained and piped black leather and steel square supports, 75cm W.

§ Paul Klee (1879-1940)colour lithographComposition en Coleurssigned in the plate, numbered 41/200, 1961 Redfern Gallery label verso29 x 440cm

A collection of fifteen coloured modern poster prints by Kandinsky, Matisse, Jean Miro, Paul Klee etc - unframed

NO RESERVE Expressionism.- Dube (Annemarie & Wolf-Dieter) E.L.Kirchner: Das Graphische Werk, 2 vol., third edition, Munich, 1991 § Moeller (M.) & Rolans Scotti. Ernst Ludwig Kirchner: Gemälde, Aquarelle, Zeichnungen und Druckgraphik, Munich, 1998 § Dabrowski (M.) & Rudolf Leopold. Ego Schiele: The Leopold Collection, Vienna, New York, 1997 § Frey (S.) & Josef Helfenstein. Paul Klee Rediscovered: Works from the Bürgi Collection, 2000 § Benson (T.O.) & others. Expressionismus in Deutschland und Frankreich: Von Matisse zum Blauen Reiter, Munich, 2014, illustrations, many colour, original cloth or boards, all but the first with dust-jackets; and 13 others, most Expressionism, 4to & 8vo (19)

Paul Klee (Swiss/German, 1879 - 1940). "A Little Room in Venice ["Ein Stubchen in Venedig"]". Original color collotype. 1933. Printed 1948. Signed in the image, upper left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impressioin. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 7 x 9 1/2 in. (178 x 241 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1948. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23646-1-300]

Paul Klee (Swiss/German, 1879 - 1940). "Child on Open Stairway ["Kind an der Freitreppe"]". Original color lithograph. 1923. Printed 1949. Signed in the image, upper right. Titled and dated, lower center. Felix Paul Klee stamp, verso. Small edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 11 3/16 x 8 1/2 in. (284 x 216 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1949. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23652-2-225]

Paul Klee (Swiss/German, 1879 - 1940). "Flowers in Vases ["Fleurs dans les Verres"]". Original color collotype. 1925. Printed 1946. Signed and dated in the image, lower right; Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 9 15/16 x 7 3/4 in. (252 x 197 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21511-2-225]

Paul Klee (Swiss/German, 1879 - 1940). "Black, Still in Place ["Du Noir, Encore en Lieu et Place"]". Original color collotype. 1940. Printed 1957. Signed in the image, upper right. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 12 1/8 x 4 in. (308 x 102 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23638-2-225]

Paul Klee (Swiss/German, 1879 - 1940). "Before the Snows ["Vor dem Schnee"]". Original color collotype. 1929. Printed 1948. Felix Paul Klee stamp, verso; signed in the plate, lower left. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 3/8 x 9 1/2 in. (213 x 241 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1948. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23644-2-225]

Paul Klee (Swiss/German, 1879 - 1940). "Blue Night ["Nuit Bleu"]". Original color collotype. 1937. Printed 1946. Signed in the image, upper right; Felix Paul Klee stamp, verso. Small edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 6 7/16 x 9 3/4 in. (164 x 248 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21517-1-300]

Paul Klee (Swiss/German, 1879 - 1940). "Kingdom of the Birds ["Vogelreich"]". Original color lithograph. 1918. Printed 1949. Signed in the image, upper left. Felix Paul Klee stamp, verso. Small edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 6 3/4 x 9 3/8 in. (171 x 238 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1949. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23650-1-225]

Paul Klee (Swiss/German, 1879 - 1940). "Little Blue Devil ["Petit Diable Bleu"]". Original color collotype. 1933. Printed 1946. Signed in the image, upper right. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 10 x 8 3/16 in. (254 x 208 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [21516-2-400]

Paul Klee (Swiss/German, 1879 - 1940). "Rhythmisches ["Rhythmical Elements"]". Original color lithograph. 1930. Printed later. Signed and dated in the image, lower left. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 11 1/4 x 8 1/4 in. (286 x 210 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29286-2-300]

Paul Klee (Swiss/German, 1879 - 1940). "Seiltaenzer ["Tightrope Walker"]". Original color lithograph & stencil/ pochoir. 1921. Printed later. Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Ample margins. Fine impression with bright, fresh color. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 10 x 6 3/8 in. (254 x 162 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29297-2-600]

Paul Klee (Swiss/German, 1879 - 1940). "Old-Time Note ["Accords Anciens"]". Original color collotype. 1925. Printed 1946. Signed and dated in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 9 7/16 x 9 3/8 in. (240 x 238 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [21518-2-300]

Paul Klee (Swiss/German, 1879 - 1940). "Sangerin der komischen Oper ["Singer of the Comic Opera"]". Original color lithograph & stencil/ pochoir. 1925. Printed later. Dated in the plate, lower left; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Ample margins. Fine impression with bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 9 7/8 x 7 1/8 in. (251 x 181 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29300-2-800]

Paul Klee (Swiss/German, 1879 - 1940). "Lagoon City ["Lagunenstadt"]". Original color collotype. 1932. Printed 1948. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 10 1/4 x 6 in. (260 x 152 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1948. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23645-2-300]

Paul Klee (Swiss/German, 1879 - 1940). "Auftrieb ["Soaring and Gliding"]". Original color lithograph. 1932. Printed later. Signed in the image, lower center. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 9 5/8 x 9 3/4 in. (244 x 248 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29287-2-400]

Paul Klee (Swiss/German, 1879 - 1940). "Fish ["Poissons"]". Original color collotype. 1925. Printed 1957. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 14 1/8 x 8 13/16 in. (359 x 224 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23632-3-400]

Paul Klee (Swiss/German, 1879 - 1940). "In Bloom ["Floraison"]". Original color collotype. 1934. Printed 1946. Signed in the image, upper center. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 9 5/8 x 9 3/8 in. (244 x 238 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21515-2-400]

Paul Klee (Swiss/German, 1879 - 1940). "Drohendes Haupt ["Head of Menace"]". Lithograph after the original etching. 1905. Printed later. Signed and titled in the plate; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 10 3/8 x 8 1/2 in. (264 x 216 mm). Please note that the original image was created as an etching by Klee in 1905. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29304-2-225]

Paul Klee (Swiss/German, 1879 - 1940). "Die Hexe mit dem Kamm ["The Witch with the Comb"]". Original lithograph. 1922. Printed later. Signed, dated, and titled in the plate; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Ample margins. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 10 x 7 7/16 in. (254 x 189 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29305-2-800]

Paul Klee (Swiss/German, 1879 - 1940). "Blumentisch ["Flower Table"]". Original color lithograph & stencil/ pochoir. 1920. Printed later. Signed in the plate, lower right; dated in the plate, lower left; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Wide margins. Fine impression with bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 10 1/2 x 8 11/16 in. (267 x 221 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29295-2-400]

Paul Klee (Swiss/German, 1879 - 1940). "With the Two Strays ["Avec les deux egares']". Original color collotype. 1938. Printed 1956. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 9 1/2 x 13 7/16 in. (241 x 341 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1956. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23636-3-400]

A Georges Braque lithograph Mourlot print circa 1959, A Mark Chagall lithograph Mourlot print circa 1959, A Henri Matisse print circa 1935, a Paul Klee print, an Elisabeth Frink print circa 1975, an Eric Gill engraving circa 1938, 2 Henry Moore Shelter sketch prints circa 1940, (8 in total, all mounted but unframed).

Oil painting by Raymond Klee of people on a beach. Framed. (B.P. 24% incl. VAT)

Two Henri Matisse exhibition posters and a Paul Klee poster, framed

After Paul Klee modern colour print 'Disegno Su Hamammet', after Tim Compton colour print 'HMY Britannia' & colour print' HMS Victoria' & 1 other all framed & glazed

A 20th century oil on board, bridge over river, signed Klee, 49 x 72cm

QUANTITY OF BOOKS OF ARTISTS, PORTFOLIO PRINTS INCLUDING KLEE, KANDINSKY, GAUGUIN, DEGAS ETC

Raymond Klee (1925-2013) oil on board, Highland landscape, signed, 60 x 90cm

After W.J. Huggins Plate of HMS Winchester Later hand coloured engraving 40cm x 55cm A print after Klee 'Komodie' A Victorian printed portrait and a painting of a girl (4)

Paul Klee (1879-1940), "Composition en Couleurs"; lithograph printed in colours, signed within the plate, numbered 45/200 in pencil, unframed, 27cm x 39.5cm. DDS

Paul Klee print plus German comical bicycle picture and two other prints

§ Paul Klee (1879-1940)colour lithographComposition en Coleurssigned in the plate, numbered 41/200, 1961 Redfern Gallery label verso29 x 440cm

A 1970's Paul Klee framed print, framed size 110 x 60cm.

7 Books, Paul Klee Making Visible by Tate Trust 2013 Hardback, British Art in the 20th Century by Susan Compton 1987 Paperback, Master Paintings from The Philips Collections, Washington by Dacs 1988 Paperback, Monet in the 20th century by Paul Hayes Tucker 1999 Paperback, Giotto to Durer Early Renaissance Painting in the national gallery by Jill Dunkerton 1991 Paperback, Chagall the lithographs by Hatje 1960 Hardback, The Art of Lord Leighton by Christopher Newall 1995 Paperback.

§ Paul Klee (1879-1940)colour lithographComposition en Coleurssigned in the plate, numbered 41/200, 1961 Redfern Gallery label verso11.25 x 15.75in.