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PAUL KLEE Münchenbuchsee bei Bern 1879 - 1940 Muralto-Locarno: Kornfeld, Eberhard W.; Verzeichnis des graphischen Werkes von Paul Klee. Mit zahlr., teils farb. Abb. und Text. Bern, Kornfeld und Klipstein, 1963. 4°. OLwdbd. mit illustr. Schutzumschlag. nnSS. Eines von 1400 Expl. der dt. Ausgabe. Maßgebliches Werkverzeichnis mit meist ganzseit. Abb. und u.a. einer Signaturen-Tabelle. Schutzumschlag geringfügig beschädigt, sonst Band sehr gut erhalten. [ms]

Eddie Bianchi (act.1975-1995) Female nude modernist abstract artist’s proof etching in the style of Paul Klee entitled ‘The nude’ with name stamp. Frame size approx 25 ½ x 21 inches (Glazed)

ZAO WOU-KI (Beijing, 1921 - Nyon, Switzerland, 2013). "7-700", 1989. Etching and aquatint engraving. Hand signed and dated. Ediciones Polígrafa. Size: 38 x 54 cm (print); 55 x 75 cm (paper). Zao Wou Ki was born into a Franco-Chinese family and grew up in a very cultured environment, interested in the arts and sciences. He studied calligraphy as a child, an aspect that would influence his mature work, and later trained in painting at the Hangzhou College of Fine Arts between 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he followed the artistic courses of Émile Othon Friesz and came into contact with the contemporary artistic avant-garde. His painting is eminently abstract and colourist, strongly influenced by the work of Paul Klee, for its expressionist and emotive abstraction. He tends to work with large masses of intense and contrasting colour, often creating works of large dimensions, as well as diptychs or triptychs. They are often explosions of colour, germinal "big bangs", the origin of a world in creation, as we can see in this etching.

ZAO WOU-KI (Beijing, 1921 - Nyon, Switzerland, 2013). "Composition 340", 1989. Etching and aquatint engraving. Hand signed and dated. Ediciones Polígrafa. Size: 38 x 54 cm (print); 55 x 75 cm (paper). Zao Wou Ki was born into a Franco-Chinese family and grew up in a very cultured environment, interested in the arts and sciences. He studied calligraphy as a child, an aspect that would influence his mature work, and later trained in painting at the Hangzhou College of Fine Arts between 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he followed the artistic courses of Émile Othon Friesz and came into contact with the contemporary artistic avant-garde. His painting is eminently abstract and colourist, strongly influenced by the work of Paul Klee, for its expressionist and emotive abstraction. He tends to work with large masses of intense and contrasting colour, often creating works of large dimensions, as well as diptychs or triptychs. They are often explosions of colour, germinal "big bangs", the origin of a world in creation, as we can see in this etching.

MANUEL ANGELES ORTIZ (Jaén, 1895 - Paris, 1984)."Sculpture", 1972.Oil on canvas.Signed and dated in the lower right corner. Titled on the back.Measurements: 46 x 38 cm; 58 x 50 cm (frame).In the exhibition dedicated by the Museo y Centro de Arte Reina Sofía in Madrid, it was pointed out that the work of Manuel Ángeles Ortiz is difficult to classify. This difficulty is appreciated even in this work, where the artist makes a game through the title and the support, thus inviting the viewer to reflect on the work. This same reflection is what he transferred to all his artistic work, for this reason it is difficult to classify it as part of a movement, or a specific aesthetic. During the 60's he created his work geometric head, he was interested in the human figure and compositional analysis. In this work you can appreciate these interests, but at the same time a surrealist heritage. The work of Manuel Ángeles Ortiz shows the same alternation of languages (late Cubism, line drawing and round and monumental volumes of classical inspiration, etc.), a symptom of the different approaches to a return to order, promulgated by different voices, from Cahiers d'Art to Jean Cocteau or Amédée Ozenfant. He was an independent artist, difficult to classify stylistically, as he did not stop experimenting throughout his career, although he rejected abstract painting. That is why he is attracted to surrealism for "its enigmatic lyricism, not its morbid aberrations of psychotic subjection", as he himself points out.Manuel Ángeles Ortiz was an essential artist in the renewal of art in Spain throughout the 1920s and until the Civil War in Spain. Representative of the Spanish School of Paris, Manuel Ángeles Ortiz began his training in Granada, in the studio of José Larrocha. He later completed his studies at the Escuela Superior de Artes Industriales in the city, and then moved to Madrid, where he continued his training in the studio of Cecilio Plá. In 1915 he made his debut in a collective exhibition, receiving very good reviews in the local press. At the beginning of the twenties he moves to Paris, where he will have in Picasso his main support and first enthusiast. There he had his first individual exhibition, held at the Quatre Chemins gallery in 1926. In 1932 he returned to Spain, but his anti-fascist stance led him to go first to Paris and then to Buenos Aires, where he became fully integrated in the artistic environment and lived until 1948, when he returned to Paris for good. From his first stay in Paris, Pablo Picasso's imprint on his work is profound. The same happens in Buenos Aires, his series of woods are not found objects, but pieces worked following his own intuitions. All this is linked to the tradition of the poetics of the primitive, developed by artists such as Benjamin Palencia, Angel Ferrant, or Alberto Sanchez, but also by Paul Klee, Jean Arp and Constantin Brancusi. From the fifties in his work persist the landscape and the human figure but approaches informalism. He is currently represented in the Reina Sofía National Museum in Madrid, the ARTIUM in Vitoria, the Patio Herreriano in Valladolid, the Contemporary Art Museum in Seville, the Fine Arts Museum in Grenoble, the Federico García Lorca, Mapfre and Telefónica Foundations and the Bargera Gallery in Cologne, among other public and private collections.

*John Maltby (1936-2020),a standing crowned figure, stoneware, the crown with two hanging ceramic beaded suspensions, with geometric motifs to the body, with artist's monogram60cm high, on a fixed painted wood plinth*Artist's Resale Right may apply to this lot.John Maltby (1936-2020) Rejecting the conventional Anglo-Oriental traditions defined by Bernard Leach, John Maltby spearheaded the development of a new Modernist movement in British Studio Pottery from the mid-1960s until his death in 2020.Initially trained as a sculptor at Leicester University and Goldsmiths, Maltby's career as an art potter began in 1962, working with David Leach at Bovey Tracey. Leaving Leach's tutelage in 1964, however, he felt no connection with the practices and aesthetics, and instead set out his own artistic direction, which would redefine British Studio Pottery.Rather than drawing from the Japanese styles worked by his contemporaries, Maltby was influenced by artists such as Henry Moore, Alfred Wallis, Picasso and Paul Klee, emphasising the symbiosis of abstract geometry and colour. Working in bolder colours and asymmetric shapes, Maltby never regarded his work as mere vessels, but rather each piece as a sculptural work, enclosing particular memories and emotions.The concept of memory was always at the heart of Maltby's work, and this notion was reinforced in 1996 when, following heart surgery, Maltby was forced to change his practice being unable to work the clay as he had previously. Rather than abandoning his craft, Maltby made the most significant change in his artistic career - the transition from turned pottery vessels to sculpture. The shift in practice made Maltby's previously employed patterns and aesthetics spring to life and introduced many returning 'characters', taking the form of birds, fishermen, kings, knights and many more. These characters took on token characteristics of Maltby's life and he embodied into them specific memories or emotions evoked by pieces of art or music.Maltby always sought for his work to regale a narrative, be it the far away chivalrous stories of knights and kings, or the humble tales of the local fishing folk surrounding his Devon home - they all held equal importance in Maltby's mind. Continuously revisiting these for the last twenty-four years of his life, Maltby has built a unique legacy in the echelons of British Art Pottery. The playfulness in his work continues to attract collectors, new and old, and has made it universally applicable in any interior context. They are, at their heart, conversation pieces, and in discussing them, they become subject to new narratives and new memories.

Ribal Molaeb (Liban, né en 1992)Mount Lebanon huile sur toilesigné, daté et titré en arabe (en bas à gauche et au dos)exécuté en 2021160 x 200cm (63 x 78 3/4in).Footnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeNé en 1992 à Baissour, au Liban, Ribal Molaeb déménage en Autriche à l'âge de 17 ans pour étudier à l'Université Mozarteum de Salzbourg. Il s'installe ensuite à Vienne pour étudier à l'Université de musique et des arts du spectacle, où il obtient sa maîtrise en arts avec distinction. Molaeb est nommé directeur artistique de l'Association d'art et de musique « SUMITO » en Suisse. Il est le président du « Molaeb Art Museum » et le fondateur du « Molaeb Festival for Chamber Music and Fine Arts ».Ribal Molaeb a été personnellement formé par son père, Jamil Molaeb, dès son plus jeune âge. Il s'inspire de nombreux expressionnistes abstraits libanais du XXe siècle, comme Saliba Douaihy, Aref el Rayes et Shafic Abboud. Après avoir déménagé en Suisse, il est influencé par les œuvres de Paul Klee, qui était lui-même un violoniste accompli. L'éducation musicale de Ribal Molaeb à Vienne a influencé ses peintures. Ses oeuvres présentent une orientation musicale claire dans leurs aspects compositionnels, harmoniques et mélodiques.Ses toiles sont autant de distributions délicates et énergiques de couleurs et de formes. La compréhension de Molaeb de l'harmonie dans la musique classique a contribué à sa vision de la peinture abstraite et des compositions. Il peint afin de créer un monde personnellement satisfaisant, proprement conçu et délicatement harmonisé.Born in Baissour, Lebanon, in 1992, Ribal Molaeb moved to Austria at the age of 17, to study at the Mozarteum University Salzburg. He later moved to Vienna to study at the University for Music and Performing Arts, where he received his Master's degree in Arts with distinction. Molaeb was assigned as the artistic director of 'SUMITO'' Art and Music Association in Switzerland. He is the president of the 'Molaeb Art Museum' and the founder of 'Molaeb Festival for Chamber Music and Fine Arts'.Ribal Molaeb was personally trained by his father, Jamil Molaeb, starting at a very young age. He is inspired by many Lebanese 20th century abstract expressionists, like Saliba Douaihy, Aref el Rayes and Shafic Abboud. After moving to Switzerland he was influenced by the works of Paul Klee, who was an accomplished violinist himself. Ribal Molaeb's musical education in Vienna swayed his paintings. There is a musical orientation in the compositional, harmonic and melodic aspects of his works; He interrogates color power and harmony creating energetic paintings. His images have aspects of delicate distribution of colors and shapes. Molaeb's understanding of harmony in classical music contributed to his vision of abstract painting and compositions. He paints in order to create a personally satisfying world, cleanly designed, and delicately harmonized.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Set of six painted wine glasses, pink lustre vases and Paul Klee print (11)

20th century school after Klee - Harbour scene with fishing boats, oleograph on board, 75 x 50cm in gilt frame with hessian insert together with fire, small, signed coloured prints of birds after W. Geoff Rollinson, all framed (6)

Two framed prints by Klimt & Klee

Verve.Revue artistique et littéraire. Nrn. 1-9 und 11-18 in 14 Heften. Mi tvon Borès, Bonnard, Braque, Chagall, Derain, Guys, Kandinsky, Klee, Léger, Masson, Matisse, Miró, Rattner und Rouault, sowie zahlreichen Heliogravüren.Paris, Éditions de la Revue Verve, 1937-1947. Folio. Illustr. Original-Broschuren und OPp. mit illustr. Schutzumschlägen (Rückene etwas berieben und bestossen, Schutzumschläge teils leicht angerissen oder vereinzelt winzige Fehlstellen).Enthält: Vol. I, Nr. 1; Vol. I, Nr. 2; Vol. I, Nr. 3; Vol. I, Nr. 4; Vol. II, Nr. 5 & 6; Vol. II, Nr. 7; Vol. II, Nr. 8; Vol. III, Nr. 9; Vol. III, Nr. 11; Vol. III, Nr. 12; Vol. IV, Nr. 13; Vol. IV, Nrn. 14 & 15; Vol. IV, Nr. 16; Vol. V, Nrn. 17 & 18. - Der Druck der Farblithographien bei Mourlot. - Leicht gebräunt, vereinzelt etwas angestaubt. Bindung bei Heft 13 angeplatzt, Heft 4 mit einigen Bleistiftanstreichungen.

ZEITSCHRIFTEN -Verve. Revue artistique et littéraire. 8 Hefte in 4 Bdn. Mit 39 (davon 4 doppelblattgr., inkl. OU) Original-Farblithographien von Borès, Bonnard, Braque, Chagall, Derain, Guys, Kandinsky, Klee, Léger, Masson, Matisse, Miró, Rattner und Rouault, sowie zahlreichen Heliogravuren.Paris, Éditions de la Revue Verve, 1937-1940. Folio. Halbleder-Meistereinbände im Stil des Art Déco, mit blindgeprägtem Rückentitel und Bandzahl (sign.: "Weber & Wirz"). Mit eingebundenen illusrt. Original-Broschuren (Ecken minimal bestossen, vereinzelte winzige Bereibungen, leicht beschabt).Druck der Farblithographien bei Mourlot. - Leicht angestaubt. Stellenweise minimal gebräunt. Insgesamt sehr sauber. - Exlibris "Alvarobalozza" sowie Etikett "F. ROTH Beaux Arts, Lausanne" montiert.

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Signs in Yellow ["Signes en Jaune"]". Medium: Original color collotype. Date: Composed 1937. Printed 1946. Dimensions: Image size: 9 15/16 x 5 7/8 in. (252 x 149 mm).Lot Note(s): Signed in the image, upper left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21520-1-300]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Sailing City ["Segelnde Stadt"]". Medium: Original color lithograph. Date: Composed 1930. Printed 1949. Dimensions: Image size: 13 13/16 x 10 1/2 in. (351 x 267 mm).Lot Note(s): Felix Paul Klee stamp, verso. Small edition. Heavy cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1949. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23657-3-100]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Composition". Medium: Original color collotype. Date: Composed 1918. Printed 1946. Dimensions: Image size: 9 1/16 x 6 7/8 in. (230 x 175 mm).Lot Note(s): Signed in the image, upper left. Dated and numbered in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21519-1-225]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "City with Flags ["Beflaggte Stadt"]". Medium: Original color lithograph. Date: Composed 1927. Printed 1949. Dimensions: Image size: 11 5/8 x 8 5/8 in. (295 x 219 mm).Lot Note(s): Signed in the image, lower right. Felix Paul Klee stamp, verso. Small edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1949. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23655-2-225]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: ""M" Garden Gate ["Portail du jardin M"]". Medium: Original color collotype. Date: Composed 1932. Printed 1957. Dimensions: Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm).Lot Note(s): Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition; tipped to conservation support sheet. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Blue Night ["Nuit Bleu"]". Medium: Original color collotype. Date: Composed 1937. Printed 1946. Dimensions: Image size: 6 7/16 x 9 3/4 in. (164 x 248 mm).Lot Note(s): Signed in the image, upper right; Felix Paul Klee stamp, verso. Small edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21517-1-300]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Figur der orientalischen Bühne". Medium: Original color silkscreen. Date: Composed 1934. Printed 1941. Dimensions: Overall size: 9 7/8 x 7 1/2 in. (251 x 190 mm).Lot Note(s): Signed in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed very small. Cream wove paper. Small margins, as issued. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Acquired directly from Felix Paul Klee. Comment(s): A rare print. The only auction record we could find was a sale of an unstamped impression at $1,035 (Braswell Galleries, Norwalk, CT) on October 3, 1999, lot #20. This edition was authorized by Klee shortly before his death in 1940 and printed the next year. It also had the imprimatur of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29308-2-800]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Under the Black Star ["Sous une etoile noire"]". Medium: Original color collotype. Date: Composed 1918. Printed 1957. Dimensions: Image size: 8 3/4 x 6 1/4 in. (222 x 159 mm).Lot Note(s): Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23629-1-225]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Blue-eyed Fishes ["Poissons aux yeux bleus"]". Medium: Original color collotype. Date: Composed 1938. Printed 1957. Dimensions: Image size: 5 1/16 x 9 3/8 in. (129 x 238 mm).Lot Note(s): Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23637-2-225]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Auftrieb ["Soaring and Gliding"]". Medium: Original color lithograph. Date: Composed 1932. Printed later. Dimensions: Overall size: 9 5/8 x 9 3/4 in. (244 x 248 mm).Lot Note(s): Signed in the image, lower center. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29287-2-400]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Terraced Garden ["Jardin en terrasses"]". Medium: Original color collotype. Date: Composed 1920. Printed 1957. Dimensions: Image size: 10 7/16 x 14 9/16 in. (265 x 370 mm).Lot Note(s): Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23630-3-300]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Stilleben am Schalttag ["Still Life on February 29"]". Medium: Original color lithograph. Date: Composed 1940. Printed later. Dimensions: Overall size: 8 x 11 3/4 in. (203 x 298 mm).Lot Note(s): Signed in the image, upper right. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29289-2-300]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "With the Two Strays ["Avec les deux egares']". Medium: Original color collotype. Date: Composed 1938. Printed 1956. Dimensions: Image size: 9 1/2 x 13 7/16 in. (241 x 341 mm).Lot Note(s): Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1956. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [23636-3-400]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Sangerin der komischen Oper ["Singer of the Comic Opera"]". Medium: Original color lithograph & stencil/ pochoir. Date: Composed 1925. Printed later. Dimensions: Overall size: 9 7/8 x 7 1/8 in. (251 x 181 mm).Lot Note(s): Dated in the plate, lower left; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Ample margins. Fine impression with bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29300-2-800]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Zerstoerung und Hoffnung ["Destruction and Hope"]". Medium: Original color lithograph & stencil/ pochoir. Date: Composed 1916. Printed later. Dimensions: Overall size: 10 1/8 x 7 7/16 in. (257 x 189 mm).Lot Note(s): Signed in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Ample margins. Fine impression with bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29293-1-600]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Old-Time Note ["Accords Anciens"]". Medium: Original color collotype. Date: Composed 1925. Printed 1946. Dimensions: Image size: 9 7/16 x 9 3/8 in. (240 x 238 mm).Lot Note(s): Signed and dated in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [21518-2-225]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Vor Damonen fliehen". Medium: Watercolor and pen and ink on paper. Date: Composed 1933. Dimensions: Overall size: 8 1/8 x 11 in. (206 x 279 mm).Lot Note(s): Signed lower left. Light cream wove paper. Very good condition; rippling at the edges of the sheet, could be pressed out if desired. Comment(s): A similar, and larger, composition (‘Verhext und eilig’) sold for €45,000 ($53,330) at Van Ham Kunstauktionen, Cologne, on 11/29/2017, lot #46. Image copyright © Artists Rights Society (ARS), New York. [30120-2-16000]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Narretei ["Buffoonery"]". Medium: Original lithograph. Date: Composed 1922. Printed later. Dimensions: Overall size: 9 7/8 x 7 7/16 in. (251 x 189 mm).Lot Note(s): Signed, dated, and titled in the plate; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Ample margins. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29306-1-600]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Little Blue Devil ["Petit Diable Bleu"]". Medium: Original color collotype. Date: Composed 1933. Printed 1946. Dimensions: Image size: 10 x 8 3/16 in. (254 x 208 mm).Lot Note(s): Signed in the image, upper right. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. Image copyright © Artists Rights Society (ARS), New York. [21516-2-300]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Laternenfest, Bauhaus ["Lantern Party, Bauhaus"]". Medium: Original color lithograph & stencil/ pochoir. Date: Composed 1922. Printed later. Dimensions: Overall size: 7 5/8 x 8 3/4 in. (194 x 222 mm).Lot Note(s): Signed in the plate, lower left; titled in the image; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Wide margins. Fine impression with bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29298-1-300]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "In Bloom ["Floraison"]". Medium: Original color collotype. Date: Composed 1934. Printed 1946. Dimensions: Image size: 9 5/8 x 9 3/8 in. (244 x 238 mm).Lot Note(s): Signed in the image, upper center; Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until 1946. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [21515-2-400]

Mettoy tin plate doll house and garage; along with other toys including a boxed Lehmann Rigi 900 cable car; Klee Ware Littletown model church building construction kit and a boxed Scope Virtual Reality headset.

A Paul Klee print, La Belle Jardiniere and a Wassily Kandinsky print, Lines of Marks

AFTER PAUL KLEE; coloured lithograph, 'Kettledrummer, 1940', 60 x 48cm, framed and glazed.Additional InformationWear to frame, paper slightly wavy, slight impressions to paper upper left and centre right.

* DONALD MORRISON BUYERS RSW (SCOTTISH 1903 - 2003), BEECH TREE GROVE oil on board, signed and dated '72 image size 74cm x 97cm, overall size 89cm x 112cm Framed. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating, he was employed as an art therapist with tuberculosis patients in the Aberdeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen, he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.

AFTER MARC CHAGALL (4)The blue circusreproduction print15 x 21cmtogether with three further reproduction prints, two after after Paul Klee, and another after Felix TopolskiARR(4)

Original vintage advertising poster for a Paul Klee exhibition at the Statens Museum for Kunst in Copenhagen, held in 1959. The featured Paul Klee artwork is an abstract painting of an eye and black, orange and red shapes. Excellent condition. Country of issue: Denmark, designer: Paul Klee, size (cm): 60x40, year of printing: 1959

Three framed Paul Klee prints 'Orientalisierende Kathedrale 1932', 'Rote und Weisse Kuppeln' and 'Villas Florentines 1926'.

A tall gilt framed harbour scene signed KLEE.

Gromhann (W) Paul Klee, French text, copyright edition, 1929

Paul Klee: a vintage framed coloured print entitled The Full Moon - from the Modern Masters series

Prof. Wassili Kandinsky, "Allerheiligen"Gruppe von Personen vor angedeuteter Landschaft, siehe Werkverzeichnis Roethel 131, Anhang III, erschienen 1951 bei Maeght, kontrastreicher Farbholzschnitt, rechts unten ligiertes Monogramm, rückseitig typographischer Text und weiterer figürlicher Holzschnitt, minimal fleckig, unter einfachem Passepartout montiert, Darstellungsmaße ca. 22 x 22 cm, Blattmaße ca. 37,7 x 27,8 cm. Künstlerinfo: russ. Maler, Graphiker, Kunsttheoretiker und Pädagoge (1866 Moskau bis 1944 Neuilly-sur-Seine), bedeutender Vertreter des Expressionismus und der abstrakten Kunst, Kindheit in Moskau und Odessa, 1886-92 Studium der Rechtswissenschaft, Nationalökonomie und Ethnologie an der Lomonossow-Universität in Moskau, 1889 Expedition in den Ural, 1892 juristisches Staatsexamen, 1893 Assistent der juristischen Fakultät an der Moskauer Universität und Promotion, 1896 Umzug nach München, 1897-99 Schüler der Malschule von Anton Ažbe, studierte ab 1900 an der Akademie München bei Franz von Stuck, 1901-04 mit Wilhelm Hüsgen Gründer und Mitglied der Künstlergruppe Phalanx mit Malschule, hier Bekanntschaft mit seiner künftigen Lebensgefährtin Gabriele Münter, beschickte 1902 die Ausstellung der Berliner Secession und ab 1904 den Salon d’ Automne in Paris, unternahm Reisen nach Italien, den Niederlanden, Nordafrika und Russland, 1906-07 in Sèvres bei Paris, ab 1908 in Murnau am Staffelsee, hier Zusammenarbeit mit Marianne von Werefkin und Alexej Jawlensky sowie Bekanntschaft zu Rudolf Steiner, 1909-11 Mitglied und zeitweise Vorsitzender der Neuen Künstlervereinigung München, 1911 mit Franz Marc Gründung der "Blauen Reiter", mit Kriegsausbruch 1914 Flucht über die Schweiz nach Moskau, hier Prof. und Gründer der „Akademie der Kunstwissenschaften“, 1918 Mitglied im Volkskommissariat für Bildungswesen und 1920 Leiter des Instituts für Künstlerische Kultur in Moskau, 1921 Übersiedlung nach Berlin, 1922-33 Prof. am Bauhaus Weimar, Dessau und Berlin, 1924 mit Lyonel Feininger, Paul Klee und Alexej von Jawelensky Gründung der Künstlergruppe "Die Blaue Vier", 1928 dt. Staatsbürgerschaft, 1933 Emigration nach Neuilly-sur-Seine bei Paris, 1933-45 als "entartet" diffamiert, 1939 frz. Staatsbürgerschaft, Mitglied im Deutschen Künstlerbund Weimar, der Neuen Sezession Berlin und im Sonderbund Düsseldorf. Quelle: Thieme-Becker, Vollmer, Dressler, Matrikel der Münchner Akademie und Internet.

Fachschule Selb Deckeldose mit BieneEntwurf Fritz Klee 1924 (siehe Quelle), am Boden grüner ovaler Entwurfsstempel Modell Fachlehrer Wilh. Veit/Dekor Fachlehrer A. Gebhardt, runde profilierte Deckeldose aus Porzellan mit umlaufendem Weintraubendekor in polychromer Aufglasurbemalung, weißen Emailletupfen, Goldreif und plastischem Deckelknauf als auf Trauben sitzende Biene, selten, Deckel minimal kratzspurig und ein Flügel fachmännisch restauriert, Bodeninnenseite mit einem Brandfleck, H 12 cm. Quelle: Ellen Mey, Im Zeichen des Löwen, S. 300, Abb. 377.

Hutschenreuther Papagei auf GoldkugelEntwurf Fritz Klee um 1916, grüne Stempelmarke mit Zusatz Abteilung für Kunst und Entwurfsstempel 1917-1925, Weißporzellan mit partieller Vergoldung, über dreieckiger Plinthe auf Kugel sitzender Papagei, Kopf mit winzigem Brandfehler und minimal berieben, H 20,5 cm.

Victor Pasmore (1908-98), Images on the wall, limited edition aquatint etching, signed in pencil, dated 1992, and numbered 12/50, image size 30cm x 30cm; also Paul Klee coloured print, 40cm x 56cm (2)

Mettoy tin plate doll house and garage; along with other toys including a boxed Lehmann Rigi 900 cable car; Captain Condor Space Patrol wrist watch; Klee Ware Littletown model church building construction kit and a boxed Scope Virtual Reality headset.

um 1920-1938, Entwurf Prof. FRITZ KLEE (1876 -1976), naturalistische Farbbemalung, H ca. 15,5cm, Manufakturmarke, Ausführung Kunstabteilung Selb

(Langendreer 1910 - 1977 Hamburg, deutscher Maler u. Grafiker, Std. a. Bauhaus Dessau bei Klee u. Kandinsky, lebte in Berlin u. Hamburg)Liebespaar mit TäubchenOriginal Lithografie, 37 x 42 cm, gerahmt, handsigniert u. re. Hans Thiemann

A pair of framed mixed media artworks by Daisy H 'Silver Darlings' and 'After Klee' signed and inscribed 20 x 9cm.

Various modern art books to include Max Ernest, Paul Klee, Salvador Dali, etc, a framed picture of Snow White and the Seven Dwarfs and postcards (1 box)

Two hand tipped Indian prints of "Native Conveyences" and "Travilling Pallankeen", prints size 32 x 46.5cms, framed in Calcutta, together with a Paul Klee print of "The Trout's Brook" 32.5 x 23.5cms.Condition ReportIndian prints with brown spotting, otherwise good condition.

A group of three large mixed media prints to include a still life vase and flowers, an abstract painting by Paul Klee and Les Oiseaux by Georges Braque, 1953. Each having three dimensional elements removed and reconstructed within the piece, all held within painted shadow frames. Measures 110cm x 88cm x 

* DONALD MORRISON BUYERS RSW (SCOTTISH 1930 - 2003), WINTER VIEW, GARDEN 1996 oil on board image size 75cm x 100cm, overall size 85cm x 110cm Framed. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating he was employed as an art therapist with tuberculosis patients in the Aberdeeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.

Französische Bibliophilie - - René Char. Le Monde de l'art n'est pas le monde du pardon. Mit 72 teils ganzseitigen und farbigen Illustrationen. Paris, Maeght, 1974. 120 S., 6 Bll. 4°. Lose Lagen in OU in OLwd.-Kassette. Exemplar der nicht nummerierten Normalausgabe mit Abbildungen im Text nach Werken von Braque, Kandinsky, Klee, Miró, Picasso, Viera da Silva u.a. - Monod 2624. - Gutes Exemplar.

Französische Bibliophilie - - Verve. The french review of Art. No. 5-6. La figure humaine. Mit einer Umschlagsgestaltung von Artistide Maillol u. 14 teils farb. Lithographien u.a. von Georges Braque, Georges Rouault, André Derain, Fernand Léger, Pierre Bonnard, Henri Matisse, Paul Klee. Paris, E. Teriade, 1939. OKt. (Rücken mit Defekten). Französ. Ausgabe. - Mit Textbeiträgen von Jean-Paul Sartre, Paul Valéry u.a. Mit Heliogravüren nach Photographien von Brassai, Herbert List. Die Lithographien wurden bei Mourlot gedruckt. - Dabei: Verve Vol. V, Nr. 17-18. Paris 1947. Mit 1 Lithogr. von Bonnard. 4°. Ill. OPp. (etw. bestoßen u. berieben). With one lithographed cover by Maillol and 14 lithographs by Braque, Rouault, Derain, Léger, Bonnard, Marisse and Klee. Original wrappers (spine with defects). - Added: Verve Vol. V, Nos. 17-18. Paris 1947. With 1 lithograph by Bonnard. 4°. Ill. original cardboard (somewhat bumped and rubbed).

Französische Bibliophilie - Chagall, Marc - - Verve. An Artistic and Literary Quarterly. Vol. I. No. 3. Paris, (Juni 1938). Mit 4 OFarblithogr. v. Chagall, Miro, Rattner u. Klee u. zahlr. tls. farb. Abb. 132 S. Fol. OKart. mit DIllustr. nach Bonnard (etw. berieben). Anthonioz S. 71-88. - Enthält die Farblithographie-Folge: Die vier Jahreszeiten. - Seiten papierbedingt leicht gebräunt, tls. etw. fingerfleckig. - Insgesamt gutes Exemplar.

Avantgarde - Bauhaus - - Sammlung von drei Notgeldscheinen des Landes Thüringen nach Entwürfen von Herbert Bayer. 9. August 1923. Je ca. 7 x 14 cm.Enthält je einen Schein über 1 Million, 5 Millionen und 20 Millionen Mark. Rückseitig mit Seriennummer und fortlaufender Nummer. - Bayer studierte zwischen 1921 und 1925 am Weimarer Bauhaus unter Johannes Itten, Paul Klee, Wassily Kandinsky und Oskar Schlemmer. Sein Universalalphabet prägte das Schriftbild des Bauhauses. Als Vertreter der "entarteten Kunst" emigrierte er 1938 in die USA. - Altersbedingt zart gebräunt bzw. braunfleckig. Leicht knickspurig.