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Two retro frame art poster relating to Paul Klee and Matisse

2 Henry Moore shelter sketch prints circa 1940, an Elisabeth Frink print circa 1975, a Marc Chagall print circa 1959 (Mourlot), an Eric Gill print circa 1938, a Paul Klee print, a Pablo Picasso print circa 1956 anda Henri Matisse print circa 1935 (9 prints in total).

PAUL KLEE: 2 titles: THE SINKING EYE, ed Jurg Spiller, London and New York, 1961, 1st edition, The Notebooks of Paul Klee [volume 1], original cloth backed boards worn and soiled; NOTEBOOKS VOLUME 2, THE NATURE OF NATURE, ed Jurg Spiller, London, 1973, 1st edition, original cloth, lacks backstrip + WERNER HAFTMANN: THE MIND AND WORK OF PAUL KLEE, London, 1954, 1st edition, original cloth worn, ownership signature of Lionel March + GAULTIERI DI SAN LAZZARO: KLEE, A STUDY OF HIS LIFE AND WORK, trans Stuart Hood, London, 1957, 1st edition, original cloth, (4)

Oil on board, study of a clown, signed Klee, together with an oil on board, landscape

Paul Klee (1879-1940) framed pair of limited edition prints 60/500 from the third revised folio The Prints of Paul Klee 'Height' and 'The Juggler' 67 cm x 49 cm (size including frame)

After Paul Klee (20th century)The Messengeroil on board, 50.5cm x 40cm

Framed poster for Exhibition,Klee - Florentine 1926, from Musee National d'Art Moderne.

A quantity of pictures to inc landscape paintings, oil study of a Rabbi, two mirrors (one A/F), colours prints after Klee and Dufy, loose prints etc

Large framed American Oil on board Farmhouse Landscape, late 1970's and signed KLEE, frame approx 105.5 x 75.5cm

§ Oswald Herzog, (German, 1881-1939), reclining female nude, bronze, signed in the bronze, Noack, Berlin foundry mark 20.50 x 40cm (8 x 16in) Other Notes: A Polish-born artist, Oswald Herzog, grew up in Germany and became renowned primarily as a sculptor. By 1919, when his works were first exhibited in the Galerie Der Sturm exhibition, Herzog was a well-established artist based in Berlin and associated with the famous Sturm circle of artists. Set up by Herwarth Walden (1879-1941), the German Expressionist artist and one of the greatest champions of German avant-garde art of his time, Der Sturm exhibitions became the mainstay of Berlin's modern art scene. Displaying the likes of Pablo Picasso, Jean Metzinger, Paul Klee, Gino Severini and others, the exhibitions aimed to introduce the works of Cubists, Italian Futurists and Expressionists to Germany. In 1933, Herzog's art was condemned as 'degenerate' and was exhibited at the 'Entartete Kunst' exhibition in Munich in 1937 among the 650 works of modern art deemed degenerate by the Nazi Party. In his own writings on art theory, Herzog often referred to his own work and labelled his sculptures as 'Abstract Expressionist'. By the 1920s, the human form and individualised modelling of his sculptures gradually gave way to more abstract, elongated and distorted shapes, only vaguely reminiscent of a human figure. The surfaces of his works are typically smooth and glossy. His sculptures, which come to the market rarely, have been likened to those of Alexander Archipenko and William Wauer.

Paul Klee 'Sinbad the Sailor' Coloured print in a glazed frame, 60 x 43cm

Graham Barry Cliverd, Woodland, etching, signed, 19 x 26cm; Naval Architecture plan; two Klee poster prints, library plaque. (5)

A collection vintage items to include stair rods, tins, glassware, ceramics, treen and a watercolour signed Mitchell 1996, together with a signed contemporary print by Paul Klee

A Paul Klee (1876-1940) limited edition print entitled '2 Men Meet', 60/500, from the 3rd edition of the folio 'The Prints of Paul Klee'.

§ Hugh Mackinnon (British, b.1925) Betty with Cushion oil on board 50.50 x 40.50cm (20 x 16in) Other Notes: Mackinnon obtained a scholarship to Alleyne Grammar School in Stevenage and later enrolled at the Slade School of Fine Art. Initially, Mackinnon was influenced by European abstraction and Bauhaus, particularly by the works of Mondrian and Klee. However, by the time of his first solo show at the Gimpel Fils Gallery in 1952 his work had taken on the simplified realism characteristic of his later style. This likely stemmed from Mackinnon's final years at the Slade, where Leo Schlesinger, a German-Jewish refugee, introduced him to stylised Indian sculpture and Russian icons. These primitive influences are readily apparent in the curvilinear forms of 'Betty with a Cushion'. Mackinnon was known to have painted portraits of Betty on at least two other occasions - one of which is now part of the British Arts Council collection. Mackinnon's work has been exhibited at the Holland Park Gallery, the Ash Barn Gallery, and Campbell and Franks, and has received greater recognition in the wake of his 2006 retrospective at the Millinery Works Gallery. Creasing to the original page in some areas, the longest of which extends across the whole width of the page. Additional creasing below the figure's left hand and further surface abrasion that has led to loss of paint around the back of the head and shoulder.

Paul Klee (1879 - 1940), lithograph, abstract study, 1947, 6" x 7", mounted

A collection of artistic books to include Paul Klee, French Impressionists, Titan etc all from a matching set. 37cm high 27cm wide. 

Klee, oil on board, Coastal scene, 49 x 71cm

Paul Klee (1879-1940) Limited edition print 60/500 entitled 'Virgin in the trees' from the Third Edition Folio - The Prints of Paul Klee 54 cm x 44 cm (size including frame)

Paul Klee (1879-1940), Winter Sleep (Sommeil d'Hiver), colour lithograph, 1938, from Verve no. III, printed by Mourlot, published by E Teriade, Paris, signed in plate and plate verso, 26.5cm x 35.5cm, unframed

Klee (Paul).- Paul Klee: Catalogue Raisonné, 9 vol., illustrations, some colour, original cloth, dust-jackets, very slightly soiled, 1998-2004; and 14 others on Klee, 4to & 8vo (23)

'Parklandschaft 1920', 'St. Germain bei Tunis 1914' and two other colour prints after Paul Klee (Swiss 1879-1940) and 'Rote und Weisse Kuppeln 1914', colour reproduction exhibition poster max 78cm x 59cm (5)

§ Renos Loizou (Greek, 1948-2013) Nude signed lower left "Renos Loizou '99" mixed media on handmade paper 41 x 29cm (16 x 11in) Loizou was born in Cyprus and studied at the Cambridge School of Art from 1963 to 1966. He is known for his vibrant Mediterranean landscapes and nude figures, showing influences from Matisse, Picasso and Klee. His work is in the permanent collection of Kettle's Yard, Cambridge. CONDITIONSlight crease through the nude's legs.

[ART] Fifteen assorted works, including those of Klee, Matisse, Chagall and Hodgkin interest.

A group of reproduction prints and posters, comprising a pair Paul Klee posters published by Centre Georges Pompidou, after Philip Wilson Steer 'Boulogne Sands', after Richard Ackerman, and one other, all framed and four glazed (5)

Max Papart (France, 1911-1994) large cubist oil on canvas 'Playing Guitar'. Signed lower right. Titled and dated 1988 verso. Sight Size: 31.5 x 38 in. Overall Size: 35.25 x 42.25 in. Purchased from Nahan Galleries (New York City). With original gallery label verso. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues.

* DONALD MORISON BUYERS RSW (SCOTTISH 1930 - 2003), THE ROAD TO BALGRENNIE watercolour on paper, signed in pencil 55cm x 73cm Mounted, framed and under glass. Artist label verso: Inscribed with title, artist's name and address. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating he was employed as an art therapist with tuberculosis patients in the Aberdeeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.

A pair of limited edition prints, 60/500 by Paul Klee, one entitled 'Spirit of Hoffmann', the other 'Saint of the Inner Light' (from the 3rd revised folio edition of the prints of Paul Klee).

2 Paul Klee prints, 2 Henri Matisse prints circa 1935, 2 Henry Moore shelter sketch print circa 1940, 1 Pablo Picasso print circa 1957 & 1 Elisabeth Frink print circa 1975

'Parklandschaft 1920', 'St. Germain bei Tunis 1914' and two other colour prints after Paul Klee (Swiss 1879-1940) and 'Rote und Weisse Kuppeln 1914', colour reproduction exhibition poster max 78cm x 59cm (5)

Paul Klee, lithograph, surrealist composition, published 1947, 6" x 8", mounted

Paul Klee, colour screen print, abstract, afille, signed in the plate, numbered verso 5/130, image size 12" x 4", mounted

λ Paul Citroen (Dutch 1896-1983) Porträt Oil on canvas board Signed, titled and dated 1923 verso 67 x 50cm (26¼ x 19½ in.) Provenance: Gallery Vending, Amsterdam; Sale: Sotheby's, London, 18 October 2000, lot 135 Exhibited: Berlinische Galerie, Vom Expressionismus Zum Widerstand, Kunst in Deutchland, 1909-1936, Die Sammlung Marvin Und Janet Fishman, 22nd June-18th August 1991, no. 23 Kunsthalle in Emden, 1991, no. 24 Josyeln Art Museum, Nebraska, German Art 1909-1936: from expressionism to resistance, the Marvin and Janet Fishman collection, 15 February-12 April, 1992 Liljevalchs, Stockholm, 18 November 1995-7 January 1996, no. 21 Helsinki Konsthall, 10 February-14 April 1996 Additional tour locations and dates on label verso Paul Citroen (1896 - 1983) was a Dutch artist, co-founder of the New Art Academy in Amsterdam and designer of the 1949 Dutch postage stamp. Born in Berlin to Dutch parents, Citroen started drawing at an early age. Encouraged by his parents he first studied photography under Edwin Blumenfeld and later fine art at the Bauhaus under Paul Klee, Wassily Kandinsky and Johannes Itten. It was during this time that Citroen started work on his photo-montage Metropolis, 1923, perhaps the artist’s best known work and inspiration for Fritz Lang’s film of the same title. After a brief sojourn to Paris and Switzerland, Citroen moved to Amsterdam where he held his first exhibition of photographs in 1927 and for the following eight years photography would be his focus. Later in his career Citroen turned to painting, more specifically portraiture, noting: Because I am a portraitist, people are more important than art. Without people there would be no art. Drawing many important Dutch personalities such as Gerrit Kouwenaar (1967), K. Schippers (1971), Peter Vos (1974) and Liesbeth List (1979), the artist produced over 7000 portraits before his death in 1983. λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.

Raymond Klee, oil on board, sunset over the estuary with figure in the foreground, signed, 20ins x 39ins

A pair of limited edition prints 60/500, 1 entitled 'Insects' and the other 'Destruction and Hope' by Paul Klee from the 3rd revised folio edition of the prints of Paul Klee.

* DONALD MORRISON BUYERS RSW (SCOTTISH 1930 - 2003), FIELDS AND TREES, ABERDEENSHIRE oil on board, signed 60cm x 122cm Framed. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating he was employed as an art therapist with tuberculosis patients in the Aberdeeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.

'Parklandschaft 1920', 'St. Germain bei Tunis 1914' and two other colour prints after Paul Klee (Swiss 1879-1940) and 'Rote und Weisse Kuppeln 1914', colour reproduction exhibition poster max 78cm x 59cm (5) Condition Report Click here for further images, condition, auction times & delivery costs

Limited edition print 'Old man figuring' by Paul Klee 60/500 signed in the plate from the 3rd revised folio edition of The Prints of Paul Klee 45 cm x 55 cm (size including frame)

Raymond Klee (1925-2013), head and shoulders portrait, signed 'Klee,' oil on board, the reverse painted with a beach scene with figures at sunset, signed 'Klee,' 73x50cm

Goclenius (Rudolph). Physignomica et Chiromantica Specialia..., 2 parts in one volume, Hamburg: Johann Naumann, 1661, title printed in red and black with engraved vignette, 21 woodcuts to text, bookplate of Fritz Mauthner, contemporary vellum, a little soiled, 8vo, together with May (Philipp von), Chiromantia et physognomia medica..., Dresden & Leipzig, 1697, title printed in red and black, 17 engraved plates including a few part folding, some spotting and browning, old stain to centre of early leaves, later marbled wrappers, both 8vo, together with a highly defective copy of Hochstfurtreflichstes chiromantisch- und physiognomisches Klee-Blat, 3 parts in one, Nuremberg, 1695, lacking all before ()3, pp. 19-40 in second part, ii2-3 in part three, F2 in part one highly defective, 17 plates (?only), other minor defects, old paper-covered boards, worn, thick 8vo First work: Caillet 4612; Sabattini 244. (3)

A vintage 70's print Sinbad the sailor after Klee

δ Various ArtistsVarious plates, from Verve: Revue Artistique et Littéraire A collection of lithographs printed in colours, each on wove paper, from various volumes of Verve: Revue Artistique et Littéraire, printed by Mourlot Frères, Paris, composition and sheet varies, the largest sheet 350 x 516mm (13 3/4 x 20 1/4in) (unframed) (18)Artists include: Henri Matisse, Marc Chagall, Andre Masson, Fernand Leger, Joan Miro, Abraham Rattner, Paul Klee, Francisco Bores, George Rouault and others.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Max Papart (France, 1911-1994) large cubist oil on canvas 'Playing Guitar'. Signed lower right. Titled and dated 1988 verso. Sight Size: 31.5 x 38 in. Overall Size: 35.25 x 42.25 in. Purchased from Nahan Galleries (New York City). With original gallery label verso. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues.

Raymond Klee (British, 1925-2013), landscape with figure on a boat and trees at sunset, signed, oil on board, 49.5cm x 75cm,. surface wear and scratches through out, signs of mould looks like it has been stored in a damp atmosphere . surface wear and scratches through out, signs of mould looks like it has been stored in a damp atmosphere

Various ArtistsVERVE - THE FRENCH REVIEW OF ART - VOLUME 2 - No. 5-6The publication, 1939, special double number, comprising fourteen lithographs including 4 by Constantin Guys (2 colour), 1 by Braque (colour), 1 by Rouault (colour), 2 by André Derain (1 in colour), 1 by Fernand Léger (colour), 2 by Pierre Bonnard (1 in colour), 2 by Henri Matisse (1 in colour), and 1 by Paul Klee (colour), with title page, text and reproductions, published by Teriade, Paris, each sheet on wove paper, bound as issued in the original pictorial wrappers, head of spine a little chipped and foot missing one inchoverall 35.5 x 26.5cm

Paul Klee, lithograph, abstract figure, 1949, signed in the plate, 6" x 8", mounted

Paul Klee (1879-1940) a colour print 'Landscape with yellow birds' Print published in 1948, framed and glazed, 28cm x 39cm.

After PAUL KLEE (Swiss-German, 1879-1940); a lithograph, 'One-Eyed Scholar', 61 x 48cm, framed and glazed.

A framed and glazed Pochoir print- Paul Klee "Winterreise" 1964 after the original of 1921, signed in the plate, printed by Daniel Jacomet. Blind stamped and numbered in pencil 14/200. Gallery label verso. 37cm x 26.5cm

An abstract print after Paul Klee depicting coastal scene, framed and glazed

Two PAUL KLEE prints, both framed and glazed

A framed Paul Klee print 'Yellow Birds'.Approx 45x58cm

Paul Klee, lithograph, surrealist landscape, signed in the plate, 4.75" x 7.75", mounted

A pair of gilt framed prints and a Paul Klee print

Raymond Klee (British, 1925-2013), landscape with figure on a boat and trees at sunset, signed, oil on board, 49.5cm x 75cm,.

A Mercerised cotton wall hanging after Paul Klee, with Carpet Weavers Association certificate, 76cm x 95cm

Paul Klee, lithograph, abstract figure, image size 8" x 5.25", mounted

A pair of gilt framed Corinthian column prints and a pine framed Paul Klee print

PAUL KLEE 'Fulfillment', serigraph, ref Nierendorf: 1941, 20cm x 15cm, framed and glazed.

[ART] Ten assorted works, including those of Chagall, Klee and Matisse interest.