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Lot 134
Shiko Munakata (Japanese, 1903-1975). "The Child Plants an Oak Tree in the Garden". Woodcut. 1959. Annotated and dated in the block. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Very good condition. Image size: 11 7/8 x 7 11/16 in. (302 x 195 mm). Image copyright © The Estate ofThe Estate of Shiko Munakata. [26868-2-800]
Lot 196
Pair of Georgian hand-coloured mezzotint engravings, 18th-century satires on fashion: 'What is this my Son Tom' (depicting fashionable young macaroni with outrageous wig), published in London by Sayer & Bennett, 24 June 1774; 'Is this my Daughter Ann' (depicting young lady with towering toupee), engraved by James Watson after Samuel Hieronymus Grimm, published in Covent Garden by Sarah Sledge, 27 June 1774. Presented in wooden Hogarth frames, each measuring 36cm by 25.5cm (frame window). Caricature Interest (2)
Lot 198
Valentine / Shakespeare Interest. Scarce 18th-century colour stipple engraving depicting romantic woodland scene with young gentleman conversing with pretty young lady who is out walking with friends, quoted ballad from Shakespeare's Twelfth Night, 'Trip no further, pretty sweeting; Journeys end in lover's meeting', engraved by James Hogg after Richard Westall, published in Covent Garden by Hogg & Smith, 1 January 1793. Presented in Hogarth frame, 41cm by 36cm
Lot 192
Savoy Theatre programme for The Yeomen of the Guard by Gilbert & Sullivan, published by Hildesheimer & Faulkner with chromolithographic illustrations. Together with eight programmes featuring Anna Pavlova, c.1910-1930, including Royal Opera House, Covent Garden; Theatre Royal, Drury Lane; Palace Theatre, London; Liverpool Olympia, and others, and a programme for Collins's, Islington Green (10)
Lot 534
A Worcester XVIII Century Porcelain Coffee Cup and Saucer, bat printed in black with courtiers in a garden setting, the saucer inscribed 'R.I Worcester" and Anchor mark; a similar fluted porcelain saucer printed in black with figures in a classical landscape within a gilt rim, a matching sucrier and cover and a similar fluted hexagonal teapot stand. (6)
Lot 69
Bates (Herbert Ernest, writer, 1905-74) A Love of Flowers, autograph manuscript signed, c. 270pp., written on rectos, numerous corrections and revisions, some text duplicated in typescript (also with corrections), a few with small tears in corners where previously pinned, loose, housed in a modern morocco-backed box, 4to, n.d. [published 1971].⁂ H.E. Bates on his Kentish garden. With strong opinions on gardening, and the world of plants, including the use of Latin names for plants, instead of old English names. "Ruskin is dead. The compilers of catalogues, however, are still with us, still ready to out-Ruskin Ruskin. I observe that bell-flower isn't bad enough for one of them." - Bates.
Lot 68
Bates (Herbert Ernest, writer, 1905-74) Collection of 11 manuscript magazine and newspaper articles, autograph manuscripts, all but three articles signed, 3 articles drafts, together 98pp., written on rectos, numerous corrections and revisions, some typescript copies included, loose, housed in a modern morocco-backed box, spine faded, 4to, [c. late 1960s - early 1970s].⁂ Manuscripts comprise: 3 untitled manuscript drafts unsigned [George Quantock], [Gardening], [Madeira]; "A Moment that Changed My Life" (2); "From My Garden: For Dictionary Read Bible"; "From My Garden: All Seeds Bright and Beautiful"; "Living: Madeira"; "Maurice Mason: a garden picture"; "You Stand or Fall"; "Westonbirt Arboretum".
Lot 790
Derek Balmer PPRWA, Hon. RA, (b. 1934) - 'Chinese Garden', inscribed with the artist's name and the title of the work, together with an exhibition label verso, acrylic on canvas, mounted on board, 18" x 24" *Provenance with Anthony Hepworth Fine Art, 15, York Street, Bath, BA1 1NG The work was produced in 1994, the artist studied at The Royal West of England Academy and has become a successful painter and photographer, he was also President of The Royal West of England Academy between 2001-2010, and has shown at many of the principal galleries and museums including The Bristol City Art Gallery, The Arnolfini Gallery. His influences were Bonnard, Peter Lanynon, John Hoyland and the American abstract expressionists such as Gorky and de Kooning among others. A major retrospective of the artist's work was held at The Academy in 2007 entitled 'Presidents Eye', he has also shown regularly at The Catto Gallery, The Theatre Royal/Bristol Old Vic are celebrating their two hundred and fiftieth anniversary with a major exhibition at The Royal West of England Academy which includes a gallery full of his theatre photographs (27-year retrospective), this closed at the end January 2016
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