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Lot 39
Lots 39 to 45 From the Collection of Alderley House, Gloucestershire A Chinese Canton enamelled basin, c.1900, of circular form with a flared rim, painted with figures in a garden in shaped panels, surrounded by butterflies, fruit and flowers against a gilt ground, 36.5cm diameter, and a famille rose punch bowl, c.1900, painted with figures, foliage, birds and insects in shaped panels, 33cm diameter (2) Provenance: Alderley House, Gloucestershire. 清约1900年 广东粉彩人物故事图大碗 及 盆 一组两件
Lot 35
A Chinese iron red vase, mid-20th century, of baluster form on a flared foot, painted with officials greeting an elderly woman below a pine tree in a garden, six-character Qianlong mark , 21.5cm high Provenance: Thomas Torrance (1871-1959), and thence by descent. 二十世纪中期 矾红人物故事图瓶 《大清乾隆年制》矾红篆书款
Lot 29A
A Chinese famille rose charger, 19th century, of circular form, painted with a finger citron, a peach and flowers spilling from a canework basket, six-character Yongzheng mark, 51.4cm diameter, together with a wood stand carved with two dragons chasing a flaming pearl (2) Exhibited: Sotheby's 'The Glory of the Garden', A Loan Exhibition in Association with The Royal Horticultural Society , 2nd January to 28th January 1987, plate no. 352. 清十九世纪 粉彩花篮纹大盘 《大清雍正年制》青花楷书款 连木底座
Lot 104
A Chinese famille rose vase, 20th century, of cylindrical form, painted with ladies in a garden between a ruyi head and false gadroon borders, the shoulder and the foot with a scrolling lotus border, the neck with millefleurs, inscribed, four-character Qianlong mark, 35cm high 二十世纪 粉彩人物故事图棒槌瓶
Lot 99
A pair of Chinese famille rose jardinières and stands, Republic period (1912-1949), each of cylindrical form on an inverted circular foot, painted with a continuous scene of five boys in a garden, all holding objects symbolic of scholarly success and good fortune, two with ruyi sceptres, one carrying a spear tied with a ribbon suspending a chime, one with a vase with a stalk of grain and a lantern, and another holding a lantern in the shape of a fish, all between a dense floral scroll and a false gadroon and key fret border, the lobed flared rim enamelled with scrolling flowers in blue, the base with a four-character mark lingzhi chengxiang (the qilin's footprints foretell good fortune) in iron red, 19.2cm diameter, the stands similarly decorated with branches of peaches, pomegranates and finger citrons to the undersides, which represent the 'Three Abundances' of longevity, blessings and abundance of sons, 17.9cm diameter (4) The decoration on these jardinières is filled with symbols of posterity. The five boys represent the sons of Dou Yujun, all of whom achieved exceptional success and were known as the 'five dragons'. The mark lingzhi chengxiang is an ancient greeting used to wish couples the birth of a son and often found on pieces decorated with boys and qilin . For a similar pair of jars and covers with the same decoration, see Sotheby's, New York, 17-18 September 2013, lot 367. 民国 粉彩婴戏图花盆连底座 《麟趾呈祥》矾红楷书款 一对
Lot 55
A Chinese famille rose plate, Daoguang (1821-1850), of circular form, painted with an elephant carrying a vase in a garden, with an official's hat above, six-character Daoguang mark in red, 22.6cm diameter, a water dropper, 19th century, of pear-shaped form with a slender neck on a circular foot, painted with cockerels, Buddhist lion handles in iron red, the base with six-character Qianlong mark against a blue enamelled ground, 9.5cm high, and a famille rose snuff bottle, late Qing dynasty, of compressed baluster form, painted in a roundel with Niulang seated on a buffalo and Zhinü walking on a bridge formed by magpies, going to meet each other at the Qixi Festival, surrounded by incised clouds, 7.5cm high (3) 清道光 粉彩太平有象图盘 《大清道光年制》矾红篆书款 清十九世纪 斗鸡图铺首耳胆瓶 《大清乾隆年制》篆书款 及 清晚期 粉彩牛郎织女图鼻烟壶 一组三件
Lot 36
A Chinese famille rose plate, 19th century, of circular form, painted with a boy presenting a jue cup to Fu, Lu, and Shou under a pine tree in a garden, six-character Daoguang mark in red, 25.2cm diameter Provenance: Thomas Torrance (1871-1959), and thence by descent. 清十九世纪 粉彩福禄寿图盘 《大清道光年制》矾红篆书款
Lot 93
A FAMILLE-ROSE ‘IMMORTALS’ VASE QIANLONG MARK AND OF THE PERIOD the rectangular section baluster body rising from a spreading foot to a tall waisted neck with everted rim, finely enamelled to the front and back with a large shaped panel enclosing immortals in a garden, the sides and neck with landscape panels and all reserved on a green dot ground with leafy sprays, the base inscribed with the seal mark in iron-red Provenance: Private British Collection
Lot 107
A FAMILLE-ROSE ‘FIGURAL’ JARDINIERE?PERIOD OF JIAQING, QING DYNASTY Size: 27.6 cm (L), 18.7 cm (W), 8.6 cm (H) Of quadrilobed form raised from a splayed foot, the flaring sides rising to an everted lipped rim, the exterior delicately painted with garden scene with figures engaging in activities, the foot is decorated with green waves.
Lot 1104
*Karl Torok (1950-2015) Poster design for ''Bradford Art Galleries and Museums Seventh British International Print Biennale, Cartwright Hall, Lister Park Bradford, 4 April - 4 July, 1982'', together with a collection of unframed watercolour garden scenes, 79cm by 54cm and various others (a collection)
Lot 41
An English Delft plate, circa 1750, painted in blue with a chinoiserie figure in a fenced garden within a foliate border, 23.5cm diameter; a similar plate, painted with a river landscape, 22.5cm diameter; a Dutch delft pancake plate, painted with a vase of flowers within a panelled border, 22.5cm diameter; and a similar circular dish, painted with flower sprigs, 30cm diameter (4)1st - 30mm by 20mm chip and glaze loss to the rim. All with typical minor glaze flakes.
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