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Lot 159
A Chinese eight-fold painted screen, Qing Dynasty, oil on canvas stretched on wood frame, depicting figures in a garden setting with pavilions representing the gateway to heaven and the gateway to hell, within key fret band bordered with precious objects and dragons, each panel 199cm high x 40cm wide, overall 3 metres 20 centimetres long 清 本色地彩绘八扇屏风
Lot 285
A white painted cast iron 'rose garden pattern' garden seat to a model by Carron & Co, 20th century, the serpentine backrest cast with openwork conjoined hoops, flanked by conforming armrests cast with rocaille, on foliate cabriole legs, stamped WENTZ to the edge of the seat, 91cm high, 114cm wide The design of the present bench was patented by the Carron Foundry, Stirlingshire, circa 1846. The elegant model rapidly gained in popularity, and was also used to adorn the rose garden at the White House, Washington DC.Cf Christie's South Kensington, 6 April 2016, lot 14 (extended version).
Lot 64
DONOVAN. Selection of seventeen UK issued LPs and comps from Donovan. To include: Fairytale (NPL 18128, laminated flipback, plum PYE label, VG+/VG+), The Hurdy Gurdy Man (Epic, stereo, BN 26420, New Zealand issue), Donovan in Concert (Pye, mono, NPL 18237), What's Been Did and What's Been Hid (Pye, NPL 18117, laminated/flipback), Barabajagal (Epic, stereo, BN 26481, New Zealand issue), Cosmic Wheels (Epic, S EPC 65450, gatefold w/ inner and poster, ex library copy with pen on sleeve), Open Road (DNLS 3009), two discs only (no sleeves) for the repress of NSPL 20000 A Gift From A Flower To A Garden. Condition generally from VG to Ex.
Lot 932
THREE BOXES AND LOOSE OF CUT GLASSWARE, BRADFORD EXCHANGE CABINET PLATES, RESIN TEDDIES etc to include Bradford Exchange cabinet plates 'Hundred Acre happiness' with certificates, cherished teddies 'Nursery Rhymes' collectors plates, Leonardo collection and other makes of teddies, boxed suite of six Portmeirion 'Botanic Garden' glass tumblers etc
Lot 491
A COLLECTION OF TWENTY EIGHT SETS, PART SETS AND DUPLICATES OF WILL'S CIGARETTE CARDS, comprising British Butterflies, British Birds, Dogs (2nd series), L, Dogs, Flowering Trees and Shrubs, Garden Flowers, Roses, Roses (2nd series), Roses (different), Aviation, British Castles, Do You Know, English Period Costume, Engineering Wonders, First Aid, Homeland Events, Luck Charms, Merchant Ships of the World, Mining, Old London, Old Silver, Overseas Dominions (Australia), Overseas Dominions (Canada), Railway Engines and Adhesive, The Kings Art Treasures and Time and Money in Different Countries, most sets in good to very good condition and presented in sleeves
Lot 170
Exhibited 19th C. Russian Icon, "Saints Kosmas and Damian". Tempera on wood with silver plated brass riza. The two doctor and brother saints are depicted here both in life (standing at left and right) and in death lying in sarcophagi. Christ stands at the center. Size: 12.25 x 10.25 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 171
Exhibited 19th C. Russian Icon, "The Mystic Supper". Tempera, Oil, Silver/Wood. In the West, this is known as the Last Supper. Christ is seated at a table with his twelve disciples. Judas (seen in the lower left) is identified as the only one without a halo, which foreshadows his betrayal of Christ. The Mystic Supper is significant in Orthodoxy because it marked the institution of the Eucharist. To the left and right in the borders are a monk (whose inscribed name is damaged) and Saint Irina. Size: 12.25 x 10.5 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 172
Exhibited Antique Russian Icon, "St. Nicholas". Oil on wood. Icons of St. Nicholas were immensely popular in Russia. He was not only the patron saint of Old Russia, but also the special protector of seafarers. He is also the saint for whom Tsar Nicholas II, last ruler of the Romanov Dynasty, was named. Size: 13 x 11 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 21
Exhibited 19th C. Russian "Month" Icon for October. Tempera, gold leaf on wood. This is one of a series of twelve icons that marked each month of the year. It depicts saints and festivals celebrated during the month of October. Among them are the "Protection (Pokrov) of the Mother of God" and the "Seven Sleepers of Ephesus." Painters' manuals such as the Stroganov Icon Painting Manual listed the saints and festivals for each day and showed how they were to be painted. Size: 14 x 12.25 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 22
Exhibited Antique Russian Icon, "The Great Martyr Barbara". Oil on wood. Barbara, who was born to a wealthy family in Egypt, was shut away in a tower by her father. Despite her seclusion, she managed to become Christian and was eventually martyred by her own father. In Western-influenced iconography such as this panel, Barbara is shown holding a chalice and her scroll mentions the Holy Trinity. Barbara is remembered on December 4th and is called on for delivery from sudden death. Size: 9 x 7 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 23
19th C. Double-Sided Exhibited Russian Icon, St. John. Tempera and oil, silver leaf on wood. This double-sided icon most likely formed the wing of a triptych. On each side, episodes from the life and martyrdom of Saint John are depicted. At the center, John stands as the "angel of the wilderness." He holds a vessel containing the body of Christ (the Eucharist) and a scroll reading "repent, for the Kingdom of Heaven is at hand" (Matthew 3:2). John is winged because the word for "messenger" used to describe him in the Greek Bible also means "angel." To the left, his birth is shown with his mother, Saint Elizabeth, reclining while a midwife and attendant prepare to wash the newborn John. His father, Zakharias, watches. The scene to the right depicts the discovery of John's head, one of three such findings recorded in Church tradition. At the top is Lord Sabaoth (God the Father) in the clouds. The reverse side of the icon shows John's beheading by Herod's soldiers and the presentation of his head on a dish to Salome. Size: 19.5 x 16.5 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 237
Yan Bingwu (Chinese, B. 1954) & Yang Wenqing (Chinese, B. 1951) "Yellow Garden Spider" Signed lower right. Watercolor on Silk/Rice Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood First Day Cover for the 33c Yellow Garden Spider Classic Collection Series stamp issued October 1, 1999. Identified by the distinctive pattern of its yellow and black abdomen, the Yellow Garden Spider is found throughout most of the continental United States. This spider suspends its vertical web in trees, bushes or any area or opening where insects are abundant. Woven in circular fashion, the web is designed to radiate outward from the center. The Yellow Garden Spider typically hangs upside down at the center of the web, where it patiently waits for a flying or jumping insect to become ensnared. Because of its poor eyesight, the Yellow Garden Spider must rely on its highly-developed sense of touch to capture its prey. The struggle of an insect caught in the web creates vibrations, alerting the spider that prey has been trapped. The spider quickly runs out to secure its victim, usually wrapping it in silk. A poison is injected into the prey, paralyzing it and converting the contents of the body to liquid. Later, the spider sinks its tubelike fangs into the victim to extract the fluid. The Yellow Garden Spider's profound sense of touch helps male spiders communicate with females. Before the male crawls cautiously onto the female's web, he first taps out a special message to alert her, because he is always in danger of being mistaken for prey. Size: 14.25 x 12 in. Unframed. (B16493)
Lot 24
Exhibited Russian Icon,"The Martyr Eulampia". Eulampia (Evlampiia) was martyred with her brother Eulampius sometime between 303 and 311 AD. She holds a cross in her right hand as a symbol of her martyrdom. Saint Eulampia is celebrated on October 10th. Oil on wood. 19th C. Size: 16 x 13 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 25
Exhibited 19th C. "Presentation of the True Cross" Russian Icon. Oil on wood. This icon is based on a ceremony that is believed to have originated in Jerusalem after the dedication of the Basilica of the Resurrection. The Basilica had been built by Emperor Constantine, whose Edict of Milan legalized Christianity in the Roman Empire. The cross is shown being raised up before the people. Tradition relates that Constantine's mother Helena discovered the true cross of Christ. Bishop Makarius had pointed out to her the site where the Holy Sepulchre was said to be. She found three crosses there, one of which was recognized as the cross of Christ after a dying man was healed by it. Size: 17 x 14 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 26
Exhibited Russian Icon,"The Resurrection and Major Festivals" 19th C. Tempera, silver/wood. The major festivals celebrated in the Eastern Orthodox Church year are illustrated here. At the center is the most important image, which depicts the Resurrection of Christ. Size: 19 x 15 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 27
Large Exhibited Antique Russian Icon," The Life of Saint Nicholas the Wonderworker." Oil and tempera on wood. This icon depicts scenes from Saint Nicholas' life and as well as his miracles. Around the standard central image are twelve scenes identified by inscription (from upper left, clockwise): 1) The Birth of St. Nicholas the Wonderworker 2) The Baptism of St. Nicholas 3) The Deliverance of the Woman (from her ailment) 4) Nicholas Comes for Instruction 5) St. Nicholas is Ordained a Bishop 6) Nicholas Delivers Three Men (from prison) 7) The Relics of Nicholas are Taken to the City of Bari 8) The Dormition (death) of Nicholas the Wonderworker 9) The Deliverance from Captivity (of the boy Vasiliy, captured by Arabs) 10) St. Nicholas Delivers Dmitriy (from drowning in the Dnieper River) 11) St. Nicholas Appears to the Emperor (Constantine) in a Dream 12) St. Nicholas is Ordained a Deacon. Size: 21 x 18.5 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 28
Large 19th C. Exhibited Russian Icon, "The Protection of the Mother of God (Pokrov)". Oil on wood. At top, Mary appears with a gathering of saints in the Church of the Vlakhernae at Constantinople; Christ is to the left. Below her stands Romanos the Melodist, celebrated on the same day as the "Protection" or Pokrov. To the left are the Emperor and Empress. To the right, the Holy Fool Andrew points out to his disciple, Epiphanius, the vision of the Mother of God spreading her protective veil. This event is celebrated on October 1st. Size: 18 x 16 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 29
Exhibited Russian Icon, "The Seven Archangels". Oil on wood. Early 20th C. The inscription reads "The Image of the Holy Seven Heavenly Powers, the Archangels and Arkhistrategos." Michael (the leader of the Armies of Heaven) and Gabriel, who holds the lily of the Annunciation, stand in the foreground. Behind them from left to right are Raphael, Selaphiel, Barakhiel, Yegudiel, and Uriel. At the top Christ Immanuel is enthroned as his feet rest on a seraphim (a six-winged being who guards the throne of Heaven). Size: 12 x 10 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 30
Exhibited 19th C. Russian Icon, "Jesus with Pontius Pilot". Oil on wood. This icon, which depicts the public trial of Jesus, is set in a case called a "kiot." This was a practice common in the mid to late 19th C. Size: 12 x 10 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 32
18th C. Exhibited Russian Traveling Icon, "The Fiery Ascent of Elijah the Prophet". Brass. Size: 5.75 x 4.75 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 33
Exhibited Russian Icon, "Jesus Before Caiaphas". 19th C. Oil on wood. Because of its non-rectangular shape, this icon was probably part of an icon screen in an Orthodox church. Overall Size: 21 x 17 in.Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014
Lot 49
Painted to one side with a pleasant garden scene with an insect hovering near plants under an inscription, the reverse depicting a graceful prunus branch in a crackled porcelain vase; signed Zhou Leyuan with one seal, dated autumn 1892. Provenance: David Chang collection (San Francisco, California). Acquired in 2000. The painting style belongs to Shanghai School, the subject matter can be traced to the Song dynasty. Compare a very similar bottle by Zhou Leuan, also painted with insects, illustrated and published in "The World in a Bottle" Chinese Inside Painting Snuff Bottles from the collection of Joseph Baruch Silver and Traditional Chines Paintings Pg. 71, Fig. C14 , and an inside-painted bottle with a vase containing a prunus branch published and illustrated in Chinese Snuff Bottles From the Richard F. Kuenkler Collection Pg.60, Fig. 64.
Lot 59
Chinese 5-Color Overlaid Clear Glass Snuff Bottle. The well-formed ovoid bottle decorated in various colors, skillfully carved to display a garden scene with auspicious plants and flowers by rocks. Provenance: David Chang collection (San Francisco California). A similar bottle illustrated on One Man's Choice?II Exhibited at The Dublin Convention 20th-24th October 2009, Radisson San Royal Hotel, Dublin, Ireland. Wang & Co. Pg. 32. Fig. 29. See last image.
Lot 500
A rare and original 19th century Coalbrookdale ' Fern and Blackberry ' pattern cast iron garden suite comprising a single armchair and bench. The bench being fully stamped to the rear along with diamond registration lozenge etc. Painted white with believed original wooden slats. Bench; H92 x W152cm x D60cm, Chair: H90 x W66 x D55cm
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225501 item(s)/page