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Seltenes Chino-Mongolisches Räuchergefäß. Silberfassung 19. Jh., Jade-Teile wohl früher. H ca. 32cm, B ca. 25cm; Ständer H 5cm. Silber, Jade, verziert mit Türkis- und Korallensteinen. Pokalförmig mit zwei Henkeln und abnehmbarem Deckel. Aufwändig getriebener Silberdekor mit Vögeln zwischen den Ranken und Wolken sowie schöne Jadearbeiten mit floralen Mustern, Vögeln, Schmetterlingen und zu komplizierten Kettengliedern geschnitzt. Der Holzsockel mit geschnitzten Fledermäusen - im Chinesischen als "fu" ausgesprochen genauso wie das Wort für Glück. Drei Steine fehlen, einige Stellen der Jadedetails wieder angesetzt, sonst sehr guter Zustand. Rare chinese-mongolian incense burner. Silver, jade, turquoise and coral. Goblet-shaped, with handles and a lid. Beautiful silver and jade work, depicting birds and butterflies among vine and lotus flowers, as well as clouds and dragons. In addition a wooden stand with carved bats (pronounced like fu in chinese - same as the word for luck ). Silver garnment 19th century, jade work probably earlier. Three stones missing, some fragments of jade work reattached, otherwise very good condition. Provenienz: Aus dem deutschen Kunsthandel.

CHINESE SILVER NAS ENAMEL BOWL AND LID

A lot comprising a cased set of twelve silver teaspoons with tongs, a cased set of EP coffee bean spoons and a cased set of six Chinese fancy white metal spoons (3) Condition Report: Available upon request

A Worcester moulded creamjug, circa 1753-55Of lobed pear shape with a scrolling silver-shaped handle, painted with a Chinese figure holding a wand, flowering plants and rockwork to the right and a red fence to the left, a brightly coloured bird on a flower branch to the reverse and two tiny moths below the spout, 8.5cm highFootnotes:ProvenanceThe Cohen Collection, Albert Amor exhibition 1992, no.18Simon Spero exhibition, 2015, no.35The model is probably derived from silver by way of saltglazed stoneware. The painting of the Chinese figure has a slightly different feel to that on other pieces from the same class perhaps due to the more unusual colouring, the standard pink tunic replaced by taupe, a colour also used to highlight the flowers and rockwork.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A rare Worcester shell dish, circa 1754-55Of scallop shell shape with a crescent-shaped grip at the base and intricate formal moulding on the underside, painted in an unusual combination of colours with Chinese flowering plants, the buds and petals washed in red and purple, the veins of leaves picked out with fine gilt lines, 10.8cm longFootnotes:ProvenanceSimon Spero Exhibition 1989, no.33Zorensky CollectionRalph Kenber CollectionIllustrated by Sandon and Spero, The Zorensky Collection (1996), p.144, no.130. This form was inspired by a George II silver original and was produced in three basic sizes. The grip at the bottom of the shell is a relatively unusual feature.For further information on this lot please visit Bonhams.com

A Worcester hexagonal creamboat, circa 1753-54With a lobed and everted rim and an angular handle with scrolled thumbrest, crisply moulded on both sides with scrolled panels painted in famille rose style, one with a Chinese figure pointing to the right, the other with a similar figure, two insects below the spout and flower spays within the interior, 10.5cm longFootnotes:ProvenanceSimon Spero exhibition 1996, no.25John Alchin CollectionThe same standing Chinese figure is found on a moulded creamboat in the Zorensky Collection. See Bonhams sale, 23 February 2005, lot 2.Hexagonal CreamboatsA staple product of Worcester's early years, the hexagonal-shaped creamboat originated at Limehouse and continued at the Lund's Bristol factory. Creamboats of this general form are surprisingly rare in English silver of the period, customers preferring porcelain to pour a costly mixture of cream and sugar on their deserts. The low creamboat shape probably corresponds to the '...pannel'd cream ewers' from the factory's London warehouse price list. Surviving examples show enormous variety in the mouldings used on early Worcester creamboats; the examples in this sale illustrating just how much even the geranium leaves below the spout can differ in form.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Worcester sauceboat, circa 1755-58Of fluted silver shape on a high foot, the handle with a pronounced thumbrest, painted in blue with the 'Fisherman on a Towering Rock' pattern (I.B.13), 21.8cm long, workman's markFootnotes:ProvenanceJohn Alchin CollectionSauceboats and CreamboatsImported Chinese export porcelain gave early Worcester its inspiration, but it was also its main competition. In one important area, though, Worcester excelled. British customers wanted porcelain copies of silver sauceboats and creamboats, the most desirable luxury items. While brilliant in so many other ways, the Chinese never mastered the techniques of casting and moulding. Worcester seized the opportunity to make a product that was better than anything available from China. The fact that they made so many different models and moulds shows how far they succeeded.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Chinese export silver trumpet shaped reticulated vase decorated with dragons, clouds and waves on a hardwood stand, 21.5 cm o/a

A small Chinese white metal cylindrical box and cover, finely embossed with dragons, stamped beneath 'WS', 4.5 cm diam to/w four Middle Eastern octagonal ashtrays stamped 800, a silver nib-pen, propelling pencil and a Sampson Mordan letter-knife (lacks folding penknife blade), London 1898; lot also includes a mother of pearl visiting card case

Twelve silver Chinese coins.:

A large and early Bow blue and white tureen and cover c.1753-55, the elaborate silver shape painted with alternating panels of Chinese pagoda landscapes, flowering plants and cash diaper between moulded gadrooning, with foliate scroll handles and raised on four wide scroll feet, some firing faults and damages, the finial lacking, 40cm across. (2) Provenance: the Watney Collection. Formerly the Ainslie Collection. Illustrated: Bernard Watney, English Blue and White Porcelain of the 18th Century, pl.7A.

A Chinese carving set in silver

A good quality Chinese silver (900 standard) sugar and cream jug decorated with bamboo foliage and insects - 5" over handles - stamped WANG HING - 480gms

A collection of Chinese export silver miniature models by Tuck Chang of Shanghai, to include a salt in the form of a pagoda, blue glass liner, a sedan chair, a rickshaw, a ship, a chair with extending leg rest, a casket, etc.

Costume jewellery influenced from The Chinese Art Exhibition of 1935-1936, mostly Czechoslovakian, a simulated jade buckle, 10cm, three similar brooches, 40mm metal clip, yellow metal and enamel brooch 55mm, gilt metal brooch with dragon and red paste, two gilt metal clips with fantasy bird, red bakelite fan shaped clip, white metal dragon pendant, small melon dress clip, a pair of coral coloured floral dress clips, silver bar brooch with carved rectangle of jadeite, Chinese silver coloured dress clip, simulated jade and red enamel brooch 50mm x 30mm, another similar chrome and glass.

Four silver napkin rings including one Chinese showing a serpent

Blau-weißes Senftöpfchen mit Silbermontierung. Mitte 17. Jh. Flachkugelige Balusterform mit C-förmigem Henkel, ausgestelltem Fuß und gewölbtem Deckel, dekoriert in Unterglasurblau mit blühenden Päonien- und Prunusästen. Niederländische Silberfassung mit Scharnier und Daumenstück.Senftöpfe wurden in China für den niederländischen Markt hergestellt und orientierten sich an holländischen Silber-, Zinn- oder Fayence-Vorbildern. Sie kamen Mitte des 17. Jahrhunderts auf den europäischen Markt und wurden erstmals im Jahr 1653 vom Gouverneur von Formosa Hans Putmann in einem Brief an die Ost-Indien-Kompanie in Amsterdam erwähnt. H 14,5 cmProvenienzPrivatsammlung, NiedersachsenLiteraturVgl. ähnliche Form und Dekor in: Lunsingh Scheurleer, Chinesisches und japanisches Porzellan in europäischen Fassungen, Braunschweig 1980, S. 224, Nr. 107 und The Oriental Society of Hong Kong, Transitional wares and their forerunners, Hong Kong 1981, S. 103, Nr. 48 A blue and white silver-mounted covered mustard pot. Mid-17th century Of baluster shape with a domed cover and a C-shaped handle, decorated in underglaze-blue with two flower sprays of blossoming peony and plum. With a Dutch silver mount attaching the domed lid with a hinge.Mustard pots were made in China for the Dutch market and were based on Dutch silver, tin or faience models. They entered the European market in the middle of the 17th century first mentioned in 1653 in a letter by the governor of Formosa Hans Putmann which was adressed to the East India Company in Amsterdam.Height 14.5 cmProvenancePrivate collection, Lower SaxonyLiteratureComapare shape and decor in Lunsingh Scheurleer, Chinesisches und japanisches Porzellan in europäischen Fassungen (Chinese Porcelain in European Mounts), Braunschweig 1980, p. 224, no. 107 and The Oriental Society of Hong Kong, Transitional wares and their forerunners, Hong Kong 1981, p. 103, no. 48

Vier tsuba. Weichmetall. 19. Jh. Drei oval, eines rund. a) Shakudô. In farbigem Relief chinesischer lesender Gelehrter und Tiger. b) Kupfer. Fledermaus und Mondsichel in flacher Goldeinlage. Sign.: Josen(?) und kao. c) In durchbrochenem Relief springender Karpfen. d) Geschwärzt. In Silber Schlachtenszene. Bez.: Goto Teijo. (4)H 6,3 bis 7,1 cmProvenienzPrivatsammlung, Belgien, a) erworben bei Gilis, b und c) erworben bei Tillier, Charleroi, Dezember 1989 Four soft metal tsuba. 19th century Mostly of oval shape. a) Shakudo with a Chinese scholar reading and a tiger in iroe-takazogan, b) copper with a bat and a crescent moon in gold, signed Josen (?) with kao, c) copper with a jumping carp in openwork, and d) blackened with a battle scene in silver, inscribed Goto Teijo. (4)Height 6.3 bis 7.1 cmProvenancePrivate collection, Belgium, a) acquired from Gilis, and b) and c) acquired from Tillier, Charleroi, Dczember 1989

A selection of white metal Chinese export menu holder figures, together with a cruet setCONDITION REPORTWe have attached a number of additional images to showcase the lot in further detail.Marked as 'silver'293 grams total weight

A pair of pitchers, silver, engraved decoration en relief "Female figures, grotesque masks, animals and plant motifs", Chinese, 20th C. (1st quarter), signs of use, bruises, Shanghai ZEE SUNG maker's mark (1900-1940), without Portuguese marks pursuant to Decreto-Lei No. 120/2017, of 15 September - art. 2, paragraph 2, c), Dim. - 36,5 cm; Peso - 4.105 g.

A Chinese silver matchbox case, Wang Hing, Shanghai, London import marks, decorated with chrysanthemums and foliate-scroll, 38.67g

Chinese bone sculpture of an adolescent girl on a matching wooden stand set with silver threads. Early 1920s. Height including stand 25 cm.

Chinese\Japanese Bone Tusk a Scene of 9 Elephants Advancing in Procession in a tropical forest. Silver hoop wrapping the tusk on its open tip. The item is placed on a lucrative hand carved wood stand simulating a tropical forest. Dimensions without stand: 52X6X7 cm.

Militaria Ausland - China : Spektakuläres chinesisches Schwert aus dem Besitz S.K.H. Tommaso Militaria Ausland - China : Spektakuläres chinesisches Schwert aus dem Besitz S.K.H. Tommaso Militaria Ausland - China : Spektakuläres chinesisches Schwert aus dem Besitz S.K.H. Tommaso dii Savoia - Genova. Normal 0 21 MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:"; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} Der Griff aus fein gemasertem Hartstein mit ziselierter Silbermontierung. Knauf mit floralem Abschluss.Zweischneidige doppelt gekehlte Klinge mit Gravur: "TOMMASO DI SAVOIA" und Gold geätzten Knoten des Hauses Savoyen.Die Scheide aus Schildpatt mit reich verzierten Silberbeschlägen mit ziselierten und handgetriebenen chinesischen Fabelwesen. Am oberen Rand graviertes Wappen des Hauses Savoyen. Länge: 87 cm. Tommaso Alberto Vittorio di Savoia-Genova (Turin, 6. Februar 1854 - Turin, 15. April 1931) war Mitglied des Hauses Savoyen, gehörte dem Zweig Savoyen-Genua an und war italienischer Admiral. Tommaso di Savoia-Genova wurde am 6. Februar 1854 im Palazzo Chiablese in Turin als Sohn von Ferdinand von Savoyen-Genua und Elisabeth von Sachsen als jüngerer Bruder von Margherita di Savoia, der zukünftigen Königin von Italien, geboren. Tommaso wurde von seinem Vater verwaist, als er erst ein Jahr alt war, und folgte ihm im Titel des Herzogs von Genua. Er wurde unter die Vormundschaft seines Onkels Vittorio Emanuele II. gestellt, der ihn nach seiner Ausbildung an die Harrow School in London schickte. Vom 31. März 1879 bis zum 20. September 1881 im Rang eines Fregattenkapitäns, dann während der Überfahrt zum Schiffskapitän befördert fuhr er als Kommandeur der Korvette Vettor Pisani, dem italienischen Kriegsschiff in seiner dritten ozeanischen Erkundungsfahrt um die Welt.Am 15. April 1883 heiratete er Isabella von Bayern (1863-1924) auf Schloss Nymphenburg in München. 1915, als Italien in den Ersten Weltkrieg eintrat, beschloss Victor Emanuel III., von Rom an die Front zu ziehen, vertraute Thomas einen Teil seiner königlichen Funktionen an und ernannte ihn zum Generalleutnant des Königreichs. Das Amt war jedoch fast ausschließlich ehrenamtlich und beinhaltete keine effektive Machtausübung. In dieser Zeit wurden die königlichen Dekrete jedoch Lieutenantdekrete genannt und trugen anstelle der Unterschrift des Königs die von Prinz Thomas. Der Leutnant wurde auch berufen, sich direkt mit dem Notstand zu befassen, der in Mittelitalien durch das Erdbeben von Avezzano am 13. Januar 1915 ausgelöst wurde.   Tommaso starb 1931 in Turin. Er ruht in der königlichen Krypta der Basilika von Superga, auf den Höhen der piemontesischen Hauptstadt.     Tommaso Alberto Vittorio di Savoia-Genova (Torino, 6 febbraio 1854 – Torino, 15 aprile 1931) è stato un membro di Casa Savoia, appartenente al ramo Savoia-Genova, e un ammiraglio italiano. Tommaso di Savoia-Genova nacque nel Palazzo Chiablese di Torino il 6 febbraio 1854, figlio di Ferdinando di Savoia-Genova e di Elisabetta di Sassonia. Era fratello minore di Margherita di Savoia, futura regina d'Italia. Orfano di padre a solo un anno e succedutogli nel titolo di duca di Genova, Tommaso venne posto sotto la tutela dello zio Vittorio Emanuele II, che ne seguì l'educazione mandandolo alla Harrow School di Londra. Carriera nella marina   Dedito alla vita sportiva, dal 31 marzo 1879 al 20 settembre 1881, con il grado di capitano di fregata, poi promosso capitano di vascello durante la traversata,[3] fece il giro del mondo al comando della corvetta Vettor Pisani, nave da guerra italiana alla sua terza campagna oceanica. Matrimonio e figli   Il 15 aprile 1883 sposò, presso il castello di Nymphenburg a Monaco di Baviera, Isabella di Baviera (1863-1924). Nel 1915, all'entrata dell'Italia nella prima guerra mondiale, Vittorio Emanuele III decise si trasferirsi da Roma al fronte, affidando parte delle sue funzioni regali a Tommaso e nominandolo luogotenente generale del regno. La carica, però, fu quasi esclusivamente onorifica e non comportò un effettivo esercizio del potere. Tuttavia, in quel periodo, i regi decreti furono chiamati decreti luogotenenziali e portavano, anziché la firma del re, quella del principe Tommaso. Il luogotenente fu anche chiamato ad affrontare direttamente l'emergenza causata nell'Italia centrale dal terremoto di Avezzano del 13 gennaio 1915. Tommaso morì a Torino nel 1931. Riposa nella cripta reale della basilica di Superga, sulle alture del capoluogo piemontese. Nel titolo ducale gli succedette il figlio primogenito Ferdinando.Wunderschöne und bedeutende Blankwaffe aus dem Besitz Tommaso di Savoia, die er bei seinem Besuch am Hof des Kaisers von China als Geschenk erhielt. 1-2 Militaria Ausland - China : Spektakuläres chinesisches Schwert aus dem Besitz S.K.H. Tommaso Militaria Ausland - China : Spektakuläres chinesisches Schwert aus dem Besitz S.K.H. Tommaso Militaria Ausland - China : Spectacular Chinese sword given to  H.K.H. Tommaso di Savoia - Genova.The handle is made of finely grained hard stone with chased silver mounting. Knob with floral finish.Double-edged double fluted blade with engraving: "TOMMASO DI SAVOIA" and gold etched knot of the House of Savoy.Tortoiseshell scabbard with richly decorated silver fittings with chased and hand-drawn Chinese mythical creatures. At the upper edge engraved coat of arms of the House of Savoy.Length: 87 cm.Tommaso Alberto Vittorio di Savoia-Genova (Turin, February 6, 1854 - Turin, April 15, 1931) was a member of the House of Savoy, belonged to the branch Savoy-Genova and was Italian admiral.Tommaso di Savoia-Genova was born on 6 February 1854 in Palazzo Chiablese in Turin, the son of Ferdinand of Savoy-Genoa and Elisabeth of Saxony, the younger brother of Margherita di Savoia, the future Queen of Italy. Tommaso was orphaned by his father when he was only one year old and followed him in the title of Duke of Genoa. He was placed under the guardianship of his uncle Vittorio Emanuele II, who sent him to the Harrow School in London after his education.From 31 March 1879 to 20 September 1881, in the rank of frigate captain, then promoted to ship's captain during the crossing, he sailed as commander of the corvette Vettor Pisani, the Italian warship in its third oceanic reconnaissance voyage around the world.On April 15th 1883 he married Isabella von Bayern (1863-1924) at Schloss Nymphenburg in Munich. In 1915, when Italy entered World War I, Victor Emanuel III decided to go to the front from Rome, entrusted Thomas with some of his royal functions and appointed him lieutenant-general of the kingdom. However, the office was almost exclusively honorary and did not involve the effective exercise of power. However, in those days, the royal decrees were called Lieutenant Decrees and bore the signature of Prince Thomas instead of the King's. The lieutenant was also appointed to deal directly with the state of emergency caused in central Italy by the Avezzano earthquaFull description on lot-tissimo.com

A 9ct. gold, ruby and seed pearl set ring, (1.0g), together with a carved jadeite crucifix pendant, height 5cm, with Hong Kong Gems Laboratory Certificate, together with a Chinese export silver matchbox holder, pierced and engraved as bamboo to long sides, stamped makers mark and "silver", an antique precious yellow metal mounted bar brooch, (yellow metal assessed as 9ct. rose gold), length 40mm, an amber bead necklace, and another item. (5)

A collection of letter openers, to include Chinese enamelled, silver, white metal and novelty examples (12)

A Japanese scroll painting or Kakemono, depicting figures in a mountainous landscape,138 by 49cm, image size 84 by 41cm, another smaller scroll painting of a boat in a mountainous gorge, 87 by 24.5, image size 53 by 18, a Chinese embroidery, possibly a sleeve band, the polychrome and silver coloured silks depicting a scholar in a pagoda in Chinese knotted technique on cream silk ground, 50 by 10cm, backed onto a scroll, 75 by 15.5cm, and two further pictures, including a reverse painting on glass, 8.5 by 18.5cm, in ornate frame, 20 by 22cm. (5)

Miniatuur ( poppenhuis ) Kangxi kandelaren zilver. Uitgevoerd met chinees kangxi porseleinen baluster vormige body en zilveren montuur voorzien van gegraveerde versieringen. Nederland, Amsterdam, Jacob Nicolaas & Cornelis Kramer, 1854, keurtekens: leeuw, minerva, meesterteken, U - gebruikssporen en deukjes en mist een stukje accolade rand. 77 gram, 835/1000. Afm. H 9 cm. Geschatte opbrengst: € 20 - € 250. A miniature (dolls' house) Kangxi. Executed with Chinese porcelain baluster shaped body and silver mount with engraved details. The Netherllands, Amsterdam, Jacob Nicolaas & Cornelis Kramer, 1854, Marked: lion, Minerva, makers' mark, U - traces of use and some dents and missing a piece of the scalloped rim. 77 gram, 835/ 10000. Meas. H 9 cm.. Estimate: € 20 - € 250.

A novelty Chinese silver condiment set in the form of a rickshaw

A pair of Chinese silver miniature tapered vases with raised dragon and floral decoration, signed, 1¾" high

A Chinese silver slice, by Zee Sung, Shanghai, c. 1920, with cast dragon motif to the handle and engraved dragon to the blade, length26 cm, weight 4.5 oz.

A Chinese silver double cloak holder, by Sung, c. 1900, stamped CHINA, SUNG, SILVER, of disc form, linking chain, diameter 5 cm, weight 1 oz.

19th century Chinese silver teapot, repousse prunus flower, butterfly and stork decoration to the body, bamboo shaped handle and spout, ivory spacers, the lid with engraved bamboo leaf decoration, bamboo style finial (hinge broken and finial loose) together with a similar milk jug, maker Kwong Man Shing with Chinese character mark, height of teapot approx 15cm (2)

Edwardian 9ct rose gold pendant, glazed compartment either side, Chester 1904, large agate white metal fob, silver pendant, white metal locket and Chinese painted mother-of-pearl disc pendant (5)

White metal teapot and stand, squat melon shaped teapot, height approx 11cm, marquised shaped fluted stand, length approx 25cm, possibly Chinese, assessed as silver

A rectangular treen glove box with ribbed sides and hinged cover, a French spectacle case with gilded metal mounts, a cased Chinese 19th century needle case, a George III silver condiment spoon, a silver butter knife, a pair of silver sugar tongs, a quantity of mother of pearl counters and a Satsuma bowl A/F

Chinese silk sleeve panel, worked in silver-coloured thread with three bats (Fu), 54cm x 16.5cm excluding patterned border, framed under glass beneath pierced brass hanger Condition: **General condition consistent with age

Chinese late Qing Dynasty silk Rank Badge, Silver Pheasant (5th Rank), 20cm x 29cm excluding patterned border, framed with brass hanger Condition: Damage to centre of top edge of frame, internal contents sound - **General condition consistent with age

19th Century Chinese Canton Famille Verte hexagonal vase, of barrel form decorated in enamels with figures on a terrace, vases and incense burners on root wood stands etc, 26cm high Condition: Rim of vase has significant traces of silver-coloured paint or similar, possibly has had a cover glued to it and this would benefit from removal which should not be difficult and would not leave damage. General kiln inclusions, glaze pops and some edge scuffs to body of vase, minor discolouration. 20th Century handwritten biro label beneath, apparently unmarked but label has not been removed. **General condition consistent with age.

A Chinese export silver cylindrical box, by Wang Hing, stamped 'WH', '90' and character mark, monogrammed pull off cover, 7.8 cm high, 53g (1.7 troy ozs) gross

An early 20th Century Chinese silver card case modelled as a book and decorated with figures in a landscape to one side and bamboo to the other, length 11cm, unmarked.

A Chinese polished bronze bottle vase, Qing Dynasty (1644-1911), of compressed form, extending to a slightly tapered form neck terminating at a lipped rim, inlaid with silver bands of ruyi, height 16cm.

An early 20th Century Chinese silver box decorated with embossed three clawed dragons among clouds to all sides, length 17cm, depth 7cm, open to cedar wood lining, impressed Luenwo to base.

An early 20th Century Chinese silver miniature Hongmu chair, applied with a green hardstone roundel to the splat, height 5cm, width 2.5cm, Hung Chong, Shanghai or Canton.

19th century Chinese Export silver presentation mug, maker's mark KHC for Khe Cheong, Canton, the body richly chased with riders surrounded by bamboo and a fortress behind, the cartouche with presentation inscription dated 1862, the handle modelled as a dragon, 15 cm high, 17 oz. (530 gr.)

George V silver vesta case with vacant shield cartouche, Birmingham 1930, 5 cm high, and a white metal matchbox holder decorated with Chinese figures (2)

AMENDED DATE 19th century Chinese Export silver presentation mug, maker's mark KHC for Khe Cheong, Canton, the body richly chased with maritime traders on a river in front of a walled city, likely depicting the European Hongs at Canton, the cartouche with presentation inscription date 1860, the handle modelled as a dragon, 15.5 cm high, 17 oz. (530 gr.)

A group of Chinese white metal figurines, a Chinese junk, a 800 silver brooch and a gilded white metal carved jade pendant BuddhaLocation: TABLE

A mixed lot of silver and silver plate, and other metalware to include a silver framed double folding photograph frame retailed by Liberty, a cased set of silver christening spoon and fork, a pair of Ace of Spades brass candlesticks, Chinese cloisonne and other items

A Chinese carved Tixi lacquer bowl, Ming Dynasty, the bowl supported on a short foot rises to a slightly everted mouth rim, the exterior is carved through alternating black and red lacquer with floral scrolls, the interior and base applied with a silver-plated lining, 10.8cm wide Condition Report: 5cm long x 1cm loss to lacquer on foot rim and several cracks to the body of the bowl and two chips to rim of bowl 2cm x 1cm and 2.5cm x 1cm and silver plated foot rim bend and misshapen Condition Report Disclaimer

A CHINESE SILVER REPOUSSE DRAGON'S PHOTOGRAPH FRAME, C1900, 10 X 8CM, MARKED 90, W H AND IN CHINESE, 1OZ 9DWTS Lacks the strut or support, otherwise complete. Of fine quality and undamaged, marks good

A CHINESE MINIATURE SILVER REPOUSSE JARDINIERE, C1900, DECORATED WITH PRINCIPAL PANELS OF BAMBOO AND PRUNUS, 38MM H, MAKER T.Y.T. AND MARKED IN CHINESE, 1OZ 5DWTS Good condition

A CHINESE SILVER ROSE BOWL, LATE 19TH C,  APPLIED WITH CHRYSANTHEMUM DECORATION BENEATH MOULDED RIM ON COLLET FOOT, ENGRAVED EALING GOLF CLUB CAPTAIN'S PRIZE 1909 OLGA SALTER, 19CM DIA,   BY WANG HING & COTS Good condition

MISCELLANEOUS VINTAGE COSTUME JEWELLERY, INCLUDING SILVER, A CHINESE MINIATURE SOAPSTONE CARVING OF A MONKEY, SEVERAL PAIRS OF VICTORIAN AND EARLY 20TH C WIRE AND OTHER RIMMED SPECTACLES, A HORN MODEL SAILING SHIP, ETC Mostly in good condition

A CHINESE SILVER AND MOTHER OF PEARL BRACELET, FIRST HALF 20TH C, COMPOSED OF SEVENTEEN PANELS AND CHASED SILVER CLASP, 64CM L EXCLUDING TWO PANELS (DETACHED), MARKED K W AND IN CHINESE, 179G Good condition

A CHINESE PARCEL GILT SILVER FILIGREE AND ENAMEL BASKET AND COVER, C1900, 10.5CM H, 3OZS Slight faults and small repairs

A collection of Chinese and other eastern snuff bottles, ceramic, enamel, silver coloured metal, jewelled and inlaid mother of pearl, variously set with jade, amber, etc. and a hardback book "Chinese Snuff Bottles" by Lilla S. Perry. Tallest 85 mm. CONDITION REPORT: The blue porcelain snuff bottle has a hairline crack running for +/- 4.5 cm. The folding double snuff bottle has no stoppers. The enamelled example is in good order with no issues. The three other metal snuff bottles are in good order with no issues. The moon shaped example is missing its stopper top.

Various Continental and foreign silver, including a pair of enamel salts, a small Chinese box, a drink's coaster, a French slice etcLot sold as seen unless specific item(s) requested

A Chinese unmarked silver cricket cage, circa 1900, parcel gilt relief decorated floral lid, and pierced lattice base, diameter 7.5cmThe lattice base has several small holes, otherwise good condition

A Chinese silver swing handled basket, Wang Hing, the centre engraved with a four clawed dragon within four decorative floral pierced panels, with stylised bamboo border, blossom swing handle and raised on four ball feet, 29cm wide, 18cm high (including handle), the base stamped 'WH' and with character mark, weight approx 17.9ozCondition report: Marks slightly rubbed, some scratches throughout in keeping with general wear, some dents to the feet, refer to images