A 19th century Chinese Export silver three piece tea set by Cumshing? decorated with birds amid prunus and faux bamboo handles, teapot height 12.3cm, gross weight 29.5oz. UK APHA Registration of an ivory item Submission reference: RAD9QFK6.Handle base has broken away from the body. Top of handle a little loose also. Small piece of silver missing from tip of spout. Lid a little loose in situ. Small dent to lower area of cream jug. Solder repair to top of one handle of sugar bowl.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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An early 20th century Chinese Export three piece silver tea set and matching silver inlaid hardwood two handled tea tray, by Luen Hing?, with engraved monogram and planished and applied dragon decoration, gross 35.5oz, tray 61.6cm over handles. UK APHA Registration of an ivory item Submission reference:YGW6B327.Teapot handle loose in situ. Tarnishing in places and some staining to the wood. Overall condition is otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Dutch silver miniature rectangular teabox with Chinese decor, mm Frederik van Strant 1, Amsterdam, first quarter 18th century, 835/000, gross w. 21 gr., height 4.5 cm.Zilveren miniatuur rechthoekige theebus met Chinese taferelen, mt Frederik van Strant 1, Amsterdam, 1ste kwart 18e eeuw, 835/000, br.gew. 21 gr, hoogte 4,5 cm.
A TALL ORNATE CANDELABRA 105cm, MODERN RESIN BUDDHA 40cm TALL, two matching lamps with shades 72cm height, a Chinese style blue and white vase 35cm height, briefcase, a stoneware oven dish with lid, wooden block door stop, glass decanter, glass and silver plate serving dish, silver plate tray on detailed legs, glass and silver plate bowl, silver plate dish and two small matching silver plate sauce pots, glass box with lid, Motic microscope, Ikea metallic desk lamp, five synthetic plants in modern white pots, a Laurent-Perrier champagne bottle 39cm height, one antler handled walking stick, two vintage fishing rods and fishing net, etc (28 loose items) (Condition report: some items showing signs of wear, lamps not tested)
A CHINESE EMBROIDERED RANK BADGE For the rank of Second-Rank military officer, woven in silver and metal thread, the mythical lion within a circle of Buddhist emblems, above waves, within a stylised bat and shou symbol border 28 x 30cm, with frame 43.5 x 43.5cm Condition: For a condition report or further images, please contact the saleroom via hello@hotlotz.com Provenance: Lots 119 - 307 from the collection of former Singaporean diplomat and Member of Parliament, Joseph Conceicao
A pair of Chinese carved malachite quail boxes, 20th century, raised on silver wire inlaid hardwood plinths, together with a South East Asian bronze Buddah head, probably 17th century, a miniature champleve enamel vase, a Japanese cloisonne box and cover, a hardwood snuff box formed as a monkey, a treen egg and four carved hardstone models (one tray)One with tail reglued, small chips to wing tips, small chips to rim of the base, losses to the feet, the other with loss to one wing and both feet, bases in good order, size 11cm beak to tail, other items in the lot not reported
A Chinese green/silver glazed terracotta bowl/ladle, probably Han dynasty (206 BC - 220 AD), the bowl with short scroll handle, length 16.2cm (two rim repairs).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese export silver miniature armchair by Luen Wo, early 20th century, the pierced floral and scroll back inset with a jade circular panel above a pair of scroll arms, solid seat and block legs, maker's mark of Luen Wo of Shanghai to underside, weight 61.2g, height 6.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese silver salver, by Wang Hing & Co, circa 1900, stamped with character mark, 'WH' and '90', the central circular medallion surrounded by eight shaped panels filled with trees, birds, figures, flowers, plants, bamboo and precious objects, within a repousse foliate and bird decorated border, on four pierced splay feet, height 2cm, width 25cm depth 25cm, 450 grams.The weight is 450 grams. Very slight surface scratches. Extra photos available on our website. www.davidlay.co.uk
A Georg Jensen pill box, and a quantity of other jewellery and smalls; A pillbox by Georg Jensen, numbered 176C, with post-1945 maker's mark, engraved 1886-1961 AR monogram on lid; A pair of Scandinavian ear cuffs by Toni Vigeland, marked '925S'; An English snuff box with hunting scene by G.Smith and sons, marked 'cardinal blend snuffs'; A banded agate trinket box with enamelled sides; A Chinese export silver pepperette in pagoda shape; Two American one-cent coin charms; A 1965 Elizabeth II and Churchill commemorative crown; A 1977 Silver Jubilee commemorative crown in mount; Five enamel pins; Two Egyptian revival pins; A horn pin. Total weight of items 236.3 grams.
A pair of Chinese silver and enamel quail dishes with filigree plumage. The backs of each bird removing to access the dishes. 15.5 ozt gross weight. 15 cm long x 9 cm high. One quail has a little damage to one of the feathers around the nape of the bird on the same bird it is evident that one of the nape feathers is bent over, again see the images. Generally, the pair are in good decorative order
Sir William Nicholson (British, 1872-1949)Still Life: Emile's Things signed and dated 'Nicholson/1912' (on the lower left of the mirror)oil on canvas92.2 x 71.4 cm. (36 1/4 x 28 1/8 in.)Footnotes:ProvenanceProbably acquired in the 1920s, or earlier, by the present owner's great auntPrivate Collection, U.K.The title of this unrecorded work by William Nicholson is the one used by the family in whose possession it has been since the 1920s, or earlier. 'Emile' was a dressmakers at 9 Hanover Square in Mayfair London, circa 1927-32, whose clientele was mainly debutantes and their mothers; the business was run by the vendor's great aunt. When and where she acquired the painting is not recorded – perhaps direct from the artist as so far it has not been possible to find any exhibition or other references to this work, whose original title has yet to be discovered.The handling of paint is typical of Nicholson at this period who so evidently enjoys the challenge of depicting surface textures and reflective surfaces. There is a dramatic use of light and shade, together with an equally exciting palette of orange, red and turquoise. The work is particularly interesting as part of Nicholson's search to find a rational for his increasingly large still-life's, and several motifs link it to other works of the period, such as the inclusion of a reflected figure in a still-life as in the untraced Still Life, in the Studio of 1911 (Reed cat.237).The composition with a collection of garments and accessories in front of an oval mirror reflecting a female figure recalls the earlier Souvenir de Marie (Dublin City Art Gallery, The Hugh Lane) of 1906. This was presented by the artist to Sir Hugh Lane with a dedication in 1912, the year in which the present work was executed. It is possible that Lane may have encouraged Nicholson to revisit the subject, here treated on a larger scale and in portrait rather than landscape format, but featuring the same black framed oval mirror. There are fewer items here, whose varied textures are skilfully depicted: a black felt hat with feather and a plaited leather band rests on the pale cream fur lining of a coat with an arm hole opening just discernible. Adjoining is the embroidered white lining of the turquoise silk garment to the right – perhaps an opera coat. A pair of ladies red leather walking shoes, made for a slender foot with an elegant French heel, are standing on the turquoise silk. A disconcerting position, while even more startling is the juxtaposition of the orange organza scarf behind. This is the development of a device that Nicholson had used the previous year in The Black Vase (Bradford Art Gallery) where yellow silk provides a single note of colour. The dried seed heads known as honesty, here in a slender glass vase with another spray resting against the mirror, also appeared in the three other works dating from 1911: The Black Vase and The Chinese Vase both in Bradford Art Gallery, and Honesty in a Staffordshire Jug.Nicholson's prominently displayed signature on a piece of paper tucked into the frame of the mirror can likewise be related to Souvenir de Marie - in the latter there is a label in a more conventional location, foreground right. The reflection of the label in the mirror suggests that this is a black mirror rather than the usual silver-backed one. Black mirrors appear in several still-life's of the period, for example China Figures and Black Mirror (Private Collection) of 1909.Although it was primarily colour and texture that dictated their selection, it is possible that whereas the garments in the Dublin painting are all historic or theatrical costumes, those depicted here are contemporary ones. The woman reflected in the black mirror is wearing contemporary evening dress, but in contrast to the opulence of foreground fabrics her gown is sketched out in white. The artist's interest is obviously more in the garments rather than in the woman, which must be evidence that this is not a portrait. There is also the somewhat imperious look on her face, half lost in shadow. (She has after all usurped the viewer's position in the mirror.) In this same year Nicholson painted the untraced Equestrian Portrait: The Lady in Green (Reed cat.254): a reviewer, Sir Claude Phillips, commented that the sitter regarded the onlooker 'with something that nearly approaches a sneer'. This is most unlike Nicholson and might suggest that he was having difficulties with female sitters at this time. The artist's gift of the Souvenir de Marie to Lane was in part thanks for securing him a major commission in 1912, the portrait of Lady Phillips (Johannesburg Art Gallery). Any other link to this commission would be purely speculative, and the woman in the mirror bears no physical resemblance to Lady Phillips. No doubt several portrait commissions before World War I were abandoned – the details of which are now lost – as female sitters proved difficult and unreliable, unlike the beautiful objects in the still life.The canvas bears the Chenil Gallery stamp found on several of Nicholson's canvases dating from the period 1909-1921. The gallery, which was near the artist's studio in the King's Road, Chelsea, sold artist's materials.We are grateful to Patricia Reed for compiling this catalogue entry.For further information on this lot please visit Bonhams.com
A Chinese Mandarin's blue and silver summer dragon robe, circa 1930, worked with numerous sky dragons over waves and earth 126cm high; together with a silk square table cloth, circa 1920, worked with a temple and pagoda by a lake within formal border design 100cm (2)robe - unfinished. cloth - very faded a.f
A Chinese blue and white export porcelain tea caddy, Qianlong, circa 1740, of octagonal section, painted with floral sprays, later European white metal mounts and cover 11.5cm high;another, of tri-lobed section, in Imari colours, moulded in relief with a garden and landscapes 10.5cm high;a Batavian cafe-au-lait glazed teabowl circa 1740, with floral leaf silhouettes 8.5cm diameter (3)blue and white caddy - slight chips and a small crack on the rim of the nozzle. Original cover lost and later European untested white metal mounts and cover. chip on shoulder noticed beneath the silver mount..Imari - fritted around most rims. Original cover missing - now with later untested white metal example.bowl - one long hairline crack from rim to bowl centre. small enamel loss.
A Tibetan gilt bronze seated figure of a lama, early/mid 20th century, with painted facial details, in silver metal scroll enriched robes, upon a lotus dais, engraved copper base plate12.5cm highvery good The Chinese Buddhist statuary and associated collection was acquired by C Roger Moss OBE in Hong Kong during the period 1980 to 2003.All items were officially exported from Hong Kong by shippers and handlers recommended and approved by the Mass Transit Railway Corporation of Hong Kong on 10th May 2003, with full documentation. Itemised inspection certificates - dated 24th February, 16th and 23rd April and 7th May 2003 (report No 0254/03) by J & H Surveying Co Ltd, Marine Surveyors - number and detail the items exported. A copy is available at Cheffins’ offices. The shipment arrived in Felixstowe, UK on 29th May 2003 and was received for transhipment by Redfern International Logistics of Leeds, recorded in their sales invoice no. IDSI2926, which details fees paid for the appropriate Sea Import Customs and Sea Import Documentation.The dating of Chinese sculpture is notoriously difficult and all such references in this catalogue are based entirely upon style and should not be relied on as a statement of fact.Regarding the stone carvings in the Moss Collection, these lots may only be bought and sold within the UK/EU. Buyers wishing to export items should make the appropriate checks before bidding. The auctioneers cannot be held responsible for any future liabilities associated with authentication or for export outside of the UK/EU. 1980??2003????C Roger Moss OBE?????????????????????????????????2003?5?10?????????????????????????????????????-??????J?H Surveying Co Ltd?2003?2?24??4?16??23??5?7???????0254/03??????????????????????Cheffins???????????????2003?5?29????????????????Redfern International Logistics????????????- IDSI2926?????????????????????????????????????????????????????????????????????????????????????? Moss Collection ??????????????/??????????????????????????????????????????????????/??????????
A box of assorted pottery items together with a box of metalware. Oriental plate with markings to the base, collection of brown earthenware pottery to include a hen egg crock and 4 figures which are lidded jars marked 'Tea', 'Coffee', 'Sugar' and 'Coffee' an another unlidded, collection of 4 snuff bottles Chinese red snuff bottle, relief decorated with equine scenes, blue and white florally decorated snuff bottle, tear drop shaped snuff bottle and another with a sailing boat, blue and white basin from a wash stand set with oriental stamp to the base and a box of metalware to include: probably silver plate on copper coffee pot, white metal glass lined oval serving dish, white metal white glass lined butter dish with wild cat knop, 3 branch candelabrum, possibly silver plate on copper, fox handled hunting tankard, blue glass lined condiment set etc. (2) (B.P. 21% + VAT)
ELKINGTON & CO; a Victorian silver plated table snuff of triangular form in the Chinese style with cast decoration and a circular cover with figure of a Chinese male, housing a glass liner, with three triangular shaped snuff compartments, raised on dragon feet, width 30cm, with a modern silver plated three branch candelabrum (2).
A good Worcester coffee cup, circa 1753-54Of quatrelobed shape, the crisply moulded double-scrolled handle with raised thumbrest, the front panel delicately painted with a gesturing Chinese figure holding a parasol, the side panels with flowering plants growing from rockwork, a crested bird perched on one of the branches, 6.7cm high, incised numeral 5Footnotes:ProvenanceA J Smith CollectionGwen and Ronald McKnight Melvin Collection, Simon Spero exhibition, 2007, no.14M Warburton CollectionRobyn Robb CollectionThe elegant handle speaks of influences from contemporary rococo silver. An example with a less elaborate handle is illustrated and discussed by Sandon and Spero, The Zorensky Collection (1996), p.83, no.28. The incised '5' to the underside of the present lot is a most unusual feature on early Worcester.For further information on this lot please visit Bonhams.com
A Hung Chong & Co. early 20th century Chinese export silver cigarette box with hinged cover and wooden lined interior, decorated in relief with dragons on a stipple hammered ground, the top with central oval cartouche inscribed 'Jean' and the base stamped with makers mark and 'Hung Chong & Co' (silversmiths and retailers of Shanghai) 10.5 cm w x 8.5 cm d x 4.5 cm h to/w a Chinese silver matchbox holder with similar dragon design, 'HC' makers marks and base inscribed 'Jean', 6 cm w x 3.5 cm d x 2 cm high, both late Qing or Republic period (2) Both with general surface wear and scratches commensurate with age and use, the cigarette box with small dinks to face, cover and back corner, hinge in good condition and opens/closes nicely
An Edwardian silver menu holder modelled with a golden pheasant, Grey & Co, Birmingham 1907, another cast with rose, thistle and shamrock, Saunders and Hollings, Chester 1901, another as a horseshoe - also Saunders & Hollings, Chester 1900 and a fourth as a Chinese fisherman, stamped '925 Sterling', to/w a trumps-picker modelled as a ship's telegraph (to be mounted on a pencil), Hukin & Heath, Birmingham 1923 and two Scandinavian Viking boat salts, stamped 925/830 (7)
An early 20th century Chinese export silver 'Tuck Chang' pierced bowl embossed with two dragons disputing a vacant circular flaming pearl cartouche, standing on three 'bamboo' supports having threaded feet through the carved hardwood stand, 10 cm diameter x 11 cm high o/a to/w a pair of Chinese export silver pierced candlesticks embossed with dragons also with carved hardwood stands, unknown maker 12 cm high o/a (3)

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31349 item(s)/page