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A pair of 19th century silver sugar nips, and a Chinese white metal cylindrical box and cover, with applied dragon decoration

Lotje divers zilveren juwelen, wo een Chineze vinaigrette/ gearticuleerde vis aan gevlochten horlogeketting, br.gew. 95 gr., lengte visje ca. 9 cm. Lot divers silver jewellery, ao an articulated Chinese fish pendant/vinaigrette on a braided silver watch chain, gross w. 95 gr., length fish ca. 9 cm.

Chinese late 19th century silver perfume or spice jar, embossed with a dragon, Chinese character marks, and 'ZEEWO', 13cm, 7½oz.CONDITION REPORT: One dragon slightly dented in.  Very minor dent in base.

Chinese silver gilt bracelet with pearls, rubies, sapphires, and other gems, in three panels.

Chinese silver spoon, an embossed plaid brooch with paste cairngorm, various EP items, and a shell cameo in ebonised frame.

7th century AD or later. A fragment of a Late Sassanian or Sogdian silk, representing a ruler hunting a lion on horseback using a composite bow, his costume consisting of a very elaborate headdress composed of a diadem-crown, with a disc on the forehead an ensemble fastened to it from above presenting a winged disc surmounted by a crescent and a sphere in the middle, with the long ends of a band hanging behind, forming a Sassanian royal crown; the body is clothed in a kaftan secured by a kamar belt, a short jacket, leggings; riding a brown horse with a very elaborate horse harness, the quarry a spirited lion on the right side; all bordered by a hexagonal frame, with foliage and garlands on the edges, other foliage decoration on the corners and under the horseman. See Ghirsman, R., Persian Art. The Parthian and Sassanian Dynasties, New York, 1962; Feltham, H., Lions, Silks and Silver: The Influence of Sasanian Persia,Philadelphia, 2010, fig.9, for a similar silk piece; Yatsenko, S.J., 'Sogdian Costume in Chinese and Sogdian Art of the 6th-­8th cc' in Malinowski, G., Paro?, A. and Szmoniewski, B.Sz., Serica – Da Qin. Studies in Archaeology, Philology and History on Sino ­Western Relations (Selected Problems), Wroc?aw, 2012. 24 grams, 30 x 30cm (12 x 12"). Property of a London gentleman; formerly with Mahboubian Gallery, London, UK; acquired before 1972; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10168-166853. Sassanian weavers, possibly building on Syrian draw-loom technology, developed a compound weft silk twill with elaborate repeating motifs such as winged lions, hunting scenes, tree of life patterns, and opposing birds, each motif enclosed within a pearl-like roundel, and each group of roundels separated by scrolling, geometric plant forms. Both the heraldic animal and human elements and the interlocking plant motifs inspired Eastern and Western design for centuries to come. Sogdiana was a centre of trade both in raw silk from China and in textiles. Part of the Sassanian empire until the mid-sixth century, its oasis cultures traded in and copied luxury goods, particularly silks, developing looms and techniques designed to produce the highly desirable international style. In the late sixth century, the Sogdian merchant and weaver, He Tuo, arrived in Nanking, China. One of the favourite motifs was the royal lion hunt. Lions and lion hunts are still motifs of the arts of Iran and Central Asia, and both feature prominently in the designs of carpets such as the Iranian Fars rugs and the animal rugs of Khotan. Fair condition.

A Good Quality Chinese Silver Vase Stamped for Wang Hing Decorated in Relief with Birds on Branch, 14cm high

Three Chinese hardstone mounted white metal vessels19th/20th century, comprising a six-lobed cylindrical gilt metal filigree jar and cover mounted with a hardstone rim and set with hard stone and enamel upright shrubs, stamped mark 'silver'; 18cm high;and two various jadeite, agate and turquoise-mounted shaped bowls, stamped mark 'silver' Approximately 11cm wide (3).For further information on this lot please visit Bonhams.com

A George III silver tea caddyAugustine le Sage, London 1767 Modelled as a tea crate with Chinese character on the sides, surmounted by an unmarked floral finial, height 10cm, length 9.5cm, weight 14oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver tea caddymaker's mark only, John Parker and Edward Wakelin, circa 1760 Modelled as a tea crate with Chinese characters on the sides, with an unmarked floral finial, height 11cm, length 9cm, weight 14oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver tea caddymaker's mark 'RP', London, 1768 Circular form, the hinged lid with an unmarked foliate finial, panels of Chinese characters within foliate borders, height 10cm, length 10cm, weight 12oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver tea caddyJohn Parker and Edward Wakelin, London 1763 Cylindrical form, the hinged lid lacking finial, engraved with Chinese characters within foliate borders, the lock mechanism including a key, height 10.5cm, length 10.5cm.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Antique Chinese silver opium spoon embossed with two fish

Assorted Decorative Early 20th Century Silk Panels, comprising a black silk stole with taffeta trim woven with bouquet of flowers to each end, tassel trims; Chinese cream silk panel embroidered with cream silk threads depicting chrysanthemums, prunus and birds, with fringed trim, cream silk reverse, 86cm by 90cm; yellow satin panel embroidered with a ribbon garland for border and appliqued with diamante and oval sequin floral bouquets, with a cotton reverse, 57cm square; shaped table mat embroidered with yellow silk flowers to the cream centre, multi pleated yellow silk trim to the outside and yellow cotton reverse, 60cm by 34cm; green and silver brocade mat with scalloped edges and silk pleated trim, 48cm by 58cm; cream silk bed cover stencilled with pink lily pad flowers, 169cm by 191cm (6) . - Black silk stole - couple of tiny holes to one side, otherwise slight wear and fading. Chinese silk panel - some loose threads and slight wear. Yellow satin panel - tiny hole near to the centre (burn hole?), slight rubbing and wear, some sequin and diamante losses. Table mat - some slight wear and staining to the trim. Green and silver mat - some discolouration overall and to the reverse. Silk bedcover - slight wear.

A pair of silver spoons surmounted by carved Chinese figures. London 1906, maker Holland Aldwinckle and Slater. 152gms. 21cm l.

A quantity of silver, pearl and gem set and costume jewellery including a pearl and opaline necklace, three pairs of vintage silver and paste earrings, an early 20th century paste necklace, a/f unstrung, Chinese glass beads, and various pearls. (1 bag)

A Chinese silver inkwell of cylindrical form with irises surrounding, and butterfly to the lid, three Chinese character mark groups to the base, 9.3toz including glass inner, 6.5cm diameter by 7.5cm high, a/f lid detatched from hinge.

A Chinese Export silver punch bowl by Wang Hing & Co, circa 1900, the body decorated in relief with a dragon chasing his tail, below a pierced border containing further dragons chasing the flaming pearl, and raised on a scroll bracket pedestal base decorated with prunus blossom, marked 'WH 84' and with Chinese characters to the base, with further marks to the pedestal foot, presentation engraved, 48.6toz, 26 by 20cm high.

A Quantity of 19th and 20th Century Fans, including some for spares and repairs: To include a late 19th century cream gauze fan painted with a lady wearing an open robe and fine sleeve ruffles leaning from an upper window to reach a floral bouquet which a well-dressed suitor, concealed behind the shutter, has entered the courtyard to present. The upper leaf is edged with a fine handmade bobbin lace. Signed to the right, indistinctly, starting with ''V''. The verso is plain. Mounted on a pink mother-of-pearl, lightly incised and gilded. Together with another large fan of a similar period, the monture of simply incised bone. The cream leaf is painted in pastels with marguerites and dog roses, and a band of cream machine lace provides an upper edge; a late 19th century fan, dark wood sticks lightly gilded, the guards formed as feathers. The gauze leaf, of two shades of aubergine, is painted with several birds in flight: a large late 19th century bone fan, the monture with floral details in slight relief, the top edge of the cream gauze leaf applied with handmade cucumber bobbin lace, the leaf applied from mid-point with a frill of cream machine lace, above which the leaf is embroidered with simple sprig designs in silver sequins; a simple but colourful Chinese paper fan printed with flowers and mounted on white painted wood; three early 20th century feather fans in various states of repair and montures in different materials, one in black, one brown and one cream; a large late 19th century bone fan with simple incised guard and a plain cream gauze leaf; a 20th century tourist fan of appealing shape, wood, painted black and gilded. The cotton leaf is narrow, and features a sky with upper tree sections and tumbling flowers in yellow and blue with shaded leaves. The flowers continue onto a gorge that has been shaped to hold a romantic scene, a couple seated on the outskirts of a village, the whole fan recto linking the scenes with the flowers across fabric and wood. The verso is plain. Signed, H de V…. (10 ). Varied. The first fan is repaired to the lower section of the lower guard. Light foxing. The leaf on the aubergine fan is extensively split. The leaf on the plain cream gauze fan has a split.

Two Embroidered Chinese Hats for Children, worked in panels both vertically and horizontally, with a band all around in different colours, ear flaps, and a very detailed panel supporting the knotted finial. Both are further decorated with gold and silver metal braid, one has the addition of silver bobbles to the lower edge. One lined in black, the other unlined. Together with A Pair of Silk Lotus Shoes for bound feet, as worn by the women and girls of the Han Community, Qing Dynasty. With a salmon-pink silk upper, embroidered to sides and front, decorated with coloured cords and finished with woven lime green silk (4). The hats are in good order but some of the silver bobbles are missing on the second example. Wear to the salmon silk of the Lotus shoes, otherwise they are in good strong condition.

Four Good Chinese Purses, probably for holding perfume or spice, (Xiang Nang), late 19th or early 20th century, Qing Dynasty, the most ornate being the smallest, with gold and soft green metal threads worked on blue silk to one side and purple silk behind. Attached is a small leaf shaped panel of matching silks and threads. From each side hang long silk tassels, each bound at the top in silver and gold threads; next, a midnight blue silk draw thread purse embroidered both sides with a crane and auspicious symbols, fitted with four cream silk tassels bound with silver metal thread. This may well have been one of a pair and worn by a high ranking official, or royalty; another, woven in blues, cream and sage, the drawstring panel of dark purple silk, fitted with cords and a blue glass bead; finally a purse, in salmon pink bound in green, a compartment with flap to each side, all panels lightly embroidered. Lined in pale green glazed cotton.. Generally good, used, the purple silk on the woven purse is badly worn.

A Circa 1840's Chinese Mandarin Fan, Qing Dynasty, the double paper leaf mounted on black lacquer sticks, painted in gold, the gorge sticks each with a figure, the guards with the addition of a butterfly, both with a silver metal thumb guard. Both sides of the leaf feature figures with applied silk robes and painted ivory faces, many holding fans, some appearing to be visiting dignitaries and carrying gifts. Contained in a fitted black lacquer box, decorated in gold, the exterior lid with three figures and stylised foliage. The lid interior is painted in colours with fish, scrolls, and flowers. Blue lining. Guard length 11 inches of 28cm. Previously sold by Gorringes, 16th November 1999, lot 284.. The monture is sound and clean, the leaf has slight rubbing to the folds and a fair amount of splitting to the upper folds. Chip to the corner of the box lid. The hinges are present but broken.

An Unusual Chinese Painted Brisé Fan, Qing Dynasty, circa 1840, black lacquer on wood, the recto painted with a dynamic battle scene, the main elements in strong colour with unusual gold decoration to the sides. Two robed men astride fine silver horses, the latter in opulent saddles, charge, the first with weapon raised, more slung around his body, the object of their animosity (or perhaps the target of an abduction?) seemingly a younger person seated upon a yak or other long-haired beast, being calmly led by a servant carrying a pointed spear. To the right, peeping over a decorative wall panel, another of which is seen to the left, a male observer. At the top, a large dragon. The reserves are well painted with trees and foliage. The guards and gorge feature tiny floral patterns in gold and cream, unusual designs, similar to brocade. The verso is mainly decorated in this unusual manner, within which a shaped cartouche shows habitation, with a number of small dwellings and several figures, varied in age. Comprising twenty-four inner sticks and two guards. Guard length approx. 10 and 5/8 inches or 27cm.. Some rubbing to the paint, noticeably to the gorge.

A Mid-18th Century Chinese Fan with Carved Export Monture, Qing Dynasty, the guards carved in sections on a minute scale, mainly with flowers. The gorge is carved in bands of different designs in geometric fashion. The double paper leaf, découpé, is painted with very naturalistic flowers in good colour, to include sunflowers, pansies, roses and daisies, poppies, ranunculi, and a passionflower, with butterflies arriving from the left. The verso is painted in a similar fashion with moths, heartsease, honeysuckle and soft fruits. Bears a previous auction label dated 21st October 1970. Guard length approx. 10.5 inches or 26.5cm. Together with Another Ivory Fan With Chinese Export Monture, Qing Dynasty, figures and buildings on the guards and a very stylised and geometric design in bands and columns, a central oval with entwined initials. The light cream leaf is painted with pink roses, grapevines with fruit, and swags of flowers of the hedgerow. The upper leaf sections are embroidered with tiny silver sequins. The verso is plain. Guard length approx. 11 inches or 28cm; and A Third 18th Century Ivory Fan, with birds and flowers carved to the upper guards, the gorge with regular carved and pierced design formed by seven shaped and pierced bands. The double leaf features an outdoor gathering in Chinoiserie style, a meeting of generations, with an elderly man at rest, holding a large fixed fan and perhaps a scroll, watching a younger man contemplating a board game, seated at a low table with stylised porcelain flower vase. To the right, perhaps his wife, with two young children, the lady with fixed fan in hand. To the far right, a crane partaking of the orange fruits of a bush on rocky outcrop. The verso is painted with a simple gnarled tree with several colourful blooms. Guard length approx. 11.25 inches or 28.5cm (3) . The first fan upper guard is slightly warped. Losses and tears to some of the découpage. The second fan has 4 major splits to the leaf, all holding, some by virtue of some restoration seen on the verso. The third fan lacks the tip of the upper guard. Fan three has a crisp leaf but some repairs to the bottom left corner. The upper guard is fitted with an old white metal repair plate at the shoulder. Above that, another break is holding with glue. The upper section of the lower guard has an un-repaired break.

A Good Early to Mid-18th Century Chinese Painted Ivory Folding Fan, Qing Dynasty, the simple monture with mother-of-pearl tips to the guards, each etched with a slender bird, with the addition of mother of pearl thumb guards. The remaining guards, and the gorge sticks, are painted in red, gold and green, in the fashion of Imari porcelain. The double paper leaf is painted with men at work, one carrying his wares or delivering luggage, by means of a pole balanced across his shoulder. A seated figure with fixed fan observes. To the right a large bird to the foreground is of disproportionate size. The verso is plain, save for a floral sketch. Guard length approx. 10.75 inches or 27.5cm. Together with Another Chinese Ivory Fan, of a similar period, the guards carved with flowers and leaves within an upper panel, above and below which the fan is painted in red. The gorge is carved and pierced in bands, some with a lattice, others with circles or shapes, divided by painted bands of designs in red. The cream leaf is simply painted with a central oval, in silver, enclosing a spray of pink roses and smaller yellow and blue flowers. Guard length approx. 11 inches or 28cm (2). First fan, the monture is sound with indications of white MOP thumb guards having originally been present. Both fans in good used condition

A 19th Century Chinese Carved Ivory Mandarin Fan, Qing Dynasty, the guards deeply carved with pagodas, foliage and figures, the gorge sticks less so. Unusually, the double-sided cream silk leaf is painted most delicately in a silver-grey, each side in similar fashion but with subtle differences, with a large spray of flowers and leaves, birds and butterflies perched or in flight. Fitted with a knotted cord, lined in cerise silk, ending in a double cream silk tassel. Contained in a fitted black lacquer fan box, the interior deep pink, the hinged lid is painted inside with a tender outdoor scene with stylised trees and delicate blossom, of a robed gentleman proffering a fan to a lady. Guard length 11 inches or 28cm. Together with Another Similar but lacking a box, both sides of the double paper leaf showing scenes of social gatherings and daily life, the figures in robes of applied silk, and painted faces of ivory. Guard length approx. 11 inches or 28cm (2)The first fan and box are in lovely clean condition. Fan 2, one guard has broken at the shoulder, the leaf torn at this point, a fragment lacking. Several small tears to the lower leaf edge and some wear to the folds.

Four 19th Century Vegetable Ivory Sewing Items, to include a carved needle case, in the Chinese fashion, a pedestal pincushion, the central section being bone; a thimble case of acorn form holding a silver metal thimble with floral design, and a tape measure and pin holder combined, with bone ends.. Some colour shading to the needle case, and a crack at the top.

Maxwell K Hearn, Splendors of Imperial China: Treasures from the National Taipei Palace Museum, Rizzoli, 1996. ISBN: 0-8478-1959-0 Heian International Inc, Great National Treasures of China, National Palace Museum, 1992. ISBN: 957-562-086-0 Guggenheim Museum, China 5000 Years: Innovation and Transformation in the Arts, Harry N Abrams, 1998. ISBN: 978-0810969087 Grace Wong, Urban Life in the Song, Ming and Yuan, Empress Place Museum, Singapore, 1994. ISBN: 9-81300-281-6 Selected Treasures of the Past Dynasties Rare Gems of New Archaeolological Discoveries in Shaanxi Province. ISBN: 7-224-05792-4 Rosemary Scott, The World in Monochromes, The Oriental Ceramic Society, 1999 Regina Krahl, Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998. ISBN: 962-7502-39-1 Chen Quanfang, Yaozhou Kiln, Shaanxi Travel & Tourism Press, 1992. ISBN: 7-54180-506-8 Wang Ming Fang, Paintings of Flowers and Birds, ChinaProvenance: The Professor Conrad Harris Collection

A CHINESE CARVED TURQUOISE VASE AND COVER, 20TH CENTURY the flattened baluster body carved in high relief with chrysanthemum issuing from rockwork, the domed cover similarly carved with flowers and a cricket, silver wire inlaid wood stand 12cm high Provenance: Private European Collection

A CHINESE CARVED TURQUOISE FIGURE OF A MAIDEN, 20TH CENTURY carved and pierced standing leaning against a gnarled tree stump, wearing a long-sleeved robe and holding a fan in her left hand and a scroll in the right, silver wire-inlaid wood stand, box 14.5cm high Provenance: Private European Collection, acquired in Hong Kong, November 1995

A GEORGE V PIERCED SILVER BONBON DISH, 13CM DIAM, BY C S GREEN & CO, BIRMINGHAM 1918, A PIERCED SILVER SUGAR BOWL WITH LOOPED HUSK HANDLES, CHESTER 1918, A SILVER NAPKIN RING, A PAIR OF SILVER GOLF CLUB PRIZE SPOONS AND A SET OF FOUR CHINESE SILVER COFFEE SPOONS, 8OZ (5)

A CHINESE SILVER CASED GLASS DIMPLED DECANTER, CHASED AND PIERCED WITH DRAGONS, POINTED STOPPER, 20CM H, MARKED TL 935, EARLY 20TH C Stopper originally with a cork, now lacking. Glass undamaged, silver with small losses and splits but largely complete and intact

A SMALL COLLECTION OF CHINESE EXPORT SILVER ARTICLES, LATE 19TH AND EARLY 20TH C, TO INCLUDE AN OVAL CANISTER CHASED WITH BAMBOO, PIERCED REPOUSSE DRAGON SALT CELLAR AND MUSTARD POT, WAIST CLASP, ASHTRAY INSET WIT A COIN AND TOBACCO BOX, DATED 1911, VARIOUS MAKER'S MARKS, 11 OZ 14 DWT Lid of tobacco box not closing, the other items in good condition with light wear

Seven similar Chinese silver teaspoons and a Japanese Nagasaki silver teaspoon with a dragon handle , weight 114g combined

Mixed silver to include a Chinese white metal trumpet vase with pierced work depicting a dragon and floral designs, mounted on a carved wooden stand, marks to underside possibly for Luen Wo, a capstan inkwell, a napkin ring with floral pierced work, and a cut glass hair tidy with silver top

A good early 19th Century Chinese export lacquer sewing box with later European fitted interior by Fisher, the box of cut corner sarcophagal form decorated in red and gilt lacquer on a black background with figures, trees, pagodas, flowers, fruit and leaves, brass swan neck side carrying handles and raised on gilt carved wood paw and ball feet. The interior with ruched red silk lid panel, the compartmentalised and lidded tray in matching silk and incorporating the original carved ivory fittings comprising a pair of winding clamps, a pin cushion clamp, a pair of needle books with ivory spines, two cylinder needle cases, shuttle, tape measure and four cotton barrels. With additional European ivory and other fittings comprising a matched set of six ivory reels, the domed screw tops carved with flowers and fruit, two ivory thimbles, a pair of cut glass scent bottles complete with stoppers and silver gilt screw tops, a pair of steel scissors with gold rosettes, a mother of pearl folding knife, two matching tools, brass bodkin and sundry netting tools, 33.5 x 24 x 17.5cms.                                                                          †  Interiors of this type can be identified to Fisher Of 188, The Strand, London, established in 1838.                                                                                                                        

A late 19th Century early 20th Century Chinese silver vase form needle case, the twin handled vase pierced with flowers, leaves, figures and birds, the internal cylinder needle container on a chain and inscribed hook and terminating in a glass ball, 18cms.                                                                                                                      

Two 19th Century toothpick boxes, comprising a Chinese export mother of pearl example of canted rectangular form, the engraved sliding lid initialled ‘MAD’, engraved sides complete with a mother of pearl toothpick with two bone and two tortoiseshell folding arms, box 7.8cms, and a wooden carved toothpick box of drawer form complete with sliding silver toothpick, 7.5cms.    (2)                                                                                                                      

A small quantity of silver jewellery, comprising a Chinese writing and florally engraved belt buckle, a silver charm bracelet and a silver bangle.

A Chinese enamelled silver and amethyst ring (adjustable size).

A three piece 1920's Chinese silver tea set with matching sugar tongs stamped to the base Sterling, Tackhing made in Hong Kong. Approx weight, 1040g. Together with a silver plated dish and butter knife.

A Chinese silver and jade heart pendant and chain with a jade and gilt metal elephant and chain and an unusual jade necklace.

Chinese silver three-piece cruet, with applied characters, marked Luenoo, Shanghai and Canton, 5.5cm and smaller; a small silver and niello enamelled stirrup; a pair of small silver salts with spoons;a small butter dish marked Tuck Chang.

A 19th Century Chinese Silver Mounted Carved Rock Crystal Circular Box and Cover, 4.5cm Diameter

A Pair of Chinese Export Silver Sugar Tongs Having Pierced and Engraved Leaf Stylised Bowls and Bamboo Moulded Stems, Stamped to Inner Bridge, 12cm Long, 40g

A collection of ceramics to include  Poole Pottery dolphins, Sylvac vase, silver rimmed Harvest Jug, silver collar stoneware beakers with chased decoration and an Art Deco Primrose Royal Tudor ware condiment / jam pot with lid. Also a 19th century Chinese celadon plate and a cream glazed posy vase of children in a tree. Jug measures 18 cm tall.

A collection of cigarette boxes comprising one in silver, AF, a white metal Chinese version, a silver plated with an engine turned lid example, an Arts & Crafts pewter version (4)

THREE BOXES OF PICTURES AND PRINTS to include Continental etchings, British topographical prints, late 19th/early 20th Century silk and silver thread picture of a Peacock, Chinese silk pictures (modern), 20th Century watercolours and oils etc

Chinese silver sugar tongs with dragon pattern and forked prongs, 11cm long

A Five-Piece Chinese Export Silver Tea and Coffee-Service, by Luen Wo, Shanghai, Late 19th/Early 20th Century, Each With Craftsman's Mark, comprising: a teapot with ivory insulated handle; a cream-jug and a sugar-bowl, the body of each applied with birds among prunus flowers and foliage, the cover of the teapot engraved with bamboo; a hot water-jug, with ivory insulated handle, the body similarly decorated, the cover applied with prunus and a coffee-pot, with ivory insulated handle, the body decorated with prunus flowers and foliage, each with cast bamboo handle, the coffee-pot 21cm high, gross weight 72oz 9dwt (5)

A Chinese silver archer's ring

A Silver Mounted Chinese Porcelain Vase and Cover, the porcelain Kangxi, of fluted pear shape, painted in underglaze blue with birds perched in branches and with flowersprays, 18cm high. Vase possibly reduced in height. Some typical surface scratching.

Pair of Chinese Famille Verte Plates (20th century) 21.5cm Diameter, Also with a set of Six Silver Cake Forks, Five Assorted Silver Teaspoons, Glass Scent Bottle with Stopper, Royal Doulton Images Figure, And with three Limoges Fruit Plates, (a lot)

SET OF SIX SILVER COFFEE SPOONS, with mother of pearl handles, in fitted case, along with a silver pickle fork, Sterling sugar tongs and a set of six Chinese white metal coffee spoons

A sterling silver white metal Chinese / Hong Kong ice bucket with swing handle and drainer. The bucket of waisted form having a stippled silver body with bamboo leaf details. Marked to the bottom ' Hong Kong Sterling '. Weighs 359 grams. Measures approx 14cm

A Chinese antique hand carved figurine of Buddha having silver overlaid decoration and finish. Inset carnelian stone to lid with detailed features. The figure of Buddha seated in the Lotus position raised on pedestal base. Measures: 18cm tall.

A superb 19th Century Chinese Qing Dynasty silver and zitan wood decorative desk stand bearing marks for Luen Wo of Shanghai. The stand having a central two stepped pen stand in the form branches adorned with floral accents flanked by inkwells to each side having embossed character and floral panel sides. Pen rest to the front with pierced floral lattice worked borders with all being raised on bun feet supports. Impressed Luenwo marks stampe to base with wax seal and collection paper label. Measures 15cm x 22cm x 11cm. Total weight 955 grams.

A fine quality 19th Century Chinese antique hand carved jade ladies scent bottle exquisitely crafted from a great piece of mutton fat jade with coral button stopper and silver scoop. The bottle of ovoid shape raised on a small circular foot. Measures: 6cm tall.

A rare 19th Century Chinese antique silver teapot having intricate repousse decoration depicting warriors on horseback within panels among flowers and leaves with Greek key borders to base and rim. Hinged lid with matching decoration and fruit finial. Shaped spout and bamboo form handle all raised on circular foot. Clear silver marks to base. Measures: 15cm x 23cm x 13cm. Weighs 552 grams.

A Chinese bronze circular mirror, with parcel gilt and silver inlay dragons, probably 20th century, 21cm diameter 铜镜一件Condition Report: some green corrosion to both surfaces and wear to gilding Condition Report Disclaimer