A Chinese Famille Rose Peaches Moon Flask H 35cm; W 26cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
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A Chinese Famille Rose Lotus Scrolls Vase H 34cm; W 16.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Blue and White Dragon Zun Vase H 27cm; W 25cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Blue and White Figural Story Vase Meiping H 55cm; W 26cm Ming Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose Immortals Vase H 75.5cm; W 42cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose Lotus Scrolls Vase H 33cm; W 17.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Doucai Glaze Longevity Vase H 17cm; W 13.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose Hundred Deers Zun Vase H 50cm; W 41cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose Floral Saucer H 4.5cm; D 24cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Copper Red Bottle Vase H 20cm; W 13cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
Pair Chinese Blue and White Garnitures with Covers H 40cm; W 25cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Ru-ware Dish H 5cm; D 20.5cm Song Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose and Gilt Ribbon Vase H 18.5cm; W 9cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Jun-ware Tripod Censer D 25cm; H 9.5cm Song Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose and Gilt Chilong Jar H 8.5cm; W 10cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Rose and Gilt Dragon Globular Vase H 60cm; W 44cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Copper Red Dragon Jar H 29cm; W 42cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Blue and White Fruits Vase Meiping H 15.5cm; W 9. We 5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A Chinese Famille Verte Lotus Pond Teapot H 23.5cm; W 18cm Ming Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
A collection of silver thruppenny coin and sixpence jewellery including two bracelets with George V thruppenny pieces and sixpences, a similar matching bar brooch and a Victorian silver thruppenny coin bracelet, a sterling silver Mexican style donkey and figure brooch, a Chinese coin bar brooch, a white metal hardstone mounted necklace, two Continental necklaces and a ring, miscellaneous sleeve links including a pair of white metal sabre style sleevelinks etc. (silver approx: 74.1g)
A SET OF YAMATO BROTHERS STERLING SILVER TEA SPOONS each with decorative finials and sunflower bowls, 10.5cm long, in fitted case and with letter dated 4.3.1931 Kobe, describing significance of finials and a Chinese hand polished metal mirror, 10.8cm diameter Condition Report:Available upon request
dating: Period (1603-1867) provenance: Japan, Made of tate-maru-gata iron, niko-bori in gold, copper, shakudo and silver, maru-mimi. The scene is of Chinese style and depicts three sages meditating on a mountain amidst pine trees, shrubs, flowers and a small waterfall. In the background are distant mountains. Kozuka and Kogai histu-ana with silver ategane. Late Edo period, circa 1850. The Soten School works in Omi and is specialized in Chinese landscapes and characters.Provenance: Hotel Druot sale, Paris, 1968 and Christie's London, 16/09/1997. dimensions 7.5 x 8.0 x 0.4 cm.
dating: Period (1603-1867) provenance: Japan, Made of tate-maru-gata iron, niko-bori in gold, copper and silver, maru-mimi. Decorated with a landscape in Chinese style, depicting an area of rice paddies with islands in the distance, an old pine tree on the right side, a village with farmers working to harvest rice, much of it already cut and gathered into sheaves. Sekigane. The Bushu school was founded by a student of Umetada from Musashi province (Bushu in Chinese reading) who then moved to Edo and specialised in small-scale engravings and decorations. Very simple motifs are always treated in contrast to the large Nara or Hamano schools. Late Edo period, third quarter of the 19th century. dimensions 6.8 x 7.5 x 0.5 cm.
dating: Period (1603-1867) provenance: Japan, Made of nade-maru-gata iron, ji-sukashi with finely carved details in the round and with gold, copper, silver iore finishing featuring some mother-of-pearl details. The signature engraved in gold with Kao in Tensho characters. The figure depicts a flying 'ho- ho', a kind of Chinese phoenix, forming the edge of the tsuba with its broad wings; the body and the tail are decorated with gold engravings. At the edges of the tail the peacock's eyes are finished with unusual mother-of-pearl decorations. With kiri (paulownia) leaves and cherry blossoms underneath, made of gold, copper and silver. Sekigane. The bird represents eternity, and paulownia is one of the Imperial symbols. The artist is mentioned in 'Le petit Hara' as a collateral school to the Goto one. Period: mid-1800 century. Provenance: Sotheby's sale, London, 1996. dimensions 6.8 x 7.0 x 0.7 cm.
Two silver cups, one English hallmarked, the other possibly Chinese, commemorating winning of the Shameen Football League 1920-21 & 1930-31 twinned with two mid 1920s silver medals relating to Inter-Part Spring Cruise & Kings Cup Winners & photographs of the HMS Tarantula football team including then owner of lot, Victor George Allen
An early 20th Century Chinese Export silver three piece tea service and matching sugar tongs, hallmarked by Wang Hing & Co., Hong Kong, circa 1900, circular bodies each chased and engraved with bamboo canes and leaves, the teapot with bamboo cane finial in high relief, bamboo handle and spout, approx weight 33.91 ozt (1054.6), in fitted case (1) Further details: teapot cover detached from hinge CITES LICENCE/ This item has been registered for sale under Section 10 of the APHA Ivory ActSubmission reference:Q2NEKESW
A Chinese miniature silver teapot and sugar bowl by Tuck Chang, each piece decorated with a dragon amongst clouds, 3.5cm high; an unmarked Chinese silver oval miniature dish, engraved with a dragon within a border of bamboo, raised on four feet11.9cm diameter; and a small Chinese silver model of a man steering a small bamboo raft, 9cm overall
A group of six Crown Derby porcelain paperweights to include A Bull modelled Robert Jefferson, designed by Jo Ledger with gold stopper, White Rhino signed by John Abblitt with "21" gold stopper, Crocodile (unsigned) with a silver stopper, A gold signature edition Crocodile with "21" gold stopper, a Chinese Dragon (no stopper) Royal Crown Derby Collectors Guild recumbent deer paperweight with gold stopper.The Dragon is a second.No apparent chips or cracks
A Chinese silver four piece tea set by Wang Hing, late Qing, the covers with knops in the form of a prunus branch and blossom, the bodies with each with relief applied dragons, with simulated bamboo handles and spouts, struck to the unbderside WH 97, and pure metal characters. Ivory Certification reference 9J5BZRSN.Spirit kettle missing its stand and a pin that secures its cover to the body The handle is slightly loose and it has solder repairs at the base of both ends where it joins the body. The teapot hinge is broken and requires attention, it also has a small dent to the rear of the shoulder. A small dent to the tip of the spout of the cream jug, 1938g
A collection of Chinese silver and white metal wares, comprising a prunus flower serving spoon by Luen Wo, 21cm; a cake slice by Tuck Ching, the blade engraved with two dragons amongst clouds, 26cm; a silver pickle fork; three silver teaspoons, a napkin ring stamped with makers initials WC, a matched set of six (5+1) small tumblers by Wang Hing, 4cm, an unmarked Chinese white metal photograph frame, with stippled decoration within simulated bamboo edges, 20cm x 15cm, and a pair of white metal simulated bamboo knife rests, 8.5cmQty: 16
A Chinese silver eight piece dressing table set, marked for Sincere, late Qing, each piece with embossed spider chrysanthemum decoration, comprising circular box, 9.5cm diameter, hand held mirror, hair brush, large and small clothes brushes, shoe horn, comb and button hook, struck Sincere and with Chinese charactersQty: 8
Two Chinese silver dressing table boxes, Hung Chong & Co, circa 1900, of rectangular and circular form, each with an oval cartouche to the centre of the lid faintly engraved Eileen, the sides embossed with peonies against a stippled ground, struck Hung Chong & Co twice to the rectangular box and HC to the circular box, the rectangular box, 15.3cm wide, 5.3cm high, 8.3cm deep, the circular box 8.3cm diameter, 5cm high, 647g
A Chinese silver salver, Wang Hing, late Qing, engraved with a large peony within a pierced bamboo shoot border, struck to the underside 'WH 90' and pure metal characters, 21cm diameter; and a small Chinese silver oval salver, Woshing, late Qing, engraved with a prunus tree with two birds, within a pierced border of birds and flowers, raised on four shaped feet, 17.5cm diameter, 421g
CHINA RAILWAY - PHOTOGRAPHYChemins de Fer de l'etat Chinois. Ligne du Lunghai. Albums des monuments antiques le long du Lunghai [title on upper cover], 38 gelatin silver prints (of 40) loose mounted at corners as issued, tissue guards with printed captions in Chinese and French in red (one missing, several loose and frayed), images 145 x 190mm., or the reverse, publisher's sewn black cloth, upper cover blocked in gilt and titled in Chinese and French, oblong 4to (225 x 310mm.), [no place or date, c.1930]Footnotes:Scarce photographic record of major sites situated along the Longhai (formerly Lunghai) railway running west to east from Lianyungang, Jiangsu on the Yellow Sea through Henan Province to Xi'an (Sianfu), Shaanxi Province.Provenance: Eton College, with withdrawn stamp.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A CHINESE SILVER SNUFF BOX, FIRST HALF OF 19TH CENTURY by Yatshing, Canton, rectangular with a hinged cover, decorated in relief to all sides with figures during everyday life. 6.8cm wide, 3.1 troy ouncesStamped YS to the flange. The hinge is in good condition, and the lid closes well. Minute hole in the base. Good original patina.
A selection of glass, ceramics, Oriental and other items to include a 19th century green glass comport with all over cut and gilded decoration, Chinese warrior ovoid jar with crackle glaze and famille vert colours, Japanese silver plated (worn) brass paint box, German blanc de chine wall pocket A/F, and other items Location:
A collection of silver,to include a sterling silver paste hat pin, by Charles Horner, Chester 1910, with metal pin, a silver shield ring, two engraved lockets, a plain locket with articulated engraved bale, suspended on a silver curb chain, a sombrero brooch with articulated rope and shoes, a pair of paste cluster drop stud earrings, a single Chinese character cufflink, etc., all tested as approximately silver, 60.68g total (qty.)Condition ReportMaker's mark hat pin CH.Glue to back of paste of hat pin.Heavily tarnished.Marks/scratches/dents to surfaces.As found.

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