20 Boxed Tomy Sylvanian Families sets & accessories to include Glass Fronted Bookcase 3296, Baden & Mikaela's Camping Set 3406, Captain Horatio Seadog and Accessories 3034, Pram 3118, Bath 3128, Ornate Bedside Table & Telephone 3171, Captain's Crew 3033, Pram 3014, Double Sided Kitchen Unit 3309, Bunkbeds 3139, Bathroom Accessories 3142, Doctor Murdoch and Accessories 3012, Family Table and Chairs 3120, Toilet Cabinet 3127, Wardrobe 3140, Carrie & Danny's Carousel Set, Fireplace 3151, Grandfather Clock 3141, Oven Set Four 3295 and Baby Play Set 3161 (completeness varies), plus a quantity of unboxed Sylvanian Families figures and accessories (boxes show storage wear)
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Full title: A French gilt bronze mounted tortoiseshell and brass marquetry Boulle table clock, ca. 1900Description:H 33 - L 24 - D 13,7 cm The dial marked 'Demeur - Hgor du roi'. The work marked 'Medaille d'argent - Vincenti and Cie' and 'Farret a Paris'. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
A gilt cartel clock, of recent manufacture, with a Swedish movement striking on a bell, the circular dial with Arabic numerals and tied ribbon surmount32cm wide 54cm high together with a Smith's barometer38.5cm higha gilt mental table lamp,Neo-classical style, decorated with relief figures on an onyx base,42cm highand another similar example,with a figural base,32cm high (4)Condition ReportClock - Areas of gilding missing to flower heads. Minor scratches. Complete with key and pendulumBarometer - Minor faults commensurate with ageLamps - Loss of finish and knocks. Some nibbles to the bases. Famille rose lamp with crack, repair and section missing. 16.11.22 PAT Test passed.
A large Victorian slate table or boardroom clock, with two train French movement, chiming on a gong. 5" 2 piece dial, black chapter ring with gold coloured Roman numerals. Brass centre with skeletonised jewelled escapement. The case decorated with brass heads winged cherubs and 2 handles on the side. Inlays of alablaster Gold swags & flowers. Dimensions 21" x 19" x 6"Condition report: Good condition, some small chips to front corner/base. Movement not tested
Victorian slate and malachite perpetual calendar mantle or table clock with French two train movement, striking on a bell, with skeletonised jewelled escapement, two piece porcelain dial, 4½ inch diameter approx, perpetual dial, 5" diameter with calendar, moon phase, subsidiary dials for days of week and date, contained in a slate case with inlays of malachite, stamped 1162, movement and pendulum; 17 x 14½ x 6½ deep approx; pendulum and key presentCondition report slight damage to dial around winding holes, hairline crack at 6 o'clock
A QUANTITY OF AYNSLEY GIFT WARE, comprising 'Cottage Garden' patterned table lamp, bud vases, pots, pin dishes and a wall clock, 'Wild Tudor' patterned two plates, vases, and bud vases (one chipped), a 'Little Sweetheart' pattern dish and bud vase, 'Rose Garden' pattern pot, 'Pembroke' pattern mug, vases and pin dishes, an 'Onyx Pattern' posy bowl, a small 'April Flowers' china primrose pot (hairline crack), an 'Orchard Gold' pin dish, an Aynsley 'Orchard Gold' tea cup signed N. Brunt (Nancy Brunt worked at Aynsley 1935-1975), the gilt handle is worn, the gilt inside the cup is extremely worn, a small chip on the rim), an Aynsley hand painted cup and saucer decorated with pink roses on a pale blue and lemon ground, gilt is slightly worn on handle, a spot of white paint on the gilt base, a few tiny bumps under the glaze inside the cup and a finger mark in the paint, saucer is chipped, marked 1026K on the base (Qty) (Condition report: obvious damage is mentioned in description)
A 19th Century rosewood table bracket clock by James Condliff of Liverpool. The carved rosewood case having an arched pediment top with pierced brass gothic windows to sides. The central eight inch dial being signed with twin 8 day winding holes and Roman Numeral chapter ring. Silent strike option with screw pendulum and hour striking bell to reverse. Appears in working order, striking, winding and ticking correctly however minutes hand not present and not sold as guaranteed. Case in good order with some wear commensurate with age. Two keys present. Measures approx; 43cm x 31cm x 18cm.
French ormolu and champleve enamel gothic style table clock, top with pierced gallery, circular dial, black roman numerals, four pillars to corners, decorated in blues, pink and red enamels, raised on four square stepped feet, height 49 cm.CONDITION REPORT:The French table clock is in excellent condition. All the enamel work is very good. The gilt metal requires a good clean in areas which have variable amounts of tarnish/discoloration. There is some wear and tear light abrasions - more noticeable on the plain back of the case. Pendulum and clock keys included.
Harness. France, S. XIXTable clock in glass and mercury-gilt bronze.It presents small faults in the upper part of the crystal in one of the fittings.Measurements: 30 x 25 x 12 (clock), 29,5 x 10 x 10 cm (garnish).Table clock with glass and mercury-gilt bronze garnish. The clock, presents a base of crystal, on four legs of gilded bronze to the mercury and with ornamentation of the same material, on this base, two cherubs rise up that on their shoulders support the case of the clock, with a white dial, with machinery seen in the central part, black Roman numeration to strokes and openwork needles. The trimming forms an exquisite set with the main piece, and maintains a continuous conductive thread as it is the crystal and the cherubs.
Bracket clock; late 19th century.Wood and bronze.Measurements: 65 x 34 x 21 cm.Bracket type table clock, with a wooden core and ornamental bronze applications in relief and round bulge. It presents a front of simple architectural composition, with a façade finished off with a semicircular arch raised on a moulded base, raised in turn on four bronze legs. The whole has a sloping top with curved angles. The white-gilt dial has Arabic numerals in black and two hands.English bracket clocks originated in the 17th century in the 1960s, when the pendulum was applied to the clock to replace the previous 'foliot' or balance regulator. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This is how transportable watches came into being. These were short case pieces, which housed inside them a mechanism held between two thick plates and containing, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name. Throughout the 18th and 19th centuries, English clocks were evidence of the stylistic evolution that developed in English cabinetmaking, starting with the William and Mary and Queen Anne models, passing through the Chippendale and Hepplewithe styles and finally returning to classicism with the Adam, the Sheraton and finally the Regency.
Louis XVI clock; France, late 18th century.Bronze and mercury gilt bronze on marble base.The pendulum is missing. Crack on the front.Measurements: 57 x 25 x 25 cm.Period table clock in Louis XVI style, in bronze. With a design of architectural inspiration, on a marble base there is a smooth and sober bronze cylinder that holds the clock case. The clock face is circular, with Roman numerals in black on a white background, bordered by a large mercury-gilded bronze frontispiece with various geometric decorations, which appears to be a coat of arms belonging to a proxy family. It is topped by a cup-shaped top with bronze and mercury-gilded bronze handles.
Harness; France, second half of the 19th century.Bronze and marble.It has Paris machinery.The assembly is unstable and the pendulum is missing.It needs to be overhauled.Measurements: 72 x 27 x 15 cm (x2): 62 x 72 x 22.5 cm (clock).This garniture consists of a table clock and a pair of candlesticks. The clock consists of a moulded podium, in which the colour white is combined with the darkness of the black used for the ornamental details and the top of the steps of the clock's structure. On the first podium or plinth is the centre of the clock case, with a white dial and Roman numerals and openwork hands. A figure rests on the clock case. The candlesticks, for their part, have mixtilinear bases on which are placed shafts designed as trees, on which rests the figure of a soldier.
A GEORGE III BRASS-MOUNTED EBONISED STRIKING VERGE TABLE CLOCKBy Samuel Jones, Bath, circa 1765The bell-top case with brass carrying handle above glazed door with grille panels, the sides each with a rectangular glazed panel, on stepped foot and block feet; the 7in arched brass dial with strike / silent in the arch, silvered chapter ring, enclosing a matted centre with false pendulum aperture, signature escutcheon and calendar aperture above the VI, the twin train movement with wire gut fusées, verge escapement, striking the hours on a bell, with trip repeat, and engraved backplate 49cm high (handle up)The clock is in good original condition. The verge is original. The movement was working prior to consignment. The oil sinks are a little dirty so a service might be advisable. Case in good order.
A GEORGE I EBONISED SMALL STRIKING TABLE CLOCKBy Daniel Delander, London, circa 1720With an inverted bell-top case, surmounted by a knopped brass handle, above a door with arched glazed panel, the 5in arched brass dial, finely detailed, with calendar subsidiary above finely cast spandrels, enclosing a silvered chapter ring, enclosing a matted centre with false pendulum aperture, oval signature escutcheon and blued steel pierced hands, the twin train gut fusée movement with verge escapement, with engraved and signed backplate, (formerly with pull quarter repeat) striking the hours on a bell 35cm high (handle up)Daniel Delander was apprenticed to Thomas Thompion in 1692. Delander is recorded as working firstly in Essex Street, then Devereux Court, from where in 1714 he moved to a house between the two gates of Inner Temple. He died in 1733. A fine maker.The clock is in good condition. The case ebonising has been refreshed in the past. The quarter repeating work is now lost. The movement is running. The verge escapement is a reinstatement. The base has a cut out for the previous longer pendulum when likely footed with an anchor escapement.
A GEORGE III BRASS-MOUNTED EBONISED STRIKING TABLE CLOCKBy Justin Vulliamy, London, circa 1770The bell-top case with a brass carrying handle, above a glazed panel door and glazed sides, on stepped base and brass bracket feet, the 6in arched brass dial signed on an escutcheon in the arch between two subsidiaries for Strike /Silent and calibrated pendulum regulation, with signed silvered chapter ring enclosing a matted centre with false pendulum aperture and calendar aperture, the twin train wire gut fusée movement, foliate engraved backplate and pendulum locking block36cm high (handle up)Francois-Justin Vulliamy (1712-1797), the son of a pastor at Gingins, in the Pays de Vaud region in Switzerland, emigrated to England in 1730. Invited into partnership with his future father-in-law Benjamin Gray (d. 1764) around 1743, who the year prior had been appointed Watchmaker in Ordinary to George II, it was then extended to the Partnership. The Pall Mall based business flourished, with output of the highest quality. Following Gray's death the Royal Warrant passed to Vulliamy and continued to be held by the firm throughout the 19th century.This clock appears not to be numbered. Justin Vulliamy began numbering around 1780, although the surviving record books begins with clock No. 296 in 1797. So this piece would have been made after Gray's death, when Justin Vulliamy signed in his own name and before he began his numbering in the 1780s.The clock is in original condition. The dial is stained. The case with marks and knocks consistent with age. The back door hinges replaced. Chips and repairs to fillet edge around dial. The movement runs and ticks. Original movement and case. Some restoration to the case. Clock is 36cm high
Red and gold painted wooden Tiny Toys dolls’ house furniture, wardrobe with Webber’s of Exeter paper label, Duckie screen, Grate with coals, chest of drawers and Granddaughter clock -3 1/2in. (9cm.) high; Japanese inlaid corner cabinet and table; and Dol-Toi upright piano and grandfather clock
FOUR BOXES AND LOOSE CERAMICS, LAMPS, PICTURES, RADIO CONTROLLED CAR AND SUNDRY ITEMS, to include a 'Harvest 1418' dinner service of approximately eighty pieces, a pair of ceramic table lamps with a pale blue and brown lava style glaze height 32cm, a crackle glass effect table lamp, a three piece silver plated tea service, four framed oils on canvas, largest frame 75cm x 65cm, a boxed Corgi VW Golf Turbo M5410 radio controlled car, a twentieth century wooden cased mantel clock, bisque and resin bird sculptures, glasswares including a cake stand, etc (4 boxes + loose) (sd, untested)
A late 19th century spelter mantel clock, surmounted by a figure of Diana the Huntress, the circular dial with raised enamel tablets and Roman numerals, having eight-day cylinder movement, h.49cm; together with a carved hardwood figural table lamp (both a/f)Figure of Diana is loose. Back is missing. No pendulum. Not working. Spares/repair only.
An Ebonised Chiming Table Clock, circa 1890, arched pediment, Corinthian capped columns, pierced side sound frets and carrying handles, bracket feet, 8-inch arch brass dial with a silvered chapter ring, dial arch with chime/silent and Oxford chimes/chime on eight bells selections, triple chain fusee movement with an anchor escapement, quarter chiming on a nest of nine bells and striking a gong for the hours, movement backplate with floral engraving47cm highCase with small chips and scratches, some veneers are missing in parts, wooden dial surround with chips, inside back door with chips, metal mounts are discoloured, movement is dirty, movement looks complete, all three fusees are winding smoothly, movement is striking and in going order, with pendulum.
A Mahogany Striking Table Clock, signed Josph Catherwood, London, circa 1790, inverted bell top case with carrying handle, pierced side sound frets, bracket feet, 8-inch arch silvered dial signed, date aperture, strike/silent in the dial arch, twin chain fusee movement with a verge escapement and striking on a bell, movement backplate with floral engraved decoration, bob pendulum, movement secured in the case with brackets 54cm high over handleCase with small chips in parts and surface scratches, veneers with cracks in parts, later side brass frets, side frets with worn back silks, back door lock is missing, dial looks clean, two metal plaques have been added to both sides of the case to help secure the movement brackets, movement is striking and in going order.
An Ebony Veneered Quarter Chiming Table Clock, signed John Archambo, London, circa 1750, inverted bell top with brass ball finials, side carrying handles and pierced frets, bracket feet, 8-inch arch brass dial with a silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum and date apertures and signed on a silvered plaque, dial arch with strike/silent selection, triple fusee movement with a verge escapement, quarter chiming with six hammers striking a nest of six bells and striking a further bell for the hours, movement backplate elaborately engraved with floral and scroll decoration, movement secured in by two engraved brackets, together with a later oak travelling case with side carrying handles63cm high over finialTop finial is loose, case with small scratches and some cracks to the veneers in parts, later side wooden frets, metal mounts are discoloured, back door glass with small scratches, dial is discoloured, quarter chiming and striking correctly, movement needs cleaning, movement in going order, later pendulum.
A Mahogany Striking Gothic Revival Table Clock, signed Bailey & Co, Salford, circa 1880, case with a carved floral front base, side door, Arts & Crafts 14-inch painted dial with Roman numerals and signed, twin chain fusee movement with an anchor escapement and striking on a gong56cm highWooden dial surround with small chips and small cracks in parts, brass bezel is discoloured and stained, dial with minor chips to the paint in parts but otherwise in good condition, movement is dirty, movement is complete, with pendulum.
Small Edwardian bedside table clock with a French eight-day timepiece movement and cylinder platform escapement, in a round toped mahogany case with stringing to the sides and raised on bun feet, white enamel dial with Arabic numerals and steel spade hands, convex glass with a cast brass bezel, wound and set from the rear. With Key.Dimensions: Height: 20cm Length/Width: 14cm Depth/Diameter: 9cm
An Ebony Veneered Striking Table Clock, signed Thos Parr, London, 18th century, inverted bell top with carrying handle, later finials, fish scale side sound frets and side glass panels, 7-inch arch brass dial with a silvered chapter ring, dial centre signed on a plaque, date and mock pendulum apertures, arch with strike/silent selection, twin chain fusee movement now converted to an anchor escapement, pull quarter repeat with six hammers, (quarter repeat work with the nest of bells missing and is incomplete)50cm high over handleCase with veneer and mouldings missing in parts, later top finials, later wooden ball feet, later side frets, front door with later lock and lock escutcheon, wooden dial surround with chips and cracks and losses, dial is discoloured, movement is dirty, movement backplate with scratches, now converted from a verge to an anchor escapement, pull quarter repeat work is incomplete with pieces missing and the nest of bells are missing, one of the fusee chains has detached from the fusee, later pendulum, movement not working.

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10270 item(s)/page