A Regency Rosewood Striking Table Clock, the chamfer top case with single pineapple finial, side ring carrying handles and fish scale sound frets, rectangular base raised upon ball shaped feet, 8-inch painted dial with Roman numerals, strike/not strike lever positioned above 12, twin fusee movement with anchor escapement and striking on a bell, the movement secured by brackets, movement backplate engraved to the borders, pendulum bob with matching engraving, 52cm high see illustration
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A George III Mahogany Striking Table Clock, signed Timothy Richardson, Darlington, circa 1790, the case with inverted bell top and single gilded carrying handle, oval shaped side viewing windows, backdoor glass missing, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre signed, strike/not strike lever above 12, the arch with date dial, twin fusee movement with anchor escapement and striking on a bell, engraved movement backplate with a vase with floral decoration and engraved around the borders, 52cm high see illustration
An Ebonised Table Clock Timepiece with Alarm, signed Anty Marsh, London, circa 1750, the inverted bell top case with carrying handle, side viewing windows, pull cord to wind up alarm work, rectangular base raised upon wooden block feet, 6-1/4-inch arched brass dial with silvered Roman and Arabic chapter ring, matter dial centre with central alarm disc and single winding hole, the arch with circular plaque signed, single fusee movement with verge escapement and alarm striking on a bell, 45cm high see illustration
An Ebonised and Brass Inlaid Chiming Table Clock with Calendars, signed James McCabe, No.2826, circa 1830, the arched case with brass stringing and surmounted by a pineapple finial, inlaid canted corners flanked by carrying handles and pierced sound frets to the sides, rectangular plinth upon brass turned feet, 8-inch white painted arched dial with Roman numerals, strike/silent above 12, the arch with two dials for day of the week and date, twin fusee movement with anchor escapement, eight hammers striking the quarters onto a nest of eight bells and a further hammer striking the hours on a large bell, movement backplate signed and numbered, movement secured by brackets, 63cm high see illustrations James McCabe superseded McCabe & Strahan in 1825/26, operating from the Royal Exchange at 97 Cornhill until it burnt down in 1838, and then moved to 32 Cornhill.
A Fine Late 17th Century Pull Quarter Repeating Verge Table Clock, signed John Bushman, London, circa 1695, the case with foliate cast brass and pierced basket top and carrying handle, above a moulded cornice, brass repousse sound side frets, pull quarter repeat cord and small vacant hole for the hour repeat cord (cord lacking) to the opposite side, mounts to the front door possibly later, rectangular moulded base raised upon later claw feet, 7-inch brass dial with silvered Roman and Arabic chapter ring with half-quarter marks and elaborate half hour marks, strike/not strike lever positioned above 12, matted dial centre with mock pendulum aperture revealing a silvered plaque signed John Bushman, London, date aperture surrounded by engraved scroll work, ringed winding holes, winged cherubs head spandrels, movement with seven baluster pillars and verge escapement, rack striking on a bell and pull quarter repeating on a nest of five bells, the backplate with foliate scroll work throughout and central cartouche signed by the maker, pierced apron, 45cm high see illustrations John Bushman (b.1691) has pieces in the V&A Museum, the Metropolitan Museum of Art in New York, the Ilbert Collection, etc. He was made a Brother of the Clockmakers Company in September 1692, and is thought to have worked as a clock and watch maker in London until 1725. See Loomes (Brian) The Early Clockmakers of Great Britain, p.129.
A gilt brass `Congreve` type rolling ball clock, the three enamel Arabic chapter rings showing hours, minutes and seconds, all mounted on a shaped frame supported on four turned and tapering columns to the plinth base, with single fusee movement regulated by a pivoted table below with angled grooves tilting on an ebonised base under a gilt metal and glass cover the key moulded with the letter `G`, 37.5cm wide, 48.5cm high, 37.5cm deep
Antonio Tibaldi (Rome 1635-1675) A plumed helmet, a tilting shield, a mace and other arms and armour on a partly-draped carved marble table, with a snare drum and a trumpet, a clock, a bronze statuette and golden vessels, by a draped column, with a hound oil on canvas, unlined 37½ x 52 in. (95.2 x 132.1 cm.) with inventory number 'No.10.' (on the reverse of the canvas) View on Christie's.com
AN ITALIAN ROSEWOOD AND ORMOLU-MOUNTED STRIKING TABLE CLOCK THE CASE MID 18TH CENTURY, THE MOVEMENT AND DIAL LATE 19TH CENTURY The case with ormolu handle to moulded top, glazed side panels, some restorations to veneers, velvet-covered dial with silvered chapter ring, the twin barrels movement with anchor escapement and rack strike on bell, signed 'Payne & Co/London'; pendulum 18 in. (46 cm.) high; 16¼ in. (41 cm.) wide, 7½ in. (19 cm.) deep View on Christie's.com
An alabaster circular mantel clock, raised on two sloping supports, height 23 cm, a domed gilt metal mantel clock, height 33 cm, a 1930`s style mantel clock, two barometers, two jugs, two ladles, a pair of cloisonne vases, decorated with dragons on a black ground, a figural table lamp, together with a quantity of miscellaneous items, (a lot).
GEORGE II WALNUT TABLE CLOCK ROBERT SMITH, MID 18TH CENTURY the gilt dial signed Robert Smith, London, with silvered chapter ring and date aperture, the twin train fusee movement with anchor escapement and striking on a bell, the foliate engraved back plate signed Robert Smith, London Fecit, the domed case with a lacquered brass handle and pierced sound frets, raised on a moulded plinth base 29cm wide, 40cm high, 18cm deep Provenance: Kinnaird Estate, Dunkeld, Perthshire
A late George III ebonised table clock by John Rogers, Strand, London, No. 991, the 8ins painted dial to the eight day two train movement striking and repeating on a bell, contained in arched and moulded case with folding lacquered brass handle, 19.5ins high. Note : J. Rogers recorded working The Strand, London 1805-1811
AN ART DECO TIGER MAPLE AND COROMANDEL BEDROOM SUITE by Frederick Restall Ltd, Gt Hampton Street, Birmingham, quarter veneered and crossbanded on a coromandel plinth base, with chrome and Bakelite Odeonesque pierced bar handles, comprising an INVERTED BREAK-FRONT THREE DOOR WARDROBE of stepped outline, full hanging 168cms wide x 191cms high; A PAIR OF TWO DOOR COMPACTUMS fitted with twelve pull slides, and six pull slides respectively; a small SINGLE DOOR HOSIERY CABINET fitted with three graduated pull-slides; a SINGLE DOOR JEWELLERY AND LINGERIE CABINET fitted with a velvet lined jewellery drawer above a drawer with lock and three pull slides; a PAIR OF SINGLE DOOR BEDSIDE CABINETS each fitted with a drawer and two glass shelves; a CHEVAL MIRROR of canted rectangular outline with upholstered foot rest base; DRESSING TABLE of rectangular canted outline the lift-up top mirror lined, above a kneehole with narrow glass shelf, the velvet lined interior fitted with A SILVER, BLUE BAISSE TAILLE ENAMEL AND CUT GLASS DRESSING TABLE SET by Adie Brothers, comprising hand mirror, two hair brushes, two clothes brushes, and associated comb with matching accessories of a photograph frame, powder compact, cigarette case, easel clock, powder bowl, two scent bottles and two eau de cologne bottles, Birmingham 1933; chrome tubular frame CHAIR with low back, a WASTE BIN, A PAIR OF TWO RECTANGULAR UNDER-BED STORAGE BOXES, 122cms wide; and a DOUBLE BEDSTEAD of stepped panel design. See illustrations
A GERMAN BLACK AND POLYCHROME CHINOISERIE QUARTER-CHIMING TABLE CLOCK WINTERHALDER & HOFMEIER. CIRCA 1900 Silvered dial with blued steel hands, triple barrel movement with anchor escepement, hour strike on gong and quarter chimes on four further gongs, stamped on the back plate for Winterhalder & Hofmeier; pendulum, key 17 in. (45 cm.) high View on Christie's.com
A WILLIAM IV MAHOGANY STRIKING EIGHT DAY TABLE CLOCK THWAITES AND REED, LONDON. CIRCA 1835 Silvered dial signed Thwaites & Reed/Clerkenwell/London, strike/silent above XII, blued steel hands, movement with shoulded plates, twin fusees, anchor escapement, rack strike and trip repeat on bell, back plate with repeat signature; pendulum 18¾ in. (48 cm.) high View on Christie's.com
AN UNUSUAL VICTORIAN EIGHT DAY TIMEPICE TABLE CLOCK THOMAS HARRIS, LONDON. MID 19TH CENTURY The engraved and silvered triagular dial signed 'Tho. Harris/London', brass hands, movement with tapering plates, single chain fusee movement and anchor escapement; pendulum 12¾ in. (32.5 cm.) high (2) View on Christie's.com
A green metal bathroom set of three pieces, Pit-A-Pat toilet roll holder, art deco metal Farylite linen basket, Dol-Toi piano, Frigidaire wooden fridge, green and white German made wooden cooker with matching chair and kitchen table, round table, art deco clock, wooden washstand and bowl, German cream chest of drawers, blue metal 20`s telephone, Pit-A-Pat stool and folding garden seat, bookcase with faux books. Originally the furnishings of Sundowner House
An early 20th century Augsburg style octagonal table top clock in mahogany case with rope twist borders and gilt metal drop loop handles and the eight day movement (17cms across), a small Edwardian dome top mantle clock in walnut case with French movement and retailed by Bracher & Sydenham, Reading and another small mantle clock in a Gothic style mahogany finish case (as viewed).
An interesting version of an Augsburg table clock in a square brass case,the French movement striking to a bell and the dial engraved overall with scrolling foliage, birds etc and having a raised plain brass chapter ring with engraved Arabic numerals, the sides similarly engraved with shaped glazed panels and raised on scrolled and fluted out swept supports (10cms square)
A nineteenth century Chinese table clock, the twin fusee movement with a verge escapement and a ting tang on bells, the back plate with an engraved border and calligraphy, the circular white enamel dial with Roman Numerals with a chased brass surround decorated foliage, dragons and a lion mask above calligraphy, in a glazed hardwood case, the plinth pierced with carved foliage, on scroll feet. 20. 5in (52cm).
An Oak Chiming Table Clock, circa 1890, the case with fine carving throughout, caddied top with urn shaped finials, pierced side frets, 7-inch rectangular dial with silvered chapter ring and elaborately engraved with scroll work throughout, three subsidiary dials for chime/silent, fast/slow, Whittington/Westminster, the massive triple fusee movement with quarter chiming four hammers onto four gongs or eight hammers onto eight bells and a further hammer striking a larger gong for the hours, 64cm high

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10270 item(s)/page