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A fine George III ebonised table clock with pull-quarter repeat Benjamin Vulliamy, London, number 272, circa 1796 The five pillar twin fusee rack and bell striking movement with half deadbeat escapement regulated by heavy lenticular bob pendulum with pivoted beam rise-fall regulation and pull-quarter repeat on two bells, the backplate signed Vulliamy, LONDON and numbered 272 within foliate spray bordered cartouche and fitted with hinged pendulum locking bracket, the 7 inch brass break-arch dial with small calendar aperture to the finely matted centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with fine pierced blued steel hands and applied rococo scroll cast spandrels to angles beneath relatively shallow-profile arch applied with subsidiary silvered pendulum regulation and STRIKE/SILENT selection rings flanking a fan-shaped silvered nameplate engraved VULLIAMY, LONDON, No. 272 to upper margin, the inverted bell-top case with hinged brass carrying handle and crisp top-mouldings above brass fillet inset glazed dial aperture and foliate pierced upper quadrant frets to the front door, the sides with typical Vulliamy pattern symmetrical foliate scroll pierced arched sound frets, the rear with rectangular door incorporating break-arch glazed dial aperture and raised edge mouldings, on conforming moulded skirt base with generous cast brass squab feet, 39cm (15ins) high excluding handle; with a contemporary ebonised wall bracket with caddy moulded table supported by three fan-shaped scroll supports decorated with pierced Gothic tracery, 26cm (10.26ins) high; the clocks and wall bracket 65cm (25.5ins) high overall excluding handle. Provenance: The property of a private collector. Benjamin Vulliamy was born in 1747 and was presumably trained by his father, Justin. He was granted the Royal Appointment as the King's Clockmaker in 1773 before joined his father in around 1780 and was admitted as an Honoury Freeman to the Clockmakers Company in 1781. It was at this time he built a regulator for the King's Observatory at Kew which served as the Prime Meridian until Greenwich Royal Observatory took over in 1884. Benjamin Vulliamy is perhaps best known for his highly decorative sculptural timepieces in the executed in the Neo-Classical taste created from white marble and Derby biscuit porcelain with the finest cast and chased ormolu mounts. As Royal clockmaker Vulliamy supplied several timepieces of this type to the Royal family many of which still reside reside in the Royal collection (see Jagger, Cedric ROYAL CLOCKS page 117, figure 161). Benjamin Vulliamy was succeeded by his son, Benjamin Lewis, who worked from 52 Pall Mall, served as Warden 1821-5 and was appointed Master five times. The Vulliamys started numbering most of their clocks from 1788 until 1854. Two of the original Vulliamy work books still survive in the library of the British Horological Institute at Upton Hall, these often can provide valuable information regarding the manufacture and provenance of many clocks made by the workshop. Unfortunately the records are incomplete hence only note clocks with serial numbers 296-469 and 746-1067, which means that the current lot, number 272, remains unidentified. The confident and distinctive design of the current lot with dial incorporating twin subsidiaries to the shallow arch and case with squat proportions to the caddy surmount, crisp mouldings and design of side frets is highly typical of those produced by Vulliamy family. The movement is finely executed with crisp wheelwork, superbly finished fittings such as the two-part backcock and plates measuring around 4mm thick. The overall general appearance/proportions of the present clock remains essentially unchanged from those first made by Justin Vulliamy during the third quarter of the 18th century and similar examples continued to be made by the Vulliamy family into the second quarter of the 19th century. Indeed a related clock dating to around 1835 (number 1260) was sold in these rooms on 15th September 2015 (lot 192) for £22,000 hammer.

A mahogany table clock with pull quarter repeat on six bells The movement and dial by Christopher Goddard, London, circa 1760, the case later The six pillar twin fusee bell striking movement now with anchor escapement regulated by lenticular bob pendulum with original rise/fall regulation to suspension, pull-quarter repeat on a nest of six graduated bells and fine foliate scroll and strapwork engraved backplate, the 7 inch gilt brass break-arch dial with calendar and false bob apertures to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with pierced steel hands and rococo scroll cast spandrels to angles beneath arch with twin Strike/Silent and regulation dials flanking fan-shaped recessed signature plate engraved Chrs:pr Goddard, LONDON within foliate engraved infill, now in a mahogany break-arch case with hinged brass carrying handle applied to a shallow pad over cavetto top mouldings and glazed dial aperture bordered by raised mouldings to the front door, the sides with rectangular scroll-pieced sound frets within conforming surrounds, the rear with break-arch glazed door set within the frame of the case, on moulded skirt base with brass ogee bracket feet, 44cm (17.25ins) high excluding handle. Christopher Goddard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born in 1729 and gaining his freedom of the Clockmakers Company in 1756. He worked in Little Britain, London and was declared bankrupt in 1761.

A group of early English pattern cast brass clock case mounts Anonymous, late 17th century and later To include two pairs of differing twin cherub and Baroque scroll architectural tympanum mounts, a winged cherub pediment mount, a pair of foliate festoon frieze swag mounts, two differing miniature table clock spandrel mounts, a pair of copper laurel cast table clock door escutcheon mounts, two differing vase finials, two further escutcheon plates, a small figure of a dancing putto and four claw cast lobed bun feet, (20). The majority of patterns present in the current lot are of a type used on some of the most important early English clocks. For example the architectural tympanum mounts can be seen on architectural longcase and table clocks by the Fromanteels and Edward East and the pair of copper door escutcheon mounts are of a type often used by Tompion. The miniature spandrels are particularly rare and very finely finished.

A quantity of clock case mounts Anomynous, 18th century and later Including pair of table clock scroll and floral pendant cast angle mounts, a fine pair of French scroll cast case side mounts, a pair of generous leafy scroll cast bracket feet, a substantial sunburst mask pendulum bob, a set of four brass table clock ogee bracket feet, various cast side frets, finials, feet and brass fillet inserts, (qty).

A George III gilt brass mounted mahogany musical table clock The dial signed for William Bull, Stratford, last quarter of the 18th century The substantial six pillar triple chain fusee movement with verge escapement regulated by short bob pendulum and sounding the hours on a single bell followed by one from a choice of seven lively melodies played on a nest of thirteen bells with thirteen hammers, the backplate engraved with Ho-Ho bird inhabited rococo scrolls, the 7 inch serpentine-outline arched brass dial applied with circular silvered centre engraved WILLIAM BULL, STRATFORD within Roman numeral chapter ring with Arabic five minutes to outer track, with pierced blued steel hands and small subsidiary Chime/Not Chime and tune selection dials to upper spandrel areas set within a polychrome and gilt floral painted green field incorporating tiled floor and draped curtain bordered aperture to arch enclosing a curtain which rises to reveal a later applied printed 18th century festival scene with fireworks whilst the music is in play, In a gilt brass mounted mahogany case with flambeau urn finials to the bell-top superstructure incorporating repeating rosette-centred oval aperture pierced gilt sound fret frieze over brass fillet bordered serpentine outline arched glazed dial aperture to the front door incorporating foliate cast upper quadrant frets and flanked by female caryatid mounts to the canted angles, the sides applied with elaborate rococo scroll cast gilt brass sound fret panels, the rear with rectangular glazed door, on cavetto moulded skirt base with generous scroll cast gilt brass feet, (with restoration, probably originally with automaton and case possibly rebuilt), 64cm (25.25ins) high overall. Provenance: The estate of Michael Hurst. A William Bull is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Stratford (London/Essex) 1770-1804. A related musical automata table clock by William Bull is illustrated in Cescinsky, Herbert and Webster, Malcolm R. English Domestic Clocks on page 293 (Fig. 322). A table clock with similar arrangement of rising curtain to the arch of the dial (revealing automata of two fiddlers, Harlequin and a Columbine) is illustrated in Barder, Richard C.R. The GEORGIAN BRACKET CLOCK 1714-1830 on page 128 (Plate IV/65).

A rare German Renaissance iron horizontal table clock movement with alarm Unsigned, mid 16th century The plates measuring approximately 4.375 inches square united by four double-baluster turned pillars at the corners enclosing steel skinny fusees and pinned lipped barrels, the going train above the fusee comprising 18th century brass replacements and incomplete, the warnless strike train retaining original steel wheelwork with nag s head lifting and sounding on a bell set between the plates opposite the escapement, the alarm positioned to one corner with crownwheel driven direct by contrate teeth cut to the rim of the steel spring barrel driving hammer sounding on the hour bell, the frontplate with alarm and strike release detents around central hour wheel applied with star strike lifting wheel, the gilded backplate with pierced circular fret above the bell resembling a gothic rose window, pierced spring barrel retchet wheels with decoratively sculpted sprung clicks and later brass scroll-pierced and engraved three-spoke balance bridge, (parts lacking include escapement and balance, countwheel, pinion of report for hour wheel and going mainspring set-up ratchet wheel). Provenance: The estate of Michael Hurst. The current lot is a particularly interesting early movement which can be confidently dated on technological grounds to the middle years of the 16th century. Indeed the warnless striking and use of iron in its entire construction would suggest a date of certainly prior to 1580 (from when use of brass for certain componants as well as the inclusion of warned striking was becoming more commonplace). The rather archaic Gothic rose window pierced sound fret to the backplate and the skinny fusees would also suggest an early date. The general feel of the current movement can be compared to that of the Fremensdorf II horizontal table clock of the Orpheus series which is illustrated in Coole, P.G. and Neumann, E. THE ORPHEUS CLOCKS pages 82-84 which is suggested by J.H. Leopold to date to circa 1560.

A quantity of English longcase and lantern clock table clock parts Anonymous, early 18th century and later Including a semi-complete eight-day movement and dial, unsigned, early 18th century, with four (formerly five) finned pillars and 12 inch square brass dial with crown engraved calendar aperture to the matted centre within applied Roman numeral chapter ring, Indian mask spandrels to angles and herringbone engraved outer border (lacking pallets, hands, bell and other components); three various longcase clock movements; Assorted chapter rings, calendar rings and an eleven inch thirty-hour longcase clock dial signed W M RIGSBY, CHUMLEIGH; assorted wheelwork, spandrels, barrels, pulleys, finials, pendulums, weights case keys etc., (qty). Provenance: The estate of Michael Hurst.

Three early table clock dial plates Various makers, late 17th century The first 6.75 ins square with matted centre and signed IOHN KNIBB, OXON to lower margin; the second also 6.75 ins with ringed winding holes and scroll engraved calendar aperture to the matted centre and signed Jonathan Lowndes, Pallmall London to upper and lower margins; the third approx. 6.875 ins with replaced town landscape engraved centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, the angles with floral cornucopiae engraved infill; With a rectangular brass plate signed Vulliamy, London and an assortment of plates with various test engravings including Renaissance style figural work my Michael Hurst, (qty). Provenance: The estate of Michael Hurst.

Archie MacKay, Dan Parkes, Robert Foulkes, Charles Allix, Col. Quill and others - an interesting archive of correspondence, notes and photographs mainly relating to important early English clocks Including unpublished lecture notes on repeat work by Dan Parkes; photographs of numerous important clocks including examples by Knibb, Tompion, Fromanteel and East many of which were for publication in Dawson, P.G., Drover, C.B. and Parkes, D.W. Early English Clocks ; further detail images of movements and components including Joseph Knibb crossbeat escapement, Johannes Fromanteel tic-tac escapement, three equation regulators by George Graham, a table clock movement by John Clowes, another by Harry Callow amongst others and images of Tompion table clock number 98 prior to restoration; together with Dan Parkes report on a Joseph Knibb longcase clock belonging to Archie MacKay, Dan Parkes notes relating to group of early pendulum clocks by Fromanteel and other correspondence, cuttings etc. contained in three box files, (qty).

A fine George III gilt brass mounted ebonised quarter-chiming table clock with enamel dials Robert Philp, London, circa 1770 The substantial six pillar triple chain fusee bell striking movement with verge escapement regulated by short bob pendulum and chiming a melody for the quarters on a graduated nest of eight bells with eight hammers, the leafy foliate scroll engraved backplate signed Rob t Philp, London to an elaborate scroll cartouche, the 7 inch brass break-arch dial applied with circular convex white enamel Roman numeral centre with Arabic five minutes to outer track and pierced gilt brass hands , the angles with applied foliate cast spandrels beneath subsidiary STRIKE/SILENT selection dial flanked by conforming cast mounts to arch, the gilt brass mounted ebonised bell top case capped with urn finial to the scroll-outline upstand over rococo scroll cast gilt brass mounts and four further gilt finials to superstructure, the front door with inset gilt fillet moulding to the glazed dial aperture and scroll cast upper quadrant frets flanked by canted angles adorned with fine female caryatid and tied rose drapery cast mounts, the sides with hinged gilt brass handles over circular and concave-topped musical trophy and sunburst cherub mask cast sound frets, the rear with break-arch glazed door, the cavetto moulded shallow skirt base applied with lion s mask centred drapery swag mount to front, on generous leafy scroll cast feet, 51cm (20ins) excluding top finial; 56cm (22ins) high overall. Robert Philp is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London circa 1740-81. He was maker of musical and astronomical clocks and watches who was known to have supplied clocks sent to China and also movements for installation in Chinese cases (see White, Ian English Clocks for the Eastern Markets pages 223 and 225, Figure 8.14b). A particularly fine ormolu cased quarter striking table clock with revolving spherical moon made by Philp for the Chinese market was sold at Sotheby s in their sale entitled Arts of Europe , London, 10th July 2013 (lot 85) for £73,300.

A quantity of clock dial fittings and longcase clock pendulum parts Various makers, late 17th century and later To include seven brass faced pendulum bobs and two others, a quantity of rods some fitted with suspension springs, a 9.5 inch Roman numeral chapter ring for a longcase clock with cruciform half hour markers, another 11.25 inch with lozenge half hour markers and unusually large Arabic five minute outer track signed Jno Snow, Froome to lower edge, a 10.5 inch thirty hour pewter chapter ring signed R d Metford, Chard , a calendar ring, a seconds ring, a Continental table clock dial and small quantity of other miscellaneous items, (qty).

William and Mary ebony table clock case with six inch dial aperture Anonymous, London, circa 1690 With complex top mouldings over fillet-edged glazed rectangular front door incorporating lozenge-shaped aperture to the upper rail enclosing conforming mask for a 6 inch square dial, the sides matching the front with lozenge apertures over fillet-bordered rectangular windows, the rear with glazed door set within the frame of the case, on shallow ogee moulded skirt base with block feet, (superstructure incomplete, lacking mounts), 30cm (12ins) high. The mouldings used and the overall design/layout the current lot is akin to Tompion phase 1 table clock casework, an example of which (Tompion No. 89) is illustrated in Evans, J., Carter, J. and Wright, B. THOMAS TOMPION, 300 YEARS on page 330-31.

A William III style ebony veneered table clock case Attributed to Michael Hurst, recent With hinged tied foliate bud cast brass handle to the caddy superstructure over complex mouldings and front door with aperture for a 7 inch square dial, the sides with small over large rectangular apertures, the rear with door set within the frame of the case, on ogee moulded shallow skirt base, (unfinished requires some veneers, aperture mouldings, frets, glazing and door furniture), 35cm (13.75ins) high excluding handle: with brass dial plate, William Farrer, Pontefract dated 1707 , with matted centre incorporating singe winding hole and aperture for calendar, the angles applied with winged cherub head spandrels, the upper margin indistinctly engraved Prudentis ... in concilie fortanum semper ..., Tucklems Wilsford ins me jure ... and the lower Gulielmus Ferrer de Pontefract formavit 28 Juny: A: 1707. Provenance: The estate of Michael Hurst. A William Farrer is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in Pontefract from before 1707 and dying in 1726.

A mixed lot to include a simulated crocodile tin trunk, a chrome on nickel cased canteen of flat ware and a box of miscellaneous items including a perpetual motion clock under a perspex dome paraffin table lamp, brass animals, flat iron and copper kettle

George V silver dressing table clock, Birmingham 1912, waisted, lobed form, the case engraved with foliate garlands enclosing a white enamelled dial with Roman numerals, subsidiary seconds, height 16cm

A walnut box of rectangular form, and a table clock

A silver cased miniature mantel clock, by C.D.H., London, 1932; a hand-painted dressing table set depicting a villa by a lake; metalware, to include: a pepper and salt; a sugar caster; a Chinese cloisonne dog; flatware; a specimen stone paperweight; and other items.

Large & impressive late C19th Westminster chiming table/bracket clock with ebonised & gilt metal case to gilt metal bracket feet 65H x 38W cm

Three Box of Sundries to Include Ornaments, Table Lamps, Wall Clock, Books Etc

An Elliott London, for Alexander Clark Co Ltd, walnut cased table clock, the eight day lever movement striking Westminster and Whittington chimes on a gong, 39cm tall

1950's 'SONORA PRINCESSE' BAKELITE RADIO together with a period 'Wehrle' table clock (2)

Automaton of young girl riding a rocking horse in a glazed case, comprising a bisque socket head doll with fixed blue eyes, painted and carved arms and legs, riding a black painted horse with a grey mane and tail, on a traditional style red painted rocker base, clock work mechanism to the underside of the horse with key wind, 65cm by 49cm, standing on an ebonised stand, within a glazed arched table top cabinet, 75cm by 62cm 31cmRepair to the back of the rocker and some wear to the paint on the horse. Doll lacking something to left hand. Unable to inspect out of case.

A walnut table clock with striking movement and one other clock

A French striking gilt metal mantel clock; an oak cased table timepiece; an inlaid mahogany anneroid barometer; and a copy of Britten's old clocks and watches (4)

A Victorian walnut quarter striking table clock, movement stamped Lenzkirch 1 million

A Mappin & Webb silver plated clock, a Junghans clock plus table barometer

A continental mahogany cased table clock the cast brass dial with enamel numerals and central panel signed 'L Brulefer, A Paris', the movement with silk suspension and count wheel striking the hours and half hours on a bell, 33cm wide, 47cm high

A CASED VINTAGE MANICURE SET, together with a Jaeger Petite Neuchteloise dressing table clock with Swiss movement, H 12.5 cm (2)Condition Report:Unfortunately the clock winder does not move.

A fine miniature ormolu cased table clock, the silvered rectangular dial engraved and with printed Roman numerals in black, the rectangular case engraved, inset with malachite cabochon to the top and with agate lozenges to the sides all raised on four scrolled mask supports, the back cover with apertures for winding with dust covers and with a small thermometer attached, 9cm high movement not examined

A 19th century white marble mantel clock with gilt metal surmount cast as a Grecian man and rearing horse and a cream table lamp with floral incised decoration

A Large speltar figurative table lamp after Rancoulet also a wood case eight day chiming mantle clock and a copper bed warmer

Boxes & Objects, a Hemle anniversary clock, a wall clock, a Weston Supermare studio pottery vase, table china, parasol, etc qty

6 BOXES OF HOUSEHOLD ITEMS, CLOCK, TABLE LAMP ETC

Raingo Freres of Paris marble / ormolu table clock with figural bronze of Quentine D Durward and Louis XI wild boar hunting from the novel by Walter Scott (this predates his knighthood so it dates to c1920). The enamelled Roman dial with pierced trefoil hands and the named two-train movement numbered 1166, striking on a bell, 'Louis XI et Quentin Durward W Scott' to brass plinth, 66cm tall

THREE BOXES AND LOOSE CERAMICS, GLASS, ANNIVERSARY CLOCK, PETIT POINT, DRESSING TABLE SET ETC, to include Newhall 'Boumier Ware' lustre bowl, Carnival glass dishes, 'Trentham' Crown Pottery teawares etc

AN AMERICAN WALL CLOCK, with painted glazed panel, reproduction wall clock, Seiko 30 day wall clock and a carved occasional table (two weights and two pendulums) (key and pendulam) (4)

AN OAK CASED MANTLE CLOCK, three various wall mirrors and four various table lamps, sd (8)

FRENCH ART DECO PORTABLE ALARM CLOCK, square with easel support, together with an EARLY PINK AND CREAM PLASTIC TABLE CIGARETTE DISPENSER with sliding brass cover engraved with a Susie Cooper-type leaping deer (2)

A tray of carved ebony elephant ornaments, desk clock with photo frame, pill box, perfume bottle, onyx table box of costume jewellery, Maling vase etc

A tray of anniversary clock, spelter table lamp, miner and horse sculpture on stone base

Pair of Tiffany style table lamps, wine racks, Majolica style jardiniere, vice, clock, etc

Various table lamps, light fittings, mantel clock, pair of urn vases, oval picture, etc

Cased dressing table set with peach enamel backs and gilt metal borders, a cased manicure set, a dressing table set comprising mirror, two brushes and clock with embroidered decoration and three pin dishes decorated with glamour girls

VICTORIAN BRONZE TWO HANDLED SIDE VASE AND THE EBONISED STAND, CONVERTED AS AN ELECTRIC TABLE LAMP; A CORINTHIAN COLUMN TABLE LAMP AND THE VICTORIAN EBONISED WOODEN MANTEL CLOCK PLINTH

WEISS ONYX AND BRASS CARRIAGE STYLE MANTEL CLOCK WITH BATTERY MOVEMENT; AN ONYX TABLE CIGARETTE BOX; TWO COMPOSITION WALL BRACKETS (4)

An oak chiming table clock, circa 1900, arched case, gilt metal pierced side frets, claw feet, arched brass dial, two dials for fast/slow and chime on eight bells,/chime on four gongs selection, triple barrel movement, movement backplate stamped W&H, 46cm high04.08.17, Case with small dents and scratches, case front is slightly discoloured in parts, dial is slightly faded, movement is clean.

MIXED LOT OF COLLECTABLESincluding a cased carving set, cased pair of field glasses from G.Plath of Hamburg, book of Clyde Pleasure Steamers, part leather bound Chambers's Journal of 1872, two hickory shaft children's golf clubs, The House of Valentine boxed porcelain doll, carved soapstone African head, President quartz movement brass carriage clock, shaped table brush, compass set, gentleman's Brax wristwatch and other items

1950's 'SONORA PRINCESSE' BAKELITE RADIOtogether with a period 'Wehrle' table clock (2)

A mid-20thC walnut cased dome top mantel clock with silvered dial and Roman numerals together with a five section mahogany table top letter rack

Art Deco Chrome Clock Table Lamp

A SMALL EBONISED TABLE CLOCK by Robert Roskell, Liverpool, the single fusee movement with signature to back plate and stamped 55299, 3 1/2" brass dial with Roman numerals and chased all over with foliate scrolls, the pagoda topped case surmounted by a brass loop carrying handle, glazed sides, moulded base with gadrooned banding and bracket feet, 7" wide, 9 1/2" high to tip of handle (Est. plus 18% premium inc. VAT) (Illustrated)

A MAHOGANY CASED TABLE CLOCK by Shrivell, Brighton, the twin barrel movement with anchor escapement striking on a bell, 8" white enamel dial with Roman numerals and signature, the oblong brass mounted case with pineapple finial on stepped hood, panelled fascia, pierced brass sound frets below ring handles, stepped and fluted base with ball feet, 11" wide, 19 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)

A MAHOGANY CASED TRIPLE CHIME TABLE CLOCK by Kieninger Germany, modern, the three train movement striking on a nest of nine bells, arched 7 1/2" enamel dial signed Lonsdale with Roman numerals, seconds dial, strike/silent and chime dials, the canted oblong case with arched moulded cornice and fluted angles, arched brass sound frets, moulded base and bracket feet, 12" x 15 1/2" (Est. plus 18% premium inc. VAT)

A FRENCH GILT METAL AND PORCELAIN TABLE CLOCK by Japy Freres et Cie, the twin barrel movement striking on a bell, 4" porcelain dial with Roman numerals, the centre painted with nesting birds, the drum case with lion mask ring handles and urn surmount, on waisted support with porcelain panel depicting lovers in a park, the oblong base with scrolled brackets and turned feet, 10 1/2" x 16 3/4" (Est. plus 18% premium inc. VAT)

Small box of pennies & a Swiss horse shoe shaped table clock (Swaine, London) (2)

A Victorian walnut and marquetry decorated drop dial wall clock and a scrolled metal table lamp with cone shade.

A tray of glass dressing table set, lead crystal mantel clock, assorted glass vases and candle holders etc

SUNDRY LOT INCLUDING BRASS CHESS PIECES, CAIRO TABLE, BAROMETER, TANTALUS AND WALL CLOCK

Miniature embossed London silver cased dressing table clock with enamel dial and Roman numerals, signed Mappin and Webb, London (a/f)

A brass ball shaped table clock