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A collection of miniature novelty clocks, in the form of gold clubs, hot air baloon, telephone, television, car, alarm clock, magnifying glass by William Widdop, bicycle, a First Impressions quartz clock, a Widdop gramophone clock, a Churchill one in the form of a dressing table and a Bonetti clock also in the form of a dressing table (14).
A German Walnut Chiming Table Clock, circa 1890, arched caddied pediment, applied scroll and mask decorated mounts, claw feet, side frets and pull repeat cord, arched brass dial, arch with slow/fast and chime/silent selections, triple barrel movement with anchor escapement, chiming on four gongs and striking a further gong for the hours, movement backplate stamped RMS, 72cm high27.09.17, Case is faded in parts, metal mounts are discoloured, case with dents in parts, dial is discoloured, movement needs cleaning, no pendulum.
An Ebonised Striking Table Clock, early 19th century, inverted bell top with carrying handle, side viewing windows, painted arched dial, arch with strike/silent selection, twin fusee movement with a later converted anchor escapement, striking on a bell, 49cm high27.09.17, Case needs restoring, case with chips and crack marks in places, some mouldings have come off, dial with paint chipped in parts, dial with crazing cracks and small scratches, dial is faded throughout and needs restoring, movement needs cleaning, later converted anchor escapement.
A Yashika 44 Copal-SV twin reflex camera in leather case, a six draw telescope by A Ross of London, a Waltham table top clock, a pair of Swift Apollo Mark II 8 x 30 extra wide field binoculars, a pair of bino-prism no 5 Mark V x 7 binoculars, three various cases and a pair of canvas cased flasks
A late 19th Century/early 20th Century French ormolu cased "Officer de Pendule" table clock, the 4.25ins diameter silvered dial with Roman numerals, to the eight day two train movement with balance escapement striking on a bell, contained in ormolu case with good chiselled acanthus leaf ornament and folding leaf capped double scroll handle and with bold oval paterae to sides, on paw feet, 8.5ins high
A collection of various china wares to include Staffordshire style clock group, Staffordshire spaniel, Staffordshire figure of "Bagpipe player on horseback", a Sitzendorf porcelain cherub decorated wall pocket, a grouse decorated plate, the central image signed "J Finn", a box of various china wares to include fox mask stirrup cup, chamberstick, Sampson figure of a bird, etc, together with three pottery table lamps, two as cottages and one as a carousel and two small Basil Matthews figures of a pig and piglet and foal with rabbit, together with a Herend blue scale dog of Fo figure
A GOOD 19th.C.SATINWOOD BRACKET OR TABLE CLOCK. PAGODA TOP CASE WITH PAINT DECORATION, BRASS ARCH DIAL WITH STRIKE SILENT SELECT. SILVER CHAPTER RING AND NAME PLATE SIGNED ALEX HARE, LONDON. TWIN FUSEE REAR WIND MOVEMENT WITH SCROLL ENGRAVED AND SIGNED BACK PLATE, QUARTER STRIKING ON TWO BELLS. (INCLUDING HANDLE) H.56cms.
A George II brass table timepiece movement Unsigned, second quarter of the 18th century The four pillar single fusee movement with slender plates enclosing train retaining original pin-tooth crown wheel for use as silent verge escapement with gut pallets, the backplate engraved with fine strapwork around a central basket of fruit, (lacking pallets, pendulum, backcock, motionwork, dial and hands); with a quantity of table clock parts and dial spandrel mounts, anomynous, mainly 18th century including fusee, two spring barrels, the majority of a verge going train, two music/chiming pin barrels and various spandrel castings, (qty).
A George II brass mounted ebonised table clock Stephen Asselin, London, mid 18th century The five pillar twin fusee movement with Ho-Ho bird inhabited symmetrical foliate scroll backplate and 7 inch brass break-arch dial with false bob and calendar apertures to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed STEP N ASSELIN, LONDON to lower edge, the angles with gilt Indian mask and scroll cast spandrels beneath subsidiary STRIKE/SILENT selection dial flanked by conforming mounts to arch, in a break-arch top with hinged brass carrying handle and brass fillet edged pad over complex top mouldings and brass fillet inset glazed break-arch front door applied with cast ropetwist mounts to angles, the sides with rectangular windows, the rear with break-arch glazed door, on cavetto moulded base with brass ogee bracket feet, (lacking all under dial motion and strike work, repeat mechanism, escapement and hands; case distressed and with some worm damage), 40.5cm (16ins) high excluding handle. Provenance: The estate of Michael Hurst. A Stephen Asselin is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in London from circa 1700.
A quantity of English fusee table clock parts Anonymous, third quarter of the 18th century and later Including spring barrels, fusees, verge escapement parts, potances, pendulums, wheelwork and case securing brackets; with t he remains of an Austrian ebonised table clock, unsigned, third quarter of the 18th century, comprising four pillar twin standing barrel movement with verge escapement for regulation by short front-swinging pendulum and outside countwheel hour strike, the case lacking all but the side panels incorporating break-arch windows and base board (no dial, hands, pendulum etc.); a similar rack-striking table clock movement, unsigned, third quarter of the 18th century, with double baluster pillars (lacking dial, hands and pendulum); an English fusee dial timepiece movement, unsigned, early 19th century, with bottle-shaped plates and anchor escapement for regulation by lenticular bob pendulum; and four French circular eight-day mantel clock movements, mid 19th century and later, in varying states of repair/completeness including one with dial incorporating visible Brocot escapement to centre;(qty) Provenance: The estate of Michael Hurst.
A fine George III brass mounted mahogany quarter chiming table clock with enamel dials James McCabe, London, circa 1800 The substantial six pillar triple chain fusee bell striking movement with verge escapement regulated by short bob pendulum and chiming the quarters on a nest of eight bells with eight hammers, the backplate signed James McCabe, LONDON to an oval cartouche within geometric borders incorporating panels with floral sprays to corners , the 7 inch brass full-arch dial applied with circular Roman numeral enamel centre with Arabic five minutes to outer track and pierced brass hands, the angles with applied foliate cast spandrels beneath subsidiary STRIKE/SILENT selection dial flanked by conforming cast mounts to arch, the case with brass ball finial to the gadroon-edged concave sided upstand with foliate scroll brass inlaid frieze above moulded break-arch top applied with four further ball finials and brass-fillet inset glazed front door flanked by brass stop-fluted quarter columns to front angles, the sides with hinged brass handles over fishscale sound frets, the rear with arch-glazed door, on brass faced cavetto moulded skirt base with ogee bracket feet, 61cm (24ins) high. James McCabe senior is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a 'very fine maker' who worked from Cheapside and Royal Exchange, London 1778-1811. The business was continued under his name by his sons and Robert Jeremy until 1883. The current lot has remnants of a label inscribed with Arabic text to the inside of the lower rail of the front door suggesting that at some point it was in a Middle-Eastern collection.

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