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A mixed collection of copper and brass ware, brass tray top table, old school clock and one other, hickory shafted gold club etc.

A glass topped heavy solid brass occasional table fashioned as a clock face.

Late nineteenth century mantel clock with German fourteen day striking movement with column supports supplied by Russell of Malvern, height 39cms tall together with a table clock in an imitation mother of pearl surround

MISCELLANEOUS CERAMICS AND GLASS, A CLOCK, TABLE LAMPS ETC

A glass fronted table clock

Early 20th Century oak cased grandmother clock, chiming movement and similar two tier occasional table and light oak desk chair

A musical table clock and two other bedside clocks

Five dining chairs, piano stool, occasional table, a cabinet, an oak wall clock and a mahogany commode (10)

Assorted silver, comprising clock case, dressing table bottles, a pair of Dwarf candlesticks and four trophies

A Victorian coromandel and brass mounted table desk, by S. Morden & Co London, the sloping top with brass fretwork spandrels inset blue jasperware style plaques, enclosing a fitted interior, signed as per title to lock plate, also inset retailer’s label for ‘ Howell James& Co, Regent Street, London’, 35 x 25 x 11cm, slight damage* Howell and James were founded in 1819 as silk mercers & retail jewellers, the original partners being John Howell and Isaac James. By 1838 the firm had become Howell, James & Co. with the partners now John Howell, William Sedgwick, Thomas Stroud and Henry Gillett although by 1855 the company was in the sole ownership of Gillett and in 1884 became a limited company known as Howell & James Ltd. The opening day of their annual ‘exhibition’ became one of the outings of the period attracting the cream of London society. They exhibited at the Great Exhibition of 1851 in Hyde Park, as well as the International Exhibition of 1862, the Paris Exhibition of 1867 and the London exhibition of 1872. The company were champions of the South Kensington School and included many items within their stock that came from this establishment, and included jewellery from designers such as C.L. Eastlake, M.D. Wyatt, F. Leighton, and L.F. Day at these various exhibitions. From 1876 they held popular exhibitions at their Regent Street premises showcasing the painted pottery produced by amateurs. One of their designers, the well- known L.F. Day had made a clock for the 1851 Great Exhibition and went on to design the company’s stand at the later 1878 Paris show. His Aesthetic clocks were a mainstay of Howell and James’s production, who had other prominent designers from the Arts & Crafts movement working alongside them including Thomas Harris and J. Llewellyn who left in 1889, taking many of the selling rights to Liberty & Co situated close-by in Regent Street

A gilt mantle clock, a table lamp, a collection of marble eggs and similar items

A Victorian hallmarked silver mounted portable dressing table clock, with central white Roman numeral dial with subsidiary seconds hand, makers mark J.C. & Co, Birmingham, 1897/98, length 7cm (dial with hairline crack)

ANNA ZINKEISEN Gentleman at a table. Pencil sketch. Provenance labels. 20.5 x 18.5cm. This is a design for The Little Glass Clock by Hugh Mills, 1964.

A late-19th/early 20th century German oak-cased table clock, circular silvered dial with Arabic numerals, pierced gilt spandrels, the movement inscribed Klienzle Uhren, made in Germany 18617

Mantel clock, table lamp and plaster figure and kitchen scale.

Lenzkirch mantel clock and a door bell on table top stand.

A painted tray; 3 table lamps; a hall light; a cast iron "vine" bracket; a modernist wall clock

A reproduction oak clock coffee table, Howard Miller Clock Co.

A small Gottschalk doll`s house with bay window and balcony, similar to model 2040/3 in the Gottschalk catalogue. Painted and lithographed detail. Original floor papers and borders. One room has paper that is probably replaced. The two roomed interior with mainly original late 19th century furnishings including a fine gilt and japanned bed, a washstand with original milk glass fittings, biedermeier style purple upholstered suite, marble topped stand with turned wooden blue ringed toilet set, gilt birdcage and wall clock, fine chimney piece, gilt overmantel and porcelain ornaments, metal piano with original music, two dolls house dolls with blonde moulded hair, boy in velvet suit and a porcelain gilt table, cradle, pictures, etc. The house H22 W12 1/2, D 10 1/2

A chiming table clock, David Cowen, Manchester, later case

An Edwardian table clock with inlaid decoration

Staffordshire Group, Elderly couple seated at table, painted in colours, 15cms, Staffordshire clock group with two children, a Staffordshire watch stand and an encrusted hollow base Staffordshire group of a shepherd, shepherdess and sheep, (4).

A 20th Century Charles Frodsham brass novelty globe table clock, Serial No. 0220/5000, the hinged globe exterior with engraved decoration, on a wood plinth, height approx 27cm.

A silver dressing table candlestick, ebonised dressing table brushes, jars, tortoiseshell effect mantel clock and other effects - contents of one tray.

A late 19th/early 20th century Chinese padouk wood table clock, the twin fusee quarter striking movement with verge and folio escapement, Roman and Arabic enamelled dial set within and foliate cast panel, raised on a carved base and separate scrolled stand, 55cm high x 32cm wide.

Collection of 7 pieces of Aynsley china to include a clock, table light, Urn vase etc

A Swedish Gense stainless steel six person table service, two Caithness paperweights, a mantel clock and other items (box)

A table clock, the 17 cm square brass dial having a silvered chapter ring signed Goddard, London, and with Arabic numerals, the matt centre with visible pendulum swing and calendar aperture, the top of the dial with Silent/Strike, fitted an eight day movement, the back plate signed Goddard, London, and engraved scrolling foliage, in an ebonised case with carrying handle (alterations and restored), 40.5 cm high See front cover colour illustration

Victorian gothic brass table clock with enamel dial

An elm seated country style Windsor rocking chair together with a folding table and an Enfield mantel clock.

SILVER DRESSING TABLE CLOCK with Swiss movement, white Roman dial with subsidiary seconds dial, in engine turned balloon variant case, on bun feet, 4" high, Birmingham 1912

A mid-20th century combination alarm clock-table lamp, Pifco clock, chromium frame

Contemporary silver-faced table clock, by R. Carr, Sheffield 2004.

Four Boxes of Assorted Ceramics including Ringtons Jug, Mantel Clock, Pictures, Metal Ware, Dressing Table Set etc

An arts and crafts Brass and red stone set table clock with blue numeralled enamel dial

A small engine turned Silver table clock

A continental gilt metal and porcelain table clock with cherub decoration

A five part silver and pink guilloche enamel mounted dressing table set, Adie Brothers Ltd, Birmingham 1929, comprising; a hand mirror, a hair brush, a clothes brush, a trinket box and a clock, together with a jar cover (lacking jar), two associated pin dishes and a silver mounted comb (at fault) (9)

A reproduction mahogany glazed bookcase, a modern nest of three occasional tables, a glazed coffee table, pottery jardiniere and stand, an oak wall clock, a taxidermy pheasant and a pair of walnut speakers

A 19TH/20TH CENTURY GILT METAL AND ENAMELLED DRESSING TABLE CLOCK having enamel central circular dial with winged allegorical figures, Arabic chapter within blue enamel square outer rim, 8-day Swiss type mechanism, 7.5 x 7.5cm

An Edwardian Transfer Decorated Pottery Vase And Plinth Together With A Jardinière And Table Clock.

A good Edwardian oak cased table clock, square brass dial with silvered chapter ring, Roman numerals, two subsidiary dials, pierced gilt spandrels movement signed WH + Sons

A 19th century spelter and marble table clock, the dial with two figures, a plaque reads Coup de Vent par Guillemine, rouge marble base

An 18th century style ormolu and tortoiseshell style veneered boule table clock, circular brass dial embossed, Roman numerals, the case inlaid with pierced scrolling brass work, applied with scroll work, the movement inscribed Gallo, Italy, H.L 130m-147

An Art Deco chrome table lamp, together with another table lamp and a clock on green onyx stand (3)

400 Day clock under glass dome, petit point dressing table set, ceramics, glassware in two boxes

AN EARLY 20th CENTURY SWISS TABLE CLOCK BY BREVET " LE PETIT FORGERON ", THE GILT DIAL HAVING MOON PHASE AUTOMATION, THE CLOCK BEING ON A MARBLE STAND APPROX. 7 CM HIGH, THE DIAL BEING APPROX. 4.8 CM DIAMETER. (WAF)

Fifteen pieces of Aynsley "Little Sweetheart" china, including mantel clock; table lamp; vases and dishes; an Aynsley "Cottage Garden" vase

PENDULE DE TABLE de forme architecturale, en faïence émaillée bleu gris, décorée en relief. Chaque côté est en forme d’une arcade polylobée, ornée de motifs géométriques. Le cadran, en forme d’étoile, est émaillé de "chiffres arabes". Avec son remontoir. Europe pour l’Orient, fin du XIXe siècle. HAUT. 34 cm (13.3 in.) A late 19th century European fabricated oriental style ceramic clock.

A Mahogany Chiming Table Clock, retailed by Manoah Rhodes & Sons Ltd, Bradford, circa 1890, arched top, pierced side sound frets, 7-inch silvered dial with Roman numerals, arch with fast/slow and chime/silent selections, triple barrel movement quarter chiming with four hammers striking four gongs and a larger hammer striking a gong for the hours, movement backplate stamped W&H Sch, 42cm high

An Oak Chiming Table Clock, signed Russells Ltd, 18 Church St, Liverpool, circa 1890, the elaborate carved case with scroll and mask decoration throughout, side opening doors, engraved presentation plaque to the front, 8-inch arched brass dial with a Roman and Arabic chapter ring, arch with three dials for chime/silent, fast/slow and Whittington/Westminster, triple fusee movement with anchor escapement, chiming with eight hammer striking eight bells or four hammers striking four gongs and a further hammer striking a gong for the hours, 70cm high see illustration

An Ebonised Striking Table Clock, signed Thos Gibbons, Popes head Alley, London, circa 1750, the inverted bell top with carrying handle, side windows and pierced sound frets, 7-inch arched silvered brass dial with Roman and Arabic chapter ring, mock pendulum and date apertures, signed in the arch, twin fusee movement, converted to anchor escapement and striking on a bell, movement backplate engraved throughout, 53cm high over handle see illustration

A Mahogany and Brass Inlaid Quarter Striking Table Clock, circa 1890, the caddy top with carrying handle, pierced side sound frets, raised on bracket feet, 7-inch silvered dial with Roman numerals, twin barrel movement quarter striking with two hammers onto two gongs, 48cm high

A pair of contemporary table lamps, each fashioned as a covered Japanese vase with tasselled shade, together with a modern gilt metal mantle clock and other contemporary ceramics.

A green onyx mantel clock, a table oil lamp, and a Caithness Silver Jubilee paperweight, boxed

A late Victorian slate mantel clock, and a table oil lamp (2)

An Edwardian mahogany tear-shaped mantle or table clock with string inlay and three brass bun feet (as viewed)

A FINE VIENNESE ENAMELED AND JEWELED ARCHITECTUAL TABLE CLOCK, LATE 19TH CENTURY, POSSIBLY BY HERMANN BOHM. The pentagonal case with classical enameled scenes and enameled clock dial below a conical form spire with figures of knights in niches below putti holding garlands and surmounted with a classical warrior finial. Apparently unmarked. Height 12.5 inches (32 cm).

A LARGE AND IMPRESSIVE FRENCH SECOND EMPIRE PATINATED AND GILT BRONZE FIGURAL TABLE CLOCK. In the form of a Classical woman with young child supporting a circular bronze clock and raised on a rockery base with tied bundle of wheat. The enameled dial inscribed "Denier Paris". Height 22.5 inches (57 cm).

A LARGE FRENCH NEOCLASSIC STYLE GILT BRONZE TABLE CLOCK, 19TH CENTURY. The shaped bronze stepped case with foliate brackets, grotesque facial masks and horned goat busts surmounted with a lidded urn with silvered and embossed scenes of Bacchanalian infants. Height 22.5 inches (57 cm).