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A LATE VICTORIAN/EDWARDIAN BRASS CASED FOUR GLASS TABLE CLOCK WITH 8-DAY MOVEMENT STRIKING ON BELL. H.26cms.

A VINTAGE LUXOR DRESSING TABLE CLOCK OF CARRIAGE CLOCK FORM CONTAINED IN ORIGINAL BOX WITH PAPERWORK.

A gold plated Waltham pocket watch with chain and display dome, a copy of 'Pilgrims Progress' published by Adam & Co, Newcastle Upon Tyne, a silver pin cushion, a Ronson table lighter, a small group of brass, an oak cased mantle clock, an oil lamp and a small display case

A GOOD CARTIER TABLE CLOCK, in orginal red leather box no: 123928GA, 2746 2.5ins high

A silver mounted dressing table clock and a scent bottle

An 18th century ebony table clock by Daniel Delander, the inverted bell top with knopped brass carrying handle, the case with glazed doors to front and back and with break arch glazed side panels, the 5 inch brass dial signed Dan Delander London to the oval plaque on the matted centre and with curved false pendulum aperture, the silvered Roman numeral chapter ring with mask centred spandrels , the subsidiary calendar dial in the arch with foliate scroll spandrels ,the five pillar eight day fusee movement with verge escapement, the backplate inscribed Delander London within a plain oval panel set amidst foliate scrollwork, birds, a basket of flowers and a sun, 37cm high to top of upright handle.Note: Daniel Delander was born 1678 and at the age of fourteen was apprenticed in 1692 to Charles Halstead and freed in 1699. Later he became assistant in the workshop of Thomas Tompion and in 1712 he moved from Devereux Court to a house between the two Temple Gates in Fleet Street and within two years was within Temple Bar. The case is in mostly good condition, with some loose mouldings to doors, one corner panel is lifting from door, some overall cracking to lacquer varnish on most planes of clock, movement appears clean and possibly professionally restored, bell strikes the hours when activated

Barton oak Dolls' House Furniture, including dresser with red label --5in. (12.5cm.) high, refectory table and two benches, corner cupboard, long case clock and dressing table (G)

Dolls' House Furniture, an interesting oak gate legged table --2½in. (6.5cm.) high, hand carved solid oak long case clock, English-style country chair stamped Germany and desk (F-G)

Elgin Dolls' House oak finish Furniture, two beds --5½in. (13.5cm.) long, display cabinet, chest of drawers, wardrobe, three sideboards, two tables, long case clock and dressing table mirror, most stamped Elgin Enfield (E)

A QUANTITY OF MINIATURE TABLE TOP DISPLAY CABINETS, SUNDRY GLASSWARE, MANTEL CLOCK, DECANTER, FRAMED PRINTS, ETC

A silver mounted small table or portable clock, of tapering form, the gilt dial with Arabic numerals, Birmingham Assay, date letter indistinct, and a silver mustard pot lacking lid

AN EBONISED STRIKING TABLE CLOCK by Robert Dovers, Bath, late 18th century, the three train fusee chiming movement with anchor escapement striking on eight bells on the quarter hour, and followed by a further striking of a single bell for the hours, the back plate engraved with foliate scrolls and secured by brackets, 7" arched brass dial with Roman and Arabic numerals on silvered chapter ring, matted centre with recessed silvered signature panel, chime/silent dial to arch, the case with loop carrying handle and pineapple finials on bell top, glazed sides, moulded base and brass bun feet, 20" high to tip of handle (Est. plus 21% premium inc. VAT) (Illustrated)

A MAHOGANY CASED MUSICAL TABLE CLOCK by Daniel Fenn, London, the triple fusee movement with verge escapement, chiming on eight bells for the musical train on the quarter hour followed by by a further striking of a single bell for the hours, back plate engraved with flowers centred by an urn and secured by brackets, repeat pull, 8" arched brass dial with Roman and Arabic numerals on silvered chapter ring, matted centre, recessed silvered signature panel to arch flanked by strike/silent and chime selector dials and surmounted by inscription "Gavot, Air, Minuet & Choral", the domed and gilt metal mounted case with turned finials, trellis pierced sound frets below ring handles, on bracket feet, 14" x 20 1/4" (Est. plus 21% premium inc. VAT) (Illustrated)

A 1960s Metamec table clock, six oval Midwinter plates, various glass dishes and cutlery

A CARTIER DRESSING TABLE ALARM CLOCK, the white enamel dial with black Roman numerals within a reeded bezel in a brown enamelled gold plated square case with re-entrant corners, on a hinged strut, numbered 7512, 04364 (Est. plus 21% premium inc. VAT)

BOX OF TABLE LAMPS, CLOCK, LANTERN

A Victorian style music table, a wall clock, a framed print under glass depicting a huntsman together with a gun cleaning rod

A BRASS CASED MODERN CARRIAGE CLOCK, AN ONYX BIRD ORNAMENT, A FIGURINE, A TABLE LAMP, A SMALL GLOBE ON STAND ETC....

Pair of silver plated grape shears together with a chromium and silvered dial table top clock, a shaped enamel tray with floral design, a further seated model of a bronze Buddha and a resin bust of a Roman soldier raised on a square plinth, tallest 20cms (5)

A faux tortoiseshell dressing table set including a bedside clock and a plastic clothes brush in the form of a duck.

An Early Tabernacle Form Gilt Brass Striking Table Clock, case possibly German, mid-17th Century, later movement restored in 1965 which still retains some 17th century parts, tabernacle form case with a restored top gallery supported on four tapered columns, foliate cast and chased plinth base, raised upon bun shaped feet, silvered Roman numeral dial with an inner quarter hour track and a foliate engraved centre, single tulip-shaped steel hand, the rear silvered Arabic dial is for the strike, now with a custom-made twin gut fusee movement, square section brass pillars, verge escapement, rear mounted bob pendulum, striking on a top mounted bell, 29cm high see illustration This clock was sold in ''The Albert Odmark Collection of Important Clocks and Watches Sale'' Christie's, London 11th March 2005, lot 422.12.02.18, The gilded surfaces are nicely aged and discoloured, case mid-17th century, both silvered dial are discoloured. The movement was restored by Keith Davies in 1965, the movement still retains the original top and base plates and square pillars, both the going and striking trains are replacements, later verge escapement, and now converted to bob pendulum, the strike train striking the bell housed in the restored gallery cupola above the dials via a hammer carried on a vertical steel arbor, clock in going order.

An 18th Century Ebony Veneered Chiming Table Clock, signed Benj Shuckforth, Diss, circa 1750, inverted bell top with a carrying handle, side viewing windows, bracket feet, 8-inch arched brass dial with a silvered chapter ring, matted dial centre with date aperture and a recessed signed silvered plaque, arch with strike/silent and inscribed above on a silvered plaque Sic Transit Gloria Mundi, triple fusee movement with verge escapement, quarter chiming on a nest of ten bells and striking a further bell for the hours, elaborately scroll engraved backplate with a central basket of flowers, 57cm high over handle see illustrations 13.02.18, Pediment with signs of old woodworm holes which are no longer active, pediment with later finials, veneers with signs of chips, cracks and small dents in parts, some veneers are missing, front door with later frets to the top corners, back door with some veneers missing, back door top frets with damage, back of the base with two holes and one central dent, metal beading around the inner part of the door is discoloured and stained, repeat cord is missing to the side, metal mounts are discoloured, wooden dial surround with chips, dial is discoloured, movement backplate with scratches, movement needs cleaning, in going order, chiming on the quarters and striking the hours.

A French boulle work table clock with ormolu mounts. Having enamel dial with Arabic and Roman numeral markers. Housing an 8 day cylinder movement by Samuel Marti striking half hourly on a gong c.1900, 42cm. Condition Report. To be used as a guide only. Time and strike function running. pendulum but no key. Ormolu worn. Chips at the winding holes. Some minor lifting to the brass in the boulle work.

A Decca Salon table top gramophone, 78 records and oak mantel clock

Ω A fine Queen Anne gilt brass mounted ebony table clock with pull-quarter repeat Isaac Papavoine, London, circa 1705-10 The five finned pillar twin fusee movement with verge escapement regulated by short bob pendulum, pull-quarter repeat on a nest of three graduated bells and striking the hour on a further larger bell, the backplate finely engraved with symmetrical leafy scrolls and strapwork around a central crowned male mask within herringbone border, the 7 inch square brass dial with ringed winding holes and herringbone border-engraved shaped false bob aperture signed I Papauoine London to the recessed backing plate and conforming calendar aperture the finely matted centre within applied silvered Roman numeral chapter ring with sword hilt half hour markers and Arabic five minutes to outer track, with delicate pierced steel hands and winged cherub head cast spandrels to angles within herringbone engraved outer border incorporating S/N switch at nine o'clock, in a case with fine twin cherub cast handle to the bell-top superstructure and gilt urn finials, the front with raised mouldings to the glazed dial aperture flanked by scroll cast gilt escutcheon mounts, the sides with conforming rectangular glazed apertures and the rear with door matching the front set within the frame of the case, on complex moulded shallow skirt base with gilt brass claw bun feet, 39.5cm (15.5ins) high excluding handle. Provenance: Private collection, Hampshire (ref. C5); purchased at Louis Taylor and Sons, Stoke-on-Trent, 23rd March 1981 (lot 265) for £2,000 hammer. Isaac Papavoine is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as a French immigrant clockmaker who became a Free Brother of the Clockmakers Company in 1687/8. The only other mention of him in the Company records is a note indicating that he was much in arrears of his subscriptions in 1705/6. Loomes mentions clocks by him signed as being made in Dukes Court, London whilst other examples inscribed Suffolk Street, London are also known. The overall design of the current lot is typical of those made for a very short period during the formative years of the 18th century. The movement and dial are very much rooted in 17th century practice with the engraving to the backplate showing a Continental influence with strapwork and grotesques more typical of Huguenot practice. The case is surmounted by a fully developed bell-top caddy with exuberant handle which combined with a square dial very much dates the clock to around 1700 and 1710- and is of a form favoured by leading London makers such as Christopher Gould and Joseph Windmills (see Barder, Richard C. The Georgian Bracket Clock 1714-1830 for an example by Gould and Dawson, Percy G.; Drover, C.B. and Parkes, D.W. Early English Clocks 484 for a burr walnut clock by Joseph Windmills of related case design).Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

A fine George III brass mounted figured mahogany quarter chiming table clock with fired enamel dial John Scott, London, circa 1790 The substantial six pillar triple chain fusee movement chiming the quarters on a graduated nest of eight-bells and striking the hour on a further large bell, with original half-deadbeat escapement regulated by floral engraved lenticular bob pendulum with holdfast to the fine Classical urn-centred symmetrical rococo scroll engraved backplate, the 8 inch circular white enamel Roman numeral dial signed JOHN SCOTT, GLOUCESTER STREET, LONDON to centre, with Arabic five minutes to outer track and pierced blued steel hands, the shallow break-arch case with generous hinged brass carrying handle and single brass-fillet moulded rectangular pad to top over fine foliate pierced and engraved brass crescent-shaped sound fret to the arch of the full-height front door incorporating cast brass bezel to the convex glazed circular dial aperture and with conforming brass fillet-bordered lower quadrant frets flanked by chevron-strung angles, the sides with arched brass frets and the rear with glazed arched door set within the frame of the case, on generous cavetto moulded skirt base with cast brass ogee bracket feet, 43cm (17ins) high excluding handle. John Scott is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Gloucester Street, London from before 1784. He is further noted in Britten, F.J. Old Clocks and Watches and Their Makers as being in business at 40 Gloucester Street, Red Lion Square. Scott became an honorary Freeman of the Clockmaker s Company in 1781 but is believed to have worked 1770-1794; a bracket clock of his dating to around 1775 was formerly in the Wetherfield Collection.

A fine George III gilt brass mounted mahogany table clock Robert Fleetwood, London, circa 1780 The five pillar twin fusee bell striking movement with verge escapement regulated by lenticular bob pendulum with pivoted beam rise/fall regulation to suspension, trip hour repeat and fine symmetrical foliate rococo scroll engraved backplate, the 7 inch ogee-arch top dial with calendar aperture to the finely matted centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with pierced steel hands and rococo scroll cast mounts to spandrels with the upper two interrupted by twin subsidiary Strike/Silent and regulation dials flanking signature Rob t Fleetwood, Abchurch Lane, London to arch, the bell top case surmounted with gilt pineapple finial set on a pedestal flanked by fine gilt frets over four further smaller finials and cavetto top mouldings, the front with scroll-pierced and engraved brass upper quadrant frets and fillet inset glazed dial aperture to door flanked by caddy moulded angles, the sides with hinged brass carrying handles above conforming brass fillet inset break-arch side windows, the rear with plain glazed aperture and quadrant frets matching the front, on moulded skirt base with cast ogee bracket feet, 50cm (19.75ins) high overall. Robert Fleetwood is recorded in Britten F.J. Old Clocks and Watches and their Makers as a Liveryman of the Goldsmith s Company who was established at Featherstone Buildings, Holborn, London, in 1760 then 13 Abchurch Lane from 1776; he died in 1789. The unusual shape of the dial of the current lot is reminiscent of the work of the renowned London Partnership of Allam and Clements (see Christie s sale of Important Clocks and Marine Chronometers , King Street, London 20th February 2008, lot 96). Another clock of related design, this time by Eardley Norton, is illustrated in Barder, Richard, C. The GEORGIAN BRACKET CLOCK 1714-1830 on page 110.

Ω A Louis XV style gilt brass mounted Boulle bracket clock The dial signed for Passeral, Paris, late 19th century The two train gong striking movement with rectangular plates united by four cylindrical pillars pinned through the backplate, the going train with anchor escapement regulated by pendulum with decorative sunburst mask cast bob, the backplate stamped with VINCENTI & CIE, MADAILLE D ARGENT, 1855 roundel over serial number 409 87 , the 9 inch circular twenty-five piece cartouche numeral dial with convex white enamel centre inscribed Passeral, A Paris within chapter ring with blue-on-white Roman hour numerals within rococo borders and conforming black Arabic five minutes to outer track, with pierced steel hands, the engraved cut brass and red shell marquetry veneered waisted case with open scroll cast surmount applied to a concave-sided superstructure decorated with foliate scrolls flanked by leaf cast mounts to the angles, the front with rococo scroll cast crest over leafy gilt brass-framed arch-glazed door enclosing marquetry veneered inside surface to the rear door and incorporating richly cast panel decorated with rococo scrollwork to lower edge, the surround decorated with leafy scrolls within line border, the sides with tall recessed arch windows between marquetry panel veneered upper and lower margins, on generous scroll cast feet with cartouche apron between; with a wall bracket of ogee outline with applied leaf cast mount to edge of the table over conforming cut brass and red shell stylised foliate marquetry veneers to front and sides interrupted by rococo scroll cast mounts applied to angles, the base with further conforming mount, the clock 77cm (30.25ins) high; the clock and wall bracket 107cm (42ins) high overall.Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

Ω A French Louis XV Boulle Religeuse table clock case Unsigned, circa 1690, the case probably attributed to the workshop of Andre Charles Boulle With 8.75 inch arched red velvet covered dial plate applied with gilt cast mount modelled as the recumbent Chronos over a foliate infill panel to lower margin, the red stained tortoiseshell and cut brass marquetry decorated case with complex ebony moulded break-arch cornice, over arch glazed door applied with raised gilt brass leaf cast bezel to the 12 by 7.5 inch arched glazed dial aperture within continuous leafy scroll and line marquetry decorated surround flanked by pilasters with cast capitals and bases, the sides with panel upstands over cornice and conforming brass bordered break-arched windows within brass line-bordered multi-panel surround, the rear with ebonised plain arched door, on inverted breakfronted complex moulded shallow skirt base incorporating gilt brass leaf cast bun feet, 46cm (18ins) high. The case of the current lot exhibits features which can be seen on other clocks of this period attributed to the workshop of Andre Charles Boulle as illustrated and discussed in Plomp, Reinier Early French Pendulum Clocks 1658-1700 Chapter 4 entitled The heyday with A.-C. Boulle, 1680-1690. Indeed the overall design of the case together with the patterns used for the Chronos and dial surround mounts can be closely compared to that of a clock by Daniel Clavier, Paris illustrated by Plomp on page 72 (plate 128).Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

Boxes and Objects - vinyl records, including Perry Como, Frank Sinatra, Frankie Vaughan, Bing Crosby; clock; table lamp; silver plated ware; etc. (2 boxes)

An anniversary clock; a brass Metamec mantel clock; binoculars, cased; dressing table items; novelty chalet jewellery box; a wall barometer; another; pinking shears; etc, various

A Lucas King of the Road car/motorcycle acetylene lamp and a Scoler table top clock mounted within a glass paperweight style mount

A mixed lot, comprising two inlaid wooden oval serving trays, one in satinwood, the other mahogany; two Regency toleware serving trays, one mounted on a wooden stand; a Victorian papier mache tray; mahogany spider leg table; oak small square table with turned legs and castors; American drop trunk wall clock; and an Edwardian satinwood and inlaid mirror, originally from a cheval (no stand), 66cm, x 131cm (9)

A dressing table set, cufflinks, Denby pottery and a travel clock, etc (one box)

A set of scales and weight; together with a dressing table set comprising clock, candlesticks and tray plus an enamelled pill box (one box)

Carriage clock wall clock table lamp stein ornaments pen sets etc

Table clock by Charles Frodsham, surmounted with silver galleon, The St. James's House Company, Serial No. 337/500

A Tray of Sundries to Include Dressing Table Set, Travel Alarm Clock, Stourbridge Ring Stand, Alabaster Box, Cigarette/Vanity Case etc

A brass cased wall clock in the form of a ships wheel, a brass table mounting cork screw, a barometer and clock mounted on wooden base, a recorder and another brass Royal Mariner barometer

A mahogany veneered quarter striking table clock, ting tang striking two gongs

A late 17th century style striking table clock

A LARGE VICTORIAN TRIPLE FUSEE TABLE CLOCK STRIKING ON EIGHT BELLS, the rosewood architectural case with brass inlay, reeded columns with Corinthian capitals, pineapple finial, raised on four fluted gilt squat bun feet, the arched brass dial with silvered chapter ring, Roman numerals and two subsidiary dials above, the 8 day movement with feathered plates, hourly gong strike, overall H 64 cm, W 36 cm, D 28.3 cm

A French early 18th century table clock, Pierre Du Chesne, a Paris, the Boulle type tortoiseshell and inlaid case with arched pediment above velvet dial with brass Roman chapter ring and outer Arabic minutes, a signed gilt cartouche below, the rectangular twin spring barrel movement signed to the backplate, anchor escapement and outside countwheel, bell striking above, damage and restorations, 51.50 x 32cm (20 x 12in)

A late Victorian mahogany chiming table clock, the traditional shape case with folding gilt handle above 19cm brass dial having Chime/Silent, Slow/Fast, and Chime on 8 Bells/Westminster Chime dials to the arch, silvered chapter ring and matted centre, with triple fusee movement numbered 3435 chiming on 8 bells and striking on a gong, all on brass bracket feet 57 x 39cm (22 x 15in)

Of Jaeger Lecoultre style, a deco design table clock with chrome base, height 25cm.

A GROUP OF TORTOISESHELL DRESSING TABLE ARTICLES, EARLY 20TH C comprising pillar shaped eight day timepiece, 13cm h, two boxes, a canister, two pairs of brushes and a hand mirror (9)Provenance: Collection of William Terry (1922-2017).++The clock not in working order and minutes hand detached, mirror and brushes with handling use, both boxes and the canister in good condition

A 9ct gold bar brooch, hallmarked Chester, together with a silver mounted dressing table clock, a silver knife, a plated bowl, spoons, ash tray and forks

A Sestrel table clock, by Henry Brown & Son, Barking, Essex, 9cm overall

George Etherington of London, a table clock in ebonised case, fitted with brass carrying handle to the domed top above a glazed door enclosing silvered Roman numeral chapter ring with date aperture and mock pendulum, subsidiary strike silent dial, twin fusee movement, 36cm high

A FRENCH ONYX MANTEL CLOCK, with gilt cherub and detail, 'Savoye.DLNIS' on face (key), together with two onyx table lighters and a onyx cigarette box (4)

A FEDERATION TABLE TOP SEWING MACHINE, together with two boxes of sundries, wall clock, barometer, marbles, Prinz binoculars, cigarette cards, ceramics, etc

A MODERN MAHOGANY CIRCULAR OCCASIONAL TABLE, an oak occasional table and a mahogany nest of three tables, modern wall clock, two metal candle holders, brass table lamp, ceramic table lamp and an oak dresser top (9)

A MAHOGANY GLAZED SINGLE DOOR CHINA CABINET, an oak cased mantle clock, a mahogany open bookcase, a painted umbrella stand and a table lamp (key) (5)

A gilt framed signed print - Jesmond dene bridge in winter together with a gilt framed watercolour - Mountainous landscapes signed MCall, Sue McDonald print, contemporary mantle clock, pair of table lamps.

Vintage table lamps, dressing table accessories, marbel clock, marble boxes etc, two boxes.

Brass paraffin lamp converted to electricity with a fret border, a table lamp with gilt base, a model of a nude female converted to an electric lamp, two ceramic table lamps, a model of a parrot and a wall clock

A mixed lot of Wedgwood black and green Jasperwares to include jardinieres, table lighter, various pin trays, candlesticks etc, together with a modern Swiza mantel clock.

A collection of modern Mason's china wares in mandalay and brown velvet patterns to include table lamp, candlesticks, various vases, mantel clock and other items

A selection of Wedgwood Rosehip dressing table trinket including clock

A Charles Frodsham Congreve rolling ball skeleton timepiece with three dials, the third being in the form of a finial, visable escapement and a tilting table under a perspex dome, h. 43 cm*The clock has separate dials for hours, minutes and seconds, the latter moving every fifteen seconds as the table tilts. Individual seconds are indicated by the seconds indicator bar located horizontally across the table. Per day, the tungsten ball moves 6.432 miles. CONDITION REPORT: Prior to delivery, the vendor has had this clock operational. The auctioneers have not set up the clock to run whilst at the auction centre and cannot guarantee the working condition. With a key and three tungsten steel balls. The second bar does move as expected when the table tilts. See images for further notes on condition.