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Puppenküche und Puppenstube um 1905 und 60er Jahre, a. Puppenküche aus dem Jugendstil, orig. Gehäuse mit alter Tapete, seitliches Fenster, Küchenbuffet mit Verglasung, Arbeitstisch, Wandbord mit Schubladen, Wandhalterung für Küchenutensilien, kl. Bank, Tisch und zwei Stühle, orig. Herd mit allen Töpfen und Kamin, nicht mehr beheizbar, viel Zubehör aus Porzellan und Email, u.a. Vorratstöpfe, Essig- und Ölflasche, Brotdose, Schüsseln, Töpfe und Gefäße, Teller, Besteckteile, Küchenwaage, zwei Puppen später, Zubehör teilweise besch. bzw. später, ca. 44 x 88 x 40 cm, b. dazu Stube mit Kleiderschrank, Bett, Sofa, Kruzifix, Psyche, Tisch und 2 Stühle, Wanduhr, Kinderbett, 7 Mecki-Figuren Steiff und 5 Puppenstubenpuppen, 33x61x 41 cmDoll kitchen and dollhouse around 1905 and 1960s, a. Art Nouveau doll kitchen, orig. Housing with old wallpaper, window on the side, kitchen buffet with glazing, work table,wall shelf with drawers, wall bracket for kitchen utensils, small bench, table and two chairs, orig. Stove with all pots and chimney,no longer heatable, many porcelain and enamel accessories, including storage pots, vinegar and oil bottles, lunch box, bowls, pots and vessels, plates, cutlery, kitchen scales, two dolls later, accessories are partially damaged. or later, approx. 44 x 88 x 40 cm, b.plus a living room with wardrobe, bed, sofa, crucifix, Psyche, table and 2 chairs, wall clock, cot, 7 Mecki Steiff figures and 5 dollhouse dolls, 33x61x 41 cm

Tischuhr JaegerLecoultre, Atmos, mit Wandhalterung, um 1965/70, Modell Classic, vergoldetes Messinggehäuse, allseitig verglast, Schwenktüre, weißer Ziffernring mit aufgesetzten Indizes, vergoldetes Werk Kaliber 526, Werk Nr. 177252, Modell V., Libellenanzeige, Transportsicherung unter Zifferblatt, Unruhe Typ C, von innen zwei einstellbare Füsse, 22x18x13,5cm, im Kurzzeittest geprüft - intakt, WZ 2-3, GZ 3-4table clock JaegerLecoultre, Atmos, with wall holder, around 1965/70, Model Classic, gilt brass housing, all round glazed, swing door, white chapter ring with fitted Indizes, gilt work caliber 526, work No. 177252, Model V., dragonfly display, transportation lock under dial, balance Type C, two adjustable feet, 22x18x13,5cm, tested in short time - intact, condition of movement 2-3 (= good condition with minor flaws), housing 3-4

Tischuhr, sog. Neuenburger Pendule, neuzeitl. Fertigung um 1980, Kunststoffgehäuse mit Goldlack und floralen Verzierungen, Emailzifferblatt sig.: Schmid, Werk gem.: Schmid-Schlenker-Schwenningen, Lfd. ca. 1 Woche, Doppelschlag auf zwei Glocken, Schlagwerksfeder gerissen/ausgehängt, H. ca. 40cm, WZ 3-4, GZ 1-2Table clock, so-called Neuchâtel pendule, modern Manufactured around 1980, plastic case with gold paint and floral decorations, enameldial signed: Schmid, movement marked: Schmid- Schlenker-Schwenningen, serial no. approx. 1 week, double strike on two bells, striking mechanism spring torn/released, H. approx. 40cm, WZ 3-4, GZ 1-2

A German quarter striking table clock, retailed by Burrell, Sheffield, movement stamped W&H

JUGENDSTIL TISCHUHR Frankreich, um 1900, Metalguss patiniert, geschwungener Uhrenkorpus verziert mit Blütenapplikationen, Zifferblatt mit geschwärzten Zeigern, facettiertes Glas in vergoldetem Glasrand, franz. Rundwerk mit 1/2 Stunden-Scheiben-Schlagwerk auf Glocke, H: 50 cm. Altersspuren, nicht auf Funktion geprüft.| ART NOUVEAU TABLE CLOCKFrance, c. 1900, patinated cast metal, curved clock body decorated with floral appliqués, dial with blackened hands, faceted glass in gilded glass rim, french. Round movement with 1/2 hour disc strike on bell, h: 50 cm. Signs of age, not tested for function.

1920's oak framed octagonal bevelled mirror (44cm across), reproduction mahogany tripod wine table (50cm high & slight a/f to rim) & Smiths wooden cased clock with later battery movement

Vintage painted metal Chrometron mantle clock and a mid-century style crackle glass table lamp on metal tripod stand

Old two train Black Forest clock movement; also an old table top polyphon musical box playing 8 7/8" discs (2)

Interesting single weight driven machine with turret clock type movement, with lead off work to a lathe type attachment, contained within a blue painted open cast iron case surmounted by a governor and supported upon a rectangular oak table, 60" high overall, movement 24" high (weight)

 A rare brass mounted and ebony table clock, the movement by Henry Jones, London, circa 1685 and later The six latched and finned pillar bell striking movement with verge escapement regulated by a short bob pendulum and incomplete pull quarter-repeat mechanism,  the foliate scroll and tulip engraved backplate signed ‘Henry Jones, in the Temple’ to centre,  a 6.5 inch square brass dial with matted centre, silvered Roman numeral chapter ring with short fleur-de-lys half hour markers and Arabic five minutes within the narrow outer minute track,  pierced steel hands and winged cherub mask brass spandrels. The ebony veneered caddy case with hinged floral handle and foliate cast and pierced oval mount, moulded and glazed front door applied with gilt foliate scroll escutcheons to jambs, the sides with conforming rectangular windows beneath lozenge-shaped sound frets, the rear with further rectangular glazed door set within the frame of the case, the base with shallow ogee moulded skirt over squab feet, 30.5cm (12ins) high, with a fine 17th century scroll pierced and engraved winding key, 34cm high, 23.5cm wide, 15.5cm deep Henry Jones (1634-1694) is an important maker. He was apprenticed to Edward East August 165, gaining his Freedom of the Clockmakers' Company in July 1663.  It was not until 1772 that Jones set up on his own in the Inner Temple, London, having previously worked as a journeyman to Edward East.  By 1775 he is recorded as 'in Inner Temple Lane'  prior to being appointed as an Assistant of the Clockmakers' Company the following year, and was made a Warden in 1687 and served as Master of the Company in 1691. The engraving to the backplate of this Lot closely compares to the only known table clock by Peter Knibb. See Lee, Ronald A. ‘The Knibb Family, Clockmakers’, p. 129, pl. 139                   - Stock Ref:11775-127

A mixed lot to include a suite of cut table glass, Wedgwood blue Jasper china to include a mantle clock, Oneida Craft stainless steel cutlery set in original tray, silver plated teaspoons and three collectors plates, Location: 8:3 and SL

A G.Armani figural table lamp, with a 1950's ceramic clock and a Capo Di Monte porcelain figure.

Box of assorted treen and wooden items to include a possible Bavarian bear, (a stand of some form possibly,) a round wooden box with lid, intricately carved Eastern (possibly) box, appears to be locked, wooden folding travel/mantel clock, shallow stationary box, dressing table set, folding wooden frame/case with religious pictures internally and brass cross and fitting externally etc. (B.P. 21% + VAT)

George V silver & blue guilloche enamel easel dressing table strut timepiece, clock dial 4.5cm Birmingham 1929

Early 20th century hexagonal tortoiseshell easel dressing table strut timepiece, clock dial 4cm

A small French Gothic table clock with poppy finial to the sides, a figure in armour and a woman to the base, fitted a white enamel dial with verge watch movement, 9.5cm high CONDITION REPORT: Not in working order. Poppy finials at side of case bent. Otherwise case condition good.

A hallmarked silver guilloche enamel dressing table clock.

A Collection of silver including two table spoons three napkins and a cased clock .

AN OAK NEST OF THREE TABLES, an mid-century leatherette footstool, a Fyne Ladye teak magazine rack, a late 20th century wall clock, and an Italian occasional table (condition:-occasional table loose from base, rest in good condition) (5)

A GROUP OF TABLE LAMPS, CLOCKS, GLOBE AND OTHER LARGE HOMEWARES, to include a Klenzle sunburst clock, a Pure Evoke-1XT digital radio, a Columbus illuminating globe, a brass planter containing a real houseplant, a ceramic table lamp and brown glazed lamp base height 44cm, etc (Condition report: sd, electricals untested, generally ok) (9)

Dolls house furniture to include 2 x sideboards, grandfather clock, 4 chairs and 2 matching carvers and a small table. Largest sideboard 21cm l x 7 d x 16cm h. Grandfather clock 20.5cm h. Including flowers, lamp and candlesticks. Spare legs for chairs included. Austrian 1920's.Condition ReportOverall fairly good condition.

A brass and four glass table clock of oval form by Samuel Marti, striking on a bell and with visible escapement and mercury pendulum, the backplate stamped S Marti et Cie, Medaille de Bronze

A Garrard & Co table clock with Elliott of London movement, boxed, with papers, circa 1978

JAEGER Tischuhr in Form einer Straßenlaterne mit Coca Cola Werbung, Schweiz 1970er Jahre,8-Tagewerk, massiv. Metallgehäuse grün lackiert, z. T. vergoldet, cremefarb. Zifferbl. m. röm. Zahlen, schwarze Zeiger, Kal. 229, 15 St., H. ca. 28 cm, Lackierung teilw. fehl., EZ 2-3JAEGER table clock in shape of a street lamp with Coca Cola Advertising, Switzerland 1970´s, 8-day movement, solid metal green painted, partial gold plated, cream colored dial with Roman numerals, black hands, calibre 229, 15 jewels, height approx. 28 cm, painting partial missing, condition 2-3

A Waterford Crystal table clock - sold with a pair of cut glass candlesticks

A box of vintage 20th century oak cased mantle clock, a Sharp colour video camera, an Ensign camera, and a Cullman combined table and shoulder pod

An Aynsley photograph frame, mantle clock, and table lamp

Indian carved wood occasional table along with a mantle clock, wall clock & fire screen

Table lamps, wall clock in the form of a pocket watch & other items

Good, large, late Victorian table clock or boardroom clock. Two train chain fusee movement chiming on a gong. 8" silvered dial with arch and bass. In mahogany case with silk frets to sides and back. Lovely clock. Has damage to case architrave.  Four brass balls.Condition report: Good condition. Case lets it down and will need restoration. No makers name seen. Good regulation. Pendulum. 22" high x 16" wide x 10" deep.

A collection of Chinese deities including Buddha, miniature tea set with other china wares, along with glass wares including a ship in bottle, green dressing table set and a 1950's anniversary clock

Collection of Dolls House miniatures, late 19th early 20th century, including pair of metal Rococo style wall mirrors, 4” (10cm) high, gold painted soft metal wall mirror with sconces, hanging bird cage on stand, paper rack, drinks trolley with red glass decanter and glasses, table lamp (damage to glass shade), mantel clock under dome and two gilt framed portraits Queen Victoria and Albert, a silvered and enamelled dressing table brush, mirror and atomiser, two soft metal shaving mirrors on stands with utensils, alarm clock, set of bone skittles and ball, tennis rackets and binoculars, Gramaphone and record, telephone, radio set, portable sewing machine, box of Abdulla & Co Turkish cigarettes and matches and a boxed medicine set with syringe and nurses uniform, (26 items).

Collection of Dolls House furniture and miniatures, late 19th early 20th century, including soft metal fireplace and guard with marble effect wooden surround, 4 ¾” (12cm) high, brass fireplace with guard, tongs, clock and candlesticks, fire tong set on stand, Waltershausen cupboard (lacks top), various pictures, wooden dressing table and side table with marble tops, mantel clock under dome, four various beds, boxed Dolly towels, pair of Royal Worcester vases, jardinière and other china, glass bowls, decanters and set of blue glass, two photo frames and more including Wendal rocking horse with soldier, (lot).

Collection of large scale Dolls House Kitchen furniture and Kitchenalia, circa 1890, including a tinplate stove/oven with twin burners and on claw feet, 9” (23cm) wide, cream painted kitchen furniture including dresser, (part of one door and glass loose) 15 ½” (39.5cm) tall, corner cupboard, hinged top sink with tinplate liner, table, hanging shelves, two chairs and folding chair/step ladder, cheese cupboard, brick effect heater, petroleum can, selection of china condiment containers, bowls, dishes, lead wall clock, selection of blue painted metal pots and pans, cutlery, kitchen utensils, tinplate bath and water heater with tap and shower (tap detached) and more, (lot).

Schneegas Dolls House furniture, German 1890s, Dresser with double glazed doors to top, 7 ¾” (20cm) tall, sideboard, Writing desk, extending Dining room table with one leaf, wall clock, tray with folding legs, two chairs and Rocking chair all with cane effect seats, (condition: excellent) (9 items).

Suite of wooden paper lithographed Dolls House furniture, German 1880s, all with flower paper lithographed decoration, chest of drawers with shaped back with lithographed clock and cherubs, 4 ½” (11.5cm) tall, side cupboard with hinged door with country scene of girl with sheep and children to either side of mirror, oval table with girl in swan boat scene, Dressing table with mirror back flanked by Courtly dressed children, sofa and six chairs with purple velvet upholstery, (condition: very good a little rubbing), (11 items).

A late Georgian Vulliamy table clock, in a fruitwood case, swing handle, blind fret scroll back plate, double fusee movement striking on the hour, signed and marked London 1017, in a five part glazed case, on squat bracket feet, with key, 20cm high, 13cm wide, 10cm deep, with keys. Auctioneer Announce: There is no Turbett crest to the clock.

A painted burr walnut and marquetry finish table clock, with gilt metal figure mount, torch orbs and acanthus leaf decoration, above an elaborate enamel finish, 17cm diameter, Roman Numeric dial, held by ladies in flowing robes, in a three part glazed case, with painted marquetry style floral decoration and eight day movement, striking on the hour, with pendulum, 65cm high.

A giltwood and red velvet clock stand, 21cm wide, 19th century; a gesso picture frame, in a glazed cover, 51cm x 41cm overall; a putto table lamp; a giltwood wall bracket (4)

A GILT TRIPLE DRESSING TABLE MIRROR TOGETHER WITH AN OAK MANTLE CLOCK AND THREE FIGURES

An oval oak barley twist leg occasional table; an inlaid oak tray, a mantel clock etc

A hallmarked silver 3 piece cruet set Birmingham 1974, 3oz; 2 pepper pots and a small mug stamped "Sterling"; a dressing table clock and a thimble tot

A 1920's balance spring mantel clock in silver plated case; a tapestry dressing table clock

Green and oak two drawer open bookcase, matching entertainment unit and side table, cylindrical CD tower, circular wall clock and four pictures (9).

A 20th century oak cased Smiths Enfield 8 day mantel clock with silvered dial together with a white marble and brass table lamp with shade

A selection of dressing table and other accessories, including: an Elliot Chinoiserie lacquered wood mantel clock, decorated with figures, flowerheads, and inset in gilt, 18cms high; two silver topped cut glass scent bottles; a miniature silver photograph frame; two Besna frosted glass animal figures; a gilt metal looking glass; two mother of pearl backed brushes; an Art Nouveau style miniature wall plaque; and other items.

An oak cased mantel clock, an Ostrich egg on stand, a folding campaign table and assorted oriental collectables

A richly carved oak Black Forest table clock, decorated with roses, rocailles and a devils head, brass mounted porcelain dial with Arabic numerals, added: a pair of oak coloured pinewood three lights table candelabra, with foliate and devils head motifs, fourth quarter 19th century. Largest H. 56 cm.

A large Boulle-style table clock with stand, France, 19th century. The case crowned with an angel (trumpet missing), the dial face with Roman numerals in cartouches, anchor escapement, struck on gong-rods (one missing). H 187 cm. (totaal)

A Dutch silver table bell, clock-shaped bell with clapper, baluster-shaped fluted handle. Copper inner bell. Round curved symmetrical acanthus leaf motifs on the top of the bell, along the bottom and top of the bell and engraved all around with floral motifs. (torn along the bell to the stem). Master stamp possible: Paulus Roesgen in The Hague/Schoonhoven, 1864. Gross weight: 230 g. H. 16 cm.

A black and red marble table clock and two coupes decorated with putti, white dial with Arabic numerals, France, late 19th century. H. mantel clock 46,3 cm.

A lot of various table clocks and clock parts.

Historismus-Tischuhr im Stil der Renaissance, um 1880 Kupfer, vergoldet. Unterseite mit angeschraubter Messingplatte und Scharnieröffnung. Rechteckiges, türmchenförmiges Gehäuse mit Eckpfeilern. Rückseite mit fünf Ziffernblättern. Beide Seiten mit reliefierten antikisierenden Frauendarstellungen zwischen den Ziffernblättern. Gerundeter, ornamental reliefierter Abschluss mit reichem Dekor: geflügelte Pferde in den Ecken, Maskaronen und Blattwerk an den Kanten, eine Seite mit Bärenjagd und eine Seite mit Wildschweinjagd. Bekrönt von vollplastischer Frauenfigur (Allegorie der Eitelkeit?), Figur leicht beschädigt. Seiten mit lateinischer Inschrift, darüber graviertes Rankenwerk. Römische Ziffern. Stunden- und Minutenzeiger. Funktionsfähigkeit nicht getestet. Höhe 29 cm.Zustand: IIA historicism table clock in Renaissance style, circa 1880 Kupfer, vergoldet. Unterseite mit angeschraubter Messingplatte und Scharnieröffnung. Rechteckiges, türmchenförmiges Gehäuse mit Eckpfeilern. Rückseite mit fünf Ziffernblättern. Beide Seiten mit reliefierten antikisierenden Frauendarstellungen zwischen den Ziffernblättern. Gerundeter, ornamental reliefierter Abschluss mit reichem Dekor: geflügelte Pferde in den Ecken, Maskaronen und Blattwerk an den Kanten, eine Seite mit Bärenjagd und eine Seite mit Wildschweinjagd. Bekrönt von vollplastischer Frauenfigur (Allegorie der Eitelkeit?), Figur leicht beschädigt. Seiten mit lateinischer Inschrift, darüber graviertes Rankenwerk. Römische Ziffern. Stunden- und Minutenzeiger. Funktionsfähigkeit nicht getestet. Höhe 29 cm.Condition: II

Vintage aluminium table lamp, Smiths Bakelite electric clock and another (3)

Miniatur-Uhr Messing, teilw. emailliert. Vollplastisch gearbeitete Tischuhr in Form eines Miniatur-Paravents zum Aufstellen. Schauseitig von passig geschweiften, vollplastischen Rocaillen gerahmte Emailmalerei mit Figurenstaffage vor Seenlandschaft sowie eingelassene kleine Uhr mit weißem Zifferblatt und blauen römischen Zahlen. Werk mit Schlüsselaufzug. Minim. best.; H. 6,2 cm. 7 cm.A German enamelled table clock in the shape of a miniature paravent. Minor chipped.Deutsch. Um 1900.

Kleine Wiener Tischuhr Marmor und Silber. Über flacher Bodenplatte hochrechteckiger Marmor-Korpus mit gewölbtem oberen Abschluss. Rundes Uhrengehäuse. Schauseitige Silbermontierung verziert mit Blätterranken. Besetzt mit kleinen Saphiren, Rubinen und einem Smaragd. Auf dem Sockel von Blätterfries gerahmter Schriftzug "Bonheur". Silberfarbenes, verglastes Zifferblatt mit schwarzen, römischen Zahlen, bekrönt von kleiner applizierter Blüte. Blende mit Blütenranken. Werk mit Schlüsselaufzug. Gest., Beschaumarke, Meister Karl Knillinger (tätig um 1900); H. 17,5 cm. Vgl. Neuwirth, Wiener Silber, S. 302.An Austrian Art Nouveau marble table clock with silver applications. Assay and master´s mark.Österreich. Wien. Um 1900.

A mahogany passing strike pull repeating table clock, movement striking on a nest of six bells and striking another bell for hoursCase slightly faded in parts, top side of the case and back door with small cracks to veneers, dial needs cleaning, movement is dirty and needs cleaning, Later dial to movement. Bob pendulum has been changed and modified. Movement not working at present.

A cased portable "His Masters Voice" Picnic Gramaphone, including a quantity of 78's records, a telescopic Chesham reading/music stand with mahogany table, an early 20th-century bakelite radio, a cased Hohner "The 64 Chromonica Professional Model" Harmonica, another, an Acadamy Gramaphone in cabinet and an oak cased Grandmother clock (qty)

Very important pair of large oil paintings on canvas, together with 18th C italian giltwood period frames. Framed measurements: 165 x 243, canvas measurements: 143 x 219 cm (each). Where we see, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer You can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate Caprices. Work typically associated with the artistic canons of the Italian Baroque that directly connects with similar models of the famous painter of the Roman school Francesco Noletti, called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. His biography shows that around 1640 or something before he settled in Rome, where he married and collaborated with Andrea Sacchi, and died there on December 4, 1654. The death certificate he called him a "famous painter". Although his last name was soon forgotten, he was praised, always by his nickname, by Cornelis de Bie and Joachim von Sandrart and later also by Joshua Reynolds, among several others. In the absence of signed works, two engravings published in 1703 by Jacobus Coelemans on paintings by the Maltese, entitled Omnis salus in ferro est and Quaedam sensum instrumenta, have served as the basis for establishing his style, in which some elements are repeated.5 His Rich still lifes are always characterized by the presence of Turkish rugs, tapestries and curtains covering the tables and shelves on which rest pieces of crockery, flowers and fruit arranged next to some precious object, musical instruments and framed paintings or mirrors. Three still lifes by the Maltese master are preserved in the Bilbao Fine Arts Museum, where they entered in the 1920s with attributions to Antonio de Pereda and Pieter Boel. Origin:

Collection of Mason's Pottery, comprising 'Cathay' jug 7" tall, 'Mandalay' shallow dish, lidded pot, mantle clock and ginger jar, 'Royal Mandalay' shallow dish and trinket box, 'Decoupage' lidded pot, 'Paynsley' ginger jar, 'Penang' round 7.5" diameter bowl, and 'Cathay' table lamp and 'Mandalay' table lamp both 12" tall.