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Lot 846
Ww2 Tirpitz Attack 8x12 Inch Photo Of An X-Craft Of The Type Used By The Royal Navy In Wwii In An Attempt To Sink The Tirpitz, A Raid Which Was Immortalised With A Movie. Signed By Commander John Lorimer Who Took Part In The Raid During Which He Was Captured And Was Being Questioned On Board Tirpitz When His Mine Exploded! An Amazing Signature And An Amazing Story!. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 497
Alan Bates signed 6x4 b/w photo. 17 February 1934 - 27 December 2003 was an English actor who came to prominence in the 1960s, when he appeared in films ranging from the popular children s story Whistle Down the Wind to the kitchen sink drama A Kind of Loving. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 890
ESTIMATE £3,000 - £5,000Chassis number: 60131720634065 - This example was first registered in January 1985, it is presented with a gas cooker, fridge and sink, the vendor informs us the following parts were fitted recently: clutch and cover, heater matrix and motor, centre roof and window and recent tyres. Benefitting from an MOT until June 2020.B379WPP Miles:81,634 Keepers:10 Year:1985 MOT:17/06/2020 Doors:3 Color:White
Lot 180
KNIGHT LAURA: (1877-1970) English Painter, famous for her works of London's theatre, ballet and circus. A good, small selection of five A.Ls.S., Laura Knight (3) and Laura K (2), nine pages (total), mainly oblong 8vo, 4to (1), St. Johns Wood, London, October 1965 - May 1967, all to Margaret Hallett. Knight writes, in part, 'When you rang me up a few minutes ago I was in a bit of a muddle, a certain lady who bought 2 pictures from the Diploma Gallery show, now cannot make up her mind whether she wants them or no. I was just writing to tell her - advise her not to have them and that I should be pleased to keep them. I have various scraps of paper, messages sent by telephone - all difficult to know what she is talking about…..I value your friendship greatly and am more than grateful for the wonderful articles you have written about my work…..I've done the worst of the work in connection with getting all the sold work from the R.A. to its new owners…..I cannot wish you greater joy than I myself had in the many years Harold & I spent together' (1st October 1965), 'I am so glad that “Ronald is reading 'The Magic of a Line' with great enjoyment”. It ought to have been a lot better than it is. However the publisher William Kimber and his wife Audrey are delightful people, who have become dear friends of mine. I am greatly interested in the book on women artists which you are writing. It would appear in the art schools, the R. A. for instance, as I have experienced, that they can compete with the men. But it is rare that they go far after leaving. Is the reason for this lack of advancement the fact that after marriage, or even single, that constant household duties leave insufficient time for the whole thought and constant toil - a single minded attitude - in the visual arts in particular. You can't hold a baby with a palette in your hand, nor can you keep your paint brushes in the sink. Apart from that, it is usual for the wife to become a show-piece for her husband. I was extraordinarily lucky, from the very beginning of our marriage, Harold Knight gave me equal chances with himself. If the few of us women painters have gone a little further, I guess it is largely due to the husband's generous thought. I am fully aware that I owe, however little the progress made, to my own dear and wonderful man. On the other hand in the Arts, although you can't paint on the kitchen table where food is prepared, you can write thereon' (16th October 1965), 'I have known two female infant prodigies - one, Pamela Bianco, half Italian, half English. She was the most remarkable. She was an infant Botticelli. She had enormous talent and possibilities, but her father Bianco, on his discovery of her gifts, gave up his business to keep her at work for years, making her notorious in many countries…..In my opinion she should have been allowed to study and find out what she lacked of understanding from other students, but no, he thought her too gifted for any tuition. Whether it is true or no, I do not know for certain, but it was said that she lost her mind at the age of twenty. A proud parent, it would appear, can be a danger to either a daughter or a son.' (5th November 1965), 'Thanks so much for your kind letter…..and for all you say about the B.B.C. interview. Robert Robinson is a delightful person - easy to talk to. I almost forgot the cameras…..I do hope….that you are finding pleasure in your work at Exeter University where you are organizing exhibitions and “a big theatrical display to co-incide with the opening of a new theatre” All the same, as you say, it is not like working at the Academy. I also love every stone of the old building. I hope you will soon be back there…..' (20th May 1967). Two of the letters are accompanied by the original envelopes (one signed by Knight in the return address to the verso. VG, 5 Margaret Hallett (1928-2018) British Clerk and Assistant Librarian at the Royal Academy of Arts in London 1955-65.
Lot 874
Six British quad film posters comprising 'Silver Streak', 'Sink The Bismarck', 'Tora! Tora!', 'Krakatoa - East of Java', 'The Bounty' and 'The Hindenburg' (6). Additional InformationAll folded with pinprick holes in corners, some with further wear. These are original posters which have come directly from an old cinema in the Nottingham area, each of these posters is approx 76 x 103cm.
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