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KNIGHT LAURA: (1877-1970) English Painter, famous for her works of London's theatre,
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Description
KNIGHT LAURA: (1877-1970) English Painter, famous for her works of London's theatre, ballet and circus. A good, small selection of five A.Ls.S., Laura Knight (3) and Laura K (2), nine pages (total), mainly oblong 8vo, 4to (1), St. Johns Wood, London, October 1965 - May 1967, all to Margaret Hallett. Knight writes, in part, 'When you rang me up a few minutes ago I was in a bit of a muddle, a certain lady who bought 2 pictures from the Diploma Gallery show, now cannot make up her mind whether she wants them or no. I was just writing to tell her - advise her not to have them and that I should be pleased to keep them. I have various scraps of paper, messages sent by telephone - all difficult to know what she is talking about…..I value your friendship greatly and am more than grateful for the wonderful articles you have written about my work…..I've done the worst of the work in connection with getting all the sold work from the R.A. to its new owners…..I cannot wish you greater joy than I myself had in the many years Harold & I spent together' (1st October 1965), 'I am so glad that “Ronald is reading 'The Magic of a Line' with great enjoyment”. It ought to have been a lot better than it is. However the publisher William Kimber and his wife Audrey are delightful people, who have become dear friends of mine. I am greatly interested in the book on women artists which you are writing. It would appear in the art schools, the R. A. for instance, as I have experienced, that they can compete with the men. But it is rare that they go far after leaving. Is the reason for this lack of advancement the fact that after marriage, or even single, that constant household duties leave insufficient time for the whole thought and constant toil - a single minded attitude - in the visual arts in particular. You can't hold a baby with a palette in your hand, nor can you keep your paint brushes in the sink. Apart from that, it is usual for the wife to become a show-piece for her husband. I was extraordinarily lucky, from the very beginning of our marriage, Harold Knight gave me equal chances with himself. If the few of us women painters have gone a little further, I guess it is largely due to the husband's generous thought. I am fully aware that I owe, however little the progress made, to my own dear and wonderful man. On the other hand in the Arts, although you can't paint on the kitchen table where food is prepared, you can write thereon' (16th October 1965), 'I have known two female infant prodigies - one, Pamela Bianco, half Italian, half English. She was the most remarkable. She was an infant Botticelli. She had enormous talent and possibilities, but her father Bianco, on his discovery of her gifts, gave up his business to keep her at work for years, making her notorious in many countries…..In my opinion she should have been allowed to study and find out what she lacked of understanding from other students, but no, he thought her too gifted for any tuition. Whether it is true or no, I do not know for certain, but it was said that she lost her mind at the age of twenty. A proud parent, it would appear, can be a danger to either a daughter or a son.' (5th November 1965), 'Thanks so much for your kind letter…..and for all you say about the B.B.C. interview. Robert Robinson is a delightful person - easy to talk to. I almost forgot the cameras…..I do hope….that you are finding pleasure in your work at Exeter University where you are organizing exhibitions and “a big theatrical display to co-incide with the opening of a new theatre” All the same, as you say, it is not like working at the Academy. I also love every stone of the old building. I hope you will soon be back there…..' (20th May 1967). Two of the letters are accompanied by the original envelopes (one signed by Knight in the return address to the verso. VG, 5 Margaret Hallett (1928-2018) British Clerk and Assistant Librarian at the Royal Academy of Arts in London 1955-65.
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KNIGHT LAURA: (1877-1970) English Painter, famous for her works of London's theatre, ballet and circus. A good, small selection of five A.Ls.S., Laura Knight (3) and Laura K (2), nine pages (total), mainly oblong 8vo, 4to (1), St. Johns Wood, London, October 1965 - May 1967, all to Margaret Hallett. Knight writes, in part, 'When you rang me up a few minutes ago I was in a bit of a muddle, a certain lady who bought 2 pictures from the Diploma Gallery show, now cannot make up her mind whether she wants them or no. I was just writing to tell her - advise her not to have them and that I should be pleased to keep them. I have various scraps of paper, messages sent by telephone - all difficult to know what she is talking about…..I value your friendship greatly and am more than grateful for the wonderful articles you have written about my work…..I've done the worst of the work in connection with getting all the sold work from the R.A. to its new owners…..I cannot wish you greater joy than I myself had in the many years Harold & I spent together' (1st October 1965), 'I am so glad that “Ronald is reading 'The Magic of a Line' with great enjoyment”. It ought to have been a lot better than it is. However the publisher William Kimber and his wife Audrey are delightful people, who have become dear friends of mine. I am greatly interested in the book on women artists which you are writing. It would appear in the art schools, the R. A. for instance, as I have experienced, that they can compete with the men. But it is rare that they go far after leaving. Is the reason for this lack of advancement the fact that after marriage, or even single, that constant household duties leave insufficient time for the whole thought and constant toil - a single minded attitude - in the visual arts in particular. You can't hold a baby with a palette in your hand, nor can you keep your paint brushes in the sink. Apart from that, it is usual for the wife to become a show-piece for her husband. I was extraordinarily lucky, from the very beginning of our marriage, Harold Knight gave me equal chances with himself. If the few of us women painters have gone a little further, I guess it is largely due to the husband's generous thought. I am fully aware that I owe, however little the progress made, to my own dear and wonderful man. On the other hand in the Arts, although you can't paint on the kitchen table where food is prepared, you can write thereon' (16th October 1965), 'I have known two female infant prodigies - one, Pamela Bianco, half Italian, half English. She was the most remarkable. She was an infant Botticelli. She had enormous talent and possibilities, but her father Bianco, on his discovery of her gifts, gave up his business to keep her at work for years, making her notorious in many countries…..In my opinion she should have been allowed to study and find out what she lacked of understanding from other students, but no, he thought her too gifted for any tuition. Whether it is true or no, I do not know for certain, but it was said that she lost her mind at the age of twenty. A proud parent, it would appear, can be a danger to either a daughter or a son.' (5th November 1965), 'Thanks so much for your kind letter…..and for all you say about the B.B.C. interview. Robert Robinson is a delightful person - easy to talk to. I almost forgot the cameras…..I do hope….that you are finding pleasure in your work at Exeter University where you are organizing exhibitions and “a big theatrical display to co-incide with the opening of a new theatre” All the same, as you say, it is not like working at the Academy. I also love every stone of the old building. I hope you will soon be back there…..' (20th May 1967). Two of the letters are accompanied by the original envelopes (one signed by Knight in the return address to the verso. VG, 5 Margaret Hallett (1928-2018) British Clerk and Assistant Librarian at the Royal Academy of Arts in London 1955-65.
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Lots: 400
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NG7 6LH
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Shipment value including premium. Charge
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In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:
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