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A George III oak wall cabinet, late 18th century, the moulded cornice above a notched frieze and three panel cupboard door enclosing two shelves, later painted, over a lip moulding 30" wide, 10.5" deep, 38.5" high

A late-18th century pearlware cabbage-leaf moulded jug, with double-scroll handle, printed in blue over the moulding with a chinoiserie scene and border, height 12.5cm, unmarked, circa 1790-1800 (small rim chip)

A Curling Palm pattern pierced dessert basket, possibly by Ridgway, of oval shape with arcaded piercing, twig handles and rope moulding around the foot, printed in blue with the chinoiserie scene in the base and borders around the foot and inside and outside the rim, length 23.3cm, unmarked, circa 1805-15 (two areas of repair to piercing, chip to rim)

A "Semi China" basket-moulded dessert comport, of ornate rectangular shape with blue twig handles and a band of basket weave moulding on the top and around the pedestal foot, printed in blue with a rural scene and lighter open floral border, with other scenes around the outer sides (one apparently of St. Albans Abbey), overall length 25.2cm, printed mark "SEMI / CHINA" in a double line octagonal panel, circa 1815-25 (one handle restored)

An early 19th century burr elm octagonal table, the walnut and maple banded top with an edge moulding, on a turned column and triform base, 40cm diameter (15 3/4in), (lacking feet)

A late 18th century oak joined chest of panelled drawers with hinged top, the front with carved frieze and turned split moulding on stile feet, 127cm wide (50in)

A 19th century oak joint stool in 17th century style, with an edge moulding and turned legs

Georgian style walnut tallboy, the moulded cornice with carved ovolu moulding over two short and three long drawers, the base with a drawer raised on cabriole legs, 108cm.

A George III oak dresser base, late 18th/early 19th century, the rectangular top above three cockbeaded drawers with brass swan neck swing handles over a stepped moulding and raised on five square chamfered legs, moulding losses, 77 in (195.58 cm) wide, 19 in (48.26 cm) deep, 34 in (86.36 cm) high

A mahogany bachelors chest, 19th century, the bevelled rectangular top above a brushing slide and four long graduated cockbeaded drawers with swing handles and raised on shaped bracket feet, side moulding lacking, bleached, 33 in (83.82 cm) wide, 19 in (48.26 cm) deep, 33 in (83.82 cm) high

A George III crossbanded oak dresser base, circa 1790, the rectangular crossbanded top above three cockbeaded frieze drawers with brass swan neck handles over a shaped apron and raised on cabriole front legs and post back legs, drawers wormed or re-lined, front legs cut down, moulding losses, 69.5 in (176.53 cm) wide, 19.5 in (49.53 cm) deep, 31 in (78.74 cm) high

An oak and mahogany clock dresser, early 19th century, the moulded ogive cornice with arched centre section over a circular glazed door enclosing a 17" white painted enamel dial, restored 1984 by G W Bliss, roman numerals, eight day movement striking on a bell above a trunk door inlaid with a harewood and boxwood conche shell motif and musical trophy, the breakfront centre section flanked by panel cupboard doors centred by oval motifs of Britannia on the Lion and classical urns between ebony strung three quater round columns and panelled ends, the base centred by two short oak and mahogany crossbanded drawers above two panel cupboard doors centred by oval classical urn motifs enclosing small shelves and a recess and flanked by eight graduated short drawers with ivory kite shaped escutcheons and Victorian turned ebonised handles between reeded half columns and on plinth base, moulding losses, 84 in (213.36 cm) wide, 20.5 in (52.07 cm) deep, 88 in (223.52 cm) high

An oak and mahogany crossbanded longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by inlaid reeded pilasters enclosing a 13" white painted arched enamel dial marked Ed Jones, Holywell with roman numerals, subsidiary seconds dial and dated dial, rolling moon phase in the arch, the corners painted with rustic cottages, eight day movement striking on a bell, now lacking, above an ogive moulding and bevelled lozenge centred short trunk door with three pointed ogee arches to the top flanked by reeded quarter pilasters over a raised panel ogive moulding and raised base board, distressed, 89 in (226.06 cm) high

A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the ogive cornice above a harewood and mahogany inlaid frieze over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" square enamel dial, later painted with roman numerals date aperture and marked H Banister, Lichfield 30 hour movement striking on a bell, bell lacking, above a trunk door with concave top corners flanked by fluted quarter pilasters over an ogive moulding and raised base board and on later plinth, distressed, 79 in (200.66 cm) high

A Regency mahogany longcase clock, early 19th century, the canted architectural pediment above a glazed door and 12" square silvered dial with roman numerals, subsidiary seconds dial and marked Whitehurst & Son Derby, 8 day movement striking on a bell, the back of the dial inscribed 1818, above a bevelled arched top full length trunk door between canted angles over an ogive moulding and ribbed base board and plinth on flat block feet, the hood with side apertures re-lined, 82 in (208.28 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the arched and carved top over a shaped arched glazed door flanked by mirrored baluster brass capped pilasters and enclosing a 13" arched enamel dial with roman numerals, subsidiary seconds dial and date aperture, painted with rustic scenes in the arch and to the corners, eight day movement striking on a bell over an ogive moulding and chequer strung square top short trunk door, flanked by foliate carved brass capped quarter pilasters over a further ogive moulding and chequer strung baseboard and on bracket feet, restorations, 84.5 in (214.63 cm) high

A George III oak and mahogany crossbanded cottage longcase clock, late 18th century, the caddy top above an ogive cornice and blind fret carved frieze over a square glazed door flanked by turned pilasters enclosing an 11" square brass dial marked Sam Harley, Salop with roman numerals, date aperture and figural spandrels, representing the seasons, 30 hour movement striking on a bell over an ogive moulding and full length crossbanded trunk door with shaped top over a further moulding and baseboard, distressed, 80 in (203.2 cm) high

An oak and mahogany crossbanded longcase clock, 19th century, the arched lozenge inlaid top above a square glazed door enclosing an 182 circular white painted enamel dial marked Giles, Oswestry, roman numerals, subsidiary seconds dial, inscribed "Restored 1984 W Bliss", 8 day movement striking on a bell over an arched top and lozenge inlaid trunk door, cushion moulding and lozenge inlaid base board raised on shaped barcket feet, restored, 89 in (226.06 cm) high

A George III mahogany longcase clock, and associated later movement, the hood with gilt brass pierced foliate cresting and stop fluted brass capped pilasters, lacking door, the 12" Victorian brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and strike, silent dial in the arch, pierced foliate brass spandrels and marked William & James Miller, Lombard Street, London on a plaque over the date aperture, with a two tune quarter chiming three train eight day movement, also Victorian, over a bevelled arched figured mahogany trunk door flanked by stop fluted brass capped quarter pilasters over an ogive moulding and raised panel base board and on plinth and later block feet, lacking hood door, 93 in (236.22 cm) high

A George III oak mahogany crossbanded and boxwood strung cottage longcase clock, circa 1800, the broken scroll swan neck pediment with three eagle and ball brass finials over a square glazed door flanked by brass capped pilasters enclosing a later painted 12.5" enamel dial with Roman numerals and date aperture and marked C Blakeway, Albrighton, gilt foliate and blue painted corners, 30 hour movement striking on a bell above a rectangular trunk door inlaid with an ogee arch over an ogive moulding and crossbanded base board and plinth base, cut down, 82 in (208.28 cm) high

A Regency mahogany and ebony strung longcase clock, Scottish or North country, circa 1810, the broken scroll swan neck pediment above a round glazed door flanked by fluted corinthian columns enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, eight day movement striking on a bell, above a rectangular trunk door between canted angles and over an ogive moulding and crossbanded base board raised on a later plinth, 85 in (215.9 cm) high

A mahogany longcase clock, early 19th century, the arched glazed hood with shaped cresting and flanked by fluted brass capped pilasters enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked Thomas, Ilfracombe, the arch painted with a view of Raby Castle, the corners painted with castle ruins, eight day movement striking on a bell above a three quarter length crossbanded trunk door between canted angles and over an ogive moulding, the crossbanded figured base board raised on shaped bracket feet, distressed, 86 in (218.44 cm) high

A George III oak and walnut crossbanded longcase clock, late 18th century, the square hood with blind fret carved frieze and glazed square door flanked by turned pilasters enclosing a 12" brass dial with Roman numerals and date aperture and marked Sam Vale Coventry, foliate engraved centre and pierced urn and eagle spandrels, 30 hour movement striking on a bell above an ogee arched top, bevelled door, ogive moulding and planked base board on a later plinth, distressed, 85 in (215.9 cm) high

An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door with brickwork border, within turned pilasters and enclosing a 9.75" square brass dial with Roman numerals and engraved to the centre with an asiatic bird and arch, and marked Sam Vale Coventry, pierced urn and flower finials, 30 hour movement striking on a bell above a bevelled arch top trunk door and ogive and cushion moulding over a planked base board and on plinth base, distressed, 75.5 in (191.77 cm) high

An oak longcase clock, 18th century, with arched hood, brass capped pilasters, eagle and ball finial, enclosing an associated 12" brass dial with Roman numerals and subsidiary seconds dial and date aperture and marked Daye Barker, Royal Exchange, London, 8 day movement striking on a bell above a bevelled arch top door and ogive moulding and base board and deep plinth, 83 in (210.82 cm) high

George IV mahogany chest of drawers and cabinet top, circa 1825, the ogive cornice above two inset panel cupboard doors enclosing adjustable shelves over a rectangular top and two short and three long graduated cockbeaded drawers with simulated zebra wood handles and bone kite shaped escutcheons, ebony and boxwood strung, raised on shaped bracket feet, sides cracked, back leg lacking, moulding losses, 48 in (121.92 cm) wide, 21 in (53.34 cm) deep, 84 in (213.36 cm) high

An oak and mahogany crossbanded straight front corner cupboard, 19th century, the moulded cornice above an acorn moulded frieze and two ribbed panel cupboard doors enclosing three shaped shelves between canted angles, moulding losses, 33 in (83.82 cm) wide, 20 in (50.8 cm) deep, 40 in (101.6 cm) high

An Edwardian mahogany and boxwood strung display cabinet, circa 1910, the ogive cornice above two ribbed glazed doors enclosing two shaped shelves against a velvet lined back board, over a bevelled rectangular top and two short drawers with boxwood fan bracket corners raised on square tapering legs joined by a shaped undertier with pierced brass gallery, moulding losses, 35 in (88.9 cm) wide, 16 in (40.64 cm) deep, 77 in (195.58 cm) high

A joined oak chest, 18th century, the bevelled hinged top above a three panel front with large iron lock plate and raised on square legs and groove cut planked ends, moulding losses, 48 in (121.92 cm) wide, 17 in (43.18 cm) deep, 23 in (58.42 cm) high

A gilt gesso overmantel mirror, early 19th century, the inverted break-front gilt ball frieze above an anthemion moulding within trellis borders, the rectangular plate flanked by half columns, moulding losses, 41 in (104.14 cm) high, 24 in (60.96 cm) wide

A boarded oak chest, 17th century, the toothed rectangular top enclosing a candle box over a chevron carved frieze with iron lock plate and toothed front corners and raised on tongue cut planked ends, top with moulding repair, 40 in (101.6 cm) wide, 15.5 in (39.37 cm) deep, 26 in (66.04 cm) high

A George III oak chest of drawers, late 18th/early 19th century, the rectangular planked top above two short and three long graduated cockbeaded drawers with ivory kite shaped escutcheons and later brass swing handles raised on shaped bracket feet, escutcheons missing, moulding losses, 38.5 in (97.79 cm) wide, 20 in (50.8 cm) deep, 37.5 in (95.25 cm) high

A joined oak chest, 17th century, the bevelled four panel top above a lunette carved frieze and three foliate carved panels between channeled extended stile feet, cover cracked and detached, moulding losses, 53 in (134.62 cm) wide, 22 in (55.88 cm) deep, 24 in (60.96 cm) high

A gilt gesso wall mirror, 19th century, of rectangular form with concave corners and surmounted by a female mask and ribbon cresting, and issuing four sconces, moulding losses, 35 in (88.9 cm) high, 24 in (60.96 cm) wide

A FINE 19TH CENTURY FIGURED WALNUT BREAKFRONT SIDE CABINET, the arched foliate and scroll carved back-rail with a central ormolu mask head roundel and outer foliate ormolu mounted tablets, the ormolu moulded edge top above a pair of glazed central doors with ormolu mouldings, carved corbel applied stiles, flanked by mirror glass panel doors, with carved turned and fluted corner columns, raised on a shaped plinth base with ormolu moulding, approximately 85.50 ins long., 85.5 in (217.17 cm) long

George III mahogany chest on chest, circa 1780, the bevelled cushion moulded cornice above a blind fret carved frieze and two short and three long graduated cockbeaded drawers, the lower section with three long graduated cockbeaded drawers raised on ogee bracket feet, moulding losses, repairs, 48 in (121.92 cm) wide

A George III mahogany two tier dumb waiter, circa 1775, each circular tier with drop leaves and reeded edge raised on ring turned tapering pilasters and four down curved tapering reeded legs, brass caps and castors, moulding losses, 16.5 in (41.91 cm) diameter, 22 in (55.88 cm) diameter, 37.5 in (95.25 cm) high

A Victorian mahogany sideboard, circa 1860, the shaped panel back applied with a foliate moulding over a rectangular top and three cushion moulded frieze drawers over an inverted break- front centred by two panel cupboard doors flanked by raised panel cupboard doors enclosing shelves and a deep drawer, 72 in (182.88 cm) wide, 23 in (58.42 cm) deep, 55 in (139.7 cm) high

William IV mahogany centre table, circa 1835, the circular tilt top with reeded edge raised on a baluster turned column and tripartite concave platform and on three collared ball feet and castors, moulding and veneer losses, 47 in (119.38 cm) diameter, 28.5 in (72.39 cm) high

An Edwardian mahogany display cabinet, circa 1910, in Adam revival style, the ribbed astragal glazed doors enclosing lined shelves and raised on square tapering legs, some moulding losses, 36 in (91.44 cm) wide, 15.5 in (39.37 cm) deep, 66 in (167.64 cm) high

An Edwardian mahogany and inlaid display cabinet, circa 1910, the dentil cornice above a foliate inlaid frieze and concave glazed panel over a bowed drawer and bowed cupboard door flanked by full length ribbed cupboard doors and raised on square tapering legs and spade feet, some moulding losses, 57 in (144.78 cm) wide, 16.5 in (41.91 cm) deep, 70 in (177.8 cm) high

A Victorian figured mahogany double bed, circa 1860, with arched headboard and curvilinear footboard applied with a ribbed foliate moulding, 56 in (142.24 cm) wide

An oak longcase clock, with ogive cornice and arched frieze above a square ormolu mounted glazed door flanked by brass capped pilasters enclosing a 9.5 inch brass dial with silvered chapter ring and Roman numerals marked Morgan Hereford, crown and cherub pierced spandrels, 30 hour movement striking on a bell above a full length arched top trunk door with lenticle over an ogive moulding, rectangular plain base board and separate plinth and on octagonal bun feet, 84 in (213.36 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by turned half balusters enclosing a 14 inch painted arched enamel dial with Roman numerals, subsidiary seconds hand and date dial and marked Jaz Burroughs Ironbridge, painted with a child and dog in the arch, 8 day movement striking on a bell above a triple pointed arch top crossbanded three quarter length trunk door flanked by half pilasters over a rosewood panel, ogive moulding and crossbanded base board on later bracket feet, 89 in (226.06 cm) high

A George III oak cottage longcase clock, late 18th century, the broken architectural dentil moulded pediment with three brass ball and spire finials above a crossbanded square glazed door flanked by brass capped pilasters and enclosing an 11 inch white painted enamelled dial with Roman numerals, subsidiary seconds dial and date aperture, florally painted corners, 30 hour movement striking on a bell above a three quarter length crossbanded bevelled trunk door, ogive moulding and plain crossbanded base board and plinth, 81 in (205.74 cm) high

A Victorian figured mahogany sideboard, the shaped raised back with decorative scroll moulding, the breakfront top with moulded edge over a central long drawer dividing small drawers, all deep moulded, the breakfront base with panelled central cupboard doors dividing arched panelled cupboard doors with barley twist pillars to each side on a platform base, 87 in (220.98 cm) long, 27 in (68.58 cm) deep, 57 in (144.78 cm) high

A CASED PAIR OF WALKER & HALL SILVER PLATED SALTS AND SPOONS, early 20th century, with acanthus moulding below a flared rim with beaded spoons and a silver spoon, 'Birmingham, 1934'

A CHINOISERIE LACQUERED LONGCASE CLOCK, early 18th century, the moulded cornice painted with flowers above a square glazed door applied with two three-quarter pilasters enclosing an associated 11 inch square brass dial with silvered chapter ring and Roman numerals and marked 'J Wright, Warwick', pierced mask spandrels, eight day movement striking on a bell, glazed side panels above a full length trunk door with raised edge moulding and lacquered with a Chinese fisherman and tea houses and willow against a brown ground, over a further moulding and on later plinth, (cut-down, distressed), 77 in (195.58 cm) high

A WILLIAM IV MAHOGANY BOWFRONT CHEST OF DRAWERS, circa 1835, the bevelled bowed top above two short and three long graduated cockbeaded drawers with turned handles on a bevelled plinth and raised on turned feet, (moulding losses, back foot detached), 38 in (96.52 cm) wide, 21 in (53.34 cm) deep, 39 in (99.06 cm) high

A VICTORIAN OAK AND POLLARD OAK MIRROR BACKED SIDE BUFFET, circa 1880, the raised back with two bevelled mirror panels spaced by a shaped shelf between pierced C-scroll brackets over a concave moulding and three inset arched doors with anthemion carved top corners, and between foliate and patera headed split mouldings enclosing shelves, with side doors to take table leaves, over a moulded plinth base, 64 in (162.56 cm) wide, 28.5 in (72.39 cm) deep, 86 in (218.44 cm) high

A REGENCY MAHOGANY AND EBONY STRUNG SECRETAIRE BOOKCASE, circa 1805, the ogive ebony strung cornice above two lattice ribbed glazed doors enclosing three adjustable shelves over a secretaire drawer enclosing satinwood lined drawers and pigeonholes, over three long graduated cockbeaded drawers and raised on elongated ring-turned feet, (moulding losses, detached legs), 46 in (116.84 cm) wide, 21.5 in (54.61 cm) deep, 90.5 in (229.87 cm) high

AN ITALIAN CARVED WALNUT CASSONE, 17th century, the later bevelled top above a notched frieze and two punch decorated panels between carved outfacing mask corner pilasters over a dentil moulding and on later feet, 53 in (134.62 cm) wide, 20 in (50.8 cm) deep, 22 in (55.88 cm) high

A WILLIAM IV BREAKFRONT MAHOGANY WARDROBE, circa 1835, the cornice above two inset panel cupboard doors enclosing four slides, over two short and two long graduated cockbeaded drawers with replacement oval brass stamped swing handles with thistle motifs, flanked by full length cupboard doors enclosing pegs and shelves respectively, and raised on a plinth base, (moulding losses), 88 in (223.52 cm) wide (cornice), 23 in (58.42 cm) deep, 82 in (208.28 cm) high

A REGENCY MAHOGANY CHEST OF DRAWERS, early 19th century, the rectangular top above two short and three long cockbeaded drawers raised over a shaped apron and on splay bracket feet, (moulding losses, sides split), 42 in (106.68 cm) wide, 19 in (48.26 cm) deep, 41 in (104.14 cm) high

A JOINED OAK CHEST, 17th century, the notched three plank top above a lunette carved frieze with later brass escutcheon over three panels, the central panel applied with a geometric moulding flanked by lozenge carved and flower head panels between scroll carved uprights and on extended stile feet, (restorations, replacement parts), 54.5 in (138.43 cm) wide, 23 in (58.42 cm) deep, 28 in (71.12 cm) high

AN OAK COURT CUPBOARD, dated 1723, the moulded canopied top marked J E 1723 within a punched border, over suspended finials and central fielded panel flanked by inset panel cupboard doors with ironwork butterfly hinges, the lower section with conforming fielded panel cupboard doors and ironwork butterfly hinges enclosing shelves raised on extended stile feet between panelled sides, (some renewed planking and moulding), 45 in (114.3 cm) wide, 19.5 in (49.53 cm) deep, 68 in (172.72 cm) high

AN EDWARDIAN MAHOGANY FRAMED THREE-FOLD SCREEN, circa 1910, in Adam revival style, each panel with a partly glazed top section ribbed and with ribbon and pendant husk moulding, above green damask foliate panels and within carved scroll borders, 71 in (180.34 cm) high, each panel 18.5 in (46.99 cm) wide

A VICTORIAN MAHOGANY AND INLAID BOWFRONT WARDROBE, late 19th century, in Adam revival style, the broken scroll swan neck pediment above a faux dentil cornice and ogive moulding over two bowed cupboard doors inlaid with oval and circular panels enclosing hanging space, over a long drawer and raised on splayed bracket feet, (moulding losses), 44 in (111.76 cm) wide, 20 in (50.8 cm) deep, 89 in (226.06 cm) high

Victorian burr walnut and inlaid davenport, circa 1845-60, the raised stationery cupboard back with scroll pierced three quarter gallery, over two figured cupboard doors inlaid with floral scrolls and bellflower pendants in boxwood within boxwood and ebony strung borders, opening to reveal maple lined interior with arched pigeonholes, pen rest and receptacles for inkwells, the base with leather inset slope front with a moulded edge and further boxwood and ebony stringing, opening to reveal birds eye maple interior with two short drawers fitted over a side panel door opening to four birds eye maple fronted drawers with recessed brass handles, similarly inlaid panel to the opposing side and further inlays beneath the slope, satinwood inlaid pilasters, raised on block feet with pot castors (with slight loss of moulding and split to the slope front), 22.5 in (57.15 cm) wide, 43 in (109.22 cm) high

Set of four Regency mahogany dining chairs, Circa 1815-20, the top rail with paper scroll surmount and linear moulding over a reed moulded centre bar and uprights extending to sabre forelegs, upholstered drop in seat