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A George IV mahogany and ebony strung breakfast table, the satinwood crossbanded rectangular tilt top with rounded corners and an edge moulding, on ring turned tapering column and four splayed legs with brass paw terminals and casters, the top 100 x 120cm (restored, one leg a later replacement).
A George III mahogany and boxwood inlaid and crossbanded longcase clock, late 18th century, the broken scroll swan neck pediment applied with stamped brass urn terminals, over foliate gilt painted glass panels, above an arched glazed door flanked by fluted gilt brass capped pilasters, enclosing a white painted 13" enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked R. Webster, Salop, gilded foliate corners and rolling moon phase with galleon and pastoral scene in the arch, 8 day movement striking on a bell above a fluted frieze centred by a boxwood oval patera over a shaped top crossbanded trunk door flanked by fluted quarter columns above an ogive moulding and crossbanded base board between canted angles, lacking feet, distressed, 86" high
A George III mahogany and inlaid longcase clock, circa 1800, the broken scroll pediment with replacement gilt brass paterae over a dentil moulding and open foliate fretwork border over a blind fretwork frieze and further dentil moulding and chevron strung arched glazed door, flanked by ropetwist gilt brass capped corinthian columns and glazed sides, enclosing a 14" arched silvered dial marked Thos Nevill, Bristol, within an engraved garland and below clouds holding Mercury, the Winged Messenger aloft, the corners engraved with figural representatives of the seasons, the dial with roman numerals, brass hands and replaced seconds hand, date aperture and a later painted rolling moon phase in the arch, engraved "High water at Bristol Key" the five pillar 8 day movement with dead beat escapement striking on a bell and with Nevill maintaining power above a dentil moulded and blind fret carved frieze and elaborately shaped door flanked by fluted gilt brass capped corinthian quarter columns over a cushion moulding and shaped base board between blind fret carved canted angles and raised on later ogee bracket feet, with restorations, 103" high
A walnut and boxwood inlaid longcase clock, the case 20th century, the movement 18th century, with pierced gallery caddy top boxwood inlaid with flowers above an arched glazed door applied with half round gilded columns, enclosing a 12" arched brass dial with roman numeral chapter ring, subsidiary seconds dial and calendar dial and moon phase in the arch, crown and cherub pierced spandrels, dolphin spandrels in the arch, three train musical movement playing on a carillion of eight graduated bells and a striking bell, above a rectangular cockbeaded trunk door inlaid with shell urn and foliate motifs, over a cushion moulding, the base board inlaid with a boxwood conch shell motif and raised on a plinth and bracket feet, 93" high
A Regency oak cottage longcase clock, early 19th century, the arched hood and glazed door flanked by two brass capped pilasters enclosing a 12" white painted enamel dial marked I. Bright with roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and a rose spray in the arch, 8 day movement striking on a bell, with glazed side windows above an arched top trunk door, concave moulding and plain baseboard and plinth, restorations, 81" high
A George III mahogany satinwood, boxwood and harewood inlaid longcase clock, late 18th century, the caddy top surmounted by three brass eagle and ball finials, the frieze incised with a pen work leaf motif above boxwood and harewood foliate corners over a glazed door flanked by square boxwood strung tapering columns and enclosing a 13" brass dial with silvered chapter ring, roman numerals and subsidiary seconds dial and marked Martin, Crosby with an engraved diaper centre and foliate pierced spandrels with a painted rolling moon phase in the arch, 8 day movement striking on a bell above a cockbeaded and chequer strung trunk door centred by a boxwood and harewood conch shell motif between satinwood canted angles over an ogive and cushion moulding and conforming base board with fan bracket corners and raised on later ogee bracket feet, restorations, 84 high
A mahogany longcase clock, second quarter 19th century, the brokem scroll pediment above an arched glazed door flanked by turned mirrored baluster columns enclosing a 13" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and gilt painted flowers in the corners and eagle in the arch with the Latin motto 'Tempus fugit', eight day movement striking on a bell above a crossbanded frieze and shaped top crossbanded three quarter length trunk door flanked by canted half baluster columns over a cushion moulding and crossbanded base board and on bracket feet, some damage and restoration, 90" high
A George III oak and mahogany crossbanded and inlaid longcase clock, late 18th century, the broken scroll swan neck pediment centred by a gilt brass eagle and ball finial and with stamped brass terminals, above an arched glazed door with tapering square side columns enclosing a 12" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked W Edwards, Bishop's Castle, florally painted corners and rolling moon phase in the arch, eight day movement striking on a bell above an ogive moulding and ogee arched top, trunk door centred by a boxwood and harewood conch shell motif over a further moulding and crossbanded base board, distressed, 85" high
A George III mahogany longcase clock, late 18th century, the blind fret carved and arched hood with broken scroll swan neck pediment and floral terminals above an arched cushion moulded glazed door flanked by simulated bamboo pilasters enclosing a white painted 14" enamel dial with roman numerals, subsidiary seconds dial and marked F Wood, Bollington, the corners painted with rustic housing, rolling moon phase in the arch, eight day movement striking on a bell, above a Greek key moulding and blind fret carved frieze and triple ogee arch top trunk door flanked by fluted quarter pilasters on blind fret carved half columns over an ogive moulding and raised base board between reeded angles, lacking feet, the case possibly Gillows, 94" high
A George IV oak mahogany crossbanded ebony and chequer strung chest of drawers, circa 1830, the bevelled rectangular top above an inlaid frieze and two short and three long graduated cockbeaded drawers with stamped gilt brass oval swing handles over a lip moulding and raised on shaped bracket feet, 40" wide, 18.5" deep, 41.5" high
An oak dresser, 19th century, the rectangular bevelled top with three gallery drawers and baluster turned brass rail, above three bevelled drawers and raised on a shaped apron and four cabriole front legs and pad feet and post back legs, moulding losses, back right leg split, feet re-tipped, 62" wide, 20" deep, 45" (overall height)
A George III oak and walnut crossbanded bureau, late 18th century, the bevelled fall-front enclosing seven pigeon holes and six short drawers with chevron inlay, above two short and three long graduated cockbeaded drawers with pierced brass escutcheons and swing handles over a concave moulding and raised on shaped bracket feet, moulding losses, 37.5" wide, 21" deep, 45.5" high
A George II figured walnut chest on chest, circa 1740, the ogive cornice above three short bevelled drawers and three long graduated drawers between stop flurted canted angles, over a cushion moulding and three further bevelled graduated drawers and conforming canted angles and raised on shaped bracket feet, later brass swing handles, some warping to drawers, cracks and restorations, 48" wide, 22" deep, 73" high
A joined oak chest, 17th century, the rectangular two panel top enclosing a vacant interior over a notched frieze and two flowerhead carved and lozenge punched panels between zigzag carved uprights and raised on extended stile feet, panel cracked, moulding losses, 40.5" wide, 19" deep, 2.5" high
A George I walnut kneehole desk circa 1720, the rectangular bevelled top with re-entrant front corners and herringbone stringing, later inset with a baize lined writing surface, above a bevelled herringbone banded drawer, shallow grooved apron drawer and recessed crossbanded cupboard door enclosing a single shelf, and flanked by six crossbanded and herringbone strung pedestal drawers and raised on a moulded plinth and shaped bracket feet with later castors, the oak back panel 19th century, old veneer repairs, moulding losses, replaced gilt brass swan neck handles, hinges and escutcheons, 27" wide, 19.5" deep, 30" high
A George III inlaid oak straight front corner cupboard, early 19th century, the dentil moulded and ogive cornice above a faux fluted frieze and two ribbed panel doors centred by conch shell and patera motifs enclosing three serpentine front shelves over a single drawer flanked by false drawer fronts between canted angles, moulding losses, 38" wide, 22" deep, 48" high
An oak and walnut veneered chest of drawers, 18th century, later adapted to a Charles II style, the later bevelled rectangular top with rounded front corners above two short and three long graduated geometrically moulded drawers over a lip moulding and raised on shaped bracket feet, distressed 39" wide, 22.5" deep, 35" high
A George III oak and mahogany crossbanded dresser base, late 18th century, the rectangular bevelled top above three bevelled crossbanded frieze drawers and two fielded arch panel inset cupboard doors flanked by conforming cupboard doors, and raised on ogee bracket feet, replacement gilt brass swing handles, moulding losses, with replacement parts, 77" wide, 22" deep, 34" high
A George III mahogany dressing table circa 1785, of rectangular break bowfront form, the three central cockbeaded drawers flanked by ribbed panel doors over a central arched recess flanked by further short drawers, reeded brass swing handles, and raised on a plinth base, new back, moulding losses, sides cracked, 40" wide, 21.5" deep, 32.5" high
A George II mahogany lowboy, mid 18th century, the bevelled rectangular top above three short cockbeaded drawers with gilt brass swing handles above a shaped apron and raised on four scroll carved tapering cabriole legs and pad feet, moulding losses, restorations, 30" wide, 18" deep, 27.5" high
A George III mahogany and boxwood strung chest on chest, circa 1780, the dentil moulded cornice above two short and three long graduated cockbeaded drawers with gilt brass oval stamped handles over three further graduated drawers and raised on shaped bracket feet, moulding losses, distressed, 45" wide, 22.52 deep, 74" high
A Welsh oak and walnut veneered and crossbanded chest of drawers, early 18th century, the bevelled crossbanded top above two short and three long graduated drawers spaced by half mouldings and with later florally stamped brass handles and pierced lock plates, over a moulded plinth and between fielded panel sides, moulding losses, distressed, 36" wide, 22" deep, 31" high
A Victorian black laquered and gilded Gothic display cabinet circa 1840, with crenolated frieze and turret finials above a glazed door enclosing two velvet lined shelves flanked by faceted columns over a flowerhead pierced rail above two cabinet doors applied with blind pointed Gothic arch tracery and painted with a chinoiserie pattern of birds in branches enclosing two short drawers with flush brass handles over two shelves and raised on a stepped plinth flanked by stepped square columns, the sides with blind Gothic tracery moulding, chinoiserie gilded throughout, 27" wide, 13" deep, 72" high
A PAIR OF EARLY 19TH CENTURY CARVED GILTWOOD CONVEX MIRRORS, with reeded ebonized slip frames, the outer frames applied with spheres each surmounted by a facing spread eagle, with a pendant chain, now lacking sphere, and flanked by anthemion, the bases with gadroon and foliate moulding with central pendant. (One lacking). Diameter 25". Height 43".
A George III oak and ebony strung cottage longcase clock, circa 1780, the broken scroll cornice foliate carved over an ogive moulding and square glazed door flanked by gilt brass capped pilasters enclosing an 11" brass dial with matted centre and silvered chapter ring, roman numerals, pierced cherub mask spandrels and date aperture, and marked Thos Reynolds, Oxon eight day movement striking on a bell over an ogive moulding and presentation plaque dated June 1898 and full-length foliate carved trunk door, ogive moulding, panel base and raised on a plinth 76" high
An oak cottage longcase clock, 18th century, the moulded ogive cornice above a glazed square door flanked by gilt brass capped pilasters enclosing a 10" brass dial with roman numerals and mask spandrels and marked Gilkes Adderbury, 30 hour movement striking on a bell above a rectangular three quarter length trunk door over a panel moulding and ogive border, planked base board raised on a shaped apron and bracket feet 78" high
An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door flanked by turned pilasters and enclosing a 12.5" square brass dial with roman numerals, date aperture, subsidiary seconds dial and matted centre marked Bullock, Ellesmere, cherub mask spandrels, eight day movement striking on a bell above a rectangular trunk door revealing a paper label inscribed 'John Lloyd no 20 anno 1768' over an ogive moulding and base board raised on a plinth, distressed, the door a conversion from a rising hood, 77" high
A mahogany longcase clock, early 19th century, the broken scroll swan neck pediment with reeded roundel terminals above an arched glazed door flanked by square reeded columns enclosing a 14" arched enamel dial with roman numerals, subsidiary seconds dial and date dial marked Thos Russell, Lancaster, the arch painted with field workers gathering in the corn with an abbey in the distance, eight day movement striking on a bell above an arched ribbed door flanked by reeded quarter columns over an ogive moulding and base board with reeded moulding and fan mouldings between canted angles and raised on shaped bracket feet, dial re-painted 91" high
An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high
An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high
George III oak and mahogany crossbanded straight front corner cupboard, early 19th century, the ogive cornice with replaced moulding, above two fielded panel doors enclosing a white painted interior of three shaped shelves, between cantedangles on moulded plinth, wormed 39" wide 22" deep 46.5" high
A George III oak and mahogany crossbanded mule chest circa 1800, the bevelled hinged top above two false drawer fronts and five short drawers all later carved with leaping fish flanked by fluted quarter pilasters on chequer strung columns and raised on ogee bracket feet, moulding losses 67" wide 22" deep 39" high
A George III oak chest of drawers, circa 1780, the bevelled rectangular top above three short cockbeaded drawers over two short and two long graduated cockbeaded drawers with brass swing handles and raised on a moulded plinth and shaped bracket feet, moulding losses 39" wide, 21" deep, 34" high
A George III mahogany and inlaid chest of drawers, early 19th century, the rectangular crossbanded top above a patera and conch shell inlaid frieze with two semi-secret shallow drawers above two short and three long graduated cockbeaded boxwood strung drawers over a reeded lip moulding and raised on splayed bracket feet, kite shaped escutcheons, some losses, handles damaged 43" wide, 21" ddep, 42" high
A George III oak dreser, late 18th/early 19th century, South Wales, the canted cornice above a three height enclosed delft rack with planked back boards over a rectangular moulded top and three short drawers with turned gilt brass handles over a lip moulding and four ring tuned pilasters joined by a pot board and square legs, 68" wide, 17" deep, 78" high
A mahogany card table, 19th century, in Chippendale style, the rectangular fold-over top with egg and dart moulded edge enclosing a baize lined playing surface above a figured frieze and further lip moulding and raised on grooved and moulded square legs with pierced bracket corners 33" wide, 17" deep, 30" high
A George III mahogany bureau, circa 1780, the bevelled fall-front enclosing an arrangement of pigeon holes and short drawers over four long graduated drawers with oval brass stamped swing handles and lock plates over a lip moulding and raised on shaped bracket feet, some losses 36" wide, 21" deep, 42" high
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23800 item(s)/page