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THOMAS COLLIER, CHAPEL-IN-LE-FRITH. A MID 18TH CENTURY MUSICAL LONGCASE CLOCK the oak and mahogany case having a swan neck pediment with carved floral patrea and turned half reeded columns, the trunk with carved blind fretted quarter columns and inlaid door on a matching canted base raised on bracket feet. The 13" arched brass dial with gilt masked spandrels and silvered chapter ring surrounding a matted engraved centre with subsidiary seconds dial and calendar aperture, the arch with signed silvered plaque above a rotating moon dial, tune selection lever for Psalm 95, Britons Strike Home, and Charles Dragoons fronting a substantial three train eight-day weight driven movement chiming on six bells and twelve hammers every three hours and striking the hours on a bell. - Provenance details are on the back of the door, an image has been attached.212.5cm highThe clock is in good unrestored condition, the case has a small piece of moulding missing above the hood door on the right side, and there is a shrinkage joint to the base. The movement is original to the case and is complete with the original seatboard. The movement is very dirty but is working and sounds nice when chiming. It will need cleaning and servicing. Comes with weights and pendulum. A very nice honest clock.

ROBERT CAWLEY, CHESTER. A MID 18TH CENTURY MAHOGANY EIGHT-DAY FUSEE BRACKET CLOCK the 7" arched brass dial with mask head cast brass handles and silvered chapter ring, having Roman numerals and outer minute markers, enclosing a matted centre with signed cartouche and date aperture, below a strike / silent dial to the arch. Fronting an eight-day double fusee movement with suigned backplate, anchor escapement and striking the hours on a bell. The arched case with hinged doors and carrying handle to the top.38cm high handle down.The Georgian mahogany case has a small patch to the bottom of the front door and a small piece of moulding missing from the arch of the back of the case. The movement is original to the dial but associated with the case. It is in working condition ticking and striking correctly, it has an unusual striking mechanism where it strikes the hours on a large bell and also strikes the hours at half past on a smaller bell.

AN 18TH CENTURY WALNUT AND DUTCH MARQUETRY DISPLAY CABINET with shaped moulded cornice and a leaf-carved centre above a hinged door with a lined shelved interior; the base section with frieze drawer and raised on square tapering legs joined by an X shaped stretcher.182cm high 82cm wide 34cm deep In good original condition, no losses to the marquetry inlays or damage to the glass. Small cracks to panels next to the frieze draw. Small knocks dents to the moulding edges. Consistent with age.

A WILLIAM AND MARY HERRINGBONE BANDED FIGURED WALNUT DOUBLE DOME TOP SECRETAIRE CABINET the stepped moulded cornice above a pair of arched book-matched veneered doors with geometric herringbone inlays revealing two fold down pigeon holes and an arrangement of 13 short and long drawers; all above a centre mould and four graduated drawers fitted brass swan neck handles; standing on a plinth base and ogee bracket feet.209cm high 101cm wide 54cm deepOriginal top to base, the top section has filled cracks to the front of the doors, ther is a piece of moulding missing from the top of the left door, The interior is all original with original handles. The bottom section has a loose mould tot the left corner and a small piece which is missing, the handles are 19th century replacements. The bracket feet are original, There are no splits to the sides. The polish is sun bleached on the lower section. See images uploaded. There are a few old worm holes to the front of the left door .

A LATE 19TH CENTURY AESTHETIC PERIOD EBONISED COUNTRY HOUSE WINDOW SEAT IN MANNER OF CHRISTOPHER DRESSER POSSIBLY BY CHUBB with gilt high-lighted inlaid decoration; the architectural back with raised sides, standing on splayed legs with turned stretchers.87cm high 66cm wideIn good original condition with no replaced parts, there are two small pieces of moulding missing to each side. The seat is badly scratched and the polish is worn in places. See extra images uploaded.

A PAIR OF LATE GEORGE III 'CHINESE CHIPPENDALE' GILT GESSO SIDE MIRRORS of elaborate Rococo design with leaf-scrolled borders and centre columns beneath pagoda, flowerhead and leafwork crestings with mirror apertures and centre-shaped plate.120cm high 40cm wideThe mirrors are early 19th century in date, they have later wooden backs screwed on. The mirror plates are later. Small pieces of moulding which are loose and would need re-glueing. Extra images have been uploaded.

AN 18TH CENTURY DUTCH WALNUT AND MARQUETRY DEMI LUNE CARD TABLE with fold over top above two freize drawers raised on square tapering legs with spade feet.76.5cm wide 39cm deep 75cm high The top has a small warp to the hinged top section. There are no missing marquetry. The front left frieze has a crack. The legs are not broken. There is a small piece of moulding missing to the right hand side see extra images uploaded.

G.J. WAGSTAFF, LONDON. A 19TH CENTURY WALNUT DOUBLE FUSEE BRACKET CLOCK the gothic case with carved panels and canted columns enclosing a 7.5" silvered dial with Roman numerals fronting an eight-day double fusee movement striking on a bell67cm highThe clock is in very good unrestored original condition and is complete without any losses other than one very small bit of castellated moulding missing from the back edge on the left side. The movement is dirty but is ticking and striking correctly. Is of excellent quality with a very heavy original pendulum. Strikes one large bell on the hour.

C. ELISHA, ST. JAMES. AN IMPRESSIVE REGENCY EGYPTIAN REVIVAL TRIPLE FUSEE QUARTER CHIMING BRACKET CLOCK the ormolu mounted and brass inlaid figured mahogany case with gadrooned pediment and large pineapple finial, canted Egyptian pharaoh corners above a central pyramid flanked by two ormolu sphynx raised on carved scrolled feet, the 8" convex painted dial with Roman numerals and Strike/Silent lever fronting a substantial signed eight-day triple chain driven fusee movement chiming the quarters on eight bells and the hours on a larger bell 68cm high to top of finial A good original unrestored clock. Nice colour and patina to the case, there's a small piece of moulding missing from the top right side, the right side of the case has losses to the polish, the back door is original but has been re-veered, the dial is in good order having original paint with crazing to the ground but very stable, the movement is original to case and is ticking and striking/chiming the quarters and hours correctly but is dry and will need a service.

THWAITES & REED, CLERKENWELL, LONDON. A MID 19TH CENTURY EBONISED DOUBLE FUSEE BRACKET CLOCK the case with glazed sides and top on an ogee moulded base raised on squat bun feet. The 5.5" square silvered dial with engraved spandrels and Roman numerals fronting a signed eight-day double fusee movement with anchor escapement striking the hours on a gong32cm high The clock is in good working condition ticking and striking the correct hours, movement and dial are original to case, there is a small piece of moulding missing from the side top edge and the two glass side panels are missing, original ebonised finish with good patina.

POWMAN, CHICHESTER. A LARGE MID 19TH CENTURY ENGLISH ROSEWOOD FUSEE LIBRARY CLOCK the case with stepped pediment above a square glazed door and ogee moulded base enclosing a 7 1/2" silvered dial with foliate engraved spandrels and Roman numerals fronting an eight-day fusee movement with anchor escapement41cm highThe case has its original colour and polish, there is a small watermark to the OG mould on the front, there is a small loss to the edge of the moulding to the right side approx 5cm long, and the back of the case has minor veneer losses to the bottom of the case. The silvering on the dial is worn in places, hands are original. the movement is dirty and will require a service but is in working condition.

A group of 18th century pottery figures consisting of a cat in prattware colours resting on a cushion; a sheep on a mossy hill; a gentleman playing a hurdy gurdy; a gentleman clutching a sheaf of wheatthe gentleman with wheat 12cm high; the sheep 10cm wideQty: 4The prattware cat with restoration to the base along the back edge. The sheep inseeiminly good condition. The gentleman playing the hurdy gurdy with firing cracks, frits to the back of his hat and restoration around the base. The gentleman with the wheat sheaf with possible restoration to his hat, firing crack around the moulding line down his right hand side, and with restoration round the base.

A 17th century oak chest of four long drawers raised on styled feet, with original brass drop handles88.5cm high x 88cm wide x 46cm deepQty: 1In generally good condition with minor marks, dents and scratches overall due to age and use. Evidence of historic woodworm. Some repairs to the frame. Handles are later replacements. Some damage to eh moulding. Cracks across the third and second drawer from the edges. Panelling on the bottom has been replaced.

A 19th century mahogany dressing table mirror, the oval plate on a hinged support above a serpentine base54cm wide x 33cm deep x 85cm highQty: 1The moulding around the frame is coming away. Some surface dirt and further evidence of scratching and scuffing to the base and the shoe of the support.

A Georgian mahogany demi-lune card table with a parquetry top depicting a shell and crossbanding around the edges, opening to reveal a baize inset above a frieze with boxwood banding and raised on square fluted legs terminating in spade feet91cm wide x 46cm deep (folded) & 92cm deep (unfolded) x 74cm highQty: 1A crack and repair to the top. Some crossbanding missing on the top. Scuffing to the feet. Losses on one of the legs. Moulding coming loose below the frieze. The baize with surface dirt and some holes.

A mahogany framed footstool with silk upholstery to the top, raised on cabriole legs terminating in outscrolled feet on castors108cm wide x 59cm deep x 49cm highQty: 1In generally good condition. Minor scratching and scuffing to the legs and some surface dirt to the upholstery. Some signs of damage to the moulding around the rail. Scuffing to the hips of the cabriole legs. Evidence of repair to one of the legs.

A Georgian mahogany brass bound oval wine cooler with lead lining, raised on square sectioned tapering legs terminating in brass castors68cm wide x 50cm deep x 54cm highQty: 1Some of the veneer is missing around the legs. Some losses to the moulding. Dirt and minor oxidisation to the brass commensurate with age. Some scuffing around the rim.

A 19th century walnut davenport with a hinged lid opening to reveal a leather inset writing slope above four fitted drawers57cm wide x 56cm deep x 89cm highQty: 1General wear to the walnut veneers. Some scratching and chipping to the veneer noticeable on the hinged top, down the edges and around the moulding. Minor scuffing around the feet and to the turned handles. The spring on the inset letter rack is damaged. Some signs of wear to the top.

A George III mahogany chest on chest with dentil cornice, fluted canted corners and all on bracket feet104cm wide x 59cm deep x 203.5cm highIn generally good condition overall considering age and use. With minor marks, dents and scratches overall. The lower drawer without lock. The handles possibly original although two replaced or altered. A small crack to the veneer around the escutcheon to the top left drawer. To small pieces of dentil cornice lacking along the front edge. A small piece of moulding missing to the back right hand side of the lower section. A further small piece of dentil lacking.

A Regency mahogany games table, the sliding satinwood inlaid chequerboard top reversing to plain mahogany and opening to reveal a velvet lined backgammon board, with drop leaves to either side, dummy and single drawer, raised on ring-turned legs with brass caps and castors87cm wide x 50cm deep x 74cm highQty: 1Drawers work well and no warping to the leaves. The Interior is excellent with minimal wear. Scratch to the chess top which runs into the fixed part of the top. A square section of moulding is missing from beneath the drawer on one side and partially on the other. Two castor caps are slightly loose but attached.

A George III mahogany serpentine fronted linen press, the cornice with dentil moulding above panelled doors opening to reveal four slides on a base of four graduated long drawers, the canted corners with inlaid husk embellishment136cm wide x 71cm deep x 205.5cm highQty: 1One of the fitted slides is missing. Some noticeable denting to the top left of the canted corner. Some moulding missing around the panel on the right hand door. Evidence of replacement to the handles, particularly noticeable on the lower drawer. Evidence of minor damage to the dentil moulding. Losses to the moulding along the bottom of the cupboard doors on the left-hand side. Damage to the beading around the drawers and evidence of patches in the veneer along the bottom.

A 19th century mahogany collectors cabinet, the cupboard doors with arched panels of flame cut mahogany opening to reveal an arrangement of twenty seven fitted drawers with brass inset handles107cm wide x 50.5cm x 105.5cm highQty: 1Some minor dents and nicks around the moulded frieze and around the moulding below the cupboard doors. Some of the moulding between the fitted drawers is missing. Evidence of some previously affixed copper plates for labels on some of the drawers with staples and nail marks remaining. Scuffing to either side.

A 20th century mahogany four poster bed purchased from 'And So To Bed', the supports modelled as reeded columns225cm long x 176cm deep x 237cm highQty: 1In generally good useable condition. Minor loss and abrasions to the moulding around the cornice of the top right at the foot end of the bed. Some scratching to the cross bars. Scuffing to the feet. Minor surface dirt and scratching to the lower moulding on the cornice, particularly noticeable on the feet on the foot of the left side.

A Victorian telescopic brass standard lamp modelled as an embellished classical column with foliate moulding and further foliate embellishments, resting on claw feet45cm high x 40cm wide at the baseQty: 1In generally good condition. Slightly loose construction. The telescopic mechanism appeared not to work.

A cast iron fireplace surround with a geometric moulded frieze and a brass fire surroundthe fireplace 139cm wide x 121cm high; the fire surround 155cm wide x 129cm highQty: 2Degeneration and losses to the cast iron, particularly on the bottom and around the inner moulding. The surround is somewhat bent, with oxidisation throughout.

A two-tier satinwood and ebony banded glazed display cabinet with brass moulding, the five-pane front with a cupboard door opening onto an interior fitted with blue velvet material, raised on trumpet feet with brass bands110.5cm wide x 42cm deep x 180cm highQty: 1Some damage on the second from the left pane on the top tier. In generally good condition. Minor scuffing around the corners.

A George III Irish silver milk jug, of moulded rectangular form, the rim having egg-and-dart moulding and shell decorated corners over a body with bright-cut decoration, between a substantial spout and angular handle, all raised on on animal paw feet, marks for Dublin 1815, maker indistinct, 17cm, 182grams generally in good condition with some slight compression to rim, the spout sloghtly pinched with crease showing to one side, no obvious repairs. additional image of crease uploaded.

A pair of French white metal topped glass cologne or eau de toilette bottles, the screw-off covers of flared cylindrical form with bead moulding with French Minerva 925 standard and indistinct makers lozenge, the neck moulded with conforming marks, the glass stoppers having circular milled edge capitals, all over the plain rectangular glass bodies, 9cm, covers gross weight 28grams. Flake chips to stoppers.

A George V silver vanity jar top, of domed circular form with turned 'knop' and mirrored base, marks for London 1927, maker Henry Perkins & Sons, 5.5cm dia. Sold along with a pair of silver napkin rings, with S-scroll edge moulding, marks for Birmingham 1913 maker Davis Moss & Co, gross lot weight 102grams

An Edwardian Sheraton revival pedestal desk, with thumbnail moulding, on a plinth base114w x 51d x 76h cm

A Victorian Walnut and Parcel Gilt Mirror, late 19th century, the bevelled glass plate within a stiff leaf border with moulded frame and egg and dart carved moulding 80cm by 113cmThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium. Timber rather dry. Various small areas of repair, including small sections of replaced/patched veneer. Some natural? splitting to corners of frame, partly filled.

A Pair of Louis XVI-Style Mahogany and Gilt Metal-Mounted Bedside Cupboards, late 19th century, with pink and yellow marble tops above a mahogany-lined frieze drawer with moulded cupboard door below, all between gilt metal mounts formed as ribbons and vines, on stop-fluted supports joined by a shelf, on toupie feet 38cm by 36cm by 84cmThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium. Some slight movement in the joints and some general scuffs/scratches to the bottom shelf. Numerous scuffs to the moulding of the top drawers (as photographed).  Some slight variations in colour, mainly around the cupboard doors (as photographed).

A Late 19th Century Gilt and Gesso Wall Mirror, the plain mirror plate surmounted with C scrolls and leaves around vacant cartouches (regilded) 116cm by 80cmThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium. With later mirror plate. Re-gilded and re-painted to a reasonable standard. Small natural? gaps/splitting throughout the frame and the moulding, but in good decorative order (see images).

A 1930's oak wall hanging mirror with beeded moulding and bevelled edge (84cm x 54cm) together with a late Victorian aneroid barometer and thermometer with silvered registers in an oak banjo pattern case (H75cm) (2)

An Edwardian satin walnut three drawer chest with tramline moulding, raised on bracket supports H85cm, W74cm, D48cm

A Victorian oak Gothic Revival cellarette, having cavetto moulded caddy top, the front and sides moulded with Gothic tracery, metal lined, on squared tapering feet with castors, 66cm by 48cm, 51cm high Condition Report - Split top, moulding off lower left back but present, otherwise good not period liner.

A harlequin set of four silver plated three branch candelabra - with wrythen arms on turned baluster supports with bead moulding and circular bases, height 27cm.

A pair of silver plated three branch candlesticks - with wrythen arms, turned baluster supports and shaped square bases with foliate moulding, together with a single turned baluster silver plated candlestick and a wrythen three branch fitting.

A George II style walnut framed mirror - the broken cornice with central cartouche above a rectangular mirrored plate and egg and dart moulding, width 63cm, height 116cm.

An Edwardian Arts & Crafts influenced oak bookcase with a three quarter galleried shelf above a cupboard with carved panelled doors above an under-tier, 59cms wide.Condition ReportThere is general wear to this piece commensurate with age, the top shelf has an ink stain, the left hand side moulding of the gallery is loose, otherwise good condition, top shelf depth is 19cms and the other shelves are 21cms depth

THREE MIRRORS including MAHOGANY GEORGIAN-STYLE FRET MIRROR, 69 x 38cms, VICTORIAN GILT GESSO GIRANDOLE with moulded bead and laurel leaf border, 85 x 56cms and QUEEN ANNE-STYLE WALNUT FRET MIRROR, rectangular gilt gadrooned inner moulding, shaped cut card cornice, 665 x 56cms (3)Provenance: private collection CardiffComments: gesso losses to candle holders

WILLIAM IV MAHOGANY LINEN PRESS, acanthus scroll pediment, reel moulding above columns, full length arch panelled doors, enclosing two short drawers over two long drawers, 209h x 147w x 64cms dProvenance: private collection London, consigned via our Cardiff officeComments: missing trays, damaged hinge, faded

GEORGE III OAK TALLBOY SECRETAIRE, moulded cornice, upper chest with two short and three long graduated drawers above shallow drawer enclosing writing surface and small drawers, lower chest with three long, graduated drawers, double ogee bracket feet, 182h x 111w x 54cms dProvenance: consigned from West WalesComments: losses to drawer fronts, rear ogee moulding detached but present, cracks to side panels, one handle incomplete and non-original, most handles and lock escutcheons appear to be original

EARLY 19TH CENTURY MAHOGANY LINEN PRESS, of small proportions, three slides, three drawers, 139h x 121w x 55cms dProvenance: collection of the Late Dai Evans, former Director of Picton Castle and former curator of Petworth HouseComments: top split, moulding damaged both sides, other minor moulding losses

CHINESE HARDWOOD FRAMED MIRROR, LATE 19TH / EARLY 20TH CENTURY with bamboo effect moulding, period glass within gilt slip62cm x 36cm

Admiral Fitzroy's Royal Polytechnic Barometer Admiral Fitzroy's Royal Polytechnic Barometer, the 9" silvered dial inscribed 'Joseph Davis & Co, Sole Manufacturers Fitzroy Works, Kennington Park Rd, London' over a glazed oak trunk fitted with Fahrenheit and Centigrade thermometers104cm highMissing section of moulding and small spillage in the bottom left corner of the case

Edwardian mahogany framed settee Edwardian mahogany framed settee, rectangular slatted back with reeded moulding and acanthus carved armrests, beige patterned stuff over seat, on moulded tapering supports terminating in brass castors117cm wide, 67cm deep, 86cm high

18th Century Oak Dresser Base 18th century oak dresser base, two plank top with moulded edge above two cushion-moulded frieze drawers with replacement pierced brass bail handles, over a central raised and fielded fixed panel flanked by two matching single panel doors opening to reveal a full-width interior with a single shelf, all raised on bracket feet.125cm wide, 50cm deep, 86cm highGap between the planks on the top likely caused by shrinking over time. Right side moulding beneath the top is missing. Sides with some small losses. One missing handle and a later replacement dowel at a couple of joints. Drawers and base have evidence of previous worm, mainly visible in the back and sides of the drawers. Please view all images. The interior dimensions of the base are 115cm wide, 40.5cm deep, 44cm high (please note there is a shelf running through the middle 27cm up.

George III mahogany pie crust tilt-top tripod table George III mahogany pie crust tilt-top tripod table, circular top with 'pie crust' moulding to the edge over a turned column on three carved outswept supports, later modern castors attached to each foot84cm wide, 84cm deep, 76cm high

Mid 19th century mahogany and ebony strung secretaire bookcase Mid 19th century mahogany and ebony strung secretaire bookcase, moulded cornice over two astragal glazed doors enclosing three fixed shelves, lower section with secretaire drawer, fitted interior and green baize writing surface, all above two panelled doors, raised on stile supports75cm wide, 34cm deep, 214cm highMissing areas of moulding and wear/damage to the secretaire drawer, no key for lower section, has not been opened

A painted pine cupboard from Castle Howard The grey cupboard from the domestic quarters has a breakfront cornice over a pair of fielded and moulded panelled doors, on bracket feet 198cm high, maximum width 175cm and 50cm deepOriginally for hanging it has now been fitted with an arrangement of shelves, the piece has been elevated by a later painted pine 12cm plinth with cavetto moulding

A GEORGE III MAHOGANY BOWFRONT EIGHT DRAWER CHEST ON CHEST114cm wide; 53cm deep; 210cm highOld marks and scratches present all over, some restoration to the central finial of the cornice and sections of moulding missing to the two outer finials, two sections of veneer missing to front with a large loose chip to the left side, with splits and signs of restoration to all four supports. 

A 19TH CENTURY MAHOGANY BOWFRONT FOUR DRAWER CHESTOn splayed bracket feet 89cm wide;49cm deep; 89cm highOld marks and scratches present with age, top section is warped and the veneer lifted in multiple places, veneer replaced to top left corner, back right leg has been restored and re attached, left side middle drawer moulding is missing and large chip to the right side, no key present. 

A 19TH CENTURY MAHOGANY BOWFRONT THREE DRAWER CHEST90cm wide; 50cm deep; 90cm highOld marks and scratches present with age, top section is slightly warped with the veneer just starting to lift in multiple places, all four supports are heavily chipped, with the front left being restored and the front right missing a large section, inlaid banding towards the top section has split in places with a small section missing to the right side. Middle drawer moulding is chipped and missing sections 

A GEORGE IV WALNUT DRUM TABLEWith four frieze drawers on trefoil platform 46cm diameter; 69cm highMultiple sections of veneer to the top have started to warp and become raised, small section of moulding missing to edge of the top, with a split to the top section of the column, some restoration to the underside of the top towards the outer edges, with a small split to the veneer to the base, please see additional images. 

Großer Bidenhänder, Stantler-Werkstatt München, um 1600 Kräftige Klinge mit linsenförmigem Querschnitt, am Ansatz beidseitig geschlagene Schmiedemarke des Wolfgang Stantler. Alt belederte Fehlschärfe mit seitlich zwei kräftigen Parierhaken. Schlanke, zur Klinge geneigte Parierstange mit eingerollten Enden und seitlich angesetzten Zierspiralen. Beidseitig große Parierringe mit eingesteckten Lilienornamenten. Ganzflächig fein punzierter Dekor. Einfach gestufte Hilze mit Lederbezug über Schnurwicklung, der Aufputz ergänzt. Doppelt konischer Knauf mit sechsfacher Kehlung und feinem Kerbdekor. Länge 180 cm. Wolfgang Stantler, Klingenschmied in München. Aus der bekannten, aus Passau stammenden Schwertfegerfamilie Stantler, die bereits im 15. Jhdt. nachweisbar ist und dort die berühmten Passauer Wolfsklingen fertigte. A large two-handed sword by the Stantler workshop in Munich, circa 1600 A large two-handed sword by the Stantler workshop in Munich, circa 1600Robust blade of lenticular section, Wolfgang Stantler's smith mark struck on both sides at the shoulder. Old leather-covered ricasso with two robust side lugs. Slender quillons with scrolled details and coiled terminals bent towards the blade. Large side-rings filled with fleur-de-lys ornaments on both sides. Finely punched décor all over. Leather-covered grip with central moulding and cord wrap, replaced tassel. Biconical pommel with six flutes and fine incisions. Length 180 cm.Wolfgang Stantler, Munich bladesmith. From the noted Passau-based swordmaker family Stantler, which can be traced back to the 15th century and is known for crafting the famous Passau wolf mark blades.Condition: II -

A Regency rosewood, inlaid and brass mounted Bonheur du Jour in the manner of John McLean, bordered with boxwood lines, the shelved superstructure with brass ogee pointed three quarter gallery, urn finials and octagonal trellis panel back, on turned supports fitted with two small drawers at base, with applied lions mask and ring handles and egg and dart mouldings, the frieze below with a guilloche beaded band and single long fitted drawer with egg and dart moulding and lions mask handles and with a divided claret leather panel and adjustable ratchetted writing surface, on ring turned tapered legs, headed with anthemions united by a concave fronted galleried undertier, terminating in brass cappings and castors, 113cm high, 81cm wide, 47.5cm deep.

A group of three Italian plaster cameos, early 19th century; all within stained wood moulding frames; the largest portraying the bust of a maiden in profile and inscribed May R Fraser in ink to a label verso, 13cm high overall; the smaller pair with figural reliefs; and a plaster cameo profile of a Roman, 19th century; within a foliate cast gilt metal frame, 8.5cm high overall

An early 20th Century brass Stanley Aneroid Barograph, in glazed mahogany case, with plinth drawer and carved decoration, 380mm wide, F, damage to paper guide, one corner moulding missing

AN ITALIAN EBONISED AND WHITE-PAINTED DINING TABLE the rectangular top decorated with borders filled with birds and leafy tendrils, on twin waisted bases with acanthus leaf moulding, 73cm high x 124cm wide x 320cm long (wear to paint, unevenly to top decoration)