There are 4230 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA delftware coffee cup, c.1760, probably Liverpool, painted in blue with a long-tailed bird hanging upside down from a flowering branch issuing from rockwork, brown line rim, a little chipping to the rim, 5.8cm high.Provenance: the Lipski collection, sold Sotheby's 17th November 1981, lot 322.Exhibited: Northern Ceramics Society, 1989 at the Stoke-on-Trent Museum.
A large delftware charger, c.1700, possibly Bristol, painted in blue and yellow with a Chinese figure and a prancing kylin beneath a tree in an extensive island landscape, with an everted rim, broken and restuck, 34cm.The design on this dish is almost certainly a direct copy of an original Chinese Transitional design.
Nine delftware tiles, late 18th century, probably London, unusually decorated with manganese landscapes within a square panel, a geometric border in a strong green, with ochre flower motifs to the corners, some faults, 15.2cm. (9)Provenance: removed from a fireplace at Arford House, Hampshire. Arford House was built by William Ewsters in Headley, Hampshire at the turn of the 19th century.
A rare pair of Liverpool delftware tile panels, c.1760, each formed of twelve tiles brightly painted with a bird perched on a low fence beside a large peony bloom, with tall flowering branches above, each set in a modern wooden mount, some restoration or replacement, each panel 53.5 x 40.3cm. (2)Cf. Jonathan Horne, English Tin-Glazed Tiles, fig.681, p.123 for a similar full example.Tile panels similar to these were made to decorate the walls of European royal residences, such as the Château de Rambouillet, near Paris, built in 1715-30, and Schloss Amaliënburg near Munich, built in 1734-9. Tile panels at Amaliënburg, including a number similar to this, seem to have originally been intended for the Residenz-Schloss in Munich, which suffered an extensive fire in 1729.
A rare delftware vomit pot, c.1700, probably London, painted in blue with long-tailed birds in flight above and perched among flowering plants, the inside rim with stylised tied scroll motifs, a chip to the foot, 16.5cm across.The small size would suggest this is a vomit pot rather than a chamber pot. Household utensils of this type are rare survivals. Cf. Frank Britton, London Delftware, p.116 for similar undecorated pots.
A Bristol delftware charger, c.1740, brightly painted in red, yellow, blue and green with a peacock perched on rockwork beside a flowering plant and flying insects, the rim with six floral panels reserved on a red trellis ground, the underside with a blue star and dash border, 33.2cm.Paper label for Jonathan Horne Antiques Ltd.
A rare delftware shipping plate, early 18th century, probably Bristol, painted in blue with a three masted ship at sail, within concentric narrow bands, attributed to Edward Ward Snr., broken and very cleanly restuck, 22.3cm.Provenance: with Jonathan Horne Antiques Ltd. Formerly the Lipski Collection, sold Sotheby's, 1st March 1983, lot 407.
A delftware blue dash tulip charger, c.1690-1700, probably Bristol or Brislington, painted in blue, green, yellow and ochre with a bold design of tulips, carnations and other flowers, within a blue dash rim, raised on a low foot, the underside decorated in a pale lead glaze, a riveted crack, 34cm.Paper label for Jonathan Horne Antiques Ltd.
Nine delftware tiles, late 18th century, probably London, unusually decorated with manganese landscapes within a square panel, a geometric border in a strong green, with ochre flower motifs to the corners, some faults, 15.2cm. (9)Provenance: removed from a fireplace at Arford House, Hampshire. Arford House was built by William Ewsters in Headley, Hampshire at the turn of the 19th century.
A Vauxhall delftware bottle, c.1750, attributed to Jonathan and Mary Chilwell, painted with shaped panels of Oriental plants and rockwork reserved on a powdered blue ground, the tapering neck with an everted rim, blurred numeral mark to the base, good restoration to the neck, 23.5cm.Cf. Victoria & Albert Museum, Accession No. CIRC.42-1963 for an identical example.
Eight delftware tiles, late 18th century, probably London, unusually decorated with manganese landscapes within a square panel, a geometric border in a strong green, with ochre flower motifs to the corners, some faults, 15.2cm. (8)Provenance: removed from a fireplace at Arford House, Hampshire. Arford House was built by William Ewsters in Headley, Hampshire at the turn of the 19th century.
Delftware blue and white tin-glazed plateDutch, 17th Century, painted with a central cartouche and inscribed 'KOMT V EEN, VRIENT, OVER', 22cm diameterProvenance: Reputedly formally in the personal collection of Islwyn Watkins (1938-2018)Note: A fragment of a very similar plate, with the same inscription is held in the Rijks Museum in Amsterdam. See accession number: BK-NM-14173 Has been broken and is with repairs. With losses. With signs of wear consistent with age and use. With firing imperfections.
Delftware blue and white tin-glazed plate 17th/18th Century, painted with cartouche, griffins to each side of the cartouche, a mask and tassels below, inscribed 'IW 1694', with Gautier Collection label to the base, 21.5cm diameter Chips/losses to the tin glaze. With firing imperfections. With signs of wear consistent with age and use.
An 18th Century English Bristol Delftware pottery plate circa 1750, the central well decorated in blue with a lake scene with buildings to the distance and figures fishing to the foreground over a pale blue glazed ground with bianco-sopra-bianco border of flowers and leaves, width 22.5cm, damaged.
A William Smith & Co, Stafford Pottery oval wall plaque, relief moulded with a scene of Prometheus and the Eagle picked out in polychrome colours, damaged, width 25cm, together with a group of other wares to include an 18th Century Delftware dish, a Joseph Sewell, St Anthonys pottery Cream ware plate and a Gustavsberg Creamware plate with hand painted bird motif, largest 27cm, damaged. (6)
A GROUP OF ORIENTAL GINGER JARS, comprising a large Japanese Imari design bowl, a pair of Imari design ginger jars (one missing lid, the other lid is cracked and broken, both jars have hairline crack and crazing), two blue and white 'Prunus' pattern ginger jars with original lids, a large Delftware jar, two blue and white 'Rice 'pattern bowls and two spoons and a small Japanese three legged incense jar (11) (Condition Report: obvious damage is mentioned in description)
A Delftware pottery part-garniture, 19th century, comprised of two pairs of lidded baluster vases, painted in blue and white with floral motifs, with painted marks to the underside,larger 37cm highsmaller 35cm high (4)Condition ReportChips and losses to glaze and decoration throughout. The bird to one cover with crude restoration. Particularly noticeable discolouration to one cover. General wear commensurate with age. One bird has detached from the lid but is present.
To include four halves of Delftware tiles; three bronze statuettes of Roman ruins; a pair of pearlware dishes with shaped rims, one in memory of the late Queen Charlotte, and one depicting a steamboat; a glass paperweight with blue swirl within; three decanter labels for whisky, sherry and gin; a brass inkwell on stand with a sculpture of a boar; a ceramic hand-painted tile depicting a herd of sheep in a field; a pierced metal bauble with a hinged opening around its circumference opening to reveal a gyroscope within; a copper statuette of a stag; etc.The Delftware tiles with cracks and repairs. The steamboat pearlware plate with a repair of two pieces and craquelure throughout both. The decanter labels with tarnishing. The sheep tile with a corner missing. The bauble with cleaning residue. The statuettes with good verdigris patination.
Tray of assorted items to include: an Italian ceramic bowl containing faux eggs, a naive carved wooden bowl containing turned wooden eggs; mainly needle boxes (some with reel inside) and a painted wooden egg and a Delftware ceramic pedestal bowl containing various hardstone eggs and a Turbo shell. (B.P. 21% + VAT)
Large Old Master oil on canvas painting depicting a butcher in his shop surrounded by meats and tools of his trade, likely northern Italian circa 16th-17th century.Provenance: Holzerman's, Minneapolis, MN; Collection of Tom Sewell; Collection of Dudley Riggs, Minneapolis, MN.Unframed; height: 56 in x width: 91 in. Framed; height: 67 in x width: 81 1/2 in.Condition:The painting was conserved most recently in 1996; please see the documents in the lot listing photographs for details on the work done in that treatment. The painting has been relined and re-stretched. The varnish is discolored, making finer details difficult to see. There is extensive craquelure and stretcher bar marks along the perimeter of the work. There is cupping throughout that appears to have been treated, the surface is currently stable. When examined under UV light there are numerous areas of inpainting. The most extensive areas of inpainting are: the area surrounding the delftware jug, the background in between the man and the severed cow head, along the edges, and on and around the man's face. There's also evidence of restoration and inpainting vertically through the center of the work; possibly from a previous stretcher. There is also a horizontal line running between the length of the work about nine inches from the bottom. It is possible that the work was folded in the past, causing this crack. There is wear to the frame including: small losses, worm holes, and drill holes. The painting has been reinforced within the frame with thirteen pieces of wood, please see photographs of the verso.
A GROUP OF EARLY 20TH CENTURY CERAMICS, comprising a 'Trem Blay' art deco style tobacco jar (made in France), a Royal Lancastrian Pottery candle holder designed by Gladys Rogers, marked on the base 3368 (chip on the underside), a set of six Crescent & Sons bone china soup dishes made for George Jones & Sons, decorated with a naval 'Republica Argentina- Armada Nacional' (Colombian Navy) pennant and two gilt and one blue band, diameter 23cm, a Capodimonte figurine, two Minton dinner plates comprising a floral gilt design on a cream ground 'Atholl' H5264 and a plate with a gilt floral design on a pale blue border H5041, a large 19th century Delftware shallow dish, diameter 31cm, painted blue marks to base MG 7 201, a pair of bookends, a Wedgwood Portland blue Jasperware planter, a pair of chalkware figures in traditional Dutch dress, impressed marks O.P 90 and 91, a W.H.Goss porcelain table bell in the form of a crinoline lady, complete with clanger, wearing a mauve dress and green bow (chipped bonnet), etc. (s.d) (Qty)
A GROUP OF NAMED CERAMICS, comprising a large Delftware bowl, decorated with an Oriental water garden scene, diameter 35cm (cracked, chipped, nibbles around the rim), a large Delftware charger decorated with birds and flora, diameter 34cm (repaired crack through centre), a Flight, Barr & Barr Worcester porcelain dessert plate, decorated with gilt beaded rim, painted flowers in the centre and gilt seaweed border, c1815-1820, two hand painted dessert plates decorated with floral sprays and green gilt edged borders, a set of five early 19th century Bloor Derby King's/Old Japan pattern dinner plates (large cracks, historic stapled repairs, worn gilt and staining on all plates in varying degrees) (12) (Condition Report: most obvious damage is mentioned in the description)
Blue and white Delftware bowl English, circa 1765, the interior painted with a two-masted brig at sail and inscribed 'Success to the John and Mary', within a double line border and a surround of foliate sprays, the exterior painted with a Chinese style garden scene, 25.8cm diameter x 10cm highNote- The Lloyd's Register of Shipping in 1764 records the John and Mary as a single-deck brig with beams built in 1756 at Yarmouth, sailing to Leghorn under Captain P. Crombies. The owner was J. Spencer. With a large crack, losses around the rim and foot and wear, scratches and marks.
Three early 20th century continental delftware blue & white chargers, to include one featuring a young girl with a light bulb marked to verso 'Koninklijke Porceleyne Fles Specially Made for Philips Lighting', another featuring Rembrandt's 'Man met de Gouden Helm / The Man with the Golden Helmet', marked 'Delft blauw made in Holland', and the third featuring a village scene signed J. V. Goyen, marked '367 Delfts Blauw Chernkela' to verso. Largest to measure approx. 39cm in diameter.
An English blue and white Delftware plate, 18th century, decorated with flowers beside a fence, dia.23cm; together with four similar blue and white Delftware plates, 18th century, each decorated with flowers (5)One plate cracked through, one broken and repaired, another with hairline crack from rim to centre, chips throughout.
Loading...
