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A commemorative delftware plate, c.1780, probably London, painted in blue with a head and shoulders portrait of Admiral Keppel within a formal foliate border, the rim inscribed in manganese with 'Admiral Keppel for Ever', well restored around the cavetto, 22.5cm.The image of Admiral Augustus Keppel, 1st Viscount Keppel derives from a print by T. Cook after D. Dodd, and is loosely based on the portrait by Sir Joshua Reynolds. Cf. Michael Archer, Delftware, p.123, fig B.14.

A delftware drug or ointment jar, c.1700-20, painted in blue with a basket of fruit flanked by birds perched on leafy stems, above a cartouche inscribed 'V. ENVLAT', two small drill holes, 19.3cm.Unguentum Enulatum was an ointment made from elecampane rhizome, oil of wormwood, turpentine and lard, which was used to treat skin disorders.

A delftware Royal dish, c.1690, probably Brislington, the gently fluted form painted in blue with a portrait of King William, inscribed KW, the wide rim with three flowerheads and stylised foliage, a 6cm rim crack, 21.3cm.

A rare and early Brislington delftware plate, c.1685-90, the octagonal well painted in shades of blue, yellow and manganese with a standing Chinese figure in a simple rocky landscape, the unusual rim moulded with a repeated shell motif, 24.2cm.Provenance: a private collection from Devon and thence by familial descent.Very few dishes with this unusual moulded rim are recorded. Cf. Michael Archer, Dated English Delftware, p.46, no.124 for a dish dated 1688 and believed to commemorate Halley's Comet, which appeared in 1680/81. This dish, formerly in the Thomas Greg Collection, is now in Manchester City Art Gallery. Alongside the following lot, another Royal dish is known from the Longridge Collection.

A London delftware wet drug or syrup jar, mid 18th century, the globular body painted in blue with a cartouche inscribed 'OX: SIMP', surmounted with two birds flanking a basket of fruit, some retouching, a replacement spout, 17.5cm.Oxymel Simplex was a basic syrup obtained by heating clarified honey and vinegar. It was used in the treatment of sore throats and as a basis for more elaborate remedies.

A large delftware charger, c.1785-95, of 'Ann Gomm' type, painted in polychrome enamels with a seven-sided central motif radiating a formal floral design, the design echoed to the rim with four floral sprays, 33.8cm.The pattern takes its name from a well documented set of plates in the same design, inscribed for Ann Gomm and dated 1793.

A rare and early Brislington delftware Royal plate, c.1685-88, the octagonal well painted in shades of blue, yellow and manganese with a standing portrait of James II holding a sceptre and a parchment, the rim moulded with an unusual repeated shell motif, broken in half and restuck, 24cm.Provenance: a private collection from Devon and thence by familial descent.Very few dishes with this unusual border are known, but another featuring James II (formerly in the Lipski Collection) was later sold at Christie's as part of the Longridge Collection on 11th June 2010, lot 102.Following James II's deposition after the Glorious Revolution of 1688, many objects featuring his image were destroyed or hidden for the safety of their owners. Jacobite followers continued to grow in number into the 18th century and Devon was a key area, especially for a planned uprising in 1715, following the death of Queen Anne. Family legend reports that the dish was broken deliberately during this turbulent time but resuced by a relative who still held true to the old king and his descendants.

A Bristol delftware charger, c.1730, painted in blue, green and red with a peacock raised on rockwork before flowering plants, the rim with a floral panelled border reserved on a red trellis ground, 34.5cm.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

Delftware caster with blue decor, Holland 19th/20th century, 18 cm high (damage), Delftware dish with blue floral decor, Holland 19th century and earthenware dish with saying 'The stars are ours, but how to star makes a big difference', Holland 18th/19th century, 37 cm diameter (glued)

Box of various items consisting of crystal tableware, majolica bottle, 18th century glazed Delftware, miniatures and blue glass bowl

Delftware plaque with polychrome decoration of farmers during apple cultivation, marked 'De Witte Ster' and H.F., after an antique model, 34x30 cm (chips)

A pair of elaborate Victorian bronzed brass and delftware candlesticks together with a pair of Victorian push-eject brass candlesticks, former 23 cm, one (a/f)

An Assortment of "925" and Other Jewellery, to include a figaro link chain, charm bracelet suspending assorted novelty charms, moonstone set pendant, Delftware panel brooch, heart drop earrings (damages), tri-colour multi-strand bracelet, Modernist panel ring etc.

Large Old Master oil on canvas painting depicting a butcher in his shop surrounded by meats and tools of his trade, likely northern Italian circa 16th-17th century. With various conservation notes as photographed in the listing.Provenance: Holzerman's, Minneapolis, MN; Collection of Tom Sewell; Collection of Dudley Riggs, Minneapolis, MN.Unframed; height: 56 in x width: 91 in. Framed; height: 67 in x width: 81 1/2 in x depth: 4 in.Condition: The painting was conserved most recently in 1996; please see the documents in the lot listing photographs for details on the work done in that treatment. The painting has been relined and re-stretched. The varnish is discolored, making finer details difficult to see. There is extensive craquelure and stretcher bar marks along the perimeter of the work. There is cupping throughout that appears to have been treated, the surface is currently stable. When examined under UV light there are numerous areas of inpainting. The most extensive areas of inpainting are: the area surrounding the delftware jug, the background in between the man and the severed cow head, along the edges, and on and around the man's face. There's also evidence of restoration and inpainting vertically through the center of the work; possibly from a previous stretcher. There is also a horizontal line running between the length of the work about nine inches from the bottom. It is possible that the work was folded in the past, causing this crack. There is wear to the frame including: small losses, worm holes, and drill holes. The painting has been reinforced within the frame with thirteen pieces of wood, please see photographs of the verso.

A Lancaster Delft plate, in polychrome with pagoda, foliage and rockwork, 22cm diam, c.1760, see Blenkinship and Hobson, Lancaster Delftware (1754 - 1786); another, possibly Lambeth, in polychrome in the Chinoiserie manner, with flowers and foliage, 23cm diam, c.1760; etc (3)

A rare 18th century English delftware pharmacy ointment pot, on short foot, probably London, 3.5cm high x 4.5cm dia.

Sundry items, including an antique delftware plate, copper kettle, cast iron money box, etc

19th-century delftware pillbox

Turquoise vase with lustre finish and branch patterning. Round body. Brass spout. Original Delft stickers on the side and bottom. #delft #delftware #brass Issued: 20th c. Dimensions: 5.6"HManufacturer: DelftCountry of Origin: HollandCondition: Dark tarnish to brass spout.

A Delftware polychrome vase, late 19th century, manner of Samson, Edmé et Cie, the octagonal panelled body painted with cartouches depicting merchant figures in Chinese style, bordered by brightly coloured scroll and leaf motifs, marked "PVM 36" to base, height 32cm

An English Delftware charger, Lambeth, London, late 18th century style, decorated in Chinese taste, diameter 31cm

Seven boxes containing various figurines, animal ornaments etc to include Beswick cockatoo 1180, various Delftware cow ornaments, a Studio Six (Fulham) cat designed by Seneshal and signed "A. Short", a Winstanley cat, 15 blue and white Delft and faience ware animals, etc. (7 boxes)

A pair of 18th century Dutch delftware desert plates, decorated in underglazed blue with floral patterns, 22.5cm diameter; another pair similar, 19.5cm diameter (4)

An 18th century Delftware charger, decorated in the Chinese taste in underglaze blue with a fence, flowers and leaves, 35.5cm diameter

A collection of homewares and collectables, to include Delftware ceramics, an Edwardian water jug and bowl, figurines, Pendelfin stonecraft rabbit figures, carlton ware vase, brass/metal wares and other cabinet pieces. (5)

An 18th century English (London) delftware blue and white part food warmer with mask and scroll handles, 7" high (ex Lucy Johnson Antiques and Dr Dallas Bache Pratt collection)

Collection of various ceramics to include: six Delftware tiles, various Devon slipware tankards, a smal tin-glazed baluster vase, glass biscuit barrel with silver plated mounts and decoration, three faience ware plates, and Arts and Crafts style clock, three French 'Paris Addiege', a Salopian ware vase, with impressed marks to the footrim, plates etcProvenance: The property of a Gentleman, from a period Winchcombe Town House. Overall wear, dust and dirt to all. Crazing to the glaze to almost all. Barnstaple vase with damage and losses to the glaze. Both storage jars and covers with bark type decoration with damages and repairs. One Devon slipware mug with chips to the footrim. Tiles are chipped. Pair of vases with some losses. Small teacup with damage to the handle. One of the black and white plates are cracked. Earthenware pedestal vase with damage and repairs. Small Salopian ware vase on cream ground with paint chipping and flaking from the rim. Other plates with chips and cracks.

A group of twenty-two Dutch and English blue and white delftware tiles painted predominantly with buildings in landscapes, animals etc., 18th century, 13cm [some damage].

A group of twenty-three Dutch and English blue and white delftware tiles painted with single figural subjects, 18th century, 13cm [some damage].

A group of seven Dutch delftware polychrome tiles painted with birds including an owl and an eagle, late 17th/18th century, 13cm [some damage and glaze losses].

POTTERY. LIPSKI, Louis L. and Michael Archer. Dated English Delftware, London: Sotheby's 1984, limited edition 102/1000, cloth, dustjacket, 4to; JONGE, C. H. de. Dutch Tiles, London 1971, cloth, dj, large 8vo; JOHN, W. D. and Warren Baker. Old English Lustre Pottery, Newport, Mon 1951, 1st edn., illus., cream buckrum gilt, large 4to; others mainly on British pottery, some paperback. (3 boxes)

A garniture of five Dutch delftware vases, three of flattened baluster form with domed covers with lion knops with covers with two of waisted form all with raised scrolling borders painted in blue with figures in landscapes, painted marks to bases, tallest 43cm high. [one cover repaired].

A Dutch delftware crucifixion plate, 18th century painted in blue and iron-red, the rim with border of flower sprays, 23cm [chips and glaze losses].

A group of twenty-two Dutch and English blue and white delftware tiles painted with figural subjects including workmen, biblical, fishermen etc., 18th century, 13cm [some damage].

A Dutch blue and white delftware charger painted in the Chinese Kraak style with a central vase of flowers, the rim with stylised flowers, fruit and foliage, late 17th/early 18th century, 40cm [crack to rim].

A Bristol blue and white delftware dish painted with a large country mansion with sponged trees around a lake, a boat with three figures in the foreground, mid 18th century, 33cm [minor chips to rim].

A mid-18th Century delftware plate, probably Liverpool, with floral painted decoration, 30cms diameter.

An English Delftware plate, c1760, and miscellaneous blue and white Chinese porcelain, 18th c and later, to include a Chinese export plate and a bowl, 23.5cm diam and smaller, various marks (7) Hairline cracks and chips to rim of Chinese plate, chips to rims of tea bowls excepting tea bowl painted with archers, Delftware plate with restored chips and chips to glaze

PAGODA TULIP VASE, delftware style blue and white ceramic, 99cm H x 18cm x 19cm.

Mid 18th century delftware dish, probably Bristol, painted in polychrome enamels in the chinoiserie taste with figures in a garden within floral cartouche and diaper border, 31cm diameter (restored)

Group of mostly antique ceramics and glassware, including delftware, ironstone, transfer ware, relief moulded jugs, etc

A pair of fine Dutch Delft blue and white sculptures of seated hounds on a base, 1st half 18th C.H 20 - 19,5 cm Provenance:- A Dutch private collection.- With Aronson antiquairs, Amsterdam, published in 'Dutch Delftware', Amsterdam, 2006, p. 56, no. 41 (see added reference images).- The Meijer Lavino collection, each with a label on the base. The Lavino Collection, one of the world’s largest and most important private collections of Dutch Delftware, was built by steel magnate Meijer Lavino, who died in 2005. This unique collection includes almost the entire range of wares produced by Delft potters between 1660 and 1820. Meijer Lavino (Rotterdam, 1937 – Antwerp, 2005) was the only child of Jewish parents. In 1964 he and Jo de Jong set up De Jong & Lavino, steel suppliers. In addition to his love of clocks, romantic paintings and rugs, between 1980 and 2002 he devoted himself with great passion to collecting Dutch Delftware. He bought a wide-ranging and varied selection of Dutch Delftware and was also intrigued by pairs and complete sets. Besides the variation in forms, he also collected Delftware featuring all the decorative techniques, from white and blue-and-white to multicoloured and pastel shades with gilding. He had a remarkable eye for the best-quality pieces. To ensure he purchased the best available, Lavino surrounded himself with Dutch Delftware experts, and he could also rely on the support of his wife Paula Lavino-Ridderhof. A large part of the collection was kept together and loaned out to the Gemeentemuseum Den Haag on a long-term loan, where it has been on display between August 2019 and March 2020.

A mixed lot to include a Doulton Blithe Morning figure, Delftware trinket boxes, vases marked Derby to the base and other items Location:If there is no condition report shown, please request

A framed set of six 18th century Liverpool delftware black and white printed tiles, Aesop’s Fables by Sadler, 57cm wide. Condition - fair

A Mixed Collection of Ceramics to include Toby Jugs, Delftware, Boxed Cabinet Plates (1 Tray)

Roux-Spitz (Michel) Réalisations, vol.1 only (of 3: 1924-1932), signed and inscribed by the author to Zoë Maw on front free endpaper, photographic illustrations, original cloth, a little spotted, Paris, [1932]; and a box of catalogues on English Delftware, v.s. (a box)*** Zoë Bankart, née Maw (1909-88), architect, who trained at the Architectural Association and worked for Roux-Spitz before her marriage.

A 19th century blue and white tureen and cover, 22cm high; others including a 19th century cake stand, transfer printed with country house scenes, 19cm high; a 20th century German Betschdorf vase, by Hubert Krumeich, 13cm high; a 19th century delftware tile; pickle tray, etc (qty)

A group of decorative vases, also delftware, spill vases, (A Lot). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

English delftware water bottle or guglet, mid 18th century attributed to Liverpool, the globular body painted with scrolling flowering foliage, the cylindrical neck rising to a swollen knop painted with diaper band and fringed lapettes beneath the flared rim, 27cm high

A pair of polychrome Delftware plates, Holland, 18th century. Chinoise decor bird at a pond and flora, Ø 23 cm, tot. 2x.

A Dutch Delftware plaque, likely Amsterdam, 18th centuryDepicting the Last Supper, of quadrangular shape with curved corners, the edge with Chinese inspired geometric patterns alternated by auspicious symbols, 32cm. diam., paper label for the Antique Dealers Association to the reverse (restored chip to top corner)Footnotes:Another plaque of the same shape depicting the Old Amsterdam Stock Exchange (now in the collection of the Amsterdam Museum) makes an attribution to Amsterdam more likely than Rotterdam, which was also a center of plaque-making in the Netherlands. Another plaque of this shape was sold in these rooms, 4 December 2019, lot 16.For further information on this lot please visit Bonhams.com

A BRISLINGTON WILLIAM III PORTRAIT CHARGER LATE 17TH CENTURY Painted in shades of green, manganese, blue and green, 35cm diameterFor a closely related charger, see Sotheby's London, L13302, 3rd December 2013, Lot 37 (£5,250 incl BP). See also M.Archer, Delftware in the Fitzwilliam Museum (2013), p.11, A.12 for an illustration of a similar example. Condition Report: Chips to base. Chips and glaze loss to rim. There are two hairline cracks one at 10'o clock and another at 4 o' clock. There are 3 areas of paint and glaze loss to the portrait. Overall fritting. No further serious damage or restoration detected.Condition Report Disclaimer

A Dutch delftware tobacco jar, c1770, painted in cobalt with a cartouche, inscribed No 15, 30cm h, painted Plough Slightly chipped and flaking around rim, no substantial chips or cracks, no restoration

A Delftware dish, possibly Bristol, c1760, painted with a yellow peacock flanked by flowers, 34.5cm diam A very well preserved example with no significant condition issues, no restoration

A pearlware two handled cup, c1810, painted in the Pratt palette, 10.5cm h, two J Harrison blue or green printed pearlware coffee pots and covers and an enamelled pearlware plate and a clobbered blue and white example by the same, both impressed I.H, an English delftware Chinoiserie dish c1760 and miscellaneous other English ceramics, late 18th/early 19th c, collector's labels Provenance: Geoffrey Fisk Collection All with small faults but not all

A pair of London Delftware flower bricks, c1740, painted in polychrome with a Chinese island landscape and arching fern like foliage, the top pierced with twenty-one holes in painted grid, 15.5cm l, dealer's label Provenance: Sampson & Horne Collection, Bonhams, 28 April 2010, lot 171 Some typical chipping and high quality restoration to the rims

A Delftware vase and a similar jug, handpainted and a Sargadelos vase. H.29cm (largest).