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Two French Breton faience polychrome decorated vases, one of rhyton form the other ovoid sleeve form, together with a Continental Delftware dish, 19cm high and smaller (3)

Box of Masons Regency pattern graduated jugs, Spode Italian blue and white, painted Delftware etc

Delftware Reference books - including Delftware (Michael Archer), Irish Delftware (Peter Francis), British Delftware at Williamsburg (John C. Austin), Delftware at Historic Deerfield (Amanda E. Lange), London Delftware (Frank Britton), English Delftware Pottery (Anthony Ray), Early English Delftware from London and Virginia (Ivor Noel Hume), English Delftware (F.H. Gardner and Michael Archer), English Delftware in the Bristol Collection (Frank Britton), London's Delftware History, English & Irish Delftware 1570-1840 (Aileen Dawson), and The Longridge Collection of English Slipware and Delftware (14)

A collection of pottery and porcelain related reference books, Lipski & Archer, Dated English Delftware, Maureen Batkin, Wedgwood Ceramics 1846-1959, Bernard Rackham, The Glaisher Collection of Pottery & Porcelain volumes I & II, Tom & Marilyn Goodearl, Engraved Glass, Malcolm Haslam, The Martin Brothers Potters, John Cushion, Porcelain, A.J. Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Alwyn & Angela Cox, Rockingham 1745-1842, Peter Bradshaw, Bow Porcelain Figures (10)

Polychrome Delftware chargerEnglish, circa 1780, painted with a Chinese landscape and fishermen, 34cm diameter With signs of wear consistent with age and use. With large chips and further smaller chips. With natural firing imperfections. With staples to the verso/sign of repair.

Delftware reference books to include Anthony Ray, with a preface by Nigel Warren, English Delftware Pottery in the Robert Hall Warren Collection Ashmolean Museum Oxford, Faber and Faber Limited, together with Michael Archer, Delftware in the Fitzwilliam Museum, Philip Wilson Publishers an imprint of I.B. Tauris & Co Ltd (2) Archer book sealed in original plastic film. Ray book with some signs of wear consistent with age and use.

Delftware reference bookMichael Archer, Delftware in the Fitzwilliam Museum, Philip Wilson Publishers an imprint of I.B. Tauris & Co Ltd, together with Anthony North, An Introduction to Islamic Arms (2) Both have some signs of wear consistent with age and use. Archer book with some time/UV fade/discolouration to book cover.

Lipsi (L) & Archer (M); 'Dated English Delftware', published for Sotheby Publications, 1984, limited first edition, no. 598 of 1000 printed, with dust jacket, together with Poutney (W.J); 'Old Bristol Potteries', 1920, Dawson (Alison); 'English & Irish Delftware', etc., seven titles (7)

Archer, (Michael); 'Delftware: The Tin-Glazed Earthenware of the British Isles, pub. The Stationery Office, London, 1997, in association with the Victorian and Albert Museum, with dust jacket and in card slip case.

A selection of Royal Doulton Bunnykins ceramics and a delftware lidded jar

An 18th Century English delftware charger with painted blue stylised leaf decoration

An antique delftware puzzle jug of tankard form with central panel, depicting a sailing boat on a lake

An English blue and white Delftware plate, perhaps Liverpool, painted with bird by a fence in a garden within a quatrefoil cartouche and a polychrome plate with parrot, probably Lambeth, mid-18th Century, 20cm and 23cm diameter CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Six Delftware blue and white plates, painted with an Oriental garden, 18th Century, possibly Liverpool or Dublin, 23cm diameter CONDITION REPORT: two have a slight variation on the design to the other four, of those two one has rim chip at 5 o'clock and 9 o'clock. Of the four one has some more noticeable but small rim chips and a glaze chip at 8 o'clock, all with some light rim chipping and glaze fritting, no damage or repairs

An English polychrome Delftware plate, in blue, manganese and yellow with a willow and flowers, Lambeth or Bristol and another with a more geometric foliate design, Lambeth, mid-18th Century, 23cm diameter CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Four English Delftware blue and white plates, circa 1760, painted with a bird perched on a central flower surrounded by further flowers, perhaps Liverpool, 23cm diameter CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Three Delftware blue and white wet drug jars, possibly London, circa 1740-60, named for; Syr: Cary: Rub, Syr: Spin: Cerv, Mel: Rosae, in a strapwork cartouche with shell, cherubs and flowers, 16cm high CONDITION REPORT: Cary syrup with a hairline crack to the front, approx. 6.5cm long. Mel Rosae with an impact crack to the rim above the shell, extending down approx. 3cm, and 6cm horizontally. Another hairline crack travelling around the lower part of the body. Spin syrup with a crack from the rim near the spout which travels diagonally down, 9cm long. A shallow footrim chip. All with some glaze chipping

A pair of English Delftware blue and white powder ground plates, circa 1760, painted a central Chinaman in a garden, the border with four flowerhead medallions and scrolls, petal shaped rim, probably London, 23cm wide CONDITION REPORT: Chips to rim particularly in glaze, hair lines to glaze to reverse, fire marks, surface scratches 

A London delftware Royal portrait plate, c.1690, painted in blue and yellow with the double portrait of King William and Queen Mary, each wearing a crown, William III in an ermine-edged robe, titled 'W M R' between the figures, all within two narrow concentric blue bands, some glaze wear and crazing, 21.3cm.Provenance: Sir Henry Sutcliffe-Smith (1864-1938) and thence by descent. Ins £2000

A delftware punch bowl, 19th century, the exterior with a portrait of Admiral Nelson, a ship and polychrome flowers issuing from rockwork, the interior decorated with flower sprigs, restored, 30cm dia.

Five delftware plates, c.1740-60, one painted with bamboo and peony, another with a formal floral design, one of primitive shape and painted with stylized flower sprigs, another with willow over flowering plants, the last of small size and painted with peony sprays, some faults, 23cm max. (5)

Two delftware tiles, the first London c.1760-90, painted in blue with a smoking kiln and other buildings before a hayrick, the second Bristol and painted in manganese with a smoking kiln chimney, with flowerhead corners linked by a cell diaper band, some chipping, 13cm. (2)Provenance: from the collection of the late Jonathan Horne.Illustrated: Jonathan Horne, English Tin-Glazed Tiles, p.46, figs.221 and 223.

A London delftware large plate or charger, c.1765, painted in blue, green, yellow and manganese with a lady beckoning to a gentleman holding a tricorn hat as she sits beneath tall trees flanking a five bar gate, rim chips, 29cm.Provenance: Sir Henry Sutcliffe-Smith (1864-1938) and thence by descent.

Eight delftware tiles, c.1720-80, two Biblical and painted in blue and manganese with Job Smitten with Boils, The Return of the Prodigal Son, another London and painted with a shipwreck showing figures hanging from the rigging, another with figures and dogs reclining in a landscape, the others with figures in landscape scenes, one Bristol in the Bowen manner, 13cm max. (8)Provenance: from the collection of the late Jonathan Horne.Illustrated: Jonathan Horne, English Tin-Glazed Tiles, fig.79 for the shipwreck tile; fig.115 for the Bowen manner tile; fig. 167 for the tile with the figure blowing the horn.

Two delftware plates, c.1760-80, one painted in blue with European travellers in a landscape, a man standing and looking down to his seated companion, the other painted in manganese with a solitary traveller beside trees and garden statuary, some chipping, 22.5cm max. (2)Provenance: from the collection of the late Jonathan Horne.

A delftware bin label, c.1770-80, of coathanger form, painted in black with 'HOLLANDS', 13.7cm across.

A Bristol delftware plate, c.1730, of primitive shape, painted in manganese with a standing Chinese figure flanked by sponged trees, and a shallow dish, perhaps Dutch, painted in blue with a European traveller between sponged trees and bushes, cracks, 25cm max. (2)Provenance: from the collection of the late Jonathan Horne.

A good and rare London delftware 'Merry Man' plate, dated 1735, painted in blue with '(6) All Merryment Goes Down 1735', within a continuous leaf border, minor rim chipping only, 22.5cm.Cf. Victoria and Albert Museum, Accession No. C.9-2016 for a very similar example dated 1727.

An unusual delftware plate, c.1730-40, painted with a short figure wearing a hat, flanked by tall trees sponged in manganese, broken and cleanly repaired, 22cm.Provenance: from the collection of the late Jonathan Horne. Formerly in the collection of Sir Ivor Bertie Guest, 1st Baron Wimborne.

A delftware bin label, c.1770-80, of coathanger form, painted in black with 'CYDER', 13.7cm across.

A rare and early London delftware 'Merry Man' plate, c.1720, inscribed in red with '(2) Let him do What he Can' within a continuous formal leaf border in blue and green, 22.8cm.Old paper shipping label for Robert Fisher Ltd, London, relating to Herbert Schiffer Antiques in Philadelphia. Cf. Bonhams, 12th November 2014, lot 19 for an identical plate from the S J McManus Collection.

A large delftware charger, c.1720-30, probably London, painted in polychrome enamels with Chinese figures in a garden setting, the rim with further figure vignettes, repaired, 36.7cm.Provenance: from the collection of the late Jonathan Horne.

A rare London delftware salt, mid 17th century, the square form with formally reticulated sides, the top set with a circular recessed well, left in the white, a section broken and restuck, 9.2cm high.Cf. Garry Atkins, Exhibition of English Pottery, March 2001, p.6, no.6 for an identical example.

A delftware shallow bowl or tureen, c.1690-1720, the squat circular form painted with Chinese figures seated in a garden landscape, applied with two scroll handles with blue dash decoration, possibly lacking a cover, some chipping, 18cm dia. Provenance: from the collection of the late Jonathan Horne.

A London delftware Royal blue dash charger, c.1690-95, painted with a full length standing portrait of King William III, crowned and holding an orb and sceptre, wearing a long ermine robe, flanked by trees, inscribed 'WR3', within a blue dash and yellow border rim, the underside with a buff lead glaze, a faint rim crack, 34.5cm.Provenance: Sir Henry Sutcliffe-Smith (1864-1938) and thence by descent.Sir Henry Sutcliffe-Smith was born in Halifax, the only surviving son of Frederick Smith and Martha Sutcliffe. From school he joined Edward Ripley & Sons, Bowling Dyeworks and followed an illustrious career in the textile industry. A special tableaux he designed for the Brussels Exhibition in 1910 earned three Grands Prix for the worsted industry of Bradford and earned Sir Henry a special diploma and a gold medal from the Belgian government. His career was largely centred around Bradford where he held positions including President of the Society of Dyers and Colourists, President of the Colour Council, Chairman of the Colour Users’ Association, Chairman of the local Conservative Association and Chairman of the Bradford branch of the RNLI. He had a keen interest in art and antiques, putting together a collection at his home at Ingerthorpe Grange, Ripon, that drew the attention of Queen Mary when Sir Henry entertained her at a tea party in 1935. He established a collection of Lord Nelson memorabilia which is housed at the National Maritime Museum in Greenwich. His love of art led him to become a Fellow of the British Institute of Industrial Art, and of the Royal Society of Arts.

Three Liverpool delftware tiles, c.1775-80, two printed in black and enamelled in green, one with the muse Terpsichore standing before a tall pillar, the other with four maidens in an oval panel tied with ribbon, the last printed in manganese with a girl dancing to a fiddle accompaniment, signed 'J Sadler Liverpool', 12.8cm max. (3)Provenance: from the collection of the late Jonathan Horne.Illustrated: Jonathan Horne, English Tin-Glazed Tiles, p.132, fig.733 for the Muse tile.

Two London delftware tiles from a larger tile panel, c.1770-90, probably Lambeth, finely painted in blue with an equestrian figure and another standing figure before a tavern, a woman peering from behind an open door, mounted on a later wooden frame, 26cm across.Provenance: from the collection of the late Jonathan Horne.Illustrated: Jonathan Horne, Tin-Glazed Tiles, p.120, fig.678.

A Bristol delftware 'Farmyard' plate, c.1720-30, painted in yellow, blue and red with a proud peacock between trees sponged in manganese, blue line rim, 23cm.

A study collection of pottery, porcelain and glass sherds, including a 17th century fragment of a bellarmine by William Killigrew, an Akan pottery head, a number of Chinese porcelain fragments, part of a slipware chamberpot, a number of delftware wasters and kiln saggers. (A lot)Provenance: from the collection of the late Jonathan Horne.

A Brislington delftware plate, c.1720, painted in blue, red and yellow with a bird in flight above sponged manganese trees, another delftware plate painted in deep blue with two grazing rabbits beneath a tree, and a Delft plate painted with a seated woman holding a cornucopia, 'PK' monogram to the underside, the Brislington dish broken and riveted, 23.3cm max. (3)

A delftware sweetmeat or hors d'oeuvres dish, c.1750, probably Liverpool, of heart shape, painted in blue with a central peony spray within a trellis border, some good restoration, 12cm.Provenance: from the collection of the late Jonathan Horne.

Three delftware plates, c.1740-60, of primitive shape, one painted in blue with a squirrel among vine, another with sponged trees flanked by flowering plants, the last with a hut in an island landscape, some damages, 23cm max. (3)

A delftware spittoon, c.1760, the rounded base painted in blue with large flowering plants, the deep flared rim with a trellis border to the inside, the exterior with a formal stiff leaf band, 8cm high.Provenance: the collection of the late Jonathan Horne.

A Bristol delftware 'Farmyard' plate, c.1720-30, painted in yellow, red and blue with a standing cockerel flanked by trees sponged in manganese, within a blue line rim, 22.7cm.

Two delftware plates, c.1750-70, one painted in blue, manganese and yellow with three Chinese figures beside long-tailed pheasants, the other with a solitary figure beside bamboo and an ornamental fence, pointing into the distance, some rim chipping, 22.5cm. (2)Provenance: from the collection of the late Jonathan Horne.

A delftware Royal charger, c.1690-1700, probably London, painted with a full-length standing portrait of King William III in armour, holding an upright sword in his right hand and with his left on his hip, inscribed 'WR' above, within a double manganese line border, the underside with a pale lead glaze, a 13cm rim crack, 34cm.Provenance: Sir Henry Sutcliffe-Smith (1864-1938) and thence by descent.

A Bristol delftware wig bowl, c.1720, painted in blue, red and green with a bird perched on a leafy branch, the cavetto with a formal scroll border, with a crimped rim, broken and restuck, 22.8cm dia.

A small delftware shallow bowl or saucer dish, late 17th century, painted in blue, green, red and manganese with a stylized flower spray within a manganese dash border, the underside decorated with a buff lead glaze, 22.5cm.

A pair of Dublin delftware large plates, c.1760, painted with small huts behind trees and cannon ball rocks, the rims with landscape vignettes, painter numeral marks, and a delftware charger painted with an Oriental island scene with a low hut and tall wisteria, 34.3cm max. (3)

A small delftware dessert basket, c.1760-70, probably Vauxhall, the well painted with a design of eight petals containing a lotus flower on a scrolled ground around a central lotus plant, the rim pierced with interlocking circles, raised on a low cylindrical foot, painter's numeral 4, some restoration, 17.3cm dia.Cf. Victoria and Albert Museum, no. C.25-1981, for a similar basket from the Lipski collection. See also Transactions of the English Ceramic Circle, Vol.9, Pt.2, pl.134 for details of sherds of this pattern excavated at Vauxhall.

A London delftware Royal Blue Dash charger, c.1702-14, painted in blue, yellow and green with a standing portrait of Queen Anne, holding an orb and sceptre and flanked by sponged trees around the letters 'AR', with a buff lead glaze to the reverse, broken in half and cleanly restored, further restoration to the rim, 34.3cm.Provenance: Sir Henry Sutcliffe-Smith (1864-1938) and thence by descent.

A Bristol delftware 'Farmyard' plate, c.1720-30, painted in yellow, blue and red with a strutting peacock between trees sponged in manganese, blue line rim, 23.3cm.Paper label for Herbert Schiffer Antiques, Philadelphia.

Four Liverpool delftware chinoiserie tiles, c.1750-75, two painted in polychrome enamels with a standing Chinese figure within quarter flowerhead corners, another painted in blue with two Chinese figures, the last with a figure holding a long-handled net, within a floral panelled border, 12.8cm max. (4)Provenance: from the collection of the late Jonathan Horne.Illustrated: Jonathan Horne, English Tin-Glazed Tiles, p.58, figs.306 and 309.

A rare Brislington delftware plate, c.1720, painted in polychrome enamels with a jumping boy figure beside a vase of flowers on a low table, within a panelled trellis border, together with a similar shallow soup plate depicting a dancing Chinese figure before an ornamental fence, a repair to the latter, 22.5cm max. (2)Provenance: from the collection of the late Jonathan Horne. Paper label for Garry Atkins to the former.

Two large delftware chargers, c.1780, simply decorated in blue or manganese with a small central flower sprig, the rims with formal diaper borders, 34.7cm. (2)Provenance: from the collection of the late Jonathan Horne.

A London delftware part food warmer or veilleuse, c.1765, the cylindrical base painted in blue with a parrot perched on an ornamental fence beside trees, rocks and a pagoda, applied with two masks, the warming section decorated with a continuous formal border, lacking a cover and bowl, some chipping, 21cm overall. (2)Cf. Michael Archer, Delftware, p.359, No.H.21 for a warmer with the same unusual mask, that was excavated in Lambeth.

A London delftware sugar box and cover, c.1720, the baluster body painted in blue with formal floral motifs beneath a ruyi scroll band, restored, 10cm. (2)

Three ointment pots, 18th and19th centuries, two delftware and decorated in a greenish turquoise glaze, the last pearlware and printed for Beach & Barnicott, and a Westerwald stoneware water stoup, damages, 13cm max. (4)Provenance: from the collection of the late Jonathan Horne.

Three delftware plates, c.1750-70, one Bristol and painted in the Fazackerly palette with a flower arrangement within a bianco-sopra-bianco border, another Liverpool and painted with figures on a bridge before low huts on an island, the last painted with a lady in a wide hat looking at a large bird perched on a fence, within a panelled diaper border, 23.3cm max. (3)Provenance: from the collection of the late Jonathan Horne.

Two delftware chinoiserie plates, c.1750-70, one painted in polychrome enamels with a figure standing beside a pagoda and a large flying insect, the other with a seated figure reaching up to a bird in flight, reserved on a powdered blue ground, some glaze chipping, 22.5cm max. (2)Provenance: from the collection of the late Jonathan Horne.