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An English delftware bowl, circa 1775-80The interior inscribed in blue 'Success to ye Navy', below a scrolling border, the exterior rim with festoons, floral swags and diaper and a stylised flower sprig, 20cm diamFootnotes:This bowl would appear to belong to a distinct group, attributed by Michael Archer to Thomas Morgan and Abigail Griffith of Lambeth. See Delftware (1997), pp.312-3, fig. F.50, for a bowl in the Victoria and Albert Museum inscribed 'Success to Trade', possibly by the same hand as the present lot.For further information on this lot please visit Bonhams.com

A good English delftware bowl, circa 1780The interior inscribed in blue 'Success to the Lord's Rodney & Hood' above a flourish, a diaper border below the rim, with an attractive manganese exterior, 23cm diamFootnotes:Another bowl inscribed for the 'Success of Lord Howe' was sold by Bonhams on 10 September 2008, lot 149. The young Samuel Hood was Midshipman under Rodney when he was Captain of HMS Ludlow Castle as early as 1745. Hood was promoted to Rear Admiral in 1780 serving as second in command to Admiral Rodney in the American Revolutionary War.For further information on this lot please visit Bonhams.com

A very large blue and white 'Delftware' jug. With a scene of two gentlemen walking in a garden. H49cm

Ceramics.- Grigsby (Leslie B.), Michael Archer & others.  The Longridge Collection of English Slipware and Delftware, 2 vol., 2000 § Archer (Michael) Delftware: The Tin-Glazed Earthenware of the British Isles. A Catalogue of the Collection in the Victoria and Albert Museum, 1997 § Lipski (Louis L.) Dated English Delftware: Tin-glazed Earthenware 1600-1800, edited & augmented by Michael Archer, 1984 § Archer (Michael) Delftware in the Fitzwilliam Museum, 2013 § Garner (F.H.) & Michael Archer. English Delftware, second, enlarged & revised edition, 1972 § Charleston (R.J.), Michael Archer & Madeleine Marcheix. The James A. de Rothschild Collection at Waddesdon Manor; Glass and Stained Glass..., Fribourg, 1977, illustrations, many colour, original cloth with dust-jackets, the first two and last with slip-cases, some still with publisher's original packaging, 4to & 8vo (7)

Ceramics.- Garner (F.H.) English Delftware, first edition, Michael Archer's copy interleaved with his notes and additional illustrations in preparation for a second edition, 1948 Garner (F.H.) & Michael Archer. English Delftware, second, enlarged & revised edition, Archer's interleaved copy with some corrections, 1972 § Ray (Anthony) English Delftware Pottery in the...Ashmolean Museum, Oxford, inscribed to Archer by the author, 1968 § Britton (Frank) English Delftware in the Bristol Collection, 1982 § Francis (P.) Irish Delftware, 2000 § Austin (John C.) British Delft at Williamsburg, Williamsburg, Va. & London, 1994 § Grigsby (Leslie B.), Michael Archer & others.  The Longridge Collection of English Slipware and Delftware, 2 vol., 2000, plates and illustrations, many colour, original cloth or boards, the first rebacked preserving part of dust-jacket on upper cover, rubbed, the last five with dust-jackets, the last also with slip-case; and c.20 others on English Delftware, mostly pamphlets, 4to & 8vo (c.30)

Ceramics.- Rackham (Bernard) Early Netherlands Maiolica, light foxing, 1926; Victoria & Albert Museum: Catalogue of Italian Maiolica, 2 vol., later cloth, 1940 § Piccolpasso (Cipriano) I Tre Libri dell'Arte del Vasaio, 2 vol., facsimile reprint, original cloth-backed boards, slip-case, 1980 § Caiger-Smith (Alan) Tin-Glaze Pottery in Europe and the Islamic World; The Tradition of 1000 Years in Maiolica, Faience & Delftware, 1973 § Crellin (J.K.) Medical Ceramics: A Catalogue of the English and Dutch Collections in the Museum of the Wellcome Institute of the History of Medicine, 1969 § Scholten (Frits T.) The Edwin van Drecht Collection: Dutch Majolica & Delftware, The Hague, 1993 § Brulon (D.G.) Histoire de la Faience Française, vol.1-4 (Lyon & Nevers; Moustiers & Marseille; Bordeaux & La Rochelle; Paris & Rouen), Paris, 1997-98, plates and illustrations, many colour, all but the second & third original cloth, the first two rubbed, the last four with dust-jackets; and a quantity of others on Delftware, maiolica and faience including a photograph album of items in the van Drecht collection, many pamphlets, 4to & 8vo (Qty) 

Ceramics.- Ray (Anthony) English Delftware Tiles, 1973; Spanish Pottery 1249-1898 with a Catalogue of the Collection in the Victoria and Albert Museum, signed by the author, 2000  § Lemmen (Hans van) Delftware Tiles, 1997 § Horne (Jonathan) English Tin-Glazed Tiles, signed by the author, 1989 § Catleugh (Jon) William de Morgan Tiles, 1983 § Frothingham (A.W.) The Panels of Spain 1500-1650, New York, 1969 § Herbert (T.) & Kathryn Huggins. The Decorative Tile in Architecture and Interiors, 1995, illustrations, many colour, original cloth or boards with dust-jackets; and c.35 others on tiles, many pamphlets, 4to & 8vo (c.40)

An early 18th Century Delftware dish, the centre painted with a windmill with foliage and rockery within double concentric framing, blue, green and red colourway, possibly English, approx 22cm diam (chips and nibbles to border, crazing and pitting to reverse) together with a 19th Century Quimper style scalloped plate decorated with a potatoe picker with floral border, approx 24.5cm diam (pitting to glaze to front and back, hairline crack and scratches (2)

An 18th Century Delftware blue and white flower brick, crudely decorated with flowers, the recessed top with nine holes with two rectangular apertures, approx 20cm long x 9.5cm deep x 12cm high together with a Continental saltglaze flagon probably Westwald, with blue stylised decoration to upper front section,  approx 29.5cm high (2)  Further details: flower brick - chips and losses to top and bottom borders, wear commensurate with age and use 

A group of sixteen English and Dutch blue and white delftware plates 18th century one initialled to the reverse 'B/T-N', variously painted with flower sprays, oriental gardens and landscapes, one with a rabbit, 19-23cm [significant damages] 16.

Two 18th century Delft blue and white dishes, a Delft polychrome dish, an English delftware plate, a Delft equestrian tile and a French faience plate, a.f., largest diameter 35cm

To include examples on pewter, delftware, silver, furniture, (qty).

To include 'The Dictionary Of Blue And White Painted Pottery'; 'Dated English Delftware'; 'Fulham Pottery', (9).

Quantity of 18th century Delft and delftware comprising bowl, square vessel with cover and an 'S.E. Persicor' drug jar, 19cm high and smaller (4)

A MIXED LOT OF PLATES TO INCLUDE DELFTWARE WITH A FURTHER TWO BOWLS STAMPED F.C.EMERY AND SONS LTD

A quantity of Delftware etc

Stunning turquoise toned piece with lustre finish & branch patterning. Brass trim around rim.Hand Painted Delftware Made In Holland on bottom. This item has no reserve. Dimensions: 6.75"W x 2.75"HManufacturer: DelftCountry of Origin: HollandCondition: Age related wear. Natural patina.

Turquoise toned with lustre finish & branch patterning. Brass accented handle, spout, and base.Hand Painted Delftware Made In Holland on bottom of piece, This item has no reserve. Dimensions: 2.75"W x 11"HManufacturer: DelftCountry of Origin: HollandCondition: Age related wear. Natural patina.

Turquoise toned with lustre finish & branch patterning. Brass accented handle, spout, and base.Old Dutch Delft sticker on front of piece. Hand Painted Delftware Made In Portugal on bottom. This item has no reserve. Dimensions: 3.25"W x 6.25"HManufacturer: DelftCountry of Origin: PortugalCondition: Age related wear. Natural patina.

Turquoise vase with lustre finish and branch patterning. Round body. Brass spout.'Handpainted, Delft, Holland' backstamp. #delft #delftware #brass Issued: 20th c.Dimensions: 5.8"HManufacturer: DelftCountry of Origin: HollandCondition: Dark tarnish to brass spout.

A Dutch Delftware sleeve vase, 20th c, painted with flowers, 35cm h, painted mark Undamaged

An English Delftware black and white dial, late 18th C.Dia.: 21 cm

A Dutch Delftware fish sauce tureen, cover and stand, Jan van der Kloot, painted in shades of cobalt with scrolling foliage and trellis, eel finial, stand 18.5cm diam, painted VDK monogram, c.1765

An 18th century delftware plate and blue and white pearlware plate, largest 28cm wide

Two 18th century Delft blue and white dishes, a Delft polychrome dish, an English delftware plate, a Delft equestrian tile and a French faience plate, a.f., largest diameter 35cm

A mid-18th century Delftware blue and white dish, decorated with a bird in flight above Chinese style flowers, brown edged rim, 30cms diameter; and another decorated with an oriental style fenced garden, 30cms diameter.

Book - Antique Reference, hardbacks, Batkin (Maureen), Wedgwood Ceramics 1846 - 1959, 1982; Atterbury (Paul) edited by, The Parian Phenomenon, 1989; De Porceleyne Fles, Delftware, in English and Dutch, various contributors; others similar; etc

Five English delftware polychrome plates, circa 1760 probably Bristol, painted with peony, rocks and bamboo, 23cm diameter

A delftware tin-glazed earthenware punchbowl, c.1785, English, London, the centre with a chinoiserie scene and a hot-air balloon, with floral motifs to the rim and sides in greens, blues and reds, 30cm wide12cm highCondition ReportThe bowl has been broken into several places, repaired and repainted, however, it is now stable. A couple of chips to the paint. Overall in fair cosmetic condition. See additional photos.

A delftware tin-glazed earthenware garniture, 19th century, comprising three baluster vases with covers and two beaker vases with everted rims,vase and covers 15cm wide11cm deep33cm high (8)Condition ReportAll with age-related wear and small chips. One beaker vase with repair to rim and base. One baluster vase with repair to lif and hairline crack to rim. General chips and light manufacturing flaws/pitting etc. Please see additional photos for reference.

An 18th century Lambeth delftware charger, 34cm in diameterThree chipped areas between 12 o’clock and 3 o’clock as shown; a puddle of the tin-glaze at approx. 11 o’clock, just about visible in first image, a manufacturing difficulty, not serious; further light chips around rim; surface finish good; no repairs or re-painting.

A set of four Lambeth polychrome delftware plates, attributed to John Brayne, circa 1792, in the Ann Gomm pattern, dia.20cm

An English Delft Plate, probably Liverpool or Bristol, circa 1750, painted in manganese and blue with a chinoiserie figure sitting beneath a tree in a fenced garden23.5cm diameterA Similar Dish, of circular form, painted in blue with a European figure on a bridge, a thatched cottage and sailing ship beyond within a fruiting vine and scroll border (2)Provenance: Plate with DM & P Manheim and with label for Group Captain A F BrittonFor a similar plate see Archer (Michael) Delftware: The Tin-Glazed Earthenware of the British Isles, pg.217Typical minor glaze flakes and scratching.

A pair of 18th century Delftware plates, painted in blue, diameter 23.2cm. (2) Condition note: both with loss of glaze to rim, one with shallow chip in two places to edge of rim, the other with shallow chip to underside at rim as per images.

Turquoise toned with lustre finish & branch patterning. Gold toned handle.Copper toned spout & base. Hand Painted Delftware With Brass Accents Made In USA on bottom. This item has no reserve. Dimensions: 4"W x 7.5"HManufacturer: DelftCountry of Origin: United StatesCondition: Age related wear.

An Assortment of Costume Jewellery, to include a Swarovski floral pendant, suspended by brown cord, diamanté heart shaped necklace, Delftware pendant, chunky curb link chain etc :- One tray.

A DUTCH DELFTWARE BLUE AND WHITE VASE late 17th/early 18th century, modelled as a young girl wearing a floral dress carrying a basket on her head and holding a wreath in her left hand, on a shaped plinth painted with a garland of flowers suspended between moulded scrolls, the base painted with ⅔, 34cm high

A CONTINENTAL BRASS AND "DELFTWARE" CHANDELIER with two registers of four scrolling branches, with a simple suspension loop, fitted for electricity, 58cm high x 60cm diameterProvenance: According to family records this chandelier was purchased by Sir Christopher Medlycott from a dealer in Rouen, Normandy, circa 1925. It was at about this time that Sandford Orcas Manor was being wired for electricity.To be removed at the Buyer's risk and expense.

A DUTCH DELFTWARE VASE AND COVERwith a lion finial, the moulded cartouche-shaped body decorated with flowers in a garden and the reverse with a single spray, 37cm high; a similar vase and cover, 36cm high; and two similar Dutch Delftware sleeve vases with flared necks, one decorated with a bird amidst foliage and the other with a coastal landscape, 23cm high and 22cm high (4)

A PAIR OF ENGLISH DELFTWARE ARMORIAL PLATES decorated in blue with a coat of arms within a leafy mantling and dated 1662, 21.5cm diameter (2)Provenance: The reverse of each with an old paper label describing the pedigree of Christopher Savery of Shilstone and the Servington family of Tavistock in the county of Devon, dated 1724.

A late 18th century Delftware blue and white charger, painted in the chinoiserie style, with peonies and trees within a floral border, diameter 34.5cm.

An antique blue and white Delftware Vase, decorated with figures in Landscape with ornate Tree. 10.5" High. Several chips to rim. Some hair cracks to the neck. Several chips to the footrim 

An English delftware charger, 18th century, painted in polychrome with a building to the centre and a wave border to the rim, 29.5cm diameter; sold together with a further tin-glazed charger, painted in purple, yellow and blue, 30cm diameter (2)

(ar) Clifford Harrison (1901-1984) "Delftware Plates, Chinese Blue and White and Staffordshire Dogs", trompe l'oeile oil on board painting. Signed with initials "CH" and dated "1972" within the image. Artist's original business card label verso. 62 cm by 95 cm.

Extensive collection of reference books on ceramics - porcelain & pottery to include Delftware, British Porcelain, W H Goss, Doulton, Majolica & others (34)

A BROWN-GLAZED FOLIATE-RIMMED DISH, LIAO TO EARLY SONG DYNASTY 遼至宋初蓮瓣口褐釉盤Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 11th-12th century. Finely potted with flaring sides neatly divided into ten lobes supported on a short tapered circular foot, covered overall with a thin black-brown glaze, pooling at the edges and recesses, and stopping unevenly at the base to reveal the grayish-buff body.Provenance: R&G McPherson Antiques, London, United Kingdom, 2014. The private collection of Grahame Clarke, acquired from the above and thence by descent. Copies of the original description and invoice from R&G McPherson Antiques, each confirming the dating above, accompany this lot. Robert McPherson is an English dealer and highly regarded expert in Chinese ceramics, a committee member of the Oriental Ceramic Society, and on the board of ‘Asian Art in London’. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974 he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke’s work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts.Condition: Good condition, commensurate with age. Wear and firing flaws, including small firing cracks, spur marks, and glaze recesses. Few smoothened chips to the rim, one small chip to the foot. The rim with minor glaze touchups.Weight: 148.2 gDimensions: Diameter 12 cm Literature comparison:Compare a closely related lobed dish in the Fitzwilliam Museum, Cambridge, accession no. C29-2007. Also compare another closely related lobed dish in the Art Institute of Chicago, reference number 1964.1221. And another related dish illustrated in R. Krahl, Yuegutang, A Collection of Chinese Ceramics in Berlin, G+H Verlag, Berlin, 2000, p. 227, pl. 181. 遼至宋初蓮瓣口褐釉盤中國，十一至十二世紀。十瓣蓮瓣口，淺圈足，薄黑褐色釉，邊緣和凹陷處有積釉，底部不平，露出灰黃色的胎。 來源：英國倫敦R&G McPherson Antiques藝廊，2014年；Grahame Clarke私人收藏, 購於上述藝廊，保存至今。該拍品附有 R&G McPherson Antiques 的原始描述和發票副本，每份都確認了上述日期。 Robert McPherson 是一位英國經銷商、備受推崇的中國陶瓷專家、東方陶瓷學會的毫米級成員以及“倫敦亞洲藝術”的董事會成員。Grahame Clarke（1940-2014）是一位著名的陶瓷藝術家，受到 Harry Davis、Bernard Leach 和 Shoji Hamada 等陶藝風格的影響。1974 年，他在蘇格蘭洛欽弗創立了 Highland Stoneware。 在歷史和自然環境的推動下，他的作品將仿照中國古代陶器的耐用瓷體與受十六世紀和十七世紀代爾夫特青花裝飾啟發的自由手繪風格結合起來。他對陶瓷的熱情促使他收集來自世界各地的陶瓷，尤其是來自中國的文物。受到古物的啟發，Clarke的作品本身最終被收藏在維多利亞和阿爾伯特博物館等博物館。 品相：品相良好，磨損和燒製缺陷，包括小的燒製裂紋、毛刺痕跡和釉面凹陷。邊緣局部有已經平滑的缺口，腳部有一小塊缺口。邊緣有輕微的釉面修飾。重量：148.2 克 尺寸：直徑12 厘米文獻比較： 比較一件非常相近的葵口盤，收藏於Fitzwilliam博物館，劍橋，館藏編號C29-2007。另一件非常相近的葵口盤， 收藏於芝加哥藝術館，館藏編號1964.1221。另一件相近的葵口盤， 見R. Krahl，Yuegutang，《A Collection of Chinese Ceramics in Berlin》，G+H Verlag，柏林，2000年，頁227，圖181。

A WHITE-GLAZED JAR, TANG DYNASTY 唐代白釉罐Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 618-907. Of globular form, the body rising from a narrow foot to voluminous rounded shoulders with a short waisted neck surmounted by a rolled rim. The interior and exterior covered in a translucent creamy white glaze above a white slip. Parts of the lower body and the flat base unglazed, thus exposing the pale buff body with its characteristic pinkish hue.Provenance: Brian Page, Brighton, United Kingdom. Grahame Clarke, acquired from the above in 2008, and thence by descent in the family. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974 he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke’s work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts.Condition: Good condition, commensurate with age, showing some old wear and minor manufacturing irregularities, including glaze recesses and dark spots. Expected glaze flaking, minor losses, light scratches.Weight: 1018.1 gDimensions: Height 16.5 cm Literature comparison:Compare a related jar in the Idemitsu Museum of Arts, illustrated in Selected Masterpieces from the Idemitsu Collection, Tokyo, 1996, no. 90; and in Mayuyama, Seventy Years, Tokyo, 1976, p. 83, no. 219. Compare a related white-glazed pottery jar illustrated by Krahl in Chinese Ceramics from the Meiyintang Collection, London, 1994, pp. 138-139, no. 229. Compare four related jars of varying sizes (14.3 to 25.5 cm. high), illustrated in Mayuyama, Seventy Years, vol. 1, Tokyo, 1976, p. 97, pl. 261 and p. 83, pls. 219-22.Auction result comparison: Type: Closely relatedAuction: Christie’s 29 March 2006, lot 394Price: USD 3,600 or approx. EUR 5,100 converted and adjusted for inflation at the time of writingDescription: A white-glazed baluster jar, Tang dynastyExpert remark: Compare the closely related form and glaze. Note the size (20.9 cm).Auction result comparison: Type: Closely relatedAuction: Bonhams New York, 20 March 2023, lot 4Price: USD 7,013 or approx. EUR 6,500 converted and adjusted for inflation at the time of writingDescription: Two white glazed pottery vessels, Tang dynastyExpert remark: Compare the closely related form and glaze. Note the size (18.5 cm) and that this lot also comprises a shallow bowl.Auction result comparison: Type: Closely relatedAuction: Christie’s New York, 24 Mar 2023, lot 1002Price: USD 6,300 or approx. EUR 5,900 converted and adjusted for inflation at the time of writingDescription: A glazed white ware jar, Tang dynastyExpert remark: Compare the closely related form and glaze. Note the size (18.4 cm).

To include books on delftware, furniture and candlesticks, (12).

Collection of Goebel figures of children, including some of the seasons, printed impressed marks, a Makkum delftware baluster jug and cover, a Royal Crown Derby bone china 'Derby Posies' square-shaped trinket box and cover, two shaped rectangular trinket dishes similar, a Wedgwood 1977 Silver Jubilee jasperware box and cover and other items 

A pair of ceramic lions, approximately 25 cm (h) and a small quantity of blue and white Delftware ceramics, 18th century or later and other. [W]

AN ENGLISH DELFTWARE BLUE AND WHITE LARGE PLATE, MID-18TH CENTURY PERHAPS BRISTOL OR LONDON. Painted with a couple in landscape before sponged trees and sailing boats, 34.2cm diam.With a series of restored, overpainted and discoloured rim chips, some flaking to glaze at rim, typical glaze blow outs to reverse.

TEN REFERENCE BOOKS AND AUCTION CATALOGUES ON BRITISH AND EUROPEAN DECORATIVE ARTS, MOSTLY DELFTWARE, to include: 'Delftware' by H.P. Fourest, Thames and Hudson published 1980; two copies of 'Faianca Portuguesa Seculos XVIII.XIX' by Arthur de Sandao, Christie's London - 'The Collection of The Barons Nathaniel and Albert Von Rothschild, 1999, and others (10)Odour of cigarette smoke. In used condition.

COLLECTION OF NEOCLASSICAL LIVERPOOL DELFTWARE TILES LATE 18TH CENTURY transfer printed by Sadler, the designs washed over in green enamel, with examples including ‘The Three Graces’, ‘Apollo’, the ‘Four Seasons’, and classical vases (one framed), also including two rectangular border tiles with scrolling acanthus leaf designs approximately 12.5cm x 12.5cm, with slight variations, the border tiles approximately 12.2cm x 6.2cm, framed tile 15.7cm x 15.7cm The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, LondonGreat House, Dedham, Essex

A Bristol delftware charger, c.1710-30, painted in red, green and blue with a bird in a central roundel on a ground of dense foliate sprigs, the rim with eight panels of the same ground, the underside with a star and dash border and painted numeral 2 mark, 32.2cm.Paper label for Jonathan Horne Antiques Ltd.

Nine delftware tiles, late 18th century, probably London, unusually decorated with manganese landscapes within a square panel, a geometric border in a strong green, with ochre flower motifs to the corners, some faults, 15.2cm. (9)Provenance: removed from a fireplace at Arford House, Hampshire. Arford House was built by William Ewsters in Headley, Hampshire at the turn of the 19th century.

A Bristol delftware charger, c.1730, painted in blue, manganese, green, yellow and red with a Chinese figure punting a sampan in an island landscape, the foreground with leafy bamboo, a little rim nibbling, 32.5cm.Paper label for Jonathan Horne Antiques Ltd.

A pair of Bristol delftware plates, c.1760, painted in blue, manganese and yellow with a peacock seated on holey rockwork before flowering plants, the rims with further floral vignettes, some good restoration to the rims, 22cm. (2)

A near pair of London delftware chargers, c.1740, William Griffith, decorated with a rare design of a stylised pavilion on a bridge amongst sponged manganese foliage, within a border of interlocking circles in red, yellow and manganese, the rims with six formal flower sprays, a few restored rim chips to one, 34.5cm max. (2)Paper labels for Jonathan Horne Antiques Ltd.Cf. Michael Archer, Delftware, p.133, nos. B31 and B32 for a similar design.

Eight delftware tiles, late 18th century, probably London, unusually decorated with manganese landscapes within a square panel, a geometric border in a strong green, with ochre flower motifs to the corners, some faults, 15.2cm. (8)Provenance: removed from a fireplace at Arford House, Hampshire. Arford House was built by William Ewsters in Headley, Hampshire at the turn of the 19th century.

A large Vauxhall delftware bowl, c.1725, probably William Chilwell, painted in red, green and blue with a repeated ornament design between formal leafy branch motifs, the interior with a row of blue flowerheads, rim cracks, 26cm dia.