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A late 19th century later Delftware comprising dishes, vase and cover, lidded pot, open plates, etc, majority with hand painted detail

Deftware - English and Dutch interest  to include  'English Delftware Drug Jars', 'The Collection of the Museum of the Royal Pharmaceutical Society of Great Britain', 'Delftware' by Michael Archer, 'English and Irish Delftware' by Aileen Dorton (3 boxes) 

'The Longridge Collectionof English Slipware and Delftware', two vols, d-j, within slip case, and five Christie's Catalogues of the collection when sold in New York and London,  20101 and 2011 ( 7)

A Poole pottery plate; and a delftware vase

Four 18th Century blue and white delftware tiles - sold with a similar polychrome framed example and an Art Deco period Dunsmore tile with hand painted fish decoration on a Minton blank

De Henneberg (Alfred). La Dentelle Ancienne Style et Technique, Paris: Librairie Des Arts Décoratifs, 1931, numerous colour & monochrome illustrations, some light spotting & toning, original blue cloth, spibe lightly marked, folio, together with:Ray (Anthony), English Delftware Pottery in the Robert Hall Warren Collection..., Boston: Boston Book & Art Shop, 1968, colour & monochrome illustrations, original cloth in price-clipped dust jacket, covers rubbed & marked, 4to, plusBurton (E. Milby), Charleston Furniture 1700-1825, Charleston: The Charleston Museum, 1955, monochrome illustrations, original cloth, boards lightly marked, large 4to, and other antique & decorative art reference & related, mostly original cloth in dust jackets, G/VG, 8vo/folioQTY: (5 shelves )

Group of 18th century and later china, glass and sundries, including Delftware vase, creamware plates, Chinese saucers, tiles, Wedgwood candlesticks, etc

Pair of 20th Century Delftware blue and white vases, 13.75ins high (one at fault), 19th Century English porcelain two handled baluster vase in oriental style, 10.75ins high (at fault), a Japanese pottery vase, a Capo di Monte figure and a Continental pottery figure of a girl with toysDAMAGES (SEE PHOTOS)

19th Century Wedgwood blue transfer printed cream jug, together with two English pickle dishes (one at fault) and a Delftware figure of a cow

Modern Delftware polychrome charger, two similar dishes, a Masons fruit bowl and sundries

A table lamp in the form of Noah's Ark; and various other decorative china including a Delftware lamp

A London Delft Pickle Tray, probably Lambeth High Street, circa 1750, of cinquefoil form with central star-shaped well, painted in blue with sprays of flowers within leaf borders22.5cm diameterFor a similar example see Archer (Michael) Delftware, The Tin Glazed Earthenware of the British Isles, item G11Small area of old restoration to rim. Some typical glaze flakes and four short hairline cracks to the rim, on the cleft of each dish 

A group of three 18th century English manganese delftware tiles: one painted with a vase of flowers; another with a vase of flowers and two birds on a powered ground [drilled] with paper label for Jonathan Horne Antiques Ltd.; the third with two figures beside an estuary on a powdered ground [3].

A set of six Dutch polychrome delftware tiles: in the 17th century manner, painted with geometric panels depicting sportsmen in landscapes, 38 x 24cm framed as one.

An English Delftware bowl, probably Lambeth, c1770, painted with island landscapes, 22cm diam and a Northern European miniature tin glazed earthenware buckelplatte, 18th c, painted with two Chinese figures on a creamy white glaze, 19cm diam (2) Bowl repaired. Dish cracked and chipped, much encrusted with old dirt and grime but no restoration

A pair of English Delftware plates, possibly Bristol, c1780, painted in blue, red and green touched with yellow with a vase of flowers, 23cm diam Both in substantially good condition

A pair of English Delftware polychrome plates, London, c1785-90, painted with a stylised tree, ferns and fence in festoon border, 19.5cm diam For a similar example see Britton (F) - English Delftware in the Bristol Collection 1982, fig. 12.65 One plate broken and re-stuck, the other in good condition with pinhead sized nick at 7 o'clock. Not cracked. No restoration

A Rouen faience plate, c1740, decorated in the style Rayonnant with a central flower filled basket flanked by tendrils in an elaborate lambrequin and shell border and shaped rim, 24.5cm diam and two later 18th c Dutch Delftware vases (3) Plate broken and stapled, probably in the 19th c. Small spots of flaking around the rim. No recent or professional restoration. Vases with typical small chips and flaking around rims, not cracked

A mixed group of various antique and modern tiles to include three blue and white Dutch Delftware tiles, two framed; a large cut down Minton tile with green woven pattern; and nine further modern tiles, some in the style of Dutch Delftware tiles (13)The Dutch Delftware tiles, two in good condition, one with a corner lacking but not visible within the frame; the Minton tile cut down and with minor scratches to the surface, framed; the remaining modern tiles in good condition.

Box of porcelain b.u. parrot lamp, biscuit decoration from Leipzig with lamp, 2 candlesticks, Chinese bowls from the 18th century (damaged), KPM plates, Japanese spaghetti poodles and Delftware with silver-plated mounts

Collection of Delftware consisting of Three Delftware plates, all unmarked with varying decoration, the wide blue border example 23cm across, the plate with tall central tree is 24cm across, the other plate is 22cm across and three Delft tiles 12cm xx 13cm each (6)All tiles with damage and some repairs. All plates with some losses to the glaze, chips and issues.

A documentary English delftware blue and white model of a shoe, dated 1732, painted with bands of flowers and scrolls, the underside of the arch of the shoe inscribed ‘AM (?) May ye 12 * 1732’.Cf. a similar delftware model of a shoe in the Victorian Albert Museum, London, accession no. C.304-1926. 16cm long, damageTypical glazed imperfections. There is a large chip loss to the front top edge of the shoe. There is a firing crack to the back of the shoe with associated flaking to the glaze around the area on the outside and as a fine crack on the inside, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 16cm long, damage

An English delftware posset pot and cover, circa 1690Brislington or possibly Bristol, of round bellied form with a short neck, painted in blue and outlined in manganese with Chinese figures sitting in a stylised garden landscape with formal plants and rocks, the S-scroll handles and serpentine spout painted with dashes, the cover with a button finial, 16cm high (2)Footnotes:A closely related example painted just in blue from the Harriet Carlton Goldweitz Collection was sold at Sotheby's 20 January 2006, lot 28. The heavily blued glaze and distinctive painting matches a series of much larger posset pots in the Fitzwilliam Museum, attributed to Brislington, see Michael Archer's catalogue (2013), pp.199-204.For further information on this lot please visit Bonhams.com

An English delftware 'Oak Leaf' charger, circa 1690Boldly painted with a central leaf and four other leaves around the border each painted in turquoise-green with manganese veins, a series of blue and yellow berries filling the design, the underside with a lead glaze, 33.5cm diamFootnotes:This type of decoration was copied from Italian maiolica dishes imported into England from Tuscany during the middle of the 17th century. Traditionally known as an 'Oak Leaf' charger, it seems more likely this decoration represents vines. It is unusual for the design to extend to the rim without a 'blue-dash' edge.For further information on this lot please visit Bonhams.com

An English delftware plate, circa 1730Probably Bristol, of 'pancake' shape, painted in blue, red and green with a pair of lively cockerels and flowering trees, within a wide foliate scroll border, 22.9cm diamFootnotes:ProvenanceSampson and Horne Collection, Bonhams, 28 April 2010, lot 383 (part)For further information on this lot please visit Bonhams.com

A rare London delftware 'Farmyard' plate, circa 1720-30Painted in blue with a peacock standing proud on a grassy mound between green and blue sponged trees, the rim with concentric blue lines, 22cm diamFootnotes:ProvenanceSampson and Horne exhibition, 2007, no.07/14Sampson and Horne Collection, Bonhams, 28 April 2010, lot 228Samson and Horne's 2007 catalogue contains an extensive discussion about the so-called 'Farmyard' plates and the differences between London and Bristol examples.For further information on this lot please visit Bonhams.com

A pair of Irish delftware platters, circa 1750-60Probably Dublin, of octagonal shape, painted in blue with the 'Chinese Flower-bowl' pattern, the central bowl overflowing with exotic vegetation, Daoist scholarly symbols and trailing flowers around the rims, two herbal sprigs to the undersides, 32.2cm wide, painter's number 6 (2)Footnotes:Octagonal plates with the same design, also marked with painter's numerals are illustrated by Peter Francis, Irish Delftware (2000), p.70, figs.60a-b.For further information on this lot please visit Bonhams.com

A collection of thirty-nine delftware tiles, mid-18th centuryPainted in blue with Biblical scenes, comprising twenty-six various English tiles all with circular panels and 'barred ox-head' corners, six English tiles with octagonal panels on powder blue grounds, a pair of Dutch tiles with 'carnation' corners, and five other Dutch tiles with either 'spider' or 'ox-head' corners, about 13cm square (39)For further information on this lot please visit Bonhams.com

Two rare Liverpool delftware woodblock-printed tiles, circa 1756-57Printed in purple by John Sadler after Nilson, a gentleman with an elaborate tricorn hat and two chinoiserie figures are grouped among rococo scrollwork, within octagonal foliate scrolled frames, 13cm square (2)Footnotes:This curious set of printed tiles was based on designs by Johann Nilson titled 'Coffee Tea and Tobacco Ornament'. See Anthony Ray, Liverpool Printed Tiles (1994), p.18, no.A1-11.For further information on this lot please visit Bonhams.com

A collection of seven English delftware plates, 18th centuryComprising a rare large plate with multiple panels of blue birds and flowers on a powder brown ground, 29.5cm diam, a plate with a European landscape in manganese featuring a youth and an obelisk, 26cm diam, a set of four plates in blue with a 'zig zag Fence' pattern, 23cm diam, and a polychrome plate with rocks and bamboo, 26cm diam (7)Footnotes:ProvenanceBrenda Dunning CollectionFor further information on this lot please visit Bonhams.com

AN ENGLISH DELFT DATED POLYCHROME DRUG-JAR of typical shape, painted in blue, green and iron-red, named THER:ANDR: within an extended scroll cartouche with central shell,  flanked by winged putti, supported by a winged mask between swags of flowers above the initials and date I:P.1723 The jar was made to contain 'Theriaca Andromachi', a theriac (or polypharmaceutical preparation) made according to the formula of Andromachus, a Roman physician of the first century AD See an example named for different contents, with the same initials and date as the present example from the collection of Dr. A. Murray, sold Sotheby's, London, 21 July 1970, lot 188. This appears to be virtually identical in shape and decoration and would suggest that two sets of this type exist. See also Bryony Hudson (ed.), English Delftware Drug Jars, London, 2006, p. 197, cat. no. 164 for a drug-jar from the same set named for 'O:HYPERIC/I:P/1723', previously in the Howard and Gautier Collections. Hudson suggests that the initials IP may refer to James Piston who became Upper Warden of the Society of Apothecaries in 1722 and Master in 1723.  Also see nearly identical jar in Christie's sale 25 May 2011, lot 162, Syd Levethan The Longridge collection Condition Report:Available upon request

A large 18th century Liverpool brown printed and painted Delftware char dish, circa 1760. Unrestored (AF). Diameter 20 cm (see illustration).

A Dutch Delftware figure of a milkmaid, early 19th c, 19cm h Enamel flaking, damage to extremities particularly cow's horns

A Dutch Delftware canister and cover, Ary van Rijsselberg, early 18th c, decorated in the Imari style with a leaping creature and auspicious objects, 16cm h, painted AR in red enamel Jar - localised black spitting on glaze caused during manufacture. Cover - broken and re-stuck

Pair of 18th Century English Delftware plates, circa 1780, each decorated in cobalt blue in the Chinese manner with a waterside pavilion and fence, within double ring inner border and dog-tooth outer border to an orange rim, 23.5cm diameter, (2)Basically both very good for delft of this age. Some small chips and minor losses to the edge of both plates, otherwise both appear sound.

Late 17th or early 18th Century Delft / Delftware buckle plate, decorated in blue and manganese with a figure in a landscape, further figures to borders, circular 'dot' mark beneath foot, 21cm diameter

18th Century Bristol Delftware plate, decorated in cobalt blue with flowers and an insect, border of X and II motifs verso, 29cm diameterBasically very good for delft of this age. Fritting, together with some small chips and minor losses to the rim edge, otherwise appears sound.

Late 17th Century English Delftware buckle plate, circa 1680, decorated in underglaze blue with a primitive scene of a figure in a landscape, within scalloped border, circa 1680, 30.5cm diameterLot 323 - Five or so old chips to the underside of the rim. Patches of glaze loss and creep to the front rim, some overpainting apparent. Hairline crack at 3 o'clock. Further hairline to the back. Together with glaze creep and loss.

Two 18th Century Liverpool-attributed English Delftware plates, circa 1740, the first painted in blue with two cockerels beneath a bending spray of flowering prunus, the rim with further prunus sprays, foliage verso, 23.5cm diameter, the second with two Chinese-style figures in a landscape before pavilion on a promontory, orange rim, wave decoration verso, 21.5cm diameter, (2)Birds plate with fritting and losses around edge of rim, together with chips to foot rim; Chinese figures with 10mm slither chip to rim and losses around the whole edge.

18th Century polychrome Delftware plate decorated with a bird and foliage, 13.5ins diameter (at fault), together with a similar blue and white charger, 13.25ins diameter (restored)

A Delftware vase / jar with floral decoration, 23cm high, with a wooden lid Condition Report:Available upon request

Antique reference books:  to include Aileen Dawson, 'English & Irish Delftware' 1570-1840, Victor Chinnery,' A Description of Household Stuff, Furniture and Interiors 1500-1700', Kinmouth, 'Irish Country Furniture 1700-1950', Thornton & Wilson, 'Italian Renaissance Ceramics volumes I & II, Adam Bowett, 'Early Georgian Furniture 1715-1740', Anthony Ray, 'Spanish Pottery 1248-1898', Richard Marks & Paul Williamson, 'Gothic- Art for England 1400-1547', etc. (17)  Chris Pickvance Collection 

Two 18th century English delftware chargers - 33.5cm diameter

An English polychrome delftware charger,33cms diameter.

A box of mixed china to include blue & white plates, soup bowls, Shredded Wheat dishes (a/f.), Delftware, Davenport cup etc.

COLLECTION OF POLYCHROME PAINTED DELFTWARE 18TH CENTURY comprising an 'Ann Gomm' type charger, in manganese with radiating lines centred by a flower; a pair of plates with a red flower enclosed within flower and feather panels, painted 13 and 23 to the reverse, 22.8cm diam; a plate with panels of blue flowers and red diaper ground, 22cm diam; a plate with iron red flowers and stylised leaves, the rim with blue scrolls and red fruit, 22.5cm diam; and a plate with a leaf motifs, surrounded with sprigs of red and yellow flowers, within a blue line rim, 23cm diam.(Largest 34cm diameter)

Burmantofts blue glazed jardiniere, Burmantofts style toad, 18th century Delftware posy holder and Spanish Faience planter

A collection of vintage and modern books to include English & Irish Delftware by Aileen Dawson, Treen and other Wooden Bygones by Edward H. Pinto, Elected Silence by Thomas Merton and Wildlife In A Southern County by Richard Jefferies.

Full title: A pair of rare Dutch Delft blue and white candlestick bases, late 17th C.Description:L.: 24,5 cm - H.: 20 cmÊ ÊÊEach marked SVE on the base for Samuel van Eenhoorn, the 'De Grieksche A' workshop, Delft, 1678-1687.Ê Provenance:- With Aronson Antiquairs, Amsterdam, published in 'Dutch Delftware - The Ivan B. Hart collection', 2013, p. 30, no. 18 (see added reference images).The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Full title: A large Dutch Delft blue and white bowl with shepherds on horsebacks, 18th C.Description:Dia.: 33,5 cm - H.: 16 cmÊ Provenance: The base with a wax seal for the 'Gaston de Ramaix' collection, Chateau de Grune, Belgium. The collectors Maurice de Ramaix (1850-1918) (link available on rm-auctions.com), a Belgian diplomat and politician, and his son Gaston built a collection of mostly blue and white pieces from the seventeenth and eighteenth centuries. De Ramaix was a diplomatic attache in Paris, Constantinople, Vienna, Berlin, The Hague and Persia. Afterward, he returned to Belgium where he became a senator and a member of Parliament. In 1894, he bought and restored a castle in Grune, Belgium. After his death, De Ramaix"s collection was passed to his eldest son, Gaston (1878-1937), who was also a diplomat. Gaston had a predilection for the Dutch Golden Age and completed his father"s collection. He showcased the remarkable assemblage of Delftware in his seventeenth-century castle surrounded by Dutch paintings and prints from the same era.The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Full title: A pair of Dutch Delft blue and white seated dogs, 18th C.Description:H.: 20 cmÊ Provenance: - A Dutch private collection.-Sold in these rooms, Feb. 3, 2018, lot 294. (link available on rm-auctions.com)- A Dutch private collection.-With Aronson antiquairs, Amsterdam, published in 'Dutch Delftware', 2006, p. 56, no. 41 (see added reference images).-The Meijer Lavino collection, each with a label on the base.Ê The Lavino Collection, one of the world's largest and most important private collections of Dutch Delftware, was built by steel magnate Meijer Lavino, who died in 2005. This unique collection includes almost the entire range of wares produced by Delft potters between 1660 and 1820. Meijer Lavino (Rotterdam, 1937 - Antwerp, 2005) was the only child of Jewish parents. In 1964 he and Jo de Jong set up De Jong & Lavino, steel suppliers. In addition to his love of clocks, romantic paintings and rugs, between 1980 and 2002 he devoted himself with great passion to collecting Dutch delftware. He bought a wide-ranging and varied selection of Dutch delftware and was also intrigued by pairs and complete sets. Besides the variation in forms, he also collected Delftware featuring all the decorative techniques, from white and blue-and-white to multicoloured and pastel shades with gilding. He had a remarkable eye for the best-quality pieces. To ensure he purchased the best available, Lavino surrounded himself with Dutch delftware experts, and he could also rely on the support of his wife Paula Lavino-Ridderhof. A large part of the collection was kept together and loaned out to the Gemeentemuseum Den Haag on a long-term loan, where it has been on display between August 2019 and March 2020.Ê The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Mixed ceramics to include a Royal Doulton footed bowl, late 19th century Derby, Delftware, Jasperware and othersLocation: LWB

A Bristol Delftware "Adam and Eve" decorated charger, painted in dark blue and green, serpent and fruit picked out in yellow with red dashes, the figures of Adam and Eve facing one another and both holding a large leaf within a blue dash border, 33.5cm dia. (some restoration)

COMMANDEUR, J.P., (ed.). RoXY. Radical outlet for the Xenomaniac in You. The Complete Flyer Collection, 1987-1999. Amst., Spider's, 2009. 406, (2) pp. W. num. (full-p.) photogr. ills. by Cleo Campert, Rieneke Dijkstra, Erwin Olaf (a.o.). 4°. Or. leatherbacked brds. (Spine a bit chafed in places, without the Delftware tile called for on backcover, spoken text that should be heard when the book is opened, not audible anymore). NOTE:Extensive retrospective overview of almost all the flyers designed by Peter Giele (1954-1999), one of the founders of the notorious Amsterdam nightclub RoXY. By opening the front- and backcover of the book, two spoken texts could be heard by Giele and by Zubrowka, a frequent performer in the club. With textual contributions by i.a. author Joost Zwagerman, DJ Joost van Bellen and Jet Brandsteder, a transvestite performer of the club.

A collection of seven items of continental ceramics including a delftware vase, faience ware cat, and a Desvres dish. Dimensions, length dish 33 cm, height Delft vase 15 cm, jug height 22 cm, plaque diameter 11 cm.Damage to jug and cat, some wear to other items.

Group of six framed Dutch Delftware ceramic tiles. Featuring designs of flowers in vases, a bowl of fruit, a geometric design, and two landscapes.Tiles (each); Height: 5 in x width: 5 in. Framed; Height: 7 1/4 in x width: 11 in x depth: 4 1/2 in.

A COLLECTION OF SEVEN DUTCH DELFTWARE TILES, 18TH CENTURY, comprising a set of four each painted within a double lined roundel with individual pastoral scenes, and three further assorted examples. 13 x 13cm

A pair of Bow blue and white plates, c.1750-55, painted with the Broken Scroll pattern, the scroll depicting flowering peony and holey rockwork, within a formal panelled border, painted numbers 15 and 16 to the bases, 20.3cm. (2) This pattern was directly copied from a Chinese porcelain original, and was copied in turn by producers of delftware in Ireland. Cf. Peter Francis, Irish Delftware, pl.12 and pp.105-106 for a discussion on the influence of Bow porcelain on Dublin delftware.

Four Bristol delftware tiles, c.1750-70, painted in the Bowen manner with figures, boats and buildings beneath tall sponged trees in waterside landscapes, 12.8cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Four Liverpool delftware tiles, c.1750-75, painted in blue with octagonal panels containing buildings including a church, windmill and tower in harbour settings, within 'Louis XV' borders with diaper corners, a little chipping, 12.8cm max. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.