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Three 18th century delftware plates, each decorated with a waterside scene depicting a swan before a chinoiserie pagoda, 23cm diameter, edge losses and one restored (3)

Three Items of Holland Delftware to include a Jug, Ewer and Lidded Temple Jar a/f (3)

18TH C. IRISH DELFT PLATTER, Dublin c. 1750-60, octagonal form painted with the 'Chinese Flower-bowl' pattern of flowers and Daoist scholars objects in the border, reverse with stylised leafy sprigs, 42cms (w)Provenance: private collectionNotes: Cf. Peter Francis, Irish Delftware (2000), p.70, figs.60a-b for octagonal plates with the same design.Comment: fritting, glaze imperfections/loss to inner edge,

A late 19th/early 20th century French brass mounted Delftware mantel clock, 8.5cm circular dial inscribed with Roman and subsidiary Arabic numerals, twin winding holes, eight day movement, the backplate numbered 6242, 44cm high

A rare set of five 18th Century Bristol Delftware plates, each painted with two ducks and a peony flowering from rocks and inscribed with the letters B.I.I. and each dated 1745, 21cm dia. 

Earthenware large round bowl, printed in blue with the vessel 'Caroline', and the motto 'Within this bowl rich and deep I cradle all my woes to sleep', in the style of Liverpool delftware, 31.5cm diameterThere is a filled crack on the rim - please see additional image.

Group of 18th century Dutch delftware tiles, decorated in blue and manganese (7)

Pair of 18th century Dutch blue and white delftware dishes, painted in the Chinese style, 35cm diameterRim chips, glaze wear and scratching. Otherwise in good condition with no repairs or restoration.

A DUTCH DELFTWARE PLATE with two early Victorian Staffordshire childrens' plates

Four various continental delftware dishes, 18th and 19th century, largest 31cm diameter. Condition - various cracks and chipping to edges

An 18th century Delftware pewter lidded tankard painted in manganese, ochre, green and blue with panels of tulips, the lid initialled A.S.L and dated 1777. 26 cm high.

Turquoise toned with lustre finish & branch patterning. Brass accented handle, spout, and base. Hand Painted Delftware Made In Holland on bottom. Dimensions: 3.25"W x 6"HManufacturer: DelftCountry of Origin: HollandCondition: Age related wear.

Turquoise vase with lustre finish and branch patterning. Round body. Brass spout. #delft #delftware #brass Issued: 20th c. Dimensions: 5.75"HManufacturer: DelftCountry of Origin: HollandCondition: Dark tarnish to brass spout. Chip along the bottom edge.

Turquoise toned with lustre finish & branch patterning. Brass accented middle & top. Hand Painted Delftware Made In Holland on bottom of piece.  Dimensions: 3.25"W x 5.5"HManufacturer: DelftCountry of Origin: HollandCondition: Age related wear.

English Delftware blue dash tulip charger.  Decorated in polychrome with stylized tulips, leaves and other flowers in a vase within a yellow and blue dash border. In good condition.  measures approx. 12 inches diameter

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; two volumes, in slipcase.

A group of 18th, 19th and 20th century pottery and china - including an 18th Century Lambeth Delftware plate, c.1790, painted in the Ann Gomm pattern, 22.3cm diameter, chip and glaze flakes to rim; a Copeland Late Spode blue and white transferware 'Heron' pattern for the Canadian Pacific Railway small baluster coffee pot, 13.2cm high; a Royal Worcester 'Old Bow' pattern square dish; a small quantity of 19th century Staffordshire tea cups and saucers; etc.

18th Century Delftware dish decorated with a central winged female figure in shades of blue and yellow, 35cm diameter (extensive old repairs and damages)

A mixed lot of ceramics including a large 19th century Ironstone punch bowl, 36cm diameter; a pair of similar plates; an 18th century English blue and white delftware dish; a group of four early 19th century English 'Imari' porcelain dishes; three Ginori dishes etc. [some damage].

A group of Continental pottery snuff boxes together with a Staffordshire enamel patch box including three in Dutch blue and white delftware and two French faience examples, late 19th century, the patch box circa 1800 [damages] 6.

A large mixed lot of predominantly English pottery, 18th/19th century including nursery plates, a blue and white delftware charger and similar tiles, a redware teapot, black basalt and black glazed wares etc [damages].

An English Delft Charger, possibly Vauxhall, late 17th century, painted in blue with a central spiral within radiating dashes and concentric lines border with further dashes 34.5cm diameterSee Britton (Frank) London Delftware, pg.69 for a related fragmentary waster excavated on the site of the Vauxhall factory in the 1970s Crazed. three rim cracks. Some rim chipping including one sizeable chip / section. General fritting and some glaze wear.

A Pair of English Delft Plates, probably Vauxhall, circa 1730, painted in colours with a cockerel and basket of flowers amongst foliage within a blue border with foliate panels 23cm diameterProvenance: Moxhams AntiquesFor a similar plate see Archer (Michael) Delftware, item B62, pg.120 Chipping and fritting to both rims. One with a very short hair crack. Footrims with fritting. No restoration. Crazed.

A small group of tin-glazed Delftware to include 18th century Lambeth style plate, 19th century candlestick, A Pig Tulip Frog and Novelty Lady Bathing Feet. (4)

An English Delftware plate, c1770, painted with a flower and tree, 22.5cm diam Rim chips, not cracked

A Dutch Delftware biblical tile and vase, 18th c and later,  vase 16.5cm h, a German porcelain bonnet shaped basket with Putto, late 19th c, etc Putto lacking one wing

SET OF FOUR BLUE & WHITE DUTCH DELFTWARE PLAQUES, 19TH CENTURY of shaped form, hand painted with figural scenes16.5cm wide

A Collection of Modern Jewellery, to include Delftware inalid bracelet, floral style brooch stamped "SILVER", chunky curb link bracelet stamped "925", hardstone necklace with "925" clasp etc :- One Tray

To include a Spode love chase bowl; a Delftware blue and white plate with floral decoration; various Copeland & Spode jugs; a Royal Doulton blue and white plate with a comic scene 'Mrs Diggs is alarmed at discovering what she imagined to be a snare that threatened the safely of her only child, Mr Diggs does not share his wife's anxiety'; a punchbowl and various other plates and dishes.Qty: 19The love chase bowl with some biscuit chipping around the edges and scratching to the decoration; the Delftware plate with biscuit chipping around the edges and surface dirt throughout; the remaining dishes, jugs and bowls with various damage and some signs of repair throughout.

Turquoise toned with lustre finish & branch patterning. Gold toned handle.Copper toned spout & base. Hand Painted Delftware With Brass Accents Made In USA on bottom. This item has no reserve. Dimensions: 4"W x 7.5"HManufacturer: DelftCountry of Origin: United StatesCondition: Age related wear.

A rare Lambeth (Thomas Morgan and Abigail Griffith) delftware ballooning charger, circa 1785With the ascent of Vincenzo Lunardi's balloon painted in blue, green and manganese, a building with a fence and trees in the foreground, a swagged border within the blue feathered rim, 34.5cm diamFootnotes:Vincenzo Lunardi, 'The Daredevil Aeronaut' first demonstrated his hot air balloon in London on 15 September 1784, accompanied by a dog, a cat and a caged pigeon. Setting off from Artillery Ground in Finsbury, the Morning Chronicle reported that 'the general attention of the town and its inhabitants of all ranks, from the Countess to the Cobler's Wife, and from my Lady in St. James' square to my Lord. The little crooked shoe-shiner in an alley in Shoreditch, has been for some days past engrossed by Mr. Lunardi and his Balloon'. Spectators were estimated between 150,000 and 200,000 strong, including the Prince of Wales himself. The nearby pottery at Lambeth joined other tradesmen and artists in creating a memento of the day and of the new and exciting 'Balloon-mania', which had gripped the population. It is very rare to find a charger decorated with this subject, with plates being more common. For a plate with the same subject, see lot 245 in this sale.For further information on this lot please visit Bonhams.com

A good English delftware punch bowl, circa 1710-20Possibly Bristol or Vauxhall, of deep form, the exterior painted in blue, red, green and yellow with long-tailed birds perched on stylised flower sprays surrounded by stars, a formal scrolled border top the rim, the interior painted in blue with a stylised tulip and groups of four dots around the inner sides, 25.8cm diam, 15.2cm highFootnotes:A London (Vauxhall) punch bowl painted in an identical palette and with very similar decoration to the interior is illustrated by Michael Archer, Delftware (2013), p.240, no.F.13. However, related decoration in this palette was also used at Bristol and Brislington.For further information on this lot please visit Bonhams.com

A very large Bristol delftware punch bowl, circa 1740The interior painted in blue with a chinoiserie landscape depicting an oriental figure crossing a bridge before a pagoda, within a simple circular frame and border of stylised leaves, the exterior with a busy arrangement of landscape panels replicating the interior scene, alternating with panels of stylised flowers and diaper, 35.3cm diam, 17.7cm highFootnotes:It is interesting to compare the Chinese landscape panels on this bowl with very similar decoration found on Lund's Bristol porcelain, including 'Three Dot' motifs.For further information on this lot please visit Bonhams.com

Three English delftware plates, circa 1730-70Comprising a large plate, probably Bristol, painted in blue with an oriental gentleman standing in a stylised Chinese garden, 33.3cm diam, a Bristol plate, probably Redcliff Back pottery of Richard Frank, painted in blue with a European coastal scene of a figure in a boat, buildings and sponged trees, 23.3cm diam, the last painted in blue with a busy chinoiserie scene depicting an oriental lady standing in a pavilion before a garden, with a brown line rim, 22.3cm diam (3)For further information on this lot please visit Bonhams.com

A large pair of Lambeth delftware plates, circa 1770Painted in blue, green and manganese with a chinoiserie landscape depicting two pagodas on tree-studded rocky river islands, within a frame of trellis and sgraffito scrollwork panels, the border with three mounds issuing foliage and a scalloped band to the rim, 34.8cm diam (2)Footnotes:ProvenanceWith Alistair Sampson AntiquesA smaller plate with identical decoration is illustrated by Frank Britton, London Delftware (1987), p.203, no.12.75.For further information on this lot please visit Bonhams.com

A large pair of Bristol delftware dishes, circa 1720-35Possibly Limekiln Lane, painted in blue, yellow, green and red with Chinese lady seated in a garden beside a fence, the fluted rim picked out with stylised leaf ornament in red and green alternating with blue stripes, the underside with a border of circles and double-strokes in blue, 33cm diam, number 7 in blue (2)Footnotes:A very similar dish is illustrated by Leslie B Grigsby, The Longridge Collection (2000), p.151, no.D119 and was sold by Christie's on 10 June 2010, lot 1220.For further information on this lot please visit Bonhams.com

A Liverpool (Philip Christian) bowl, circa 1765Of generous proportions, the centre fully painted in blue with a dragon chasing a flaming pearl, its long tail curling over the rim and coiling around the exterior, 20cm diamFootnotes:Although this pattern occurs on delftware and pearlware, it is unusual to find Dragon bowls of this large size in porcelain. For a similar example, please see the Pinewood Collection, Phillips, 31 October 2001, lot 103. A teabowl and saucer was sold by Bonhams, 15 December 2023, lot 95.For further information on this lot please visit Bonhams.com

An important documentary Liverpool (Seth Pennington) jug, dated 1798Painted perhaps by William Jackson, of generous baluster form with a turned spreading foot and scroll-moulded spout, with a distinctive three-scroll handle, finely painted in blue with a typical three-storey Liverpool windmill, the Liverpool Infirmary and further buildings in the distance, the reverse inscribed 'J; SHAW 1798' below a complex printed floral border with two butterflies in flight, 24.3cm highFootnotes:ProvenanceWatney CollectionIllustrated and discussed by Bernard Watney, 'Fragments from Liverpool: The Pennington Manufactories', ECC Trans, Vol.15, Pt.2 (1994), pp.283-5, figs.2 and 3 and by Bernard Watney, Liverpool Porcelain (1997), pp.99-100 and 102, figs.394, 401 and dustjacket. Exhibited in the Liverpool Exhibition, Phillips 1997. The date on this important jug indicates that it was made by Seth Pennington at Shaw's Brow, just a year before the factory was put up for sale. The moulding on the handle and lip are derived from earlier examples made by Philip Christian at the factory. It was made for Jeremiah Shaw, who operated a mill near Liverpool Infirmary, and it is likely that the building depicted in the distance is the Infirmary itself. Watney suggests that the style of the painting, which is reminiscent of delftware, coupled with the meticulous attention to detail suggests that William Jackson, the ship and 'prospect' painter, was the decorator responsible.For further information on this lot please visit Bonhams.com

A very rare Liverpool (Samuel Gilbody) cornucopia wall pocket, circa 1758-60Of spirally fluted form, the flared lobed rim moulded in low relief with berried leaves left in the white against a blue ground, the spiral moulding picked in blue with trailing foliage, 20.8cm highFootnotes:ProvenanceWatney Collection, Phillips, 10 May 2000, lot 668Illustrated by Bernard Watney, Liverpool Porcelain (1997), p.57, fig.216 and exhibited at Phillips Liverpool Exhibition in the same year. A similar example is illustrated by Maurice Hillis, Liverpool Porcelain (2011), p.306, fig.7.70, where the author notes its extreme rarity. Related shapes are found in contemporary English pottery. A delftware wall pocket dated 1748 and most likely made in Liverpool is illustrated by Louis L Lipski, Dated English Delftware (1984), p.356, no.1568. However, a more direct influence may be from English saltglaze. See Arnold R Mountford, Staffordshire Salt-glazed Stoneware (1971), fig.34 for a block mould for a cornucopia with a very similar border to the present lot.For further information on this lot please visit Bonhams.com

A Bristol delftware 'Farmyard' plate, circa 1720-30Of 'pancake' profile without a footrim, painted in red, yellow and dark blue with a comical cockerel strutting among manganese sponged trees, 22cm diamFootnotes:ProvenanceWith Jonathan HorneA very similar plate was sold by Bonhams on 21 May 2014, lot 31.For further information on this lot please visit Bonhams.com

A Lambeth (Thomas Morgan and Abigail Griffith) delftware ballooning plate, circa 1785Painted in blue, green, yellow and manganese with the ascent of Vincenzo Lunardi's balloon, a building with a fence and trees in the foreground, a border of floral festoons suspended from the feathered rim, 23.1cm diamFootnotes:ProvenanceWith Alistair Sampson AntiquesFor a similar ballooning plate of much larger size and the history behind the scene, see lot 244 in this sale.For further information on this lot please visit Bonhams.com

A Worcester 'Scratch Cross' coffee can, circa 1754Painted in blue with the 'Cormorant' pattern, a peony and large leaves on the front, a bird on a rock on the reverse assisting an angler on a sampan, 6cm high, scratched cross mark on the base below the handle and an incised line alongside, a workman's mark in blueFootnotes:ProvenanceWatney Collection, Phillips, 22 September 1999, lot 203Pauline and David Tate CollectionThe 'Cormorant' is one of very few Worcester blue and white patterns that were used in an identical version on Bristol delftware. As these are of very similar date, it is only possible to speculate as to who was copying who.For further information on this lot please visit Bonhams.com

Two English delftware plates, circa 1730-40Bristol or London, one painted in blue with a heron or crane, a border of stylised foliate sprigs to the rim, 22.5cm diam, the other of so-called pancake form, painted in blue with a long-tailed bird amongst naïve flowering plants, 22.7cm diam (2)Footnotes:ProvenanceWith Alistair Sampson Antiques (second mentioned)For further information on this lot please visit Bonhams.com

A rare Bristol delftware charger, circa 1710-30Probably Limekiln Lane, vibrantly painted in blue, red, yellow and green with a chinoiserie scene depicting three seated Oriental figures in a rocky garden, surrounded by further landscape vignettes with buildings, rocks and plants, a blue tramline border to the rim, with four blue flourishes under the rim, 33.5cm diam, number 4 in blueFootnotes:ProvenanceWith Alistair Sampson AntiquesThe decoration on this charger is inspired by 17th century Chinese porcelain prototypes and when found on delftware is traditionally associated with Bristol. A posset pot and a punch bowl painted with a very similar group of Chinese figures is illustrated by Leslie B Grigsby, The Longridge Collection (2000), pp.310-1 and 334-5, nos.D285 and D305. Similar figures appear on a two-handled cup and cover dated 1710 and a posset pot dated 1711, see Lipski and Archer, Dated English Delftware (1984), pp.214-5, nos.949 and 950. Compare also to the celebrated 'Niglett' dish dated 1733, see Frank Britton, English Delftware in the Bristol Collection (1982), p.187, no.12.14.For further information on this lot please visit Bonhams.com

A Bristol delftware 'Farmyard' plate, circa 1720-30Of unusually small size, the plate of 'pancake' profile without a footrim, painted in yellow, red and dark blue with a peacock standing among manganese 'sponged trees', 20.3cm diamFootnotes:ProvenanceWith Alistair Sampson AntiquesA very similar plate also of this attractive small size was in the Olive Collection, sold by Bonhams on 31 January 2019, lot 33.For further information on this lot please visit Bonhams.com

An English blue and white delftware flower brick, probably Liverpool, circa 1760, having nineteen ringed flower holes, decorated with a pastoral scene, w.11.5cmLoss to glaze at edges as to be expected.Some fairly deep chips and nibbles.

An English delftware bowl, 18th century, polychrome enamel decorated with foliage in the manner of Abigail Griffith of Lambeth, dia.20cm

A Liverpool blue and white delftware puzzle jug, circa 1765, the three spouts and pierced neck above a globular body inscribed with the 'Here gentleman come try your skill' poem, h.19.5cmRestored

An 18th Century English delftware plate with blue painted decoration - a/f

Three 18th Century English delftware tiles, depicting Biblical, allegorical and landscape scenes - one a/f - removed by the vendors father in the 1950's/60's from Georgian townhouses due for demolition for the construction of the Bristol bus station

Four 18th Century English delftware tiles with hand painted manganese decoration, depicting pastoral and allegorical scenes - removed by the vendors father in the 1950's/60's from Georgian townhouses due for demolition for the construction of the Bristol bus station

A large collection of pottery to include a lidded two handled Capodimonte centrepiece, Dutch Delftware blue and white horse, cow with miniatures by Coalport, Minton, Wedgwood (3 boxes)

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; comprising two volumes in slip case.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; comprising two volumes in slip case.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; comprising two volumes in slip case.

THE LONGRIDGE COLLECTION OF ENGLISH SLIPWARE AND DELFTWARE; comprising two volumes in slip case.