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Lot 242
A pair of small delftware octagonal plates, c.1770, Liverpool or Dublin, painted in blue with La Pêche, a lady fishing and watched by a figure beneath an archway, with a Pratt ware novelty pipe, c.1800, formed of elaborate coils of clay decorated in blue and ochre dots, some chipping and restoration, 29.8cm max. (3)The design on the plates, commonly seen on Caughley and Worcester porcelains, is copied from a design by Jean Pillement, engraved by P C Canot and published in 1759. It was then published in the second edition of The Ladies Amusement the following year.
Lot 250
A Bristol delftware flower brick, c.1760, the rectangular form painted to the long sides with two figures in a boat before buildings and a tall tree, the short sides with two figures fishing back-to-back, the recessed top pierced with two square and nine small circular holes, a crack to the base, 15.6cm across.
Lot 252
Six delftware tiles, c.1750-70, painted in manganese with European figures in boats and bucolic landscapes, two framed tiles painted in blue with octagonal panels of buildings reserved on a powdered manganese ground, and another framed tile painted with figures in a hilly landscape, 14.3cm max. (9)
Lot 256
Fourteen English and Dutch delftware tiles, 18th century, painted in blue or manganese with scenes including the Stoning of Stephen, the Woman of Canaan, the Tribute Money, the Temptation in the Wilderness, the Return of the Prodigal Son, the Annunciation and Daniel Scattering Ashes in the Temple, within circular panels with stylized foliate corner motifs, some faults, 12.8cm. (14)
Lot 162
A mixed lot of pottery comprising an English dated blue and white delftware plate inscribed 'B.I.I 1717' within a foliate cartouche, 23cm [damages], a polychrome delftware punch bowl painted in Oriental style with a bird and insect amongst flowers and foliage, 30cm [damages]; a Medieval unglazed stoneware jug, 14.5cm [minor chips]; a brown stoneware jug stamped 'D.Dobell, Ashburton 1775', 20cm [neck replaced]; and a treacle glazed figure of a spaniel, 17cm [5]. * Literature: for the plate- Louis L.Lipski and Michael Archer 'Dated English Delftware' page 77, pl.295.
Lot 176
Three pieces of 18th century English delftware comprising a polychrome charger painted in the oriental style with a pagoda, flowers and foliage, 33cm [bears paper label for 'Alex Huisman'],minor chips/glaze losses; a blue and white bowl painted with peonies, 27cm [riveted]; and a blue and white pancake plate painted with a fence and foliage, 22cm [interior glaze crack and wear to rim] 3.
Lot 140
Three 18th century delftware plates, including one English and painted with a Chinese figure in a garden, one Dutch with central monogram, and another Dutch with flowers in the Chinese style. Provenance: Removed from Sun Court, Hadleigh: From the Estate of David Tron, King’s Road Antiques Dealer.
Lot 162
AMENDMENT: Please note, only the initially described Dutch Delftware vase is 18th century, the remaining items are later in age. A group of blue and white ceramics, to include a Dutch Delftware baluster vase, 18th century, decorated to the exterior with bands of vines and flowerhead motifs, 15cm high; a Delftware style tea caddy of rectangular form decorated with chinoiserie panels of figures, flora and fauna, lacking cover, 10cm high; a ceramic spherical vase with squat neck and base decorated with chinoiserie figures and floral sprays, with metal neck cover, 14.5cm high; a small vase with twin mask lugs decorated with armorial crest and floral sprays, a tulip vase with twin handles decorated with flora and fauna, a rectangular vase with flared rim decorated with landscape and floral motifs, a small bowl with vine and geometric motifs to the interior and exterior, a modern baluster vase with floral sprays, and a rectangular twin handled tray dish with transfer printed decoration featuring a landscape with figures to the centre and floral motifs to the border, 25 x 25cm (9)Condition Report:Most pieces with wear, possibly simulated for antique effect, to include loss of glaze to rim and base, the 18th century vase with two large losses to the base, the caddy with a larger loss to one corner, the bowl with two chips to the rim, the dish with a staple repair.
Lot 333
Full title: A polychrome Dutch Delft figure of a child in a high chair with the text 'Weest soet' (be kind), 18th C.Description: H 13,8 cm Ref.: - A very similar polychrome figure is part of the Aronson Delftware Collection. Some otherexamples: two high chairs were sold at Frederik Muller & Cie in Amsterdam on November 28, 1911, lot 1164 and 1165, with inscriptions on the table tops, one LPK- marked example with “dag mem” (“hello mum”), and the other with “geef mijn wat vuur” (“give me some fire”), the latter referring to the brazier underneath in the chair. Another with the inscription “Dag vader” (“Hello father”) is illustrated in Aronson 2018, p. 119, no. 72.(link).
Lot 131
A PAIR OF ENGLISH DELFT BLUE AND WHITE WALL POCKETS, PROBABLY LAMBETH MID-18TH CENTURYPainted with a single figure in a terraced garden, 20cm high (2) Compare with a similar wall pocket, gifted as part of the H.E. Blatch Collection, Reading Museum, object number REDMG: 1961.241.26 and see Michael Archer, Delftware (1997), p. 375, pl. I.23, for a more distantly related example Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and by family descent. Condition Report: Both restored and one with hair crack.Condition Report Disclaimer
Lot 31
A rare set of six English Delftware plates, Bristol, circa 1755, with shaped lobed rims and 'bianco sopra bianco' borders, the centres with a formal Chinese garden, 22.8cm/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. One of the plates has some chipping to two areas of the rim, the largest of which is 4cm wide, several of the plates have very minor small rim chips to the shaped rim, some very minor glaze scratching.
Lot 32
An English Delftware plate, circa 1740-50, painted in blue with a Long Eliza figure and a potted plant on a low table, the border with huts and willow trees, 22.7cm diameter/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Some losses to the glaze to the edge and to the underside of the rim, chip to rim at 7 o'clock and further scattered chipping.
Lot 33
Five English Delftware plates, circa 1760-80, comprising one with the 'Ann Gomm' pattern, one polychrome with a seated Chinese figure, another with a polychrome version of 'Plantation' pattern, a blue and white London plate with a shepherd and shepherdess and an octagonal deep plate with a version of 'La Pêche' pattern, 22cm-23cm diameter/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Ann Gomm pattern plate - with chipping to rim, the largest of which is 2.5cm wide, with spreading hairline crack from rim into body of plate.Plate with seated Chinese figure - rim chip at 9 o'clock, 1.5cm wide. with associated hairline crack. Blue and white plate with shepherd and shepherdess - cracked across and restuck with areas of glue deposits, small associated losses. Octagonal soup plate - with large loss to rim which spans 11cm, another small losser to one corner which is 3cm wide, further smaller chipping to rim. A polychrome delftware plate with Oriental shrubs - long hairline crack from rim into body at 12 o'clock, thumbnail sized glaze chip at 11 o'clock and another smaller chip.
Lot 35
An English Delftware plate, probably Bristol, circa 1750-60, with a 'bianco sopra bianco' border, painted in polychrome with Chinese figures in a river scape, 22.2cm diameter/Note: One of Henry Sandon's favourites, as one Chinese figure is bringing his friend a teapot/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: With two conjoined restuck, restored and overpainted chips to rim which are 7cm wide overall, with several further restuck, restored and overpainted chips to rim, some associated losses to glaze.
Lot 36
A British Delftware 'Jacobite' plate, perhaps Delftfield Pottery, Glasgow, circa 1750-60, painted in blue with a formal rose and a half-open bud, probably derived from a Jacobite motif on a wine glass, formal panelled border/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: With chipping to the rim, the largest is 2cm wide at around 11 o'clock, further smaller chips and losses to rim.
Lot 37
Two English Delftware small plates, circa 1745-60, one with a standing Long Eliza figure, 17.4cm, the other with a seated Chinaman and a cockerel, brown line rims, 16.4cm diameter/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Long Eliza pattern small plate - with several restored and repainted rim chips, the largest is 3cm wide.The seated Chinaman plate - as above, with several restored and overpainted rim chips, the largest is 3cm wide. Some discolouration to old retouching.
Lot 38
Two English Delftware plates, mid 18th Century, one probably Liverpool, with a Chinese figure by a tree, panelled border, 22.8cm, the other probably London with an unusual 'cracked ice' pattern in blue and manganese, 23cm diameter/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Cracked ice plate - with two rim chips, the largest being 3cm wide, with a further smaller chip to the underside of the rim, a hairline crack from rim to centre, another shorter crack and further glaze crazing and cracking.Plate with Chinese figure - with two glaze chips to rim, one to front and the other to the back, further minute glaze chipping. Otherwise ok.
Lot 39
Two London Delftware tavern measures, circa 1790-1820, baluster shape with grooved necks, crude blue decoration on the fronts (one lacking the loop handle) and three white Delftwareminiature cups (5)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: As described, one measure is lacking its handle, some typical chipping to glaze at footrim and rims overall, the other measure with some chipping to footrim and losses to glaze at handle, some crazing and scratching to body. Two small mugs - one with chip to footrim and the other with hairline cracks, glaze chipping to rims. The small cup with short hairline crack and minor glaze flaking to rims.
Lot 40
A large Wincanton Delftware circular dish, circa 1730-50, painted in blue with the Mimosa pattern, 35cm diameter/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Some light chipping to the rim, the largest chip is 1cm wide, with a section of the footrim cracked and restuck in several places, 7cm wide overall, further lesser chipping.
Lot 46
Four pharmacy vessels, 18th Century, comprising a Sicilian Maiolica albarello, probably Caltagirone, cylindrical with a blue chequer pattern, 17cm, an Abruzzi albarello painted with a formal landscape, 23.2cm and a Spanish syrup jar inscribed Ol.Cicum…, 22cm (spout lacking) and an English Delftware syrup jar (broken)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: - the first: a nice example in good condition - only some minor rim fritting and a couple of small glaze blemishes to body.The second: with a large section of the rim broken and bonded, with some small associated losses along the breaks, 15cm wide and down into the curtain decoration. Several hairline cracks from along the break, one travelling from the rim at the front down through the side of the painted panels approx. 15cm. Two small footrim chips. The third: the spout is a crude replacement. Hairline crack to the rim and two small drill holes. Flat chip to glaze on body above the spout from previous configuration. One large flat footrim chip.The fourth: two large pieces broken out of the rim and glued. Glaze losses along the break and to the right side of the banner. A hairline crack to the rim closest to the spout. Patch of glaze loss to the left of the banner. Minor glaze fritting to rims.
Lot 63
Two Delftware vases, Dutch or possibly English, circa 1670-90, one of multiple gourd shape on a turned foot, painted in blue in Chinese Transitional style with birds and flowering plants, 23cm high, the other of baluster shape, painted with three panels of formal landscapes with figures, 18cm high (damage to necks)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: the first: top of neck broken. Flat chip to lower part of bulbous body, small flat chip to band on waist and a chip to footrim. The second with a section of rim broken, some rim chips and a short hairline crack.
Lot 70
A frame of nine English Delftware tiles, circa 1740-60, with powder blue grounds and octagonal panels of figures in landscapes, flowerhead corners, each tile 12.5cm x 12.5cm/Note: Recovered by Henry Sandon in 1972 from a fireplace in the Historic Shades Tavern in Mealcheapen St, Worcester/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 29
A collection of apothecary bottles and ointment pots, late 17th or 18th Century, all excavated by Henry Sandon from archaeological sites in Worcester, comprising two English green glass phials, 8.7cm, a larger glass apothecary jar, 12cm (broken rim section), together with ten pottery ointment pots including London Delftware jars of albarello form (some incomplete), one larger partially complete jar with blue zigzags (13)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The larger blue and white delftware pot - with large loss to body, cracked out and restuck to the body into at least 6 sections. With old areas of in-filling to cracks, chipping and in-filling to footrim. One of the small green phials with two large chips to the upper rim, a larger pale green glass bottle with a large rim chip and some inclusions and scratching. All of the smaller ointment pots with some chipping, losses and cracking. All in a condition typical of excavation.
Lot 30
A large quantity of 17th Century Delftware shards from Pickleherring Quay in Southwark and various excavated fragments and partially complete vessels from other sites, including Roman pottery and glass, Cistercian Ware, saltglaze, slipware and delftware, much of it excavated by Henry Sandon in Worcester/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 558
A set of six 18th century English Delftware plates, possibly Liverpool, decorated with chinoiserie scenes in iron red, diameter 12.75cm (6)Condition Report: All with fritting and wear at the rims. Two with slightly heavier at the rims which verges on chips, one with a larger chip to the rim, and one with a hairline crack extending to a star crack in the centre, and several chips at the rim.
Lot 163
AMENDED DESCRIPTION - Dan Kelly (b.1953)Footed dish with abstract decoration, 1979PorcelainUnmarked21cm diameter, 5.5cm highProvenanceDan Kelly has advised that this was made for his final show exhibition of his work completed whilst at the RCA. The piece was purchased by Grahame Clarke, who had been his tutor during the period of study 1977-1979.The Grahame Clarke Collection of British Studio Ceramics.The Grahame Clarke collection of British Studio Ceramics (lots 163-179)Grahame Clarke (1942-2014) was a potter, Royal College of Art ceramics lecturer and collector. He was first influenced by such names as Harry Davis, Bernard Leach and Shoji Hamada but rather than producing one-off pieces for display, he focused on producing handmade, usable tableware. In 1974 he co-founded Highland Stoneware in Lochinver, Scotland, and in 1991 founded Grahame Clarke Porcelain, in Norfolk.Grahame graduated from the Royal College of Art in 1962. As a student he assisted Harry Davis at his studios in Cornwall, and after graduation went to Stoke-on-Trent, working for Price and Kensington and Royal Doulton. He also travelled to Denmark to work for Bing and Grøndahl.Later he joined the Royal College as a senior lecturer in glass and ceramics, and worked there for over 20 years. In the ceramics department he worked alongside the artist Eduardo Paolozzi and the pottery designer David Douglas, Marquess of Queensberry. Grahame Clarke’s porcelain combined the durable porcelain body, modelled on 17th-century Chinese pottery, with a free hand-painted style inspired by the Delftware and Lowestoft blue-and-white decorations of the 16th and 17th centuries. He sold work under his own name, as well as producing contemporary design commissions for Heal’s, for the interior designer Jane Churchill and for the tableware retailer Thomas Goode.
Lot 2097
A Bristol polychrome delftware plate, probably Richard Frank of Redcliff Back, circa 1760, decorated with trees beside a pavillion, dia.22.5cm, together with another English polychrome delftware plate, probably Bristol, 18th century, decorated with pagodas, dia.22.5cm Reference: Archer M (1997) Deftware, B.34, p.133Sponge border – quite crazed, has been cracked and restored.Boat and pagodas – has been cracked and restored to a high standard (only noticeable upon close inspection).
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